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@blakes7bot@mas.torpidity.net
2025-12-10 13:23:07

Series B, Episode 05 - Pressure Point
MUTOID: They have not had time to get far.
TRAVIS: Couple of miles at the most, and without their teleport they're earthbound now.
MUTOID: I will call security.
TRAVIS: No!
blake.torpidity.net/m/205/416 B7B3

Claude Sonnet 3.7 describes the image as: "The image shows a dark scene from what appears to be a period film or television production. Three figures are visible in dim lighting, wearing what looks like medieval or Renaissance-style dark clothing with some leather elements and distinctive design features. The scene has a somber, dramatic atmosphere with the characters positioned close together in what might be a dungeon or castle interior.

The lighting is very low-key and atmospheric, creating…
@blakes7bot@mas.torpidity.net
2025-12-10 10:20:41

Series A, Episode 04 - Time Squad
CALLY: He fears death?
VILA: I plan to live forever. Or die trying.
BLAKE: If you can get us inside that complex, we'll provide all the destruction you want. And still get out safely.
AVON: Or die trying.
blake.torpidity.net/m/104/389

@blakes7bot@mas.torpidity.net
2025-12-10 19:28:02

Series A, Episode 05 - The Web
BLAKE: Increase power to compensate.
JENNA: It's getting worse all the time.
BLAKE: If there is a planet there we should be close enough to get signals now. Vila, go and see how Cally is, will you.
VILA: Must I?
blake.torpidity.net/m/105/169

@blakes7bot@mas.torpidity.net
2025-12-10 16:25:26

Series A, Episode 02 - Space Fall
BLAKE: What went wrong?
AVON: I relied on other people. Why all the questions? Or is it merely a thirst for knowledge? [Puts note away]
blake.torpidity.net/m/102/102 B7B4

@blakes7bot@mas.torpidity.net
2025-11-12 07:18:40

#Blakes7 Series A, Episode 04 - Time Squad
JENNA: Ah, don't tell him that.
BLAKE: [Into communicator] Thank you, Avon. [to Jenna] You ever seen anything like this before?
JENNA: No.
blake.torpidity.net/m/104/10…

@blakes7bot@mas.torpidity.net
2025-11-11 22:15:08

Series C, Episode 08 - Rumours of Death
SULA: I'm not deaf, Hob.
HOB: Just not listening, is that it? I'm not fighting my own men to protect Servalan. Or to protect anyone else, for that matter. D'you understand me, Sula?
SULA: Perfectly.
blake.torpidity.net/m/308/394

Claude 3.7 describes the image as: "The image shows a scene from what appears to be a television drama or film with a vintage aesthetic, likely from the 1980s based on the styling and video quality. 

The setting is an office or professional environment with white walls and vertical blinds by a window. A person in a dark uniform or jacket with what looks like insignia or badges is standing on the left, seen from behind. On the right, another person in a light gray button-up top is seated at a d…
@blakes7bot@mas.torpidity.net
2025-11-11 19:11:51

Series A, Episode 05 - The Web
GEELA: Come with us, please.
[Blake follows Geela and Novara back through the room and into the lounge area. His communicator chimes.]
BLAKE: [Into communicator.] Blake.
AVON: [V.O.] Avon.
BLAKE: You ready?
blake.torpidity.net/m/105/415

@blakes7bot@mas.torpidity.net
2025-11-11 16:09:46

Series A, Episode 09 - Project Avalon
TRAVIS: Ohh?
SERVALAN: Oh, so far I have resisted that pressure. But now, I need your reassurance that my confidence has not been misplaced.
TRAVIS: I think Project Avalon will silence the critics.
blake.torpidity.net/m/109/174 B7B4

Claude 3.7 describes the image as: "# Scene Description

This image appears to be from a science fiction television production, set in what looks like a minimalist, futuristic interior space with plain gray walls and metallic fixtures. The setting has a sterile, institutional quality typical of 1970s-80s sci-fi design.

In the foreground, a woman wearing a white garment with dark trim is engaged in conversation with a man in a black leather jacket. Between them appears to be some kind of white …
@blakes7bot@mas.torpidity.net
2025-11-10 22:18:21

Series C, Episode 10 - Ultraworld
AVON: Vila.
ORAC: Vila served a useful purpose in distracting and confusing the energy waves emanating from the planet.
VILA: Useful purpose.
blake.torpidity.net/m/310/693 B7B6

Claude Sonnet 4.0 describes the image as: "This appears to be a medical or scientific apparatus from a futuristic setting. The image shows a clear chamber or containment unit with various tubes, wires, and monitoring equipment attached. There are red indicator lights visible on the device, suggesting it's actively functioning. The setup has a clinical, high-tech appearance typical of advanced medical technology, possibly used for patient treatment or scientific experimentation. The transparent …
@blakes7bot@mas.torpidity.net
2025-11-10 19:15:03

Series D, Episode 07 - Assassin
VILA: That's it, just the same message over and over again.
DAYNA: Well it doesn't mean anything. Utilizer, Cancer, five subjects - it's gibberish.
TARRANT: Domo the ninth?
VILA: Son of Domo the Eighth, presumably.
blake.torpidity.net/m/407/5

@blakes7bot@mas.torpidity.net
2025-11-10 16:12:51

Series B, Episode 08 - Hostage
BLAKE: You all right, Jenna?
JENNA: [Into bracelet.] Bring us up, Cally.
INGA: Come on, father.
[Surface of Exbar. Night. Travis is walking disconsolately and stumbles into a mutoid and Servalan.]
blake.torpidity.net/m/208/714 B7B4

Claude 3.7 describes the image as: "This image appears to be from a vintage science fiction television production from the late 1970s or early 1980s. The scene shows four performers in what seems to be a spaceship or futuristic setting with metallic walls in the background.

Three individuals are wearing similar silver/white jumpsuits or uniforms that have a utilitarian space crew appearance, while one person on the left wears a patterned black and white outfit. The styling, costuming, and prod…
@blakes7bot@mas.torpidity.net
2025-11-10 13:10:23

Series B, Episode 04 - Horizon
[Teleport section]
AVON: [Snapping on a bracelet] What do these detectors look like?
ORAC: Logic would suggest they are camouflaged - in plants.
blake.torpidity.net/m/204/536 B7B3

Claude 3.7 describes the image as: "This image shows a person in a distinctive silver/metallic costume with a black turtleneck underneath, standing in what appears to be a futuristic set design. The individual is positioned at what looks like a control panel or console with transparent elements. The costume has a retro sci-fi aesthetic typical of British television productions from the late 1970s/early 1980s.

The setting features angular architectural elements with geometric shapes and panels …
@blakes7bot@mas.torpidity.net
2025-11-10 10:07:26

Series C, Episode 11 - Moloch
AVON: Tarrant! Full deflection! [Tarrant complies. Viewscreen shows planet surface receding. Vila goes head-over-heels across the bridge.]
[Scene of a protective dome nestled on a hillside, with four spires rising from its corners. Three square sensors protrude from the hillside. Within the dome, two women, Poola and Chesil, are monitoring the sensors.]

@blakes7bot@mas.torpidity.net
2025-11-11 13:07:13

Series B, Episode 07 - Killer
JENNA: Obviously not.
BLAKE: I hope we got that through to him in time.
[A-line room]
AVON: Keep an eye on the corridor.
blake.torpidity.net/m/207/537 B7B3

Claude Sonnet 4.0 describes the image as: "I can see this is a scene from a science fiction television series featuring two characters in what appears to be a futuristic spacecraft setting. The background shows typical sci-fi television production design with metallic surfaces and circular lighting elements. One character is wearing a mint green and white outfit with a chain necklace and has blonde hair, while the other wears earth-toned clothing including what appears to be a leather jacket ov…
@blakes7bot@mas.torpidity.net
2025-11-11 10:04:38

Series C, Episode 03 - Volcano
VILA: Obsidian. Even the name sounds nasty. Do you know why it escaped the galactic war?
CALLY: If it did.
VILA: Well, Zen says there's no sign of any battle fleet wreckage on the surface.
CALLY: Not as far as we can see.
blake.torpidity.net/m/303/48

Claude 3.7 describes the image as: "This image appears to be from a science fiction television show from the late 1970s or early 1980s based on the production style and costume design. The scene is set in what looks like a spacecraft or control room with metallic and brown paneled walls.

