Just finished "Beasts Made of Night" by Tochi Onyebuchi...
Indirect CW for fantasy police state violence.
So I very much enjoyed Onyebuchi's "Riot Baby," and when I grabbed this at the library, I was certain it would be excellent. But having finished it, I'm not sure I like it that much overall?
The first maybe third is excellent, including the world-building, which is fascinating. I feel like Onyebuchi must have played "Shadow of the Colossus" at some point. Onyebuchi certainly does know how to make me care for his characters.
Some spoilers from here on out...
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I felt like it stumbles towards the middle, with Bo's reactions neither making sense in the immediate context, nor in retrospect by the end when we've learned more. Things are a bit floaty in the middle with an unclear picture of what exactly is going on politics-wise and what the motivations are. Here I think there were some nuances that didn't make it to the page, or perhaps I'm just a bit thick and not getting stuff I should be? More is of course revealed by the end, but I still wasn't satisfied with the explanations of things. For example, (spoilers) I don't feel I understand clearly what kind of power the army of aki was supposed to represent within the city? Perhaps necessary to wield the threat of offensive inisisia use? In that case, a single scene somewhere of Izu's faction deploying that tactic would have been helpful I think.
Then towards the end, for me things really started to jumble, with unclear motivations, revelations that didn't feel well-paced or -structured, and a finale where both the action & collapsing concerns felt stilted and disjointed. Particularly the mechanics/ethics of the most important death that set the finale in motion bothered me, and the unexplained mechanism by which that led to what came next? I can read a couple of possible interesting morals into the whole denouement, but didn't feel that any of them were sufficiently explored. Especially if we're supposed to see some personal failing in the protagonist's actions, I don't think it's made clear enough what that is, since I feel his reasons to reject each faction are pretty solid, and if we're meant to either pity or abjure his indecision, I don't think the message lands clearly enough.
There *is* a sequel, which honestly I wasn't sure of after the last page, and which I now very interested in. Beasts is Onyebuchi's debut, which maybe makes sense of me feeling that Riot Baby didn't have the same plotting issues. It also maybe means that Onyebuchi couldn't be sure a sequel would make it to publication in terms of setting up the ending.
Overall I really enjoyed at least 80% of this, but was expecting even better (especially politically) given Onyebuchi's other work, and I didn't feel like I found it.
#AmReading
Oracle shares are down nearly 30% in the past month, reversing more than $250B in market value gains following the announcement of its OpenAI deals in September (Financial Times)
https://www.ft.com/content/583e9391-bdd0-433e-91e0-b1b93038d51e
So I grew up next to #Chernobyl and this is, well, TERRIFYING.
A story for y’all: I’m from a city called Zhytomyr, 2 hours west of Kyiv in the North of #Ukraine. We were downwind of the Chernobyl #nuclear power plant when the 1986 disaster happened.
I wasn’t born for another 12 years, but my childhood was filled with stories and the aftermath of it all. Things like:
- My grandmother worked as a head doctor in a hospital and rehabilitation facility exclusively for children of Chernobyl victims to treat the extremely high prevalence of Tuberculosis and other severe health complications. (To specify: these were SECOND GENERATION of exposure).
- A lot of the kids in that facility were orphans, because their parents died young from health problems.
- My uncle’s wife was born in Pripyat. She was 1 year old when the disaster happened. Her parents were told to evacuate while given no information about what happened. They had to pack up their things and rush out to an unfamiliar city with their baby, never to see the rest of their belongings, apartment, or hometown again.
- When I was a kid, it became so common to see weirdly mutated animals and insects that even 2-3 year olds would make jokes about “Chernobyl mosquitos” and I wouldn’t even flinch seeing occasional giant bugs, dark frogs, weird-looking dogs.
- We’d frequently hear of nearby farms having issues with their animals being born too mutated to survive or random outbreaks from contaminated water / food. Crops would randomly fail. People would get poisoned on a regular basis. This all got less common as I grew up.
- My mother still remembers being a little girl, 10 years old, and looking outside from their balcony at the clouds blowing over from Chernobyl that day. People were told to not go outside and to shut all the windows, but not given an explanation as to why. My mother swears that the rain looked different. They weren’t able to go and buy more food for the kitchen for multiple days.
Anyway - nuclear safety isn’t a joke. I don’t understand how this level of carelessness can happen after Chernobyl and Fukushima.
https://www.404media.co/power-companies-are-using-ai-to-build-nuclear-power-plants/
As we continue down this path of escalating nihilistic meme violence, it can feel like the worst things have become viral. We are drowning in the memetic effluent of a capitalist media that profits by maximizing engagement. But I wonder if anyone remembers "Pay it Forward?"
