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@blakes7bot@mas.torpidity.net
2025-06-21 18:27:54

Series B, Episode 08 - Hostage
ZEN: Fifteen minutes.
JENNA: How long before her detectors pick us up?
ZEN: Twelve minutes.
JENNA: We can't go down, if that's all the time we've got.
blake.torpidity.net/m/208/625 B7B5

Claude Sonnet 4.0 describes the image as: "I can see this is a scene set in what appears to be a spacecraft interior, with characteristic futuristic design elements including curved walls and sleek surfaces. Two women are present in the scene - one wearing a light-colored, flowing garment with a belt, and another in a patterned outfit. The setting has the distinctive aesthetic of late 1970s science fiction television, with clean lines and a sterile, high-tech atmosphere. The scene appears to be…
@pre@boing.world
2025-06-05 22:42:58

The fediverse is often full of drama with admins falling out with each other and defederations, and threats and tears.
Now, with the public spat between the Twitter admin and the TruthSocial admin, the rest of the world gets to enjoy a similar spectacle!
They can't defederate of course, because Twitter never became open enough and TruthSocial was already defederated by everyone as soon as it existed.
Only on Fedi can you get the full experience of a public spat and defederation, because only on Fedi can the admins really at-mention and and directly reply and take the final dramatic action of a flouce-defederation.
Trump fans who are Twitter users can't port their followers over to TruthSocial, and Turther Musk fans can't just migrate their account to Twitter.
They're stuck.
So you see Fedi really is the best when it comes to massive public spats between admins and this current admin-drama is only getting more attention because it's between two of the worst people in the world.
#fediverse #interInstanceDrama #adminFight

@blakes7bot@mas.torpidity.net
2025-06-19 06:07:31

#Blakes7 Series A, Episode 01 - The Way Back
RAVELLA: There's the signal.
[They see a torchlight in the distance. BLAKE and RAVELLA walk into a tunnel and through a metal door. Richie closes the door behind them. DEV TARRANT is outside, still apparently following. RICHIE and RAVELLA escort BLAKE through the room. BLAKE points at some people.]

@kurtsh@mastodon.social
2025-06-08 15:22:26

This still nauseates me.
☑️ Oracle’s Larry Ellison joined Nov. 2020 call about contesting Trump’s loss - The Washington Post
washingtonpost.com/politics/20

@curiouscat@fosstodon.org
2025-06-09 11:09:47

"The TSA has an important job to do. Their actions at airports have been very poor. This creates lots of loss to travelers – waste. And their actions show a disrespect for people and the risks that exist. The security theater is not what we need. We need evidence based security measure while maintaining a focus on the value stream of people flying."

@blakes7bot@mas.torpidity.net
2025-06-08 21:13:37

Series A, Episode 13 - Orac
CALLY: I'm sure.
[Scene: Gan is in a cabin. We see him listen to the following conversation over the intercom.]
BLAKE: [O.S.] Our only hope is if they have a supply on Aristo.
VILA: [O.S.] But if they don't?
blake.torpidity.net/m/113/60

Claude Sonnet 4.0 describes the image as: "This image shows a scene set aboard a futuristic spacecraft, with the characteristic sleek, technological interior design featuring metallic surfaces and angular lighting elements typical of science fiction television from this era. The setting appears to be part of the ship's main areas, with the distinctive architectural elements and color scheme that creates an advanced, sterile atmosphere. The lighting and set design emphasize the high-tech environ…
@blakes7bot@mas.torpidity.net
2025-06-07 18:17:33

Series B, Episode 13 - Star One
DURKIM: Not computers. Computer. Singular. Very singular indeed. Our unbeatable control and coordination centre.
SERVALAN: No!
DURKIM: Servalan, by design or accident Star One is failing.
blake.torpidity.net/m/213/29 B7B5

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television series, showing two people in what looks like a futuristic or institutional setting with white tiled walls and ceiling. One person has very short dark hair and is wearing what appears to be a white garment with a pearl necklace, while the other person is shown from behind wearing dark clothing. The lighting and production style suggests this is from a British television production, likely f…