The image shows three people in a tense moment. On the left is someone in a light-colored, high-collared outfit. In the center and right of the frame are two others - one wearing dark clothing and another in a…
@blakes7bot@mas.torpidity.net
2025-11-11 07:02:02

#Blakes7 Series D, Episode 08 - Games
AVON: Who does?
SLAVE: I fear I am unable to identify them Master. I regret this failure most bitterly.
AVON: Orac?
blake.torpidity.net/m/408/117

Claude 3.7 describes the image as: "This image shows a droid or robot character from the science fiction television series. The machine has a distinctive spherical, segmented design with metallic sections separated by gold trim bands. It appears to have a control panel with small red lights visible in its midsection. The robot is positioned in what looks like a technical corridor or facility with textured green wall panels visible on either side, creating a classic retro sci-fi aesthetic. The s…
@blakes7bot@mas.torpidity.net
2025-10-10 15:12:56

Series D, Episode 05 - Animals
BORR: That's against Bureau standing orders, Commissioner.
SERVALAN: Who do you think wrote those orders, Borr? I did. So do as I say and do it now.
BORR: At once, Commissioner Sleer.
blake.torpidity.net/m/405/180 B7B4

Claude 3.7 describes the image as: "This image appears to be from a television series, showing a person with a very short, dark haircut and dramatic makeup including defined eyebrows and red lipstick. They are wearing elegant dangling earrings and what looks like a dark garment with a textured or fur-like collar. The person is looking upward, creating a striking and somewhat imperious expression.

The setting appears to be an interior scene with neutral-colored walls, and there's what looks lik…
@blakes7bot@mas.torpidity.net
2025-10-10 12:10:48

Series D, Episode 05 - Animals
CAPTAIN: There is certainly nothing down here about the work they were doing.
SERVALAN: And there won't be anything anywhere else, but they were there on Bucol Two towards the end of the war and they spent twenty million credits on whatever it was.
blake.torpidity.net/m/405/113

Claude 3.7 describes the image as: "The image shows a scene from what appears to be a science fiction television series from the late 1970s or early 1980s. It depicts a formal meeting or confrontation in what looks like a governmental or administrative setting. 

In the foreground, a person with short dark hair wearing an elegant black outfit with feathered or textured shoulders sits in a leather chair. They appear to be in a position of authority, gesturing while speaking. The costume has a dr…
@blakes7bot@mas.torpidity.net
2025-10-10 09:08:12

Series B, Episode 02 - Shadow
BLAKE: Think, Gan, think what they've got: men, material, information. Think what we could do with a fraction of the resources they control.
GAN: No, YOU think, Blake. Think what it is they control. Everything dirty, degrading, and cruel on just about every colonized world.
blake.torpid…

@blakes7bot@mas.torpidity.net
2025-10-10 21:17:07

Series A, Episode 06 - Seek-Locate-Destroy
ESCON: Thank you, sir. [sits]
TRAVIS: How are your units deployed?
blake.torpidity.net/m/106/402 B7B6

@blakes7bot@mas.torpidity.net
2025-10-10 18:15:08

Series A, Episode 01 - The Way Back
P.A.: [V.O.] Security clear on cell unit M-three for Justice Department access.
VARON: I'm Tel Varon, Justice Department. I've been assigned to defend you.
BLAKE: I don't need a defence. I'm going to plead guilty.
blake.torpidity.net/m/101/157

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television series, showing a scene in what looks like a sterile, white institutional setting. In the foreground, there's a person in dark clothing reading or examining some papers at what appears to be a desk or table. In the background, there are figures in what look like military or security uniforms. The setting has a clinical, authoritarian atmosphere typical of dystopian sci-fi productions from t…
@blakes7bot@mas.torpidity.net
2025-10-11 06:20:40

#Blakes7 Series C, Episode 06 - City at the Edge of the World
VILA: If the energy threshold isn't too low, and the field too thick. This one tried, but the air ran out on him. Ship was still in flight. [takes probe from skeleton]
KERRIL: Can I do anything?

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television series, showing two people in what looks like a futuristic interior setting with distinctive hexagonal or geometric patterns visible in the background. One person has blonde hair and is wearing what appears to be a light-colored garment, while the other person has dark hair and is wearing what looks like a ribbed or textured outfit in muted tones. The setting has a clinical or technological…
@blakes7bot@mas.torpidity.net
2025-10-12 06:13:26

#Blakes7 Series B, Episode 01 - Redemption
SPACEWORLD SLAVE: Then one of the planets developed a computer so powerful it was able to take over the weaponry computers of the other two.
BLAKE: So all three became one?
blak…

@blakes7bot@mas.torpidity.net
2025-10-11 18:29:47

Series C, Episode 10 - Ultraworld
TARRANT: From what?
ULTRA 2: She has undergone a severe mental trauma. We have placed her in a sleep cell to facilitate recovery.
DAYNA: What caused this trauma?
ULTRA 2: We do not know.
blake.torpidity.net/m/310/205 B7B5

Claude Sonnet 4.0 describes the image as: "This scene appears to be set on a spaceship bridge or control room, featuring the characteristic futuristic set design with metallic surfaces and control panels. Three crew members are present - one wearing a distinctive studded leather outfit, another in burgundy/red clothing, and a third in dark attire. They appear to be confronting or negotiating with two translucent, crystalline humanoid beings who are seated at what looks like a control station. T…
@blakes7bot@mas.torpidity.net
2025-10-11 15:27:21

Series C, Episode 01 - Aftermath
CALLY: Jenna's gone with Blake.
AVON: So let's get on with it. [Explosion. Avon is unconscious]
CALLY: He's out cold. We must get him into a capsule fast. And then you can put Orac in with him. Come on, quick!
blake.torpidity.net/m/301/14

Claude 3.7 describes the image as: "The image shows three people in a sci-fi corridor setting with bright, minimalist futuristic design featuring white walls and overhead lighting. They're wearing distinctive leather-like costumes typical of late 1970s/early 1980s British science fiction television. The person on the left wears a dark leather jacket, the middle figure is partially visible between the others, and the person on the right wears a green outfit. They appear to be in some kind of spa…
@blakes7bot@mas.torpidity.net
2025-10-11 12:25:17

Series A, Episode 06 - Seek-Locate-Destroy
AVON: Too close. Another few seconds we'd have all been blown up.
VILA: Well, it wasn't my fault.
AVON: Well, whose fault was it? I thought you were supposed to guard the corridor.
blake.torpidity.net/m/106/116 B7B3

Claude 3.7 describes the image as: "This image appears to be from a classic science fiction television series from the late 1970s or early 1980s. It shows three people in a futuristic spacecraft setting, wearing distinctive space-age costumes with metallic and colored accents typical of the era's sci-fi aesthetic.

In the foreground, a woman with blonde curly hair is examining what appears to be some kind of electronic device or control panel. She's wearing a pinkish-lavender outfit. Two men in…
@blakes7bot@mas.torpidity.net
2025-09-12 06:03:19

#Blakes7 Series A, Episode 10 - Breakdown
JENNA: Hello.
RENOR: Hello, hello, hello!
VILA: Ah. Jenna, this is Professor Kayn's assistant, his name is -
RENOR: Renor. And I had a feeling this was going to be a good day.

