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@hex@kolektiva.social
2026-04-11 22:29:30

It's not simply that the Anarchist Library has some shitty stuff in it, though that's important too. It's that failing to take intersectional feminist critiques seriously will make us miss critical opportunities to critique and ultimately undermine this system.
We should not be missing this, because failing to miss this critique at this time *is missing our opportunity in this moment.*

@Techmeme@techhub.social
2026-02-11 00:26:34

Alphabet raised almost $32B in debt in less than 24 hours; it sold sterling- and Swiss franc-denominated offerings following Monday's $20B dollar debt sale (Bloomberg)
bloomberg.com/news/articles/20

@gwire@mastodon.social
2026-02-10 17:06:46

For a second I wondered if they'd pivoted Fairgame$ - the Sony FPS that should have had a release date announced by now surely?
bbc.co.uk/news/articles/clyg4l

@jamesthebard@social.linux.pizza
2026-02-09 20:19:20

Still not feeling great, but figured today would be a great day to finally test out the entirety of the custom FF6 cart I built so long ago. Broke out the Sony PVM-2530, got everything hooked up, and now it's time to beat all of the things down.
The SNES is modded with Voultar's SNESRGB mod, and the video/audio goes out via a SCART connector into the SCART switch (`gscart`), then into the CMPTR adapter, _then_ into the Sony PVM.
I do have two SCART switches, and if you…

A poor photograph of Terra in bed after being rescued in Narshe on a Sony PVM-2530 CRT running Final Fantasy 6.
The custom shelled Super Nintendo running a custom cart of FF6 with the decensored Ted Woolsey translation in a clear acrylic shell.
The custom CMPTR adapter that allows you to hook up RGB via BNC cables to the Sony PVM-2530.  Pretty happy that the CMPTR connector didn't really take off...
@thomasfuchs@hachyderm.io
2026-02-01 15:11:48

If you reply to me and expect an answer, maybe don't call what I said a "bad faith argument".
What do you want me to say?
"Yes, I posted this to specifically upset you personally even though I didn't actually mean it!"
Or, you know, maybe if it makes you feel angry—figure out why.
Anger is an emotion that just tells you something might be wrong. You should take it as sign to think about why you have the feeling. It might be that there is something the matter with your beliefs or what you're doing.

