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2:31 p.m. Eastern
NASA’s Artemis II crew members are boarding the agency’s Orion spacecraft to begin communication checks to confirm voice links with mission control and onboard systems. 
Before entering the spacecraft that will be their home on the approximately 
10-day journey around the Moon and back,
all four crewmates signed the inside of the White Room, an area at the end of the crew access arm that provides access to the spacecraft.
The term “White Room” d…

@aredridel@kolektiva.social
2026-04-03 00:23:07

My moment of clarity in the last few weeks was coming back to “Oh right, copyright is a hack, and one that is not serving us, particularly us on the margins”
The moral rights of authorship and the way we situate our legal process of ownership are, actually, kinda at odds. And it entirely misses the idea of a commons, both as community and as a cultural base to draw from.
I've long believed that we, collectively, should own our culture — to have modern myths be Copyright 1972 LucasFilm, the traditional songs we sing Copyright 1922, now owned by Warner/Chappell Music is one of the things I find repugnant about the situation we find ourselves in.
That said, reconciling that with the behavior of the AI companies, _particularly_ the American ones? It's hard. Google abuses its monopoly position; Microsoft has forced harmful and terrible tooling on people at every turn; OpenAI is run by someone who actively despises art and does not understand it; and Anthropic is run by a guy who is trying to make sure the apocalypse has a pleasant demeanor and doesn't offend any corporations on the way. All of the above have scraped the web with no active consent — and that's largely fine, that's what putting things in common _is_, that's the beauty of the open information world we have the remnants of — but also actively evading measures people put in place to stop it and with absolutely no willingness to engage with the process. Extracting from the commons _is_ the tragedy of the commons.
It does not mean that enlarging the commons with the resulting tools is bad. The doctrine of original sin is a Christian concept I do not subscribe to. The concept of 'fruit of the poisonous tree' is a legal tool to fix power relations not a moral stance. They're worth understanding, but they are not absolute moral stances that are self-evident.
These are not harmless tools, but so too putting hard regulation and corporate, legalistic scrutiny on everything has a vastly negative impact: it is a yoke on human creativity and community to the reins of capital.
And, so too, disruption has huge costs. We are, apparently, committed to doing things the worst possible way. One can just hope that we capture the good too, because the ride has started and it's rather late to get off.

@leftsidestory@mstdn.social
2026-03-03 15:56:12

Sickly Red II ⭕️
病态的红 II ⭕️
📷 Pentax MX
🎞️ CineStill 800T
If you like my work, buy me a coffee from PayPal #filmphotography

CineStill 800T (FF)

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An indoor space with a two‑tone blue wall, light blue on top and dark blue on the bottom. Five stacked plastic chairs sit in the corner beneath an emergency exit sign with Chinese characters and a left‑pointing arrow. The ceiling has integrated lighting strips, and the floor features colorful stripes in blue, green, and purple. Electrical outlets and coiled green cables rest along the left wall, giving the room a clean but utilitarian feel.
中文替代文字
一个室内空间,墙面…
CineStill 800T (FF)

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A nighttime city scene featuring a tall construction crane lit with red lights along its arm and bright white lights at its base. The crane rises against a dark sky, with several mid‑rise buildings behind it. One building displays a vertical red neon sign with Chinese characters. The overall atmosphere is dramatic, with strong contrasts between the artificial lights and the surrounding darkness.
中文替代文字
夜间城市景象,一座高大的施工起重机矗立在黑暗的天空前。起重机的臂架上有红色灯光,底部有明亮的白光。背景中有几栋…
CineStill 800T (FF)

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A row of futuristic white pod‑style chairs with red accents, resembling massage or entertainment pods, arranged against a brightly lit wall. The wall features colorful graphics and Chinese text in a modern, high‑tech style. The scene suggests a relaxation or entertainment zone, possibly in a mall or public facility, with a vibrant and playful atmosphere.
中文替代文字
一排未来感十足的白色舱型座椅,带有红色装饰,看起来像按摩舱或娱乐舱。它们靠着一面亮丽的墙壁摆放,墙上有彩色图案和现代科技风格的中文文字。整体氛围活泼、现代,像是商场或公共空间中的休闲娱乐区域。
CineStill 800T (FF)

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A hallway leading to a doorway marked by a glowing green exit sign with Chinese characters and the word “EXIT.” To the right of the doorway is a reflective panel showing distorted neon‑like colors in yellow, red, and blue. Beyond the doorway, a room with blue lighting and metal railings is visible. The polished floor reflects the lights, and a fire alarm and safety sign are mounted on the left wall.
中文替代文字
一条走廊通向一扇门,门上方有绿色发光的出口标志,包含中文和“EXIT”字样。门右侧的反光面呈现扭曲的黄…
@simon_jf@mastodon.scot
2026-05-01 16:34:36

