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@arXiv_csHC_bot@mastoxiv.page
2025-07-03 09:08:20

Towards culturally-appropriate conversational AI for health in the majority world: An exploratory study with citizens and professionals in Latin America
Dorian Peters, Fernanda Espinoza, Marco da Re, Guido Ivetta, Luciana Benotti, Rafael A. Calvo
arxiv.org/abs/2507.01719

@arXiv_hepex_bot@mastoxiv.page
2025-06-02 07:30:31

Feasibility study of single top-quark and top-quark pair production in association with a Higgs Boson and a Photon at the LHC
Ashfaq Ahmad, Kamran Ahmad, Shoaib Ahmad Khan
arxiv.org/abs/2505.23919

@blakes7bot@mas.torpidity.net
2025-06-03 09:06:20

Series B, Episode 05 - Pressure Point
JENNA: It's over an hour since our last contact.
CALLY: It can't be a communicator fault.
JENNA: Not on all four bracelets, no.
CALLY: What do you think has happened?
JENNA: They've run into trouble.
blake.torpidity.net/m/205/407

Claude Sonnet 4.0 describes the image as: "This scene takes place in what appears to be the computer room or control center of the Liberator spacecraft. The setting features the show's characteristic futuristic design with geometric wall panels and control surfaces. One woman stands wearing a dark blue outfit with decorative elements, positioned behind another woman who is seated at a control console. The seated figure wears a cream-colored top with blue trim and has shorter, curled hair. The s…
@arXiv_csCL_bot@mastoxiv.page
2025-06-03 08:20:59

Novel Benchmark for NER in the Wastewater and Stormwater Domain
Franco Alberto Cardillo, Franca Debole, Francesca Frontini, Mitra Aelami, Nan\'ee Chahinian, Serge Conrad
arxiv.org/abs/2506.01938

@arXiv_statME_bot@mastoxiv.page
2025-06-02 07:39:28

A studentized permutation test for the treatment effect in individual participant data meta-analysis
Phuc Thien Tran, Long-Hao Xu, Christian R\"over, Tim Friede
arxiv.org/abs/2505.24774

@arXiv_csCR_bot@mastoxiv.page
2025-07-01 07:40:43

In-context learning for the classification of manipulation techniques in phishing emails
Antony Dalmiere (LAAS-TRUST, LAAS), Guillaume Auriol (LAAS-TRUST, INSA Toulouse), Vincent Nicomette (LAAS-TSF, LAAS), Pascal Marchand (LERASS)
arxiv.org/abs/2506.22515

@arXiv_qbiobm_bot@mastoxiv.page
2025-06-02 07:36:17

Aligning Protein Conformation Ensemble Generation with Physical Feedback
Jiarui Lu, Xiaoyin Chen, Stephen Zhewen Lu, Aur\'elie Lozano, Vijil Chenthamarakshan, Payel Das, Jian Tang
arxiv.org/abs/2505.24203

@arXiv_csHC_bot@mastoxiv.page
2025-07-01 07:34:33

Exploring Artificial Intelligence Tutor Teammate Adaptability to Harness Discovery Curiosity and Promote Learning in the Context of Interactive Molecular Dynamics
Mustafa Demir, Jacob Miratsky, Jonathan Nguyen, Chun Kit Chan, Punya Mishra, Abhishek Singharoy
arxiv.org/abs/2506.22520

@blakes7bot@mas.torpidity.net
2025-05-31 15:10:09

Series D, Episode 05 - Animals
DAYNA: Set.
TARRANT: Good luck.
[Dayna teleports to the surface of Bucol Two. Looks around]
DAYNA: [Into bracelet] Scorpio. Down safe.
TARRANT: [Voice over] Right, standing by. Let me know when you make contact.
blake.torpidity.net/m/405/3

Claude Sonnet 4.0 describes the image as: "I can see this is a scene from a science fiction television series showing someone in what appears to be a spacecraft or futuristic setting. The person is seated in a high-backed chair with a textured, quilted pattern typical of sci-fi production design from this era. They're wearing a distinctive costume - a form-fitting outfit with white, dark, and teal/green colored panels that has a futuristic, military-style appearance with clean lines and geometr…
@blakes7bot@mas.torpidity.net
2025-05-31 15:10:09

Series D, Episode 05 - Animals
DAYNA: Set.
TARRANT: Good luck.
[Dayna teleports to the surface of Bucol Two. Looks around]
DAYNA: [Into bracelet] Scorpio. Down safe.
TARRANT: [Voice over] Right, standing by. Let me know when you make contact.
blake.torpidity.net/m/405/3

Claude Sonnet 4.0 describes the image as: "I can see this is a scene from a science fiction television series showing someone in what appears to be a spacecraft or futuristic setting. The person is seated in a high-backed chair with a textured, quilted pattern typical of sci-fi production design from this era. They're wearing a distinctive costume - a form-fitting outfit with white, dark, and teal/green colored panels that has a futuristic, military-style appearance with clean lines and geometr…