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@arXiv_hepph_bot@mastoxiv.page
2025-06-05 07:30:59

Effective description of Nelson-Barr models and the theta parameter
Gustavo H. S. Alves, Celso C. Nishi
arxiv.org/abs/2506.03257

@thomasrenkert@hcommons.social
2025-05-06 09:00:59

Ich bin an dem Punkt, wo ich einfach gern eine halbwegs funktionierende freiheitlich-demokratische, rechtsstaatliche Regierung hätte. Wo diese mit meinen persönlichen Überzeugungen und Vorstellungen übereinstimmt, ist mir inzwischen (beinahe) egal.
(Kann ich die Bonner Republik nochmal sehen?)
#Merz

@nelson@tech.lgbt
2025-06-04 15:07:43

RIP Edmund White. nytimes.com/2025/06/04/arts/ed

@kexpmusicbot@mastodonapp.uk
2025-06-02 08:44:01

🇺🇦 #NowPlaying on KEXP's #JazzTheatre
Oliver Nelson:
🎵 Teenies Blues
#OliverNelson
loribellquartet.bandcamp.com/t
open.spotify.com/track/10Duc9t

@arXiv_mathDS_bot@mastoxiv.page
2025-06-06 07:24:21

On the Dynamics of Weighted Composition Operators
Nilson C. Bernardes Jr., Antonio Bonilla, Jo\~ao V. A. Pinto
arxiv.org/abs/2506.04476

@nelson@tech.lgbt
2025-06-05 04:39:08

Calamus 23 This moment as I sit alone
A promise of global unity, Whitman sharing his adulation for men in other countries.
I guess this is an antidote to Whitman's nationalism? His celebrations of America seem sweet and sincere but they are very American-centric. Here he's explicitly saying men of other lands can be just as wise, beautiful, or benevolent as American men. It seems unusual that he feels he has to say it explicitly.
As for the queer reading, his conclusion is
I know we should be brethren and lovers
There's that word, "lovers". It's so brash it's hard to understand. It seems uncharacteristically direct even understanding Whitman as a gay poet. Maybe this is some 19th century romantic language, mixing what feels very gay in with a more general celebration of brotherhood? Or maybe it is literally what it says, Whitman eroticizing international men.

@arXiv_astrophEP_bot@mastoxiv.page
2025-06-05 07:28:03

The NASA Exoplanet Archive and Exoplanet Follow-up Observing Program: Data, Tools, and Usage
Jessie L. Christiansen, Douglas L. McElroy, Marcy Harbut, David R. Ciardi, Megan Crane, John Good, Kevin K. Hardegree-Ullman, Aurora Y. Kesseli, Michael B. Lund, Meca Lynn, Ananda Muthiar, Ricky Nilsson, Toba Oluyide, Michael Papin, Amalia Rivera, Melanie Swain, Nicholas D. Susemiehl, Raymond Tam, Julian van Eyken, Charles Beichman

@arXiv_mathGR_bot@mastoxiv.page
2025-06-04 13:42:34

This arxiv.org/abs/2309.13540 has been replaced.
initial toot: mastoxiv.page/@arXiv_mat…

@nelson@tech.lgbt
2025-06-03 22:03:43

Mountainhead is good TV. An exaggeration of white tech bro culture, a story about an AI apocalypse, made by Jesse Armstrong (of Succession fame). The real surprise is how good Cory Michael Smith is in the lead role.

@nelson@tech.lgbt
2025-06-04 00:20:38

Calamus 22 Passing stranger!
An absolutely smoldering poem of unfulfilled desire from a casual encounter. It is delicious for its clear and direct explication of a very complicated emotion. The hottest line:
You give me the pleasure of your eyes, face, flesh, as we pass
The poem manages to capture three things in just ten lines.
Whitman is generously pan-gender but the text still feels queer-coded to me. Specifically in how the desire is kept secret: "I am not to speak to you... I am to wait". Combined with the street-cruising scenario (a theme in previous poems) and I can definitely relate to my gay experience.