Tootfinder

WATCH: Raiders OL Jackson Powers-Johnson Speaks Following Training Camp https://www.si.com/nfl/raiders/news/las-vegas-jackson-powers-johnson-chip-kelly-training-camp-geno-smith

Resurrecting a dead #torrent tracker and finding 3 million peers
https://kianbradley.com/2025/06/15/resurrecting-a-dead-tracker.html

Head Coach Raheem Morris reflects on final preseason game against Dallas Cowboys https://www.atlantafalcons.com/video/head-coach-raheem-morris-reflects-on-final-preseason-game-against-dallas-cowboys-press-confe…

Bondi facing Democratic calls to testify following report she told Trump he was in Epstein files (Associated Press)
https://apnews.com/article/bondi-trump-epstein-justice-department-7dee80b59dfd7751404b626e2b0648dd
http://www.memeorandum.com/250723/p163#a250723p163

Calamus 43 O you whom I often
A short and sweet love poem, Whitman at his most writerly. The spare and simple words have a light musicality that's often missing from his more didactic blank verse.
The literal meaning is Whitman telling someone how his very presence inspires feelings of love. It's so short and precise I'm just going to quote the whole poem.
O you whom I often and silently come where you are, that I may be with you,
As I walk by your side, or sit near, or remain in the same room with you,
Little you know the subtle electric fire that for your sake is playing within me.
I love the lack of action. Whitman simply wants to sit in the same room as his beloved, a quiet devotion I appreciate. And that phrase "subtle electric fire". Electric had a different meaning in pre-Edison America but it works both ways.
Mostly this poem is just a lovely mood.
(The linked video and commentary are more than usually good.)

GRAFT: GRaPH and Table Reasoning for Textual Alignment -- A Benchmark for Structured Instruction Following and Visual Reasoning
Abhigya Verma, Sriram Puttagunta, Seganrasan Subramanian, Sravan Ramachandran
https://arxiv.org/abs/2508.15690

GRAFT: GRaPH and Table Reasoning for Textual Alignment -- A Benchmark for Structured Instruction Following and Visual Reasoning
GRAFT is a structured multimodal benchmark for evaluating models on instruction-following, visual reasoning, and visual-textual alignment tasks. It features programmatically generated charts and synthetically rendered tables, created with Python visualization libraries to ensure control over data semantics, structure, and clarity. Each GRAFT instance pairs a chart or table image with a systematically generated, multi-step analytical question based solely on visual content. Answers are provided …

The Cradle of Civilization
Assyria Babylonia Sumer Persia Elam Medes Parthian
Babylonia - Born Again
https://www.youtube.com/watch?v=5Iy4u3E6iLA
e
DIODATO - Babilonia

Large deviation principles for abelian monoids
Daniel Keliher, Sun Woo Park
https://arxiv.org/abs/2506.16970 https://arxiv.org/pdf/25…

Large deviation principles for abelian monoids
Following work of Mehrdad and Zhu and of Liu, we prove a large deviation principle for a broad class of integer-valued additive functions defined over abelian monoids. As a corollary, we obtain a large deviation principle for a generalized form of the Erdős-Kac theorem due to Liu.

Park Discovery 🏞️
公园探险 🏞️
📷 Nikon FE
🎞️Lucky SHD 400
buy me ☕️ ?/请我喝杯☕️？
#filmphotography

Yiding Cao Geld mit PayPal.Me senden
Folgen Sie dem Link PayPal.Me/dingsterdingster und geben Sie den Betrag ein. Es ist bequem und sicher. Sie haben noch kein PayPal-Konto? Kein Problem.

Was für ein Verlust für die Kölner Kinoszene. Bernhard Marsch, zentrale Figur des Filmclub 813, ist Sonntagabend bei einem Unfall verstorben.
https://www.filmstiftung.de/news/bernhard-marsch-verstorben/

Bernhard Marsch verstorben - Film und Medien Stiftung NRW
Der Kölner Regisseur, Drehbuchautor, Filmproduzent und Schauspieler Bernhard Marsch ist überraschend bei einem tragischen Unfall im Alter von 63 Jahren verstorben.Der 1962 geborene Filmemacher war eine engagierte Persönlichkeit der Kölner Filmszene. 1990 gehörte Marsch zu den Gründungsmitgliedern des Filmclub 813, dessen langjähriger Vorsitzender er war. Der Filmclub wurde mehrfach mit dem Kinematheksverbundspreis ausgezeichnet und gilt als fester Bestandteil der Kölner Filmkultur.