@blakes7bot@mas.torpidity.net
2025-12-09 16:08:38

Series A, Episode 12 - Deliverance
VILA: [Aside, to Gan] I told you she was mad.
GAN: [To Meegat] How long have you been waiting?
blake.torpidity.net/m/112/314 B7B4

Claude Sonnet 4.5 describes the image as: "This image appears to be from the British science fiction television series "Blake's 7," which aired from 1978-1981. The scene shows three characters in distinctive futuristic costumes standing together in what appears to be a dimly lit setting, possibly a spaceship or cave environment.

The actors are wearing the show's characteristic costume design - form-fitting outfits with geometric patterns and bold color blocking. On the left is a figure in a br…
@blakes7bot@mas.torpidity.net
2025-12-09 13:05:51

Series D, Episode 12 - Warlord
AVON: Tomorrow, [snaps his fingers and points at Tarrant] you go.
[Freight bay. Shot of tech working on Neutron bombarder.]
[Comm room]
blake.torpidity.net/m/412/111 B7B3

@blakes7bot@mas.torpidity.net
2025-12-09 10:03:30

Series C, Episode 13 - Terminal
TARRANT: Let's see if we can't find a way off this planet. There's a lot to do.
[Tarrant, Cally, Dayna, and Vila exit one by one. Avon turns to go, and smiles as he too exits.]
[End of episode. Roll credits.]
blake.torpidity.net/m/313/441

Claude Sonnet 3.7 describes the image as: "The image shows a scene from what appears to be a science fiction TV series, likely "Blake's 7" based on the distinctive costumes and setting. Several people are gathered in what looks like a spacecraft or space station interior. The individuals are wearing characteristic sci-fi costumes from the late 1970s/early 1980s era of television production.

The person in the center is wearing a red neckerchief/cravat with a light-colored outfit, while others a…
@blakes7bot@mas.torpidity.net
2025-12-09 22:13:18

Series B, Episode 01 - Redemption
BLAKE: All right, where is it?
AVON: It's in the Twelfth Sector. Astral point seven eight one.
blake.torpidity.net/m/201/32 B7B6

Claude Sonnet 4.5 describes the image as: "This image shows a scene from what appears to be a British science fiction television production, likely from the late 1970s or early 1980s. The actor wears a distinctive dark brown leather jacket over a black shirt, presenting a commanding presence. His curly hair and intense facial expression suggest he's in the middle of a dramatic moment or conversation.

The setting appears to be a futuristic interior, with soft lighting and what looks like colore…
@blakes7bot@mas.torpidity.net
2025-12-09 19:10:55

Series A, Episode 13 - Orac
JENNA: Modest, isn't he?
ORAC: Modesty would be dishonesty.
VILA: What's wrong with being dishonest?
ORAC: Is that a question?
VILA: Yes.
blake.torpidity.net/m/113/440 B7B5

Claude Sonnet 4 describes the image as: "This image appears to be from the British science fiction television series "Blake's 7," which aired from 1978-1981. The setting shows what looks like a futuristic spacecraft interior with characteristic metallic walls and surfaces typical of the show's production design. The person in the image is wearing a distinctive red outfit with metallic trim and a decorative chain necklace, which fits the show's aesthetic. The lighting and image quality are consi…
@blakes7bot@mas.torpidity.net
2025-12-10 07:17:55

#Blakes7 Series D, Episode 12 - Warlord
DAYNA: [Into comm] All launch checks complete.
AVON: [V.O.] Green on all systems.
VILA: [Into comm] Betafarl has just confirmed full clearance on your flight plan.
blake.torp…

Claude Sonnet 4 describes the image as: "This image shows two actors in what appears to be a science fiction television production, likely from the late 1970s or 1980s based on the visual style and set design. The scene takes place in a futuristic control room or spacecraft interior, featuring typical sci-fi elements like control panels with blinking lights and a sterile, technological aesthetic.

One actor wears an elaborate costume with ornate metallic detailing and a high collar design that …
@blakes7bot@mas.torpidity.net
2025-11-09 13:13:15

Series C, Episode 03 - Volcano
AVON: If they have been picked up, perhaps I won't be. [Stands in teleport bay.]
VILA: I'd rather be picked up than burned up.
CALLY: Ready?
AVON: Yes. Put me down.
[Obsidian surface, near volcano]
blake.torpidity.net/m/303/221

Claude Sonnet 4.0 describes the image as: "This scene takes place in what appears to be a control room or command center aboard a spacecraft, with characteristic futuristic set design featuring control panels and monitor screens. The setting has the typical utilitarian aesthetic of the series, with beige and green color schemes and technological equipment visible in the background.

Three characters are present in the scene. One figure stands on the left wearing dark clothing, appearing to be e…
@blakes7bot@mas.torpidity.net
2025-11-09 10:10:08

Series C, Episode 02 - Powerplay
AVON: My name is...
TARRANT: Your name is Avon.
AVON: How did you know?
blake.torpidity.net/m/302/339 B7B2

Claude Sonnet 4.0 describes the image as: "I can see this is a scene set in what appears to be a futuristic spacecraft interior, with characteristic white walls and corridors typical of science fiction television productions from this era. The setting has a clinical, sterile appearance with angular architectural elements. Three figures are present in the scene - one person is positioned on the left side of the frame, while two others are standing together on the right side of the corridor. The …
@blakes7bot@mas.torpidity.net
2025-11-09 22:21:11

Series C, Episode 10 - Ultraworld
[Ultra 2 Negative response.]
ULTRA 1: Operate primary fail-safe terminals.
ULTRA 3: Confirmed.
[Tarrant retrieves the memory tubes and leaves the control room.]
blake.torpidity.net/m/310/592 B7B6

Claude Sonnet 4.0 describes the image as: "This image shows a character with distinctive pale, greyish makeup and golden-colored eyes, wearing what appears to be a metallic or silver-colored garment. The character has a bald head and an otherworldly appearance that suggests they are an alien or artificially enhanced being. The background features warm orange and reddish lighting, creating a dramatic sci-fi atmosphere typical of the series. The makeup and costume design emphasize the character's…
@blakes7bot@mas.torpidity.net
2025-11-09 16:15:43

Series B, Episode 08 - Hostage
INGA: Don't help them anymore, Father. [Screams as Molok twists her shoulder]
USHTON: The one they call Vila.
TRAVIS: Vila. Bring him out. Leave the other two in there. Seal off the door. [Turns tap attached to pipe.]
blake.torpidity.net/m/208/543

@blakes7bot@mas.torpidity.net
2025-11-10 07:04:42

#Blakes7 Series B, Episode 13 - Star One
AVON: [On communicator] What is it, Jenna?
JENNA: There's a ship, its coming in for a surface landing.
AVON: [On communicator] Have they spotted you?
JENNA: I've got the detector shield up.

@blakes7bot@mas.torpidity.net
2025-11-09 19:18:42

Series C, Episode 10 - Ultraworld
RELF: No knowledge, cannot answer.
TARRANT: Are there others like you?
RELF: Yes.
TARRANT: And where are they?
RELF: Some menials like me. Others absorbed in the core.
TARRANT: Core, what's that?
blake.torpidity.net/m/310/290

Claude 3.7 describes the image as: "The image shows a person in what appears to be a circular frame or viewport, giving it a distinctive peephole or monitor-like appearance. They're wearing what looks like a light-colored collar or high-necked garment against a dark background, creating a stark contrast. The lighting has a theatrical quality with a blue-tinted illumination that gives the scene a science fiction or dramatic feel. 

