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@andres4ny@social.ridetrans.it
2026-01-23 01:38:27

But also, don't just rely on primaries. Go hound them, right now. Go picket their offices. Figure out where they live and protest at their houses. If they're spotted in restaurants, call them the fuck out for being Nazi collaborators. Make them regret ever casting their vote.
<…

@leftsidestory@mstdn.social
2026-02-23 00:30:06

Urban Demons IV 👻
城市鬼魂 IV 👻
📷 Zeiss IKON Super Ikonta 533/16
🎞️ Ilford HP5 400 Plus, expired 1993
If you like my work, buy me a coffee from PayPal paypal.com/paypalme/ydcdingsite

Ilford HP5 Plus 400 (6x6)

Alt Text (English)
A color image showing a traditional East Asian building in the foreground with ornate curved roofs and detailed decorative ridges. Behind it rises a tall modern high‑rise with a simple geometric design. The contrast highlights old and new architectural styles coexisting in the same urban space.

Alt Text (Chinese)
一张彩色照片,前景是一座东亚传统建筑,屋顶弯曲精致,装饰细节丰富。背景是一栋现代高层建筑,线条简洁、几何感强。画面呈现传统与现代建筑在城市中并存的对比。
Ilford HP5 Plus 400 (6x6)

Alt Text (English)
A black‑and‑white photo of a large abstract metal sculpture in a city setting. The sculpture is made of circular and spiral shapes resembling a twisted ribbon, supported by metal frames. It sits among trees and bushes. In the background are tall office buildings and a street with moving vehicles, including a bus.

Alt Text (Chinese)
一张黑白照片,主体是一座大型抽象金属雕塑,由圆形和螺旋形结构组成,像扭曲的金属带,由支架支撑。雕塑周围有树木和灌木。背景是高楼和有车辆经过的街道,包括一辆公交车。
Ilford HP5 Plus 400 (6x6)

Alt Text (English)
A black‑and‑white photo taken from a low angle, showing three tall residential buildings. Two stand in the foreground like symmetrical towers, while a third rises between them in the distance. The buildings have many windows and balconies. The sky is hazy, and the image includes grainy, textured effects.

Alt Text (Chinese)
一张黑白照片,从低角度拍摄三栋高层住宅楼。前方两栋对称耸立,后方一栋位于中间更远处。建筑上布满窗户和阳台。天空灰白,画面带有颗粒和旧胶片般的纹理。
Ilford HP5 Plus 400 (6x6)

Alt Text (English)
A black‑and‑white photo of an outdoor sculpture featuring three winged female figures. They stand close together, lifting a large circular disc above their heads. Their wings and flowing garments create a sense of motion. Behind them are tall modern buildings and a curved architectural structure. The image has a vintage, film‑like grain.

Alt Text (Chinese)
一张黑白照片,画面中有一座户外雕塑,由三位长着翅膀的女性形象组成。她们紧靠在一起,高举一个大型圆盘。人物的翅膀和飘动的衣饰呈现出动态感。背景是高楼与弧形的现代建筑。整体带有胶片质感。
@leftsidestory@mstdn.social
2026-04-21 00:30:02

City Silhouettes III 🏙️
城市轮廓线 III 🏙️
📷 Pentax 6x7
🎞️ Lucky SHD 400 (6x7)
If you like my work, Support by buying me a coffee or a roll of film from PayPal paypal.com/paypalme/ydcdingsite

Lucky LUCKY SHD 400 (6x7)

English

A close-up of a corrugated metal wall with a neon sign that reads "Film Never Die" in large, bold letters. The sign is illuminated and stands out against the textured, industrial surface of the wall. Below the main sign, there is a smaller sticker or label with the same text. The background is slightly blurred, but another sign with partial text "Grain is Good" is visible.

中文

一面瓦楞金属墙的特写,墙上有一个霓虹灯标志,用粗体大字写着“Film Never Die”。这个发光的标志在粗糙的工业金属墙面上非常显眼。主标志下方有一个较小的贴纸…
Lucky LUCKY SHD 400 (6x7)

English

A shadow of a tree branch is cast sharply against a brick wall. The shadow creates a striking, abstract pattern, with the branches extending diagonally across the wall. The wall itself is made of uniformly laid bricks, and some greenery is visible at the bottom right corner, suggesting the presence of plants or a garden nearby.

中文

一根树枝的影子清晰地投射在一面砖墙上。影子形成了一个鲜明的抽象图案,树枝斜向延伸穿过墙面。墙本身由整齐的砖块砌成,右下角可见一些绿色植物,暗示附近有植物或花园。
Lucky LUCKY SHD 400 (6x7)

English

A narrow, dimly lit alleyway in an urban setting. The alley is flanked by old, weathered buildings with visible wear and peeling paint. Overhead, a network of electrical wires and makeshift awnings can be seen. The ground is paved with bricks, some of which appear damp or stained. The alley extends into the distance, creating a sense of depth and leading the eye toward a brighter area at the end.

