Tootfinder

reading a blog post on implementing a toy dns resolver by someone who admits they are a newbie to network programming
so obviously i do my standard thing of checking the dns name decompression code
and as usual it has the standard mistake that everyone makes, failing to protect against compression pointer loops
not the newbie’s fault, it’s a subtle trap

Decoding planetary surfaces by counting cracks
S. Silver, K. Reg\H{o}s, G. Domokos, D. J. Jerolmack
https://arxiv.org/abs/2406.07376 https://

Decoding planetary surfaces by counting cracks
Planets are often covered with thin cracked shells. From mud films to lithospheres of rock or ice, fracture networks form two-dimensional (2D) tessellations of convex polygons whose geometry encodes their genesis. Here we chart the geometry of 2D fracture mosaics across the solar system, and decode their formative conditions using a new dynamical crack model. We show that mosaics can be projected onto a Symbolic Ternary Diagram, where the relative proportions of ``T'', ``X'' and ``Y'' junctions…

This https://arxiv.org/abs/2405.04606 has been replaced.
initial toot: https://mastoxiv.page/@arXiv_csDC_…

Probabilistic Byzantine Fault Tolerance (Extended Version)
Consensus is a fundamental building block for constructing reliable and fault-tolerant distributed services. Many Byzantine fault-tolerant consensus protocols designed for partially synchronous systems adopt a pessimistic approach when dealing with adversaries, ensuring safety in a deterministic way even under the worst-case scenarios that adversaries can create. Following this approach typically results in either an increase in the message complexity (e.g., PBFT) or an increase in the number o…

This https://arxiv.org/abs/2405.18503 has been replaced.
initial toot: https://mastoxiv.page/@arXiv_csSD_…

SoundCTM: Uniting Score-based and Consistency Models for Text-to-Sound Generation
Sound content is an indispensable element for multimedia works such as video games, music, and films. Recent high-quality diffusion-based sound generation models can serve as valuable tools for the creators. However, despite producing high-quality sounds, these models often suffer from slow inference speeds. This drawback burdens creators, who typically refine their sounds through trial and error to align them with their artistic intentions. To address this issue, we introduce Sound Consistency…

Very pleased to see that, following user pushback, #iTerm has wound back its inclusion of #AI helper functionality by moving the code out into a user-installable plugin.
#macos #opensource

This https://arxiv.org/abs/2405.18503 has been replaced.
initial toot: https://mastoxiv.page/@arXiv_csSD_…

SoundCTM: Uniting Score-based and Consistency Models for Text-to-Sound Generation
Sound content is an indispensable element for multimedia works such as video games, music, and films. Recent high-quality diffusion-based sound generation models can serve as valuable tools for the creators. However, despite producing high-quality sounds, these models often suffer from slow inference speeds. This drawback burdens creators, who typically refine their sounds through trial and error to align them with their artistic intentions. To address this issue, we introduce Sound Consistency…

Joachim Stiller – Music For Wireless Telegraphs
#acousmatic

Most migrants likely wouldn’t say they’re fleeing climate change.
They’re escaping war, economic uncertainty, social instability and the like.
But climate change multiplies those threats.
It’s not a coincidence that 95% of conflict refugees in 2020 came from global-warming hot spots.
A 2021 study by researchers at the National Autonomous University of Mexico found the movement of low-income farmers from Mexico to the U.S. not only tripled during times of drought but …

It’s far cheaper to help migrants before they leave home
As global temperatures rise, so will the frequency of heat waves, droughts, floods, pandemics, natural disasters, food and water shortages and conflicts over resources.

From Saturday, June 15, and in parallel to the exhibition Thomas Arslan at n.b.k., Arsenal will present a comprehensive retrospective of Thomas Arslan’s films! It explores the film aesthetics that have influenced Arslan and is accompanied by introductions and discussions.
https://www.instagram.com/p/C8JrlZnIf-u/?i…

Neuer Berliner Kunstverein on Instagram: "From Saturday, June 15, and in parallel to the exhibition Thomas Arslan at n.b.k., Arsenal will present a comprehensive retrospective of Thomas Arslan’s films! It explores the film aesthetics that have influenced Arslan and is accompanied by introductions and discussions. These are the dates for June (the program continues in July & August, find the full schedule on our website!) Unless otherwise stated, all films are by Thomas Arslan, in German, and subtitled in English: Sat, June 15, 8 pm Am Rand (1991); Am Rand Revisited (2024); Im Sommer (Die sichtbare Welt) (1992) Followed by a discussion with Thomas Arslan, moderated by Birgit Kohler Sun, June 16, 8 pm Preview: Verbrannte Erde (2024) Followed by a discussion with Thomas Arslan, moderated by Birgit Kohler Tue, June 18, 8 pm Mach die Musik leiser (1994) Introduction: Diedrich Diederichsen Thu, June 20, 8 pm Geschwister – Kardeşler (1996) Introduction: Till Kadritzke Sat, June 22, 7 pm The Cool World (by Shirley Clarke, 1963, original English version without subtitles) Introduction: Thomas Arslan Wed, June 26, 8 pm Dealer (1998) Introduction: Michael Baute Fri, June 28, 8 pm Der schöne Tag (2001) Followed by a conversation with Serpil Turhan, moderated by Birgit Kohler The film series is curated by Birgit Kohler (Head of Programming Arsenal – Institute for Film and Video Art in Berlin). Venue: Kino Arsenal at Filmhaus am Potsdamer Platz, Potsdamer Str. 2, 10785 Berlin Part of the exhibition Thomas Arslan June 8 – August 4, 2024 Tue–Sun 12–6 pm / Thu 12–8 pm @neuerberlinerkunstverein A project in cooperation with the Arsenal – Institute for Film and Video Art. Funded by Medienboard Berlin-Brandenburg. Images: Film stills Verbrannte Erde (2024); Geschwister – Kardeşler (1997); Dealer (1999); Der schöne Tag (2001) © Thomas Arslan #neuerberlinerkunstverein #nbkberlin #thomasarslan #berlinfilm #berlincinema @neuerberlinerkunstverein @arsenalberlin @medienboard @piffl_medien @dffb_berlin #machdiemusikleiser #geschwister @tameryigitberlin @koolsavas #kardesler #dealer @idiluener #derschoenetag @florianstetter_official #verbrannteerde @marie_leuenberger_official @alexanderfehling #berlinerschule #berlin"
59 likes, 0 comments - neuerberlinerkunstverein on June 13, 2024: "From Saturday, June 15, and in parallel to the exhibition Thomas Arslan at n.b.k., Arsenal will present a comprehensive retrospective of...".

Most migrants likely wouldn’t say they’re fleeing climate change.
They’re escaping war, economic uncertainty, social instability and the like.
But climate change multiplies those threats.
It’s not a coincidence that 95% of conflict refugees in 2020 came from global-warming hot spots.
A 2021 study by researchers at the National Autonomous University of Mexico found the movement of low-income farmers from Mexico to the U.S. not only tripled during times of drought but …

It’s far cheaper to help migrants before they leave home
As global temperatures rise, so will the frequency of heat waves, droughts, floods, pandemics, natural disasters, food and water shortages and conflicts over resources.