This appears to be from a vintage television production, likely …
@blakes7bot@mas.torpidity.net
2025-10-09 09:15:23

Series B, Episode 05 - Pressure Point
AVON: I'm sorry. [To Blake] I knew you were lying.
BLAKE: Yes, well unless you can come up with some good reasons why not, we're going ahead as planned.
blake.torpidity.net/m/205/329 B7B2

@blakes7bot@mas.torpidity.net
2025-10-10 06:06:15

#Blakes7 Series B, Episode 12 - The Keeper
JENNA: If he's wise, he does.
VILA: And if he's not, he's dead.
BLAKE: All right, put us down Cally.
[They transfer to Goth, landing in a wooded gorge.]
bl…

Claude Sonnet 4.0 describes the image as: "This appears to be a scene set aboard a spacecraft, likely the Liberator, showing crew members gathered around what looks like a control console or computer interface. The setting has the characteristic futuristic interior design of the series, with metallic surfaces and technological equipment visible in the background. The characters appear to be examining or discussing something displayed on a screen or panel, which shows a grid of what might be dat…
@blakes7bot@mas.torpidity.net
2025-10-09 18:22:19

B12 - The Keeper
AVON: True, but let us assume that the keeper of the secret is somewhere down there on the planet Goth, and that the keeper is a royal personage.
JENNA: Lurgen's brain print is on a thong around a chief's neck. That's what Docholli said.
blake.torpidity.net/m/212/5

Claude Sonnet 4.0 describes the image as: "This appears to be a scene set aboard a spacecraft, likely in a control room or technical area. The setting has the characteristic futuristic design elements typical of 1970s science fiction television, with curved walls and control panels. Four characters are present in the scene, gathered around what appears to be some kind of technical equipment or container on a table. The lighting and overall aesthetic suggests this is from a dramatic moment in th…
@blakes7bot@mas.torpidity.net
2025-10-09 15:20:06

Series C, Episode 05 - The Harvest of Kairos
SHAD: Get hold of Command.
DASTOR: [On screen] Command. Yes?
SHAD: It's the harvest, sir. It's been good. Very good.
DASTOR: [On screen] And?
SHAD: Well, we're loaded and ready for lift-off, but, er...
blake.torpidity.net/m/305/201

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television series, showing someone in what looks like a spacecraft or space station interior. The person is wearing what appears to be a dark helmet or headgear and some kind of uniform or protective clothing. The setting has the distinctive look of a sci-fi production from what seems to be the late 1970s or early 1980s, with characteristic lighting and set design of that era. The background shows var…
@blakes7bot@mas.torpidity.net
2025-10-09 12:17:57

Series C, Episode 05 - The Harvest of Kairos
DAYNA: What Kairopan? I haven't got any.
JARVIK: You must have touched some. It can smell it on you. Don't tell me you threw it away.
blake.torpidity.net/m/305/534 B7B3

Claude 3.7 describes the image as: "This image appears to be from a science fiction television series, showing three people standing in a field near a building. They're wearing distinctive futuristic costumes - one in a dark outfit with light-colored boots, and two others in light-colored tunics with embellishments and boots, suggesting a sci-fi or fantasy setting.

In the foreground, there's a partial view of what looks like someone's hand or arm in a reddish/brown leather glove or sleeve. The…
@blakes7bot@mas.torpidity.net
2025-12-09 07:00:56

#Blakes7 Series C, Episode 08 - Rumours of Death
AVON: You weren't even real. Bartolomew, Central Security's best agent, one of your colleagues told me that.
ANNA: Anna Grant. I was only ever Anna Grant with you.

Claude Sonnet 4 describes the image as: "This appears to be a scene from a British science fiction television production, likely from the late 1970s or early 1980s based on the visual style and production values. The setting appears to be inside a spacecraft or futuristic facility, with characteristic metallic surfaces and storage compartments visible in the background.

The scene shows two characters in what appears to be an intimate or protective moment. One character wears a dark leather out…
@blakes7bot@mas.torpidity.net
2025-12-08 22:17:12

Series C, Episode 06 - City at the Edge of the World
KERRIL: What's that supposed to mean?
VILA: You should try taking a bath sometime, you smell terrible.
KERRIL: For someone who's lost his nerve, you take risks, little man.
blake.torpidity.net/m/306/127 B7B6

Claude Sonnet 4.5 describes the image as: "This image appears to be from a British television production, likely from the 1970s based on the visual quality and styling. The scene shows two actors in an intimate moment in what appears to be a library or study, with rows of books visible on shelves in the background.

Carol Hawkins, on the left, has blonde hair styled in a period-appropriate manner with distinctive earrings. She's wearing a black patterned blouse and holds what appear to be books…
@blakes7bot@mas.torpidity.net
2025-12-08 10:07:20

Series C, Episode 06 - City at the Edge of the World
VILA: The air's as fresh as ever. Do you know what that means?
KERRIL: We're going to die of exhaustion.
blake.torpidity.net/m/306/452 B7B2

Claude Sonnet 3.7 describes the image as: "The image shows a scene from what appears to be a science fiction TV production, likely from the classic British series "Blake's 7" based on the futuristic setting. The scene takes place in what looks like a spacecraft or space station interior, with distinctive green circular patterned wall panels providing a technological backdrop.

Two people are shown in the scene. One person is lying down, appearing unconscious or resting, while another person in …
@blakes7bot@mas.torpidity.net
2025-12-08 19:14:47

Series D, Episode 04 - Stardrive
PLAXTON: I, I do not know these people.
ATLAN: DO not or WILL not?
[Underground hangar. Tarrant is still beaming the wall.]
[Research lab]
blake.torpidity.net/m/404/360 B7B5

Claude Sonnet 4.5 describes the image as: "This image shows a woman in profile with an elaborate 1970s-style hairstyle featuring rolled curls on top and a long ponytail at the back. She has dark reddish-brown hair and is wearing what appears to be a white and dark-colored uniform or costume with a structured collar. The styling and aesthetic suggest this is from a science fiction television production, likely from the 1970s era based on the hair and makeup choices typical of that period's futur…
@blakes7bot@mas.torpidity.net
2025-12-08 16:11:53

Series B, Episode 07 - Killer
BELLFRIAR: Embalming fluid, as near as dammit.
BLAKE: Mm? What?
BELLFRIAR: The blood sample Wiler took, these are the lab results coming through.
blake.torpidity.net/m/207/413 B7B4

@blakes7bot@mas.torpidity.net
2025-12-08 13:09:36

Series D, Episode 04 - Stardrive
AVON: Let's go. Over there. [Two Rats on ATV's approach, Soolin shoots them. A Space Rat fires at them from the rim. Avon shoots him. A Space Rat drives towards them in an eight-wheeled open wagon. Avon shoots the driver.] We'll cover you. [indicating wagon] Take that.
TARRANT: Come on!

@blakes7bot@mas.torpidity.net
2025-11-08 22:20:43

Series D, Episode 09 - Sand
DAYNA: Pretty?
TARRANT: Pretty familiar - Servalan.
AVON: Servalan.
TARRANT: Yes. She explained her survival.
DAYNA: And did she excuse it too?
blake.torpidity.net/m/409/339 B7B6

Claude 3.7 describes the image as: "This image appears to be from a science fiction television series, showing a person with curly brown hair wearing what looks like a futuristic silver or gray costume with armored elements. The character is in what appears to be a spacecraft or technical setting, with light-colored panels visible in the background. The costume has a distinctive metallic collar and chest plate with some small decorative elements or controls. The styling and production design su…
@blakes7bot@mas.torpidity.net
2025-11-08 19:17:06

Series D, Episode 02 - Power
VILA: Or rodents.
PELLA: You speak like a Hommik.
VILA: What do you eat, then?
PELLA: WE have a hydroponic dome.
VILA: And the nutrients?
PELLA: Dorian brings them from Onus Two.
blake.torpidity.net/m/402/160 B7B5

@blakes7bot@mas.torpidity.net
2025-11-08 16:13:55

Series D, Episode 09 - Sand
SERVALAN: I don't care about either of us.
TARRANT: Hey, [Servalan is about to cry] it doesn't rain here remember.
DAYNA: Avon. There's sand all around him. It wasn't there before.
AVON: Sand. Vila get up!
blake.torpidity.net/m/409/268

@blakes7bot@mas.torpidity.net
2025-11-09 07:06:06

#Blakes7 Series D, Episode 13 - Blake
AVON: This won't hold it for long.
TARRANT: Have we shaken any of them off?
SOOLIN: [Looking at monitor] Not exactly.
VILA: Not remotely. There's four more coming on zero two three.