It was the Functional Programming exam today. I went to the room to make sure everything was OK and to wish the students good luck. Upon entering the room, invigilator dutifully ushered me to a seat to take the exam…

@metacurity@infosec.exchange
2026-05-01 14:09:14

Don't leave for the weekend before you check out today's Metacurity for the most crucial developments shaping the cyber landscape, including
--GPT-5.5 aces UK cyber trials, tops rivals in AISI tests,
--NSA is testing Mythos,
--Anthropic publishes Claude Security for Claude Enterprise,
--Flock spied on a kid's gym room,
--DPRK hackers have stolen $577m in crypto year-to-date,
--Rhysida demands ransom from Stelia Aerospace NA,
--Two ransomwa…

@scottmiller42@mstdn.social
2026-05-01 17:11:56

A lot of the analytical work I do really adapts well to #Jupyter Notebooks. It's very helpful to organize the code into logical chunks, one chunk per cell.
However, now I want to re-run the entire workbook, changing only one parameter.
Is there an easy way to do that without merging all the cells together?
ETA: My notebook has a parameter section at the top, but now I want to …

@memeorandum@universeodon.com
2026-03-01 14:10:38

'I Just Stood Up': The Stunning Arrest Of Aliya Rahman At The State Of The Union (Jennifer Bendery/HuffPost)
huffpost.com/entry/aliya-rahma
memeorandum.com/260301/p16#a26

@YaleDivinitySchool@mstdn.social
2026-03-31 18:39:32

Tomorrow at YDS! A reception celebrating Julia Rooney's acclaimed "Tilt" exhibition of cyanotypes capturing the beautiful light of Marquand Chapel. The event features remarks by the artist (a 2018 Yale School of Art grad) and catalogue-signing.
12:15 pm, Croll Family Entrance Hall, light lunch provided.

an artist
@nohillside@smnn.ch
2026-03-01 11:42:18

Kerry James Marshall im #kunsthaus #zürich. Eindrücklich!

Die Szene zeigt einen lebhaften, farbenfrohen Innenraum voller Menschen, die in einer festlichen Atmosphäre zusammenkommen. Zwischen Tischen mit Partyhüten, Getränken und Geschenken sitzen und stehen Gäste, während bunte Ballons und warmes Licht den Raum füllen. Im Vordergrund hält eine Person eine orangefarbene Tasche, andere unterhalten sich oder beobachten das Geschehen. Links wischt jemand den Boden nahe eines gelb erleuchteten Durchgangs, durch den zwei weitere Figuren sichtbar sind. Über …
Die Szene zeigt einen lebhaften Schönheitssalon voller Menschen, Farben und Energie. In dem grünen Raum mit herzförmigen Spiegeln, Lichterketten und Postern wie „Dark & Lovely“ oder „It’s Your Hair! Love It“ arbeiten Stylistinnen, posieren Kundinnen und unterhalten sich Gruppen. Die Figuren tragen auffällige, gemusterte Kleidung, manche sitzen unter Trockenhauben, andere lassen sich frisieren oder betrachten sich im Spiegel. An den Wänden hängen Fotos und dekorative Elemente, die den Ort persön…
Das Bild zeigt ein farbenfrohes, erzählerisches Gemälde: Eine bunt bemalte, reich beladene Bootsszene spielt sich auf ruhigem Wasser unter einem hellen Himmel voller Möwen ab. Am Bug und Heck paddeln zwei Personen, während im Zentrum eine Figur auf einer geflochtenen Matte liegt, geschmückt mit Schmuck und Grasrock, den Blick und Arm zum Himmel erhoben. Eine weitere Person steht auf einem Fass und zielt mit einem Gewehr. Zwischen den Figuren liegen Vasen, Geschenke, ein Wecker, eine Tasse und e…
Kerry James Marshall (*1955 in Birmingham, Alabama) wird für seine figurativen Gemälde gefeiert, in deren Zentrum ganz «unmissverständlich» Schwarze Menschen stehen. Diese Ausstellung beleuchtet elf unterschiedliche Werkzyklen.
Der früheste reicht 45 Jahre zurück und der aktuellste wurde für die Ausstellung realisiert. Mit rund 70 Arbeiten ist dies die erste Ausstellung in der Schweiz, die dem Künstler gewidmet ist.
Marshalls Schaffen basiert auf einer tiefen Auseinandersetzung mit der Kunst-ge…