@hex@kolektiva.social
2026-02-28 10:20:01

As salty as I am about it, there's also another way to think about this. For anyone who still has connections to folks on the right (which is perhaps unlikely for anyone on this server, I digress), the cult that has consumed them thrives on isolation and grievance.
The words "you were right" have the potential to cut through the programming and open up an opportunity for reconnection. The modern conspiratorial cult of the Right has been built partially around people who were told they were wrong or were crazy. In the vast majority of cases, they were wrong and even when they were right they completely misunderstood why, but we'll skip that for now. Liberals making fun of them (even the times when they definitely earned it) has pushed them further and further into their ideological hole.
The thing about those words, "you were right," in this context is that the way they offer reconnection also requires them to take one little step of betraying their ideology to accept them. So they must choose between maintaining allegiance to a pedophile or finally getting to feel superior after years of living in an illusion of persecution.
Under the ideology of the Right, admitting one is wrong is a weakness. It is admitting defeat. They have to "own the libs" by saying things, things that they know aren't true, in order to feel dominant. But these things are often so absurd that they end up being made fun of, feeling even more weak and pathetic, reinforcing their fear and alienation.
Offering what they're looking for can offer a way out, but only if they're willing to start to recognize the thing they've supported for what it is.
And they were right about some things. They were right that Bill Gates was a terrible person. I've had plenty of liberals defend him based on his philanthropy washing, but he's awful and always has been. The Epstein links make that blatant. They intuitively recognized him and didn't trust him, even if they were wildly off base about *how and why* he shouldn't be trusted... Even if their correct mistrust was leveraged into one of the most destructive conspiracy theories ever (vaccine denial and COVID vaccine avoidance).
They were right about Bill Clinton. He was always shady as fuck. Sure, the people who attacked him at the time turned out to be even more shady but that's not the point right now. He was connected to Epstein and that was always creepy as fuck.
And the Epstein thing was an open secret that liberals ignored for a long time. It was seen as some weird thing that right wing nutjobs believed about the Clintons. But it was true. Not all of it, and there has always been an antisemitic element to the right wing interpretation or Epstein stuff, but his whole pedophile conspiracy was always kind of real.
The whole "Illuminati"/deep state thing is a vast oversimplification, an attempt to make comprehensible an incredibly complex set of interlocking and emergent behaviors. But Epstein did very much want to remake the world, to create a new world order, and he absolutely played a part in it.
The Right wing nutjobs talked about global authoritarianism, Blackhawks flying over American cities, masked men with guns disarming and executing legal gun owners in the streets. That's all happening right now.
The "FEMA concentration camps" are not actually that far off. ICE and FEMA are sister agencies, both under DHS. I'd be more than happy to call that one "close enough" in order to hear some MAGA admit that ICE is, in fact, building concentration camps.
There was always a huge millennialist element to these things. They tended to be connected to "the antichrist." It was absurd, especially for me as someone who no longer identifies as a Christian. But I'll even acquiess that to a degree. The "the number of the Beast" is 666. That's just the sum of the Hebrew spelling of "Nero." Revelations focuses a lot on Nero coming back to life after his death. His death that involved a head wound, thus the line from Revelation 13:3:
> And I saw one of his heads as if it had been mortally wounded, and his deadly wound was healed. And all the world marveled and followed the beast.
The parallels between Trump and Nero are easy to draw, and Trump's ear wound feels pretty on-the-nose for this. I don't believe in "prophecy" in this way. I think that there are patterns, and useful patterns can become encoded in beleif systems. But I will, again, happily call this one "close enough" for anyone on that side willing to also acknowledge it. I'm happy to meet on that common ground, because anyone who accepts it must recognize that their duty is to fight against it.
A lot of these correct nuggets are embedded in a framework of religious extremism and antisemitism. The vast majority of the beliefs holding these together are wildly wrong and incredibly toxic. But by giving some room to feel validated, listened to, understood, can give some room to admit things that were wrong.
Cult de-programming starts with an opening. People have to talk through their own thoughts, hear their own inconsistencies. Guiding questions can help them untangle these things for themselves. And it all starts by having enough room to feel safe, to not feel cornered, to not feel stupid. Admitting mistakes means being vulnerable, and the MAGA cult is built on fear. It's built on exploiting vulnerability and locking it away.
De-programming takes a long time. It's not easy. It takes patience. But every person who comes out does so with a powerful perspective, a deep understanding, that can be turned back against it. The best people at getting people out of cults are former members. Some of the most dedicated antifa are former fascists who understood their mistakes and dedicate their lives to fixing them.

@aredridel@kolektiva.social
2026-04-02 02:14:53

RE: dair-community.social/@timnitG
I really think that we _are_ starting to build those tools. I'm party to a lot of discussions about how to use these tools well, and a lot of that starts to look like systems design: what are controls? What are the feedback loops? Where do we need to add new frictions? Where do we need to eliminate old bottlenecks?
We are still very, _very_ early in this.
But the work is getting done, and a lot of us 'haters' need to get in the drivers seat and start putting up useful critique like mttaggart's. I don't agree with the entire article, but it's solid work and solid case report. It’s very good stuff. We need a lot more of these conversations.
And we need to let people hate it. Not to be confused with obstinate blocking, but to have the feelings of hating it, of disliking the processes it engenders, of finding those new footings — or rejecting the bad ones. We can't look at this clearly unless we have the space to hate it.

@UP8@mastodon.social
2026-02-06 16:09:04

🎋 So, why *should* GNOME support server side decorations?
#software #linux

@jkohlmann@mastodon.social
2026-04-03 00:12:39

Sorry not sorry but I’ll be over here doing anything but wallowing in a cognitively offloaded prison of my own making defector.com/go-ahead-and-use-

@peterhoneyman@a2mi.social
2026-04-03 01:40:08

i'm not wild about this LP — it's ok, but maybe i should make space on my shelf and spin something new (i mean old) in its place
i paid six bucks for it a few years ago ... i'll bet i could still get a couple bucks for it!
it bears mentioning that paul chambers went to my high school
tommy flanagan is also from detroit, but he didn't go to cass tech, he graduated from northern (as did my father before him)

This photo shows a classic jazz album from the legendary trombonist J.J. Johnson.

The Album:
"Blue Trombone" by J.J. Johnson

Released on Columbia Records

Features an all-star lineup: Max Roach (drums), Paul Chambers (bass), Tommy Flanagan (piano)

Album Design:
Golden/tan header with bold black text

Atmospheric cover photo showing Johnson's trombone in dramatic lighting against a dark background

The brass trombone gleams in warm tones

Moody, artistic photography typical of late 1950s jazz…