Claude 3.7 describes the image as: "The image shows a person in what appears to be a science fiction television production from the late 1970s or early 1980s, based on the filming style and costume design. 

The individual is wearing a distinctive black leather outfit with metallic studs or embellishments, which is characteristic of the futuristic, somewhat dystopian aesthetic common in British sci-fi of that era. 

The costume has a militaristic or authoritarian quality, with structured should…
@blakes7bot@mas.torpidity.net
2025-11-08 13:11:20

Series D, Episode 04 - Stardrive
VILA: [All "drunk mannerisms" vanishing instantly] Drunk? Who's drunk?
DAYNA: You are.
VILA: Show me how to get drunk on plain water and I won't waste time.
DAYNA: Well, then why pretend?
blake.torpidity.net/m/404/72

Claude 3.7 describes the image as: "This image appears to be from a science fiction television series, showing a scene on what looks like a spacecraft or futuristic setting. Several people are visible in the frame, wearing distinctive uniform-like costumes that have a retro-futuristic design typical of older sci-fi productions. In the foreground, there's what appears to be translucent or transparent mechanical equipment with ridged patterns, possibly part of the ship's control systems or techno…
@blakes7bot@mas.torpidity.net
2025-11-08 10:08:16

Series D, Episode 02 - Power
GUNN SAR: All right, woman, you just made a very big mistake.
[Corridor in Hommik dwelling. Kate grabs Nina, covering her mouth. She lets go when they recognize each other.]
KATE: Nina!
blake.torpidity.net/m/402/414 B7B2

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television production, showing a person with long blonde hair and facial hair in what looks like a dramatic scene. However, I cannot identify who this specific person is or provide details about their character or role in the series. The lighting and production style suggests this is from a classic sci-fi show, likely from the late 1970s or early 1980s based on the visual aesthetic. The person appears…
@blakes7bot@mas.torpidity.net
2025-10-08 12:23:57

Series D, Episode 06 - Headhunter
AVON: Naturally his chances will depend upon the extent of the injury.
VENA: Brain damage?
SOOLIN: Vila says the blow was not to the head. There is still a chance.
VENA: I see.
blake.torpidity.net/m/406/128 B7B3

Claude Sonnet 4.0 describes the image as: "I can see this is an image from a television production showing someone in what appears to be a dramatic scene. The person is wearing a striped red and white top and circular earrings, with styled hair typical of 1970s-80s television production. The lighting and image quality suggest this is from a science fiction series of that era. The setting appears to be indoors with soft lighting in the background. However, I cannot identify who the specific acto…
@blakes7bot@mas.torpidity.net
2025-10-08 09:21:30

Series D, Episode 02 - Power
TARRANT: Well, that's what your Seska friend did with the hatches. Perhaps she can show us how it's done.
DAYNA: Tarrant, it's serious.
TARRANT: I'm being serious.
[Control room. Tarrant enters, followed by the other two.]
blake.torpidity.net/m/402/252

Claude Sonnet 4.0 describes the image as: "This scene shows three crew members in what appears to be a corridor or passageway aboard their spacecraft. The setting features the series' characteristic clean, futuristic interior design with white walls and geometric lighting panels in the ceiling. The characters are wearing the show's distinctive costume designs - form-fitting outfits in different color schemes that were typical of late 1970s science fiction television. One person wears a teal and…
@blakes7bot@mas.torpidity.net
2025-10-08 18:28:31

Series A, Episode 03 - Cygnus Alpha
BLAKE: [V.O.] Make it fast.
JENNA: [Presses button] Get the ship moving.
[Avon exits. Blake, Vila and Gan materialize. Vargas materializes in another teleport section.]
JENNA: [Turning to teleport] Blake?
blake.torpidity.net/m/103/565

Claude Sonnet 4.0 describes the image as: "This scene shows two characters in what appears to be the control room or bridge of a spacecraft. The setting features a futuristic control console with various buttons, switches, and displays typical of science fiction television from the late 1970s. The console has a distinctive green section and multiple control panels with colorful indicators.

The woman is wearing a light pink or cream-colored outfit and has blonde, feathered hair characteristic o…
@blakes7bot@mas.torpidity.net
2025-10-08 15:26:03

Series B, Episode 05 - Pressure Point
BLAKE: It was never here?
TRAVIS: It was moved - thirty years ago.
BLAKE: [Lets Avon go] To where?
blake.torpidity.net/m/205/507 B7B4

@blakes7bot@mas.torpidity.net
2025-10-09 06:12:56

#Blakes7 Series D, Episode 11 - Orbit
VILA: I'd have given odds Egrorian'd try to pull something! What's the escape velocity of this thing?
AVON: I don't know. Why don't you ask Orac?
VILA: Eh? [Avon opens panel, revealing Orac on the shuttle]
[Biodome]

Claude 3.7 describes the image as: "The image shows a scene from a classic science fiction television series from the late 1970s/early 1980s. It depicts two characters in what appears to be a futuristic control room or spacecraft setting, with technical equipment and computer banks visible in the background.

On the left is a person wearing a light gray outfit, while on the right is someone dressed in a distinctive black leather or vinyl costume with silver accents. Both appear to be seated at …
@blakes7bot@mas.torpidity.net
2025-12-07 13:10:49

Series B, Episode 03 - Weapon
[Servalan's office. The intercom chimes]
SERVALAN: [Into intercom] Yes, Travis?
TRAVIS: [Face appears on intercom screen visible next to Servalan] We found his ship - it looks to have crashed and blown up.
blake.torpidity.net/m/203/328 B7B…

Claude Sonnet 3.7 describes the image as: "The image shows a person with short dark hair wearing an elegant white draped outfit or gown. They are adorned with an elaborate, statement necklace that appears to be made of clear or crystalline material. The setting looks like a stylized studio or film set with a textured geometric white background and some sparkling elements or lights visible. 

