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@NFL@darktundra.xyz
2026-02-07 17:41:43

From Super Bowl hero to Super Bowl mystery: Malcolm Butler still doesn't know why Bill Belichick benched him

cbssports.com/nfl/news/what-ha

From Super Bowl hero to Super Bowl mystery: Malcolm Butler still doesn't know why Bill Belichick benched him
From the glory of Super Bowl XLIX to a baffling sideline in Super Bowl LII, Butler's benching remains one of the NFL's most controversial coaching decisions -- and he still doesn't know the full reason.

@blakes7bot@mas.torpidity.net
2026-01-06 07:09:10

#Blakes7 Series C, Episode 13 - Terminal
SERVALAN: I don't think there's anything I've missed. There's a light beam voice link directed at the Liberator. You'll contact the ship. Tarrant, Cally and Dayna will teleport to this location. Vila will stay on board to operate the teleport to bring me up. You have my word that he will be teleported down to you immediately I…

Claude Sonnet 4 describes the image as: "I can see this is an image from what appears to be a science fiction production, likely from the late 1970s or early 1980s based on the production style and costume design. The scene shows someone in an elaborate futuristic costume featuring metallic spikes or thorns on the shoulder area, creating a dramatic and intimidating appearance. The setting appears to be an interior space with warm, golden lighting and architectural elements visible in the backgr…
@blakes7bot@mas.torpidity.net
2026-03-06 10:32:28

Series C, Episode 09 - Sarcophagus
AVON: I know.
DAYNA: But you're still psi-developed, Cally. You can read minds sometimes. Did you?
CALLY: Not then.
TARRANT: I don't believe her.
blake.torpidity.net/m/309/60 B7B2

Claude Sonnet 4.5 describes the image as: "This image shows a close-up shot from what appears to be a British science fiction television production, likely from the late 1970s or early 1980s based on the film quality and styling. The subject wears a black high-necked garment and has a distinctive bowl-cut hairstyle characteristic of the era's futuristic costume design. The lighting creates a dramatic effect, emphasizing facial features against a soft, blurred background with warm brown tones. …
@blakes7bot@mas.torpidity.net
2026-03-06 16:37:31

Series D, Episode 08 - Games
VILA: What happened to that rest we all needed?
AVON: It just got too damned expensive. [Shot of Scorpio revolving on launch pad]
[Belkov's quarters]
blake.torpidity.net/m/408/37 B7B4

Claude Sonnet 4 describes the image as: "The image shows a man in what appears to be a **science fiction television production setting**, based on the grey, futuristic-looking costume he is wearing and the industrial/spacecraft-like background visible behind him. The set design suggests this is likely from a **late 1970s or early 1980s British sci-fi television series**, given the aesthetic style, lighting, and video quality characteristics typical of that era. The man has **medium-length brow…
@blakes7bot@mas.torpidity.net
2026-02-05 13:47:46

Series C, Episode 09 - Sarcophagus
TARRANT: Don't try and bluff your way with me, Avon. I know what's been needling you right from the start. With Blake gone, you thought you'd got it made, didn't you? Thought you'd got control of this ship and a crew of three who'd say, "Yes, Avon. Whatever you want, Avon." [Cally puts the bookscreen down.] But you reckoned without me. [Cally starts toward the artifact.]
AVON: That wouldn't be too difficult…

Claude Sonnet 4.5 describes the image as: "This image appears to be from the classic British science fiction television series "Blake's 7," which aired from 1978 to 1981. The scene takes place on what looks like a spaceship set, with a distinctive large spherical object visible in the background that's characteristic of the show's design aesthetic. Three characters are shown in conversation on the ship's bridge or control room. The character on the left wears an elegant draped costume with a b…
@blakes7bot@mas.torpidity.net
2026-02-05 16:50:14

Series D, Episode 10 - Gold
AVON: How do you know about this?
KEILLER: Me? [Chuckles] Look at all this surveillance. I'm a little more than a purser, you see. I'm a security man. A poorly paid one.
blake.torpidity.net/m/410/37 B7B4

Claude Sonnet 4 describes the image as: "This appears to be a scene from a science fiction television production, likely from the late 1970s or early 1980s based on the visual style and set design. The setting is clearly a futuristic spacecraft or space station, with characteristic sci-fi elements including control panels, monitors, and sleek technological surfaces visible in the background. The scene shows two men in what appears to be a command center or bridge area. One figure is standing, …
@blakes7bot@mas.torpidity.net
2026-02-05 07:22:23

#Blakes7 Series D, Episode 13 - Blake
KLYN: There was a full squadron of gunships on its tail when it hit the atmosphere.
DEVA: It didn't, then.
KLYN: Bits of it, maybe.
DEVA: What was it? Do you know?
bl…

Claude Sonnet 4 describes the image as: "I can see this image shows what appears to be a scene from a science fiction television production, likely from the 1970s or 1980s based on the visual style and set design. The setting appears to be a futuristic command center or spacecraft bridge, with characteristic sci-fi elements like metallic railings, control panels, and monitors visible in the background. Two figures in white uniforms can be seen in the background area. The scene has the distinct…
@blakes7bot@mas.torpidity.net
2026-01-04 10:20:45

Series B, Episode 10 - Voice from the Past
CALLY: Blake, listen to me.
BLAKE: [V.O.] Hurry down here and you'll see.
CALLY: Blake. Blake?
VILA: What now?
CALLY: Avon? Jenna?
[Asteroid]
blake.torpidity.net/m/210/338 B7B2

Claude Sonnet 3.7 describes the image as: "This image appears to be from a vintage science fiction television series, likely from the 1970s based on the styling and production design. The scene shows two individuals seated at what appears to be a control panel or console in a futuristic setting. The person on the left wears a gray outfit and has their hand to their head in what seems to be a gesture of concern or concentration. The individual on the right is dressed in a light-colored top wit…
@blakes7bot@mas.torpidity.net
2026-03-05 16:42:25

Series A, Episode 04 - Time Squad
JENNA: Jenna.
BLAKE: [V.O.] Blake. We haven't made contact with the rebels yet. We're moving. Reference three three four zero. I'll call in again when we get there.
JENNA: Right.
blake.torpidity.net/m/104/328 B7B3

claude-opus-4-6 describes the image as: "This image shows a woman in what appears to be a science fiction television production, likely from the late 1970s or early 1980s based on the visual style, set design, and costume aesthetics. The setting features angular, futuristic-looking architecture in the background, typical of British sci-fi productions of that era. The woman has voluminous, styled blonde hair characteristic of the period. She wears a distinctive patchwork-style blouse in soft pa…
@blakes7bot@mas.torpidity.net
2026-01-05 16:21:41

Series B, Episode 08 - Hostage
MOLOK: Wait. Over there. Quick.
MOLOK: You are Cally.
CALLY: Yes.
JENNA: What's happened to our friends?
MOLOK: They're dead.
JENNA: What?
blake.torpidity.net/m/208/577 B7B4

Claude Sonnet 4 describes the image as: "This image shows two women in what appears to be a science fiction television production, likely from the late 1970s or early 1980s based on the styling and video quality. The setting is clearly a futuristic spacecraft or space station interior, characterized by distinctive hexagonal wall panels and sleek, angular design elements typical of sci-fi productions of that era. The woman on the left wears a simple, elegant cream-colored outfit with clean line…