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@brichapman@mastodon.social
2026-05-24 19:20:01

A new tool reveals which countries are truly ready to innovate in agrivoltaics—combining solar energy with agriculture.
The Agrivoltaic Innovation Index goes beyond counting research papers to measure actual innovation readiness. Surprising finding: African nations like Kenya and Senegal score high despite publishing less, thanks to focused projects solving urgent local needs.

Interesting observation - after growing exceedingly tired of Acrobat trying to interject AI in every menu and screen, I went into the preferences and turned it all off.
Suddenly, the finnicky Reading Order tool quit acting so strange, and the erratic tag panel behavior seems to have stopped as well.
Is Acrobat tanking the user experience in an effort to force its AI on the user?
#ally

@detondev@social.linux.pizza
2026-07-14 19:01:01

A few highlights from the Turkish-Persian section of a random carpet symbolism book I skimmed while stopped at a random library in New Jersey a couple days ago

Tree of life: one of the oldest and most universal symbols of mankind.

It supports the sky, and provides a path from earth to heaven. In different cultures it is called by names such as haoma, asherak, yggdrasil, irminsu or asvattha.

Thus, one often sees it in prayer rugs, as a reminder of the passage from this existence into a higher life.
Diamond or Lozenge:

It has been conjectured that this omnipresent motif in Anatolian kilims is a male triangle attached to a female triangle, and thus signifies creation. There are doubtless many interpretations. A diamond surrounded by hooks is called in Turkish kirkbudatz, 'forty branches'.

Among some semi-nomadic pastoral (terekme) tribes of Azerbaijan, a favourite symbol is a large diamond, signifying woman. Smaller diamonds within the large one signify a pregnant woman or her progeny. A …
Celestial creature: Recognizable because flames appear from flanks or shoulders.
Arabesque or Tendril:

The basic unit of the arabesque, a favourite Islamic decorative theme, may be described as a split leaf seen in profile, called islimi in Persian. Derived from a Sassanian motif, it developed under the Abbasids in the ninth and tenth centuries, and matured under the Seljuks in the twelfth and thirteenth. It became central in Turkish and Persian carpet design only after the fifteenth century. In its fascinating fully developed form one sees interlaced lattice systems of sp…