The costume has a classical or futuristic quality to it, with flowing fabric that drapes from the should…
@blakes7bot@mas.torpidity.net
2025-12-07 10:07:53

Series A, Episode 08 - Duel
AVON: We know we can't outrun them. [Violent impact.]
BLAKE: I wasn't planning to try.
JENNA: Deactivating.
blake.torpidity.net/m/108/152 B7B2

@blakes7bot@mas.torpidity.net
2025-12-07 22:19:38

Series B, Episode 05 - Pressure Point
ARLE: No hurry.
BERG: Let's get back and report.
ARLE: We've got nothing to report. If we could get back and tell Kasabi what's INSIDE the zone-
BERG: She said as far as the security boundary.
blake.torpidity.net/m/205/4

Claude Sonnet 4 describes the image as: "This image shows two people in military-style camouflage clothing positioned among tall grass in what appears to be a rural, countryside setting. The scene has the appearance of a military or wartime scenario, with dense hedgerows and vegetation visible in the background. The individuals are crouched or positioned low among the golden-brown grass, suggesting they may be in a reconnaissance or tactical situation. The lighting and overall aesthetic of the …
@blakes7bot@mas.torpidity.net
2025-12-07 19:16:50

Series A, Episode 03 - Cygnus Alpha
BLAKE: You mean we crossed the anti-matter interface?
JENNA: That's impossible.
AVON: That's what they said about the light barrier.
JENNA: Well, which one next?
blake.torpidity.net/m/103/62 B7B5

Claude Sonnet 4.5 describes the image as: "This image appears to be from the British science fiction television series "Blake's 7" (1978-1981). The scene shows three characters in what looks like a dimly lit spacecraft interior or similar enclosed setting. The composition features a blonde woman on the left wearing dark clothing with lace detailing, engaged in conversation with two men. One man stands in the middle background, while another is positioned on the right wearing a dark high-collare…
@blakes7bot@mas.torpidity.net
2025-12-07 16:13:43

Series B, Episode 11 - Gambit
CHENIE: If I want to be involved ... Now listen. There's a Trantinian planet hopper leaving here in a couple of hours. I think I can get you on it.
DOCHOLLI: Trantinian ship?
blake.torpidity.net/m/211/308 B7B4

Claude Sonnet 4.5 describes the image as: "This appears to be a scene from a dramatic production, likely a film or television show. The image captures an intimate moment between two characters in what seems to be a dimly lit, indoor setting with dark walls and minimal lighting that creates a moody, theatrical atmosphere.

The scene shows two actors in close proximity, engaged in what appears to be an intense emotional exchange. The person on the left has distinctive white/grey hair and facial h…
@blakes7bot@mas.torpidity.net
2025-12-08 07:04:09

#Blakes7 Series C, Episode 06 - City at the Edge of the World
BAYBAN: Small-time thief and failed revolutionary, and you don't know who I am?
VILA: Ah. Well, if you put it like that, of course I know who you are. You're - you're, ah -
BAYBAN: Bayban.

@blakes7bot@mas.torpidity.net
2025-11-08 07:04:57

#Blakes7 Series B, Episode 01 - Redemption
ALTA TWO: Take control. [Guards enter flight deck]
AVON: [To Jenna] I think we just lost our ship.
blake.torpidity.net/m/201/341 B7B1…

@blakes7bot@mas.torpidity.net
2025-11-07 19:19:04

Series D, Episode 08 - Games
BELKOV: I wish I had your faith in him. Still, whatever the reason, it calls for some slight change of plan. Are you still capable of piloting one of these Federation ships?
TARRANT: It's what I was trained for.
blake.torpidity.net/m/408/310 B7B…

@blakes7bot@mas.torpidity.net
2025-11-07 16:16:32

Series C, Episode 04 - Dawn of the Gods
DAYNA: Orac with delusions of grandeur, Zen unable to control the ship. I'd say we've a lot of little problems on our hands.
AVON: Course deflection is zero zero five. Speed Standard by five and increasing. I'd say we have one large problem on our hands.
blake.torpidit…

Claude Sonnet 4.0 describes the image as: "This scene appears to be set aboard the Liberator, the advanced alien spacecraft that serves as the main setting for much of the series. The interior shows the characteristic white and geometric design of the ship's living areas or flight deck. Three crew members are present in what appears to be a tense or serious moment. One character is seated wearing earth-toned clothing, while another stands behind in dark attire. A third crew member can be seen i…
@blakes7bot@mas.torpidity.net
2025-11-07 10:10:26

Series C, Episode 03 - Volcano
TARRANT: No, it's the heat.
DAYNA: No, can't you hear it?
TARRANT: Not a thing.
DAYNA: I can. Maybe it's in my mind... Cally?
TARRANT: What does it say, this voice?
DAYNA: It-it says to go forward, there.
blake.torpidity.net/m/303/599

Claude 3.7 describes the image as: "The image shows two people in what appears to be a scene from a vintage science fiction television production from the late 1970s or early 1980s. They are in an outdoor setting with rocks visible in the background. One person is wearing a white outfit with a distinctive collar, while the other is dressed in a brown costume with decorative elements that appears to be some kind of period or futuristic styling.

The two individuals seem to be engaged in conversa…
@blakes7bot@mas.torpidity.net
2025-11-07 13:12:58

Series A, Episode 07 - Mission To Destiny
CALLY: I'll get the others.
BLAKE: I'll be back in a minute. [Leaves room]
[LIBERATOR - Gan and Jenna view the scanner.]
GAN: He's cutting it too fine.
JENNA: Come on Blake, get out of there.
blake.torpidity.net/m/107/464

@blakes7bot@mas.torpidity.net
2025-10-07 21:15:17

Series D, Episode 03 - Traitor
VILA: He's not the man for the job. Tarrant has about as much subtlety as a Tarzian Warg Strangler. All I'm saying is Tarrant's going to walk straight into trouble and get himself killed or captured. If he's dead he can't talk. But if the Federation find out we're hanging around, we won't stand a chance. Not in this ship. At least in the Liberator we could always outrun them.
AVON: Vila, if the Federation do have some ne…

Claude Sonnet 4.0 describes the image as: "This scene shows two characters in what appears to be the interior of a spacecraft or space station. The setting features a futuristic, sterile environment with white and metallic surfaces typical of science fiction television production design from the late 1970s or early 1980s.

One character is standing and wearing an elaborate black costume with ornate detailing, silver or metallic embellishments, and what appears to be a formal, almost ceremonial …
@blakes7bot@mas.torpidity.net
2025-10-07 18:12:50

Series D, Episode 06 - Headhunter
AVON: Well now, that remains to be seen.
[Vila and Tarrant on Scorpio's flight deck.]
TARRANT: It is a straightforward pickup.
VILA: I'll believe that when we're back at base.
blake.torpidity.net/m/406/21 B7B5

@blakes7bot@mas.torpidity.net
2025-10-07 15:10:53

Series D, Episode 10 - Gold
AVON: But I shouldn't imagine it's much use to you now. You'll just have to confess and pay up.
TARRANT: [Into comm.] We're ready, Vila.
KEILLER: Avon, what about me?
blake.torpidity.net/m/410/406 B7B4

Claude 3.7 describes the image as: "The image shows a person with curly dark hair in what appears to be an outdoor, rugged landscape setting. They're wearing what looks like a gray uniform or jacket with metallic accents, typical of science fiction costume design from the late 1970s or early 1980s. The individual is holding what appears to be a prop weapon, possibly a futuristic gun or blaster.

The scene has a distinctly retro sci-fi aesthetic with a barren, possibly quarry-like landscape in t…
@blakes7bot@mas.torpidity.net
2025-10-07 12:08:48

Series A, Episode 10 - Breakdown
BLAKE: The way we're using power, it'll be sooner.
CALLY: What will happen to the ship?
AVON: The forces inside that will not merely destroy us, they will annihilate us.
blake.torpidity.net/m/110/310 B7B3

Claude Sonnet 4.0 describes the image as: "This appears to be a scene from a science fiction television series, showing two characters in what looks like the interior of a spacecraft or futuristic facility. The setting has a distinctly retro-futuristic aesthetic typical of British sci-fi productions from the late 1970s or early 1980s.

The scene shows two people seated together - one wearing a flowing green/gray draped garment, and another in what appears to be a dark vest or tunic-style outfit…
@blakes7bot@mas.torpidity.net
2025-10-07 09:06:38

Series B, Episode 04 - Horizon
BLAKE: Where in Zone Nine?
ZEN: The freighter is on course for the only habitable planet in Zone Nine.
BLAKE: Which is?
ZEN: Code-named Horizon.
BLAKE: "Horizon"?
AVON: Code-named by whom?
blake.torpidity.net/m/204/34

Claude 3.7 describes the image as: "This image shows a scene from a science fiction television series filmed in the late 1970s or early 1980s. The setting appears to be the interior of a spacecraft or space station with a distinctive futuristic design featuring hexagonal wall patterns and tiered levels.