A movie came out in 2000 about a kid who started a viral kindness campaign. The idea was that you do something nice for someone else with the expectation that they do the same in the future. I never really saw the movie, but I do remember the time. There were a few weeks, maybe a few months, where people started doing it. People would just be randomly nice, and everything actually just started feeling better.
Over time, the world caught up. Capitalism consumed the whole thing, and life went back to normal. 9/11 happened the next year, and the US started down the path of becoming the most twisted and evil version of itself. But there was a short time that doing nice stuff was a viral meme, a thing that people just started doing.
Gun violence doesn't have to be the only viral meme we have. We can make good things happen too.
TL;DR: what if nationalism, not anarchy, is futile?
Since I had the pleasure of seeing the "what would anarchists do against a warlord?" argument again in my timeline, I'll present again my extremely simple proposed solution:
Convince the followers of the warlord that they're better off joining you in freedom, then kill or exile the warlord once they're alone or vastly outnumbered.
Remember that even in our own historical moment where nothing close to large-scale free society has existed in living memory, the warlord's promise of "help me oppress others and you'll be richly rewarded" is a lie that many understand is historically a bad bet. Many, many people currently take that bet, for a variety of reasons, and they're enough to coerce through fear an even larger number of others. But although we imagine, just as the medieval peasants might have imagined of monarchy, that such a structure is both the natural order of things and much too strong to possibly fail, in reality it takes an enormous amount of energy, coordination, and luck for these structures to persist! Nations crumble every day, and none has survived more than a couple *hundred* years, compared to pre-nation societies which persisted for *tends of thousands of years* if not more. I'm this bubbling froth of hierarchies, the notion that hierarchy is inevitable is certainly popular, but since there's clearly a bit of an ulterior motive to make (and teach) that claim, I'm not sure we should trust it.
So what I believe could form the preconditions for future anarchist societies to avoid the "warlord problem" is merely: a widespread common sense belief that letting anyone else have authority over you is morally suspect. Given such a belief, a warlord will have a hard time building any following at all, and their opponents will have an easy time getting their supporters to defect. In fact, we're already partway there, relative to the situation a couple hundred years ago. At that time, someone could claim "you need to obey my orders and fight and die for me because the Queen was my mother" and that was actually a quite successful strategy. Nowadays, this strategy is only still working in a few isolated places, and the idea that one could *start a new monarchy* or even resurrect a defunct one seems absurd. So why can't that same transformation from "this is just how the world works" to "haha, how did anyone ever believe *that*? also happen to nationalism in general? I don't see an obvious reason why not.
Now I think one popular counterargument to this is: if you think non-state societies can win out with these tactics, why didn't they work for American tribes in the face of the European colonizers? (Or insert your favorite example of colonialism here.) I think I can imagine a variety of reasons, from the fact that many of those societies didn't try this tactic (and/or were hierarchical themselves), to the impacts of disease weakening those societies pre-contact, to the fact that with much-greater communication and education possibilities it might work better now, to the fact that most of those tribes are *still* around, and a future in which they persist longer than the colonist ideologies actually seems likely to me, despite the fact that so much cultural destruction has taken place. In fact, if the modern day descendants of the colonized tribes sow the seeds of a future society free of colonialism, that's the ultimate demonstration of the futility of hierarchical domination (I just read "Theory of Water" by Leanne Betasamosake Simpson).
I guess the TL;DR on this is: what if nationalism is actually as futile as monarchy, and we're just unfortunately living in the brief period during which it is ascendant?
Three drawers is the number of drawers that can be done in a day apparently. Leaving the two hardest ones (too small to operate inside the box and hang the rails I guess?)
Carpenter is very much looking forward to not having to drive to North London every day so don't think we'll get more than just tomorrow out of him.
Drawers work well though, feeling more solid than the flatpack half-cardboard Ikea/Argos stuff I'm more used to.
Happy for Zach Cregger and the cast and crew of Weapons for its massive box office success, and I don't usually like to say negative things about art. But I got ahold of a copy of Weapons, and just like Barbarian, I'm not impressed. ALSO just like Barbarian, this fucker is in MASSIVE need of editing. It's going nowhere slowly. Why can't people edit their films lately? I'm like, over an hour in and it's pretty sparse, man 😂 Suspense is one thing, but when it builds to…
i feel like my general feelings re: Rigol and people swearing by their Tek are best summarized with the old "rifle is fine" copypasta. as in: if you are skilled in the art you will get things done just as well with the rigol as you will with a tek in the same cateogry that's 10 times* the price. and if you aren't, goddess bless you either way also
* referring me to US secondary markets is classist and i will not be elaborating on this observation
"Whenever anyone asks me for advice, I tell them: we don’t realize how deeply the nine-to-five fractures us. The weekends, the holidays, the fixed friend group—whatever rigidness exists in your behavior will exist in your perception, and it will exist in your ability to think critically."
Victoria Brugger, "Last Words of an Ego on Death Row"