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@hex@kolektiva.social
2025-10-15 11:10:50

Perhaps the most interesting thing about the Nacirema people is their insistence that they do not participate in practices of which they clearly do. Equally unusual is the fact that, unlike other sacrificial cultures who raid neighboring tribes for victims, both slaves and victims for human sacrifice are only taken from within the society. In fact, there is a very strong cultural taboo against sacrificing or enslaving those from other tribes.
They are aware of the rituals of human sacrifice in other tribes, but claim such rituals to be inconsistent with their society. Yet their human sacrifice rituals are some of the most elaborate in the world. These rituals are so important that there is a whole part of Nacirema society dedicated specifically to arguing about who should and should not be sacrificed, restraining and feeding the potential victims for the years during which these arguments take place, and ultimately preparing and administering the ritual poison.
This is strangely similar to their approach to slavery. Both human sacrifice and slavery were once a much larger part of Nacirema society. Their human sacrifice rituals now take far longer and happen far less often, but at no point have they ever recognized these ritual sacrifices as such. Meanwhile, the Nacirema do acknowledge that slavery was part of their culture once. During the time when they did recognize their practice of slavery, they did raid other tribes for slaves. Now they follow the same complex ritual for slavery as they do for human sacrifice.
It is strange that, by following this ritual and only choosing victims from within their society, they seem to become incapable of seeing their behavior for what it is.

@maxheadroom@hub.uckermark.social
2025-08-16 07:17:12

As usual we watched the "Stoertebekker" stage play at Ralswiek on Rügen Island. The stage setups and wardrobes were as awesome as always. They really try to improve on that every year and come up with clever mechanisms to transform the building for the various acts of the play. The script this year left room for desire ;) Nevertheless a happing worth attending

 dramatic nighttime view of a medieval red brick castle complex illuminated against a deep blue sky. The fortress features multiple towers with conical roofs, Gothic arched windows, and wooden walkways connecting different sections. The warm lighting creates a striking contrast with the twilight sky, highlighting the intricate brickwork and architectural details.
A dramatic theatrical scene showing a medieval village set with half-timbered buildings and stone structures during what appears to be a fire sequence. Bright orange and yellow flames and smoke billow dramatically from behind the buildings against a twilight blue sky. The stage set includes traditional Germanic-style architecture with timber framing, thatched roofs, and stone walls, all illuminated by warm stage lighting. This appears to be part of an outdoor historical drama performance with e…
A daytime view of the same outdoor theater venue showing the medieval village stage set from a different angle. The scene includes traditional Germanic-style buildings with timber framing, stone towers, and period ships docked at a waterfront. Hundreds of spectators fill the amphitheater seating, watching what appears to be a historical reenactment performance.
Another view of the outdoor performance venue during daylight hours, showcasing the impressive scale of the medieval town recreation. The set includes detailed replicas of half-timbered houses, castle walls, towers, and historic vessels positioned along the waterfront. A packed audience enjoys the theatrical production from the modern tiered seating area.​​​​​​​​​​​​​​​​
@chris@mstdn.chrisalemany.ca
2025-08-15 16:32:39

1/2 Thanks to @… for this interesting article. It speaks to me. :)
I’ve been weather blogging @… since 2005. It is interesting how it has changed, and how I have changed.
My website used to be just data from the (expensive) station I bought when I moved back to Port Alberni. It was a hobby and a side project to practice web/coding skills I use at work. My focus was on creating useful data for people that was more local/relevant than the official EC station outside of the city.
Then I put up a webcam and learned how to make timelapses. This got the attention of local media… because pictures. :)
Then I added a blog and started to write about the weather almost daily. This was before Facebook. There was a popular local online forum where I would post things. The media would also follow my website and they started to call me when there was extreme weather (usually very hot or very wet/stormy).
Then Facebook started to get big and I made a page that eventually had a few thousand followers. I would blog often. Lots of traffic from Facebook… this was 2010 and on. I blogged about climate and weather pretty equally.
Like anyone in Port Alberni, I was/am obsessed with the Martin Mars and got wrapped up in that issue along with others which combined with the weather following probably gave me just enough exposure to have me elected as a councillor in 2014.
I continued through that 4 years, blogging often in addition to councillor duties and work, heavily on facebook, then it all went sideways on my own poor judgement (go ahead and google it, it’s ok :)) and I was not reelected, but Facebook by 2018 had also changed. Cambridge Analytica, etc.
….Continued…
theglobeandmail.com/canada/art