In the foreground, there's a person wearing a brown jacket over light-colored clothing, standing near what looks like cream-colored seating. In the background, two other people are visible on e…
@blakes7bot@mas.torpidity.net
2025-10-08 06:19:08

#Blakes7 Series D, Episode 04 - Stardrive
AVON: Regeneration will take about twenty minutes, while we deal with the coil.
[Space. Shot of three ships in formation.]
[Scorpio flight deck]
blake.torpidity.net/m/404/83…

@blakes7bot@mas.torpidity.net
2025-12-06 16:14:52

Series B, Episode 08 - Hostage
JOBAN: Goodbye, Supreme Commander.
SERVALAN: Goodbye, Counsellor Joban. [Joban exits. Communicator chimes]
SERVALAN: Yes.
VOICE: The message reads "Travis is on the planet Exbar."
SERVALAN: Is that all?
blake.torpidity.net/m/208/237

Claude Sonnet 3.7 describes the image as: "This image appears to be from a science fiction television production, likely from the British series "Blake's 7." The scene is set in what looks like a futuristic or spaceship interior with a distinctive geometric pattern on the white wall behind. 

The image shows two people in conversation. On the left is a person wearing an elegant white high-collared outfit with some decorative elements at the shoulder. Facing them is an older individual with whit…
@blakes7bot@mas.torpidity.net
2025-12-06 13:11:41

Series A, Episode 07 - Mission To Destiny
KENDALL: My experiments show that radiation from our sun was deficient in certain specific wavelengths. The neutrotope will provide the necessary frequencies to kill the fungus.
BLAKE: And you'll mount this on a satellite to be activated by your sun?
blake.torpidity.net/m/1…

@blakes7bot@mas.torpidity.net
2025-12-06 10:08:28

Series D, Episode 03 - Traitor
AVON: Ah well. Tarrant is brave; young; handsome. [Chuckles] There are three good reasons for anyone not to like him.
SOOLIN: He has a point all the same.
AVON: About Tarrant?
blake.torpidity.net/m/403/109 B7B2

Claude Haiku 4.5 describes the image as: "# Scene Description

This image appears to be from a science fiction television production, set in a futuristic spacecraft interior. The setting features metallic cylindrical columns and modern technological elements typical of 1980s sci-fi aesthetic, with sleek gray and silver tones throughout.

Two characters are shown in conversation within this high-tech environment. The character on the left wears a distinctive black jacket adorned with elaborate s…
@blakes7bot@mas.torpidity.net
2025-12-06 22:20:22

Series A, Episode 02 - Space Fall
TEAGUE: [V.O.] No response... circuit three...
[Teague is still trying to operate the device. The hatch starts to slide open]
blake.torpidity.net/m/102/523 B7B6

Claude Sonnet 4 describes the image as: "I can see this is a close-up shot of a middle-aged man with dark hair wearing what appears to be a dark blue or navy colored uniform or shirt. The image has the visual quality typical of British television from the 1970s or early 1980s, with that characteristic film grain and color saturation of the era. The lighting and framing suggest this is from a dramatic scene, possibly a science fiction or action television series. The man has a serious, contempla…
@blakes7bot@mas.torpidity.net
2025-12-06 19:17:32

Series C, Episode 12 - Death-Watch
TARRANT: Yes, I'm afraid they will.
DAYNA: The electronic warriors strike again. That'll be four of Servalan's ore ships we've let through without a fight.
AVON: To FIGHT them we have to catch them.
blake.torpidity.net/m/312/39

Claude Sonnet 4 describes the image as: "This image appears to be from a science fiction television production, likely from the late 1970s or 1980s based on the styling and set design. The scene takes place on what looks like a futuristic spacecraft or space station, with metallic stairs and industrial-looking architecture in the background.

Three actors are positioned on the steps in what appears to be a dramatic scene. On the left is an actress wearing an elegant emerald green dress with a d…
@blakes7bot@mas.torpidity.net
2025-12-07 07:05:19

#Blakes7 Series B, Episode 10 - Voice from the Past
JENNA: This meeting at Atlay...?
GLYND: The annual meeting of all the governors of the Federation. The ideal moment.
AVON: But why should they give you a hearing?

Claude Haiku 4.5 describes the image as: "# Image Description

This image shows a woman with shoulder-length blonde hair styled in a 1970s fashion, featuring bangs and waves. She has a serious, contemplative expression on her face, with her gaze directed downward. She's wearing what appears to be professional attire with a dark colored top or jacket and a delicate chain necklace.

The setting appears to be an indoor environment with neutral-colored walls in the background, suggesting an institu…
@blakes7bot@mas.torpidity.net
2025-11-07 07:06:50

#Blakes7 Series C, Episode 06 - City at the Edge of the World
VILA: You wouldn't be interested in what comes top of it, would you?
KERRIL: You! [hits Vila playfully]
[In the room]
blake.torpidity.net/m/306/545…

@blakes7bot@mas.torpidity.net
2025-11-06 13:12:45

Series A, Episode 08 - Duel
SINOFAR: No.
GIROC: [Laughs] The weapon built into that hand will not work here, primitive.
SINOFAR: Nor will brute force, until *I* allow it.
GIROC: His impulse to kill is primitive.
SINOFAR: As ours was not?
blake.torpidity.net/m/108/218

Claude Sonnet 4.0 describes the image as: "I can see two figures in what appears to be a dramatic scene. One person is wearing a light-colored, flowing garment and has an ornate headpiece or crown. The other figure is dressed in dark, hooded robes and is holding what looks like a wooden staff or walking stick. The lighting and staging suggest this is from a television production, with dramatic shadows and atmospheric lighting typical of science fiction or fantasy programming from that era. The …
@blakes7bot@mas.torpidity.net
2025-11-06 10:10:11

Series B, Episode 12 - The Keeper
BLAKE: I can't, not for a while. You'll have to stay here for a bit.
VILA: Marvelous.
OLD MAN: [Groans]
VILA: Who's that?
BLAKE: He seems harmless.
VILA: He smells horrible.
blake.torpidity.net/m/212/376 B7B2…

@blakes7bot@mas.torpidity.net
2025-11-06 22:20:02

Series A, Episode 12 - Deliverance
TRAVIS: It begins to look that way. [Pauses]
SERVALAN: What's the matter?
TRAVIS: Maryatt.
SERVALAN: What about him?
TRAVIS: His disappearance - there may be questions.
blake.torpidity.net/m/112/271 B7B6

Claude 3.7 describes the image as: "The image shows a person in a black leather jacket standing in what appears to be an interior setting with a distinctive textured wall featuring a diamond pattern in the background. The individual is turned slightly, looking over their shoulder, and appears to be holding something small in their hands. The setting has a somewhat institutional or utilitarian appearance with simple walls and minimal decoration, which is characteristic of the retro sci-fi aesthe…
@blakes7bot@mas.torpidity.net
2025-11-06 19:17:45

Series D, Episode 11 - Orbit
AVON: I didn't come here to be... flattered.
EGRORIAN: You came here out of curiosity and because you scented there might be something in it for you, mm, am I right?
AVON: Close enough.
blake.torpidity.net/m/411/127 B7B5

Claude 3.7 describes the image as: "The image shows two people in conversation in what appears to be a futuristic or science fiction setting. On the left is someone wearing a distinctive black outfit with a metallic or studded vest/jacket with silver accents. They have dark hair and are speaking to another person on the right who is wearing lighter-colored clothing, possibly white or cream.