中文

一个狭窄、光线昏暗的城市小巷。巷子两侧是老旧、风化的建筑,墙面有明显的磨损和剥落的油漆。头顶上方有电线和临时搭建的遮…
Lucky LUCKY SHD 400 (6x7)

English

An outdoor scene featuring a historic building with a distinctive architectural style, including arched windows and a pitched roof. The building is constructed of brick and stone. In the foreground, bare trees frame the scene, and a few people can be seen walking near the building. The sky is clear, and the overall atmosphere is calm.

中文

一个户外场景,主体是一栋具有独特建筑风格的历史建筑,建筑上有拱形窗户和斜屋顶。建筑由砖石砌成。前景中光秃秃的树木框出了这个场景,几个人在建筑附近行走。天空晴朗,整体氛围宁静。
@gwire@mastodon.social
2026-04-17 07:29:18

> Moving to a version of IOS XE that doesn’t write the log file is the obvious fix, but Cisco warns it’s not that simple because if your Wi-Fi box has filled its flash with junk, it may not have enough internal storage space to hold the updated OS.
theregister.com/2026/04/17/cis

@lpryszcz@genomic.social
2026-04-16 20:26:07

Are you planning flying in the coming months? Consider train...
"The executive director of the International Energy Agency, said there would be flight cancellations “soon” if oil supplies from the Middle East were not restored within the coming weeks.
KLM, part of the Air France-KLM group, said on Thursday it would cut 160 flights in the coming month because of high kerosene jet fuel prices."

@hex@kolektiva.social
2026-02-28 10:20:01

As salty as I am about it, there's also another way to think about this. For anyone who still has connections to folks on the right (which is perhaps unlikely for anyone on this server, I digress), the cult that has consumed them thrives on isolation and grievance.
The words "you were right" have the potential to cut through the programming and open up an opportunity for reconnection. The modern conspiratorial cult of the Right has been built partially around people who were told they were wrong or were crazy. In the vast majority of cases, they were wrong and even when they were right they completely misunderstood why, but we'll skip that for now. Liberals making fun of them (even the times when they definitely earned it) has pushed them further and further into their ideological hole.
The thing about those words, "you were right," in this context is that the way they offer reconnection also requires them to take one little step of betraying their ideology to accept them. So they must choose between maintaining allegiance to a pedophile or finally getting to feel superior after years of living in an illusion of persecution.
Under the ideology of the Right, admitting one is wrong is a weakness. It is admitting defeat. They have to "own the libs" by saying things, things that they know aren't true, in order to feel dominant. But these things are often so absurd that they end up being made fun of, feeling even more weak and pathetic, reinforcing their fear and alienation.
Offering what they're looking for can offer a way out, but only if they're willing to start to recognize the thing they've supported for what it is.
And they were right about some things. They were right that Bill Gates was a terrible person. I've had plenty of liberals defend him based on his philanthropy washing, but he's awful and always has been. The Epstein links make that blatant. They intuitively recognized him and didn't trust him, even if they were wildly off base about *how and why* he shouldn't be trusted... Even if their correct mistrust was leveraged into one of the most destructive conspiracy theories ever (vaccine denial and COVID vaccine avoidance).
They were right about Bill Clinton. He was always shady as fuck. Sure, the people who attacked him at the time turned out to be even more shady but that's not the point right now. He was connected to Epstein and that was always creepy as fuck.
And the Epstein thing was an open secret that liberals ignored for a long time. It was seen as some weird thing that right wing nutjobs believed about the Clintons. But it was true. Not all of it, and there has always been an antisemitic element to the right wing interpretation or Epstein stuff, but his whole pedophile conspiracy was always kind of real.
The whole "Illuminati"/deep state thing is a vast oversimplification, an attempt to make comprehensible an incredibly complex set of interlocking and emergent behaviors. But Epstein did very much want to remake the world, to create a new world order, and he absolutely played a part in it.
The Right wing nutjobs talked about global authoritarianism, Blackhawks flying over American cities, masked men with guns disarming and executing legal gun owners in the streets. That's all happening right now.
The "FEMA concentration camps" are not actually that far off. ICE and FEMA are sister agencies, both under DHS. I'd be more than happy to call that one "close enough" in order to hear some MAGA admit that ICE is, in fact, building concentration camps.
There was always a huge millennialist element to these things. They tended to be connected to "the antichrist." It was absurd, especially for me as someone who no longer identifies as a Christian. But I'll even acquiess that to a degree. The "the number of the Beast" is 666. That's just the sum of the Hebrew spelling of "Nero." Revelations focuses a lot on Nero coming back to life after his death. His death that involved a head wound, thus the line from Revelation 13:3:
> And I saw one of his heads as if it had been mortally wounded, and his deadly wound was healed. And all the world marveled and followed the beast.
The parallels between Trump and Nero are easy to draw, and Trump's ear wound feels pretty on-the-nose for this. I don't believe in "prophecy" in this way. I think that there are patterns, and useful patterns can become encoded in beleif systems. But I will, again, happily call this one "close enough" for anyone on that side willing to also acknowledge it. I'm happy to meet on that common ground, because anyone who accepts it must recognize that their duty is to fight against it.
A lot of these correct nuggets are embedded in a framework of religious extremism and antisemitism. The vast majority of the beliefs holding these together are wildly wrong and incredibly toxic. But by giving some room to feel validated, listened to, understood, can give some room to admit things that were wrong.
Cult de-programming starts with an opening. People have to talk through their own thoughts, hear their own inconsistencies. Guiding questions can help them untangle these things for themselves. And it all starts by having enough room to feel safe, to not feel cornered, to not feel stupid. Admitting mistakes means being vulnerable, and the MAGA cult is built on fear. It's built on exploiting vulnerability and locking it away.
De-programming takes a long time. It's not easy. It takes patience. But every person who comes out does so with a powerful perspective, a deep understanding, that can be turned back against it. The best people at getting people out of cults are former members. Some of the most dedicated antifa are former fascists who understood their mistakes and dedicate their lives to fixing them.