@tiotasram@kolektiva.social
2025-10-13 06:16:23

Just finished "Beasts Made of Night" by Tochi Onyebuchi...
Indirect CW for fantasy police state violence.
So I very much enjoyed Onyebuchi's "Riot Baby," and when I grabbed this at the library, I was certain it would be excellent. But having finished it, I'm not sure I like it that much overall?
The first maybe third is excellent, including the world-building, which is fascinating. I feel like Onyebuchi must have played "Shadow of the Colossus" at some point. Onyebuchi certainly does know how to make me care for his characters.
Some spoilers from here on out...
.
.
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I felt like it stumbles towards the middle, with Bo's reactions neither making sense in the immediate context, nor in retrospect by the end when we've learned more. Things are a bit floaty in the middle with an unclear picture of what exactly is going on politics-wise and what the motivations are. Here I think there were some nuances that didn't make it to the page, or perhaps I'm just a bit thick and not getting stuff I should be? More is of course revealed by the end, but I still wasn't satisfied with the explanations of things. For example, (spoilers) I don't feel I understand clearly what kind of power the army of aki was supposed to represent within the city? Perhaps necessary to wield the threat of offensive inisisia use? In that case, a single scene somewhere of Izu's faction deploying that tactic would have been helpful I think.
Then towards the end, for me things really started to jumble, with unclear motivations, revelations that didn't feel well-paced or -structured, and a finale where both the action & collapsing concerns felt stilted and disjointed. Particularly the mechanics/ethics of the most important death that set the finale in motion bothered me, and the unexplained mechanism by which that led to what came next? I can read a couple of possible interesting morals into the whole denouement, but didn't feel that any of them were sufficiently explored. Especially if we're supposed to see some personal failing in the protagonist's actions, I don't think it's made clear enough what that is, since I feel his reasons to reject each faction are pretty solid, and if we're meant to either pity or abjure his indecision, I don't think the message lands clearly enough.
There *is* a sequel, which honestly I wasn't sure of after the last page, and which I now very interested in. Beasts is Onyebuchi's debut, which maybe makes sense of me feeling that Riot Baby didn't have the same plotting issues. It also maybe means that Onyebuchi couldn't be sure a sequel would make it to publication in terms of setting up the ending.
Overall I really enjoyed at least 80% of this, but was expecting even better (especially politically) given Onyebuchi's other work, and I didn't feel like I found it.
#AmReading

@Sustainable2050@mastodon.energy
2025-10-15 07:05:13

World breaks renewable records - adding 582 GW of capacity in 2024 - but must move faster to hit the agreed 2030 tripling goal.
From @irena-official.bsky.social:
irena.org/News/pressreleases/2

TRIPLING RENEWABLE POWER BY 2030
infographic showing that speed of deployment needs to double to 1122 GW/year in 2025-2030, requiring an even higher growth rate than last year.
@arXiv_mathCO_bot@mastoxiv.page
2025-10-15 07:56:21

The maximum product of sizes of cross-\(t\)-intersecting families
Jingjun Bao, Lijun Ji
arxiv.org/abs/2510.11724 arxiv.org/pdf/2510.11724…

@Techmeme@techhub.social
2025-09-15 22:30:45

Filing: the Internet Archive and major music labels settle a copyright infringement lawsuit against IA over its project to preserve early music recordings (Ashley Belanger/Ars Technica)
arstechnica.com/tech-policy/20

@Mediagazer@mstdn.social
2025-09-15 22:30:43

Filing: the Internet Archive and major music labels settle a copyright lawsuit against Internet Archive over its project to preserve early music recordings (Ashley Belanger/Ars Technica)
arstechnica.com/tech-policy/20

@kurtsh@mastodon.social
2025-10-15 04:09:42

LA County has declared a state of emergency BECAUSE OF the federal government.
The Feds, LA County is (correctly) saying, have CAUSED the emergency.
This is a striking political moment of internal collapse. Local govts feeling compelled to protect their ppl from … their own govt.
☑️ Los Angeles County declares state of emergency over immigration raids - ABC News

@arXiv_mathCO_bot@mastoxiv.page
2025-07-16 09:43:01

A remark on the $t$-intersecting Erd\H{o}s-Ko-Rado theorem
William Linz
arxiv.org/abs/2507.11285 arxiv.org/pdf/2507.1…