The scene appears to be from a science fiction television production from the late 1970s or early 1980s …
@blakes7bot@mas.torpidity.net
2025-11-06 16:15:06

Series B, Episode 05 - Pressure Point
TRAVIS: [To mutoids] Get after them!
SERVALAN: [Slaps Travis] You hesitated. My life was at risk and you hesitated. [Tries slapping him again, but he catches her hand]
[Blake and crew hurry through the red corridors.]
blake.torpidity.net/m/205/527

Claude Sonnet 4.0 describes the image as: "I can see two people in what appears to be a futuristic sci-fi setting with distinctive lighting and architectural elements typical of the series. One person is wearing an elegant white dress with decorative details, while the other is dressed in dark leather or similar material with sunglasses, creating a striking contrast between their costumes. The scene has a dramatic, tense quality to it, with the lighting creating an otherworldly atmosphere. The …
@blakes7bot@mas.torpidity.net
2025-10-07 06:04:14

#Blakes7 Series D, Episode 11 - Orbit
VILA: Now what? There's nothing left to throw out!
AVON: Let's check with Orac. Come on!
[Shuttle, bridge]
AVON: What's the position now, Orac?
ORAC: Remaining flight time: five minutes and forty seconds.

@blakes7bot@mas.torpidity.net
2025-10-06 09:11:41

Series D, Episode 13 - Blake
SOOLIN: Oh yes, it was a crime all right. It just wasn't illegal.
VILA: That's what I meant.
SOOLIN: I hope so.
TARRANT: Planet must have been a draw for every crook and killer in the quadrant.
blake.torpidity.net/m/413/115 B7B2

@blakes7bot@mas.torpidity.net
2025-10-06 21:20:32

Series D, Episode 09 - Sand
[Reeve, Servalan and her assistant head off for the base. Outside there is the sound of wind blowing the sand, which is everywhere. Chasgo tries to move the ship.]
SERVALAN: Try your communicator.
blake.torpidity.net/m/409/44 B7B6

Claude Sonnet 4.0 describes the image as: "I can see this is a dramatic scene featuring an elegantly styled character against a green backdrop. The person is wearing what appears to be ornate costume jewelry and has striking makeup with dark-rimmed eyes and red lipstick. Their hair is sleek and pulled back. In the frame, there's what looks like a metallic or reflective object, possibly part of the futuristic set design typical of science fiction productions. The lighting and composition create …
@blakes7bot@mas.torpidity.net
2025-10-06 18:18:21

Series A, Episode 05 - The Web
NOVARA: Flutonic power cells. As you can see from the registers one of them is totally exhausted. The other almost so.
BLAKE: And you have no means of recharging them.
blake.torpidity.net/m/105/349 B7B5

Claude Sonnet 4.0 describes the image as: "I can see this is a scene from a science fiction television series, showing someone wearing what appears to be a light-colored, military or utilitarian-style jacket or uniform. The setting has the distinctive look of late 1970s/early 1980s television production, with characteristic lighting and background colors typical of that era's sci-fi shows. The person appears to be in some kind of indoor setting, possibly aboard a spacecraft or in a futuristic f…
@blakes7bot@mas.torpidity.net
2025-10-06 15:16:12

Series A, Episode 08 - Duel
MUTOID: Keyeira.
TRAVIS: You were very beautiful, very much admired. Shall I go on?
MUTOID: As you wish.
TRAVIS: [Obviously disappointed] This doesn't interest you at all, does it?
MUTOID: How could it?
blake.torpidity.net/m/108/388

Claude 3.7 describes the image as: "The image shows a dark, atmospheric scene set in what appears to be a nighttime forest or wooded area. Two figures in dark clothing are positioned among foliage, seemingly hiding or observing something. The lighting is very low-key, creating a dramatic, shadowy effect with bits of greenery visible in the background. The composition suggests this is from a dramatic television production, likely a scene involving surveillance or a covert operation. The moody ci…
@blakes7bot@mas.torpidity.net
2025-10-06 12:14:05

Series C, Episode 02 - Powerplay
ZEE: What's the matter with your arm?
VILA: Broken, nothing really.
ZEE: Let me see if I can make it more comfortable for you.
blake.torpidity.net/m/302/246 B7B3

Claude Sonnet 4.0 describes the image as: "I can see this is a scene featuring a character wearing a distinctive futuristic helmet with striped patterns and what appears to be some kind of technological or decorative elements. The character has blonde, wavy hair and is wearing what looks like a fur-collared garment. The lighting and cinematography are characteristic of late 1970s British science fiction television, with dramatic lighting against a dark background. The helmet design suggests thi…
@blakes7bot@mas.torpidity.net
2025-12-05 19:17:54

Series D, Episode 06 - Headhunter
VILA: I am!
SOOLIN: I know.
VILA: Where's Orac? He can run a scan first.
SOOLIN: 'Fraid not, sorry.
AVON: [Who has entered unnoticed and is leaning casually against the doorway.] Why not?
SOOLIN: Orac's in hiding.
blake.torpidity.net/m/406/444

Claude Sonnet 4 describes the image as: "This image shows a scene from what appears to be a science fiction television production, set in a futuristic interior space with white/gray walls, ventilation grates, and industrial-style lighting. The setting has a distinctly spaceship or space station aesthetic typical of sci-fi shows from the late 1970s or early 1980s.

Two actors are positioned in the scene - a man on the left wearing a light-colored military or utility-style jacket, and a woman on …
@blakes7bot@mas.torpidity.net
2025-12-05 16:15:20

Series B, Episode 03 - Weapon
SERVALAN: Guard. [He moves forward. She presses the key. He falls down] That sort. He was marked for death, as you three have been, with that gun. [Avon moves for the projector] Leave it. You're in range now. I press this, and you're all like him.
GAN: Is she bluffing?
blake.torpid…

Claude Haiku 4.5 describes the image as: "# Image Description

This image shows a woman in what appears to be a scene from a classic science fiction television production, likely from the 1970s-1980s based on the styling and video quality. She wears an elaborate costume consisting of a white, feathered or textured garment with ornate embellishments and distinctive shoulder pieces adorned with decorative elements.

Her makeup is theatrical and dramatic, featuring bold eye makeup and defined feat…
@blakes7bot@mas.torpidity.net
2025-12-05 13:08:25

Series D, Episode 02 - Power
PELLA: I shall. You follow. [exits]
[Gunn Sar's room. He is lying on a table while Nina massages him.]
CATO: [Enters] Sir, we have the intruder. His equipment and gun. [Hands them to Gunn Sar.]
blake.torpidity.net/m/402/56 B7B3

Claude Sonnet 4.5 describes the image as: "This image shows three actresses in a dramatic scene set against a barren, rocky landscape. The setting appears post-apocalyptic or otherworldly, with grey stone formations and sparse vegetation in the background.

The three women wear flowing, toga-like garments in earth tones - two in beige/grey and one in rust orange. They all sport distinctive metallic collar necklaces that suggest a futuristic or science fiction context. Their hair is styled simpl…
@blakes7bot@mas.torpidity.net
2025-12-05 10:05:44

Series B, Episode 08 - Hostage
VILA: So this all your fault.
AVON: How do you arrive at that conclusion?
VILA: I'd still be on the ship if it wasn't for you.
BLAKE: Shut up. We must conserve the air for as long as possible.
blake.torpidity.net/m/208/606 B7B2…

Claude Sonnet 3.7 describes the image as: "This is a black and white image from what appears to be a vintage television production. The image shows a person with distinctive sideburns wearing what looks like a high-collared costume or uniform with buttons visible at the neck. The individual has a surprised or concerned expression, with widened eyes and a slightly open mouth.

The setting appears dark and atmospheric with some textured background elements visible. The moody lighting and costume …