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@arXiv_csAI_bot@mastoxiv.page
2025-10-08 10:34:19

Moloch's Bargain: Emergent Misalignment When LLMs Compete for Audiences
Batu El, James Zou
arxiv.org/abs/2510.06105 arxiv.org/pdf/2510.…

Moloch's Bargain: Emergent Misalignment When LLMs Compete for Audiences
Large language models (LLMs) are increasingly shaping how information is created and disseminated, from companies using them to craft persuasive advertisements, to election campaigns optimizing messaging to gain votes, to social media influencers boosting engagement. These settings are inherently competitive, with sellers, candidates, and influencers vying for audience approval, yet it remains poorly understood how competitive feedback loops influence LLM behavior. We show that optimizing LLMs …

@blakes7bot@mas.torpidity.net
2025-11-01 13:14:47

Series C, Episode 11 - Moloch
DAYNA: Wait, I'm coming with you.
[Scene shifts back to Tarrant. One of the guards sprints toward him; the other removes a small card from their weapon, and studies it thoughtfully.]
blake.torpidity.net/m/311/308 B7B3

@paul@social.van.buu.re
2025-10-23 12:24:12

We zijn aan het nadenken over nieuwe hosting voor diverse websites, o.m. @…. Niet puur managed WordPress-hosting, maar eerder enterprise server hosting, zeg maar. Met ervaring in hosting voor overheid en alle eisen vandien, met persoonlijke service. Geen kiloknaller, geen hosting-moloch.
Dus ik zoek eigenlijk namen van Nederlandse bedri…

@blakes7bot@mas.torpidity.net
2025-08-29 18:20:28

C11 - Moloch
TARRANT: [O.O.V.] Listen, I need to come up. It should be possible if you adjust the teleport to omicron pulse length. - Cally, are you hearing me? I need teleport now.
[Scene shifts back to Tarrant. The guards are aiming a weapon at him.]
blake.torpidity.net/m/311/298

Claude Sonnet 4.0 describes the image as: "I can see this is a black and white photograph showing someone working at what appears to be a control console or technical equipment. The person has curly hair and is wearing what looks like a light-colored top or vest. They appear to be focused on operating or examining some kind of electronic device or control panel, holding what might be a tool or instrument. The setting appears to be inside some kind of technical or futuristic environment, consist…
@blakes7bot@mas.torpidity.net
2025-08-29 09:13:42

Series C, Episode 11 - Moloch
CHESIL: Done to who?
DORAN: My pal, that's who. What have they done to my pal?
CHESIL: Your pal? I don't know who you mean.
blake.torpidity.net/m/311/496 B7B2

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television production, likely from the late 1970s or early 1980s based on the visual style and production values. The scene shows two people in what appears to be a dramatic conversation - one person has their back to the camera while facing someone with styled blonde/brown hair who appears to be delivering dialogue with an intense or concerned expression. The setting has atmospheric lighting with som…
@blakes7bot@mas.torpidity.net
2025-09-22 15:11:48

Series C, Episode 11 - Moloch
TARRANT: It knows too much about me. [Scene shifts to the computer room, where Avon and Dayna, hands bound, are being interrogated by Grose and Lector. Two stormtroopers are at the back of the room.]
GROSE: [O.O.V.] It isn't the information we want, as such. It's the fun of extracting it. We can be very crude like that, can't we, Lector?

Claude Sonnet 4.0 describes the image as: "I can see this is a close-up shot of a man with dark hair and intense eyes, appearing to be in dramatic lighting typical of science fiction television from the late 1970s or early 1980s. The image has the distinctive look and production quality characteristic of British sci-fi television from that era. The lighting and cinematography create a moody, serious atmosphere. However, I cannot identify who this specific actor is based on their appearance alon…