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@hex@kolektiva.social
2025-12-18 19:13:23

The #IWW #GDC as an antifascist organization was always kind of a hack. It was a beautiful hack and it worked well for what it did.
In 2016, as Trump was rising, I found info from the Twin Cities GDC. They were super organized, building an amazing community defense organization. When we (Seattle) went to set up our chapter, following their lead, they were extremely supportive. When I got shot, Twin Cities folks were at my house keeping my partner safe. They literally flew people out to support us. They very much remain in my mind when I think about what mutual aid looks like.
Unionism is an important strategy of a larger fight. But it's important to realize that it's not the other way around. The GDC was built to defend the union, because there wasn't something larger to do that work. It filled a gap.
When we organized against Trump, we tried to make the GDC the greater thing. We tried to make the GDC into the vehicle for social revolution against the fascist threat... And it sort of worked. We were able to do a lot.
But that was never what it was built to do. It was always built as an appendage of the IWW. This contains its own problem. If Unionism is the revolutionary movement, then it becomes impossible to build a truly revolutionary society. Unionism centers "workers" which implicitly decenters those who can't work in the traditional sense (the young, the elderly, those physically or mentally able to work). It also decenters care labor that hasn't yet been widely commodified. Sure, there are all types of hacks to patch the holes, but the fundamental construction starts from the wrong assumptions.
It felt, for a while, like things could go another way. Like that our ability to bring members in could shift things a bit, maybe set the GDC on more equal footing with the core focus of the IWW. But that was always an illusion, far less important to think about than the crushing terror of the regime we were fighting.
Now, I will absolutely trash talk the IWW on occasion but in the end I do think they're doing good and important work. Any criticism I have should be taken with a grain of salt... And I know I do have a lot of salt. Again, Unionism is an important strategy. It's useful both in improving immediate material conditions and as part of the most powerful weapon we have against the capitalist system: the general strike. It's important, I can't say that enough. But it's not sufficient.
I've been thinking about this a bit recently, and I wonder if there are any other GDC organizers or former organizers who might be feeling the same. Feel free to DM me. I'd like to get some more perspectives and see if my understanding from several years ago deviates significantly from what other folks are feeling right now.
I'd also like to bounce some ideas around that come from my own organizing experience.

@leftsidestory@mstdn.social
2025-12-06 00:30:00

Moody Urbanity - Old & New VI 🔆
情绪化城市 - 新与旧 VI 🔆
📷 Zeiss Ikon Super Ikonta 533/16
🎞️ Ilford HP5 Plus 400, expired 1993
#filmphotography #Photography #blackandwhite

Ilford HP5 Plus 400 (6x6)

English Alt Text: A black and white image captures the interior of a large building with an arched ceiling and tall windows on the left. The ceiling appears weathered, with visible streaks and patches. On the right wall near the ceiling, large Chinese characters are painted, suggesting cultural or historical significance. The architecture hints at a public space, possibly a train station or hall in a Chinese-speaking region.

中文替代文字: 这是一张黑白照片,展示一座大型建筑的内部,拱形天花板高耸,左侧排列着…
Ilford HP5 Plus 400 (6x6)

English Alt Text: A gritty black and white photo shows an urban scene with a brick wall, an industrial-style hanging light, and a metal ceiling structure with beams. A balcony with vertical railings is visible above. On the right side of the wall, Chinese characters read “Non-existent” adding a personal or rebellious tone. The image blends industrial architecture with expressive street art.

中文替代文字: 这是一张黑白照片,画面呈现都市风格:砖墙、工业风吊灯和带有横梁的金属天花板结构。上方可见带有垂直栏杆的阳台。墙右侧写有中文“莫须有”,传达…
Ilford HP5 Plus 400 (6x6)

English Alt Text: A black and white photograph features a metal abstract sculpture in the foreground, composed of twisted tubular forms resembling horns or funnels. Behind it stands a tall industrial chimney, rising vertically into a grainy sky. Trees surround the sculpture, adding contrast between nature, art, and industry. The sculpture’s flowing shapes juxtapose the rigid geometry of the chimney, creating a visual tension between creativity and functionality.

中文替代…
Ilford HP5 Plus 400 (6x6)

English Alt Text: A black and white photo shows a statue of a person wearing a full-body protective suit with a hood, standing on top of  a building by the side of a tall industrial chimney. The perspective is from below, emphasizing the towering height of the chimney. The person’s gear suggests a hazardous or contaminated environment. A metal ladder is attached to the building, reinforcing the industrial setting. The dramatic lighting and monochrome tones evoke a sen…