@hikingdude@mastodon.social
2026-04-11 08:06:48

Finally back to posting #photos!
This one is from my recent snowshoeing tour (you might have seen it if you've read my blog). - I was just quite happy that I set out and did this hike 🙂

A serene and expansive winter landscape unfolds in this image, capturing the untouched beauty of a snowy forest trail. The foreground features a path blanketed in pristine white snow, winding its way through a tranquil forest. The snow's smooth surface is marked by a few footprints, suggesting recent passage and adding a sense of exploration and adventure.

The trail is flanked by tall evergreen trees, their branches heavy with snow, creating a natural corridor that adds depth and a sense of pe…
@Treppenwitz@sfba.social
2026-03-18 19:22:33

"I can't help but wonder if the US economy backs itself so hard into a corner funding these research labs, and if these research labs receive a bailout, what does that mean for China? Why is China releasing these models for free?" ghuntley.com/warfare/

@karlauerbach@sfba.social
2026-03-08 17:26:46

I had a medium distance/degree cousin who wrote two - yes two! - episodes for this TV series...
And if you listen closely to various episodes you will recognize the voice of the Billionaire John Berrisford Tipton as someone who moonlights for narration jobs on old Disney films or was Orson Wells.
youtube.com/watch?v…

@leftsidestory@mstdn.social
2026-04-19 01:09:50

City Silhouettes 🏙️
城市轮廓线 🏙️
📷 Pentax 6x7
🎞️ Lucky SHD 400 (6X7)
If you like my work, Support by buying me a coffee or a roll of film from PayPal paypal.com/paypalme/ydcdingsite

Lucky LUCKY SHD 400 (6x7)

English:

A black-and-white photograph featuring the silhouette of a traditional Chinese pavilion with a curved roof. The pavilion is framed by bare tree branches in the foreground, with modern buildings visible in the background.

中文:

一张黑白照片,展示了一座传统中式亭子的剪影,亭子屋顶弯曲。亭子被前景中光秃秃的树枝框住,背景中可见现代建筑。
Lucky LUCKY SHD 400 (6x7)

English:

A black-and-white photograph of a street lamp with multiple round bulbs extending from its arms. In the background, a flag is flying atop a modern building with a flat roof and rectangular windows.

中文:

一张黑白照片,展示了一盏街灯,街灯有多个圆形灯泡从灯臂上延伸出来。背景中,一面旗帜在一座现代建筑的顶部飘扬,建筑物屋顶平坦,窗户为矩形。
Lucky LUCKY SHD 400 (6x7)

English:

A black-and-white photograph of trees with bare branches in the foreground, partially obscuring the view of a building in the background. The focus is on the branches and the blurred building behind them.

中文:

一张黑白照片,前景是光秃秃的树枝,部分遮挡了后面建筑物的视线。焦点集中在树枝和背景中模糊的建筑物上。
Lucky LUCKY SHD 400 (6x7)

English:

A black-and-white photograph showing a traditional Chinese building with a tiled roof and ornate eaves. The building is partially obscured by trees and power lines. A sign is visible on the wall, but the text is not legible. A car is partially visible in the foreground.

中文:

一张黑白照片,展示了一座传统中式建筑,建筑屋顶铺有瓦片,屋檐装饰华丽。建筑物部分被树木和电线遮挡。墙上有一个标志,但文字不清晰。前景中有一辆汽车部分可见。