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@blakes7bot@mas.torpidity.net
2025-12-14 19:24:23

Series A, Episode 13 - Orac
CALLY: We should keep on moving, they could be right behind us.
BLAKE: Yes, without weapons we don't stand a chance. Look, you keep going. I'm going to stay here and try and bring the roof down - block them off.
blake.torpidity.net/m/113/347 …

Claude Sonnet 4.5 describes the image as: "This image appears to be from a science fiction television production, likely from the 1970s based on the visual quality and costume design. The scene takes place in what looks like a dark, cave-like or underground setting with rough stone walls visible in the background. Three figures are present in the frame, wearing distinctive futuristic uniforms characterized by two-tone color schemes with V-shaped chevron designs on the chest. The person on the …
@blakes7bot@mas.torpidity.net
2025-11-13 19:24:01

Series B, Episode 02 - Shadow
BLAKE: There's no reason why they should.
[Space City. Chairman is seen on communications screen]
ENFORCER: They'll be making planetfall anytime now.
CHAIRMAN: Excellent. Are all Largo's addicts so available?
blake.torpidity.net/m/202/444

Claude Sonnet 4.0 describes the image as: "This appears to be a scene from the British science fiction television series "Blake's 7" from the late 1970s. The image shows what looks like the interior of a spacecraft or futuristic setting, with the characteristic design elements typical of the show's production. The scene appears to involve multiple characters in what seems to be a dramatic moment, with the lighting and composition suggesting this is from a key plot point in an episode. The produ…
@arXiv_qbioQM_bot@mastoxiv.page
2025-10-15 08:41:22

Mixture of Inverse Gaussians for Hemodynamic Transport (MIGHT) in Vascular Networks
Timo Jakumeit, Bastian Heinlein, Leonie Richter, Sebastian Lotter, Robert Schober, Maximilian Sch\"afer
arxiv.org/abs/2510.11743

Mixture of Inverse Gaussians for Hemodynamic Transport (MIGHT) in Vascular Networks
Synthetic molecular communication (MC) in the cardiovascular system (CVS) is a key enabler for many envisioned medical applications in the human body, such as targeted drug delivery, early cancer detection, and continuous health monitoring. The design of MC systems for such applications requires suitable models for the signaling molecule propagation through complex vessel networks (VNs). Existing theoretical models offer limited analytical tractability and lack closed-form solutions, making the…

@blakes7bot@mas.torpidity.net
2025-12-14 13:19:35

Series D, Episode 11 - Orbit
SERVALAN: Don't concern yourself, Egrorian. I encourage ambition.
EGRORIAN: I never conspired against you, I swear it! Orac, acknowledge my instructions. [Orac buzzes, but says nothing.] I don't understand.
blake.torpidity.net/m/411/363 B7B3…

Claude Sonnet 4.5 describes the image as: "This image appears to be from a science fiction production, likely from the late 1970s or early 1980s based on the aesthetic and production design. The setting features a sleek, futuristic interior with geometric white panels and distinctive angular ceiling architecture characteristic of classic sci-fi television sets. Three actors are engaged in what appears to be a tense dramatic scene. On the left, a woman with short dark hair wears an elegant blac…
@blakes7bot@mas.torpidity.net
2025-11-15 13:09:49

Series D, Episode 10 - Gold
SOOLIN: [Searching Keiller.] He's clean.
KEILLER: Of course I'm clean, what do you take me for. Avon and I are old friends. It's good to see you, Avon.
DAYNA: Uh, nobody said move, Keiller. Just relax.
blake.torpidity.net/m/410/6 B7B3…

Claude Sonnet 4.0 describes the image as: "This image shows two actors in elaborate costume standing in a distinctly retro-futuristic set with pink walls and modern lighting. The setting appears to be from a British science fiction production, likely from the 1970s or early 1980s, characterized by its bright pastel color scheme and geometric design elements. Paul Darrow, on the left, wears a striking black uniform with silver trim and ornate detailing, including decorative elements along the s…
@blakes7bot@mas.torpidity.net
2025-10-14 12:25:04

