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@arXiv_physicschemph_bot@mastoxiv.page
2025-08-08 08:42:02

Mind the Gap: From Resolving Theoretical Foundations of Chiral(ity)-Induced Spin Selectivity to Pioneering Implementations in Quantum Sensing
Yan Xi Foo, Aisha Kermiche, Farhan T. Chowdhury, Clarice D. Aiello, Luke D. Smith
arxiv.org/abs/2508.05611

@arXiv_astrophSR_bot@mastoxiv.page
2025-10-06 08:50:09

Exploring Stellar Activity in a Sample of Active M Dwarfs
A. S. Rajpurohit, V. Kumar, K. Srivastava Mudit, L. Labadie, K. Rajpurohit, J. G. Fernandez-Trincado
arxiv.org/abs/2510.02693

@arXiv_astrophHE_bot@mastoxiv.page
2025-07-09 08:26:12

A new Bowen Fluorescence Flare and Extreme Coronal Line Emitter discovered by SRG/eROSITA
Pietro Baldini, Arne Rau, Riccardo Arcodia, Taeho Ryu, Zhu Liu, Paula S\'anchez-S\'aez, Iuliia Grotova, Andrea Merloni, Stefano Ciroi, Adelle J. Goodwin, Mariusz Gromadzki, Adela Kawka, Megan Masterson, Dus\'an Tub\'in-Arenas, David A. H. Buckley, Francesco Di Mille, Gemma E. Anderson, Sabina Bahic, David Homan, Mirko Krumpe, James C. A. Miller-Jones, Kirpal Nandra

@mgorny@social.treehouse.systems
2025-09-05 13:15:19

"""
In melancholy, the spirits are carried away by an agitation, but a weak agitation that lacks power or violence, a sort of impotent upset that follows neither a particular path nor the aperta opercula [open ways], but traverses the cerebral matter constantly creating new pores. Yet the spirits do not wander far on the new paths they create, and their agitation dies down rapidly, as their strength is quickly spent and motion comes to a halt: ‘non longe perveniunt’ [they do not reach far]. A trouble of this nature, common to all delirium, does not have the power to produce on the surface of the body the violent movements or the cries to be observed in mania and frenzy. Melancholy never attains frenzy; it is a madness always at the limits of its own impotence. That paradox is explained by the secret alterations in the spirits. Ordinarily, they travel with the speed and instantaneous transparency of rays of light, but in melancholy they become weighed down with night, becoming ‘obscure, thick and dark’, and the images of things that they bring before consciousness are ‘in a shadow, or covered with darkness’. As a result they move more slowly, and are more like a dark, chemical vapour than pure light. This chemical vapour is acid in nature, rather than sulphurous or alcoholic, for in acid vapours the particles are mobile and incapable of repose, but their activity is weak and without consequence. When they are distilled, all that remains in the still is a kind of insipid phlegm. Acid vapours, therefore, are taken to have the same properties as melancholy, whereas alcoholic vapours, which are always ready to burst into flames, are more related to frenzy, and sulphurous vapours bring on mania, as they are agitated by continuous, violent movement. If the ‘formal reason and causes’ of melancholy were to be sought, it made sense to look for them in the vapours that rose up from the blood to the head, and which had degenerated into ‘an acetous or sharp distillation’. A cursory glance seems to indicate that a melancholy of spirits and a whole chemistry of humours lies behind Willis’ analyses, but in fact his guiding principle mostly reflects the immediate qualities of the melancholic illness: an impotent disorder, and the shadow that comes over the spirit with an acrid acidity that slowly corrodes the heart and the mind. The chemistry of acids is not an explanation of the symptoms, but a qualitative option: a whole phenomenology of melancholic experience.
"""
(Michel Foucault, History of Madness)

@arXiv_csLG_bot@mastoxiv.page
2025-09-12 09:12:29

Active Learning and Explainable AI for Multi-Objective Optimization of Spin Coated Polymers
Brendan Young, Brendan Alvey, Andreas Werbrouck, Will Murphy, James Keller, Mattias J. Young, Matthew Maschmann
arxiv.org/abs/2509.08988

@karlauerbach@sfba.social
2025-07-14 20:29:09

I watched the Disney, two season, series on the risk of Industrial Light and Magic (ILM).
It was interesting.
And last night I watched a Studio Ghibli film.
I am active in live theatre - living actors on a stage before a live audience.
It struck me that movie making a la ILM tends to glorify the scenery without necessarily adding to the impact of the story.
I can understand how filmmakers want to immerse the audience in a different reality. But I don't thin…

@arXiv_condmatmtrlsci_bot@mastoxiv.page
2025-08-26 11:22:36

Novel diamagnetic garnet-type substrate single crystals for ultralow-damping yttrium iron garnet Y3Fe5O12 films at cryogenic temperatures
C. Guguschev, C. Dubs, R. Blukis, O. Surzhenko, M. Br\"utzam, R. Koc, C. Rhode, K. Berger, C. Richter, C. Berryman, R. O. Serha, A. V. Chumak
arxiv.org/abs/2508.18101

@leftsidestory@mstdn.social
2025-09-17 00:30:02

On The Road - To Xi’An/ Urban Spots 🟤
在路上 - 去西安/ 城市的点 🟤
📷 Pentax MX
🎞️Fujifilm Neopan F, expired 1993
#filmphotography #Photography #blackandwhite

FUJIFILM NEOPAN F (FF)

English Alt Text: A close-up black-and-white image shows a weathered padlock securing two metal doors. The padlock is rusted and scratched, locked through thick metal loops. Two wires or cords are also threaded through the shackle, adding extra security or possibly serving another purpose. The background is blurred, suggesting an outdoor setting with faint outlines of buildings and vegetation. The image evokes a sense of age, security, and quiet tension, with the padlock…
FUJIFILM NEOPAN F (FF)

English Alt Text: A black-and-white photo captures a solitary pedestrian mid-stride on a gently curving paved road. The person wears a dark shirt and shorts, walking toward the left side of the frame. To the right of the road is a sidewalk marked with a bicycle symbol, indicating a designated bike lane. The background features a rocky embankment with sparse vegetation and a few small trees. The sky is overcast, casting a soft, diffused light that enhances the quiet, cont…
FUJIFILM NEOPAN F (FF)

English Alt Text: A monochrome photo shows a long, tall concrete wall running parallel to a paved sidewalk. A person walks alone in the distance, dwarfed by the imposing structure. The wall has a railing on top, with some plants hanging over. Behind the wall, a tall communication tower rises into the sky. The perspective emphasizes depth and scale, creating a feeling of isolation and urban quiet. The scene is stark and minimal, with strong lines guiding the viewer’s eye.…
FUJIFILM NEOPAN F (FF)

English Alt Text: A black-and-white image shows a wide set of stone steps leading to a modern building with tall columns. Several people walk up and down the steps, some alone, others in groups. The building’s facade is smooth and contemporary, suggesting a public or cultural space like a museum. The handrails frame the steps, and the composition captures movement and structure. The monochrome palette adds a timeless, documentary feel, focusing on human activity in an ur…
@arXiv_condmatdisnn_bot@mastoxiv.page
2025-07-23 08:02:42

Anomalous thermal activation of the electron glass dynamics in a-InOx and granular aluminum
Thierry Grenet, Julien Delahaye
arxiv.org/abs/2507.16016

@privacity@social.linux.pizza
2025-08-12 12:18:10

The “Neural Data” Goldilocks Problem: Defining “Neural Data” in U.S. State Privacy Laws
fpf.org/blog/the-neural-data-g
@…