Series C, Episode 05 - The Harvest of Kairos
INTERCEPTOR LEADER: [V.O.] Interceptor Leader to Control. Request instructions!
SERVALAN: Hold position, Interceptor Leader, and wait for instructions from Assault Leader One. We will attack when the Liberator breaks out of Alpha Sector. Four should do it nicely. Well, Dastor, I think it's time we had a little strategic counsel. Bring this - Jarvik to me.

Claude 3.7 describes the image as: "The image shows a scene set in what appears to be a futuristic space setting with distinctive green metallic wall panels in the background. The scene features two individuals in what seems to be a formal or dramatic moment. On the left is an older person wearing dark clothing, possibly a black turtleneck or jacket. On the right is someone in an elegant, light-colored satin dress or gown with a one-shoulder design and some sparkly embellishment or accessory.…
@blakes7bot@mas.torpidity.net
2025-12-13 17:08:04

Series D, Episode 02 - Power
VILA: Not too close. The gap is all connected with the thickness of the door. So what's the difference between Seskas and Hommiks?
PELLA: How do you know how thick it is?
VILA: By the stress pattern.
blake.torpidity.net/m/402/132 B7B4

Claude Haiku 4.5 describes the image as: "# Scene Description This image shows two figures in what appears to be a sci-fi setting, likely from a television production. The male character on the left wears a grey and gold uniform typical of 1970s space opera costumes, complete with practical pockets and fitted design. He's holding what appears to be a futuristic rifle with blue and black coloring. The female character on the right wears a flowing, draped cream or beige garment with elegant ple…
@blakes7bot@mas.torpidity.net
2025-11-13 13:18:57

Series B, Episode 08 - Hostage
CALLY: Blake, we're losing them I think. Forward vision is now clear.
BLAKE: Cally's right.
JENNA: But how?
blake.torpidity.net/m/208/85 B7B3

Claude Sonnet 4.0 describes the image as: "This image shows a scene from the British science fiction television series "Blake's 7," which aired from 1978 to 1981. The photograph captures Jan Chappell in character as Cally, a telepathic alien from the planet Auron. She wears a cream-colored, high-necked uniform with distinctive shoulder buttons, characteristic of the show's utilitarian costume design. Her shoulder-length curly hair and direct gaze convey the character's serious, contemplative na…
@blakes7bot@mas.torpidity.net
2025-10-13 12:11:01

Series B, Episode 10 - Voice from the Past
AVON: I'm sorry to have to inform you that he is himself all right.
[End of episode. Roll credits.]
blake.torpidity.net/m/210/623 B7B3

Claude Sonnet 4.0 describes the image as: "This image shows two characters in what appears to be the interior of a spacecraft or space station, with characteristic futuristic wall paneling visible in the background. Both men are wearing what looks like military or rebel-style clothing typical of the series' aesthetic. The lighting and set design have the distinctive look of British science fiction television from the late 1970s. The scene appears to be taking place during a moment of dialogue o…
@blakes7bot@mas.torpidity.net
2025-11-12 16:26:37

Series A, Episode 11 - Bounty
CALLY: But the elections were rigged.
TYCE: It was still failure.
BLAKE: [To Cally] That's something you should understand.
TYCE: I thought I could help him.
BLAKE: He must come with us, by force if necessary.
blake.torpidity.net/m/111/225

Claude Sonnet 4.0 describes the image as: "This image appears to be from a classic British science fiction television series, likely from the late 1970s or early 1980s based on the production quality and costume design. The scene shows three characters in what appears to be a spaceship or futuristic facility interior, with industrial gray walls visible in the background. The woman on the left wears a distinctive red velvet tunic with white cord trim and a black turtleneck underneath, styled wi…