Tootfinder

Opt-in global Mastodon full text search. Join the index!

@blakes7bot@mas.torpidity.net
2025-06-22 06:12:33

#Blakes7 Series D, Episode 06 - Headhunter
TARRANT: [V.O. over comm.] Muller can't.
AVON: Well, we'll give him a refund on his ticket. Just get that ship back, Tarrant. We'll worry about the details then. Out!

Claude Sonnet 4.0 describes the image as: "This image shows a scene from inside a spacecraft, featuring futuristic interior design with metallic surfaces and technological elements typical of science fiction television from the late 1970s. The character is wearing a distinctive black leather outfit with metallic studs and white trim details, which was characteristic of the show's costume design. The setting appears to be aboard the Liberator, the main spacecraft used by the rebel crew. The slee…
@tiotasram@kolektiva.social
2025-07-04 20:14:31

Long; central Massachusetts colonial history
Today on a whim I visited a site in Massachusetts marked as "Huguenot Fort Ruins" on OpenStreetMaps. I drove out with my 4-year-old through increasingly rural central Massachusetts forests & fields to end up on a narrow street near the top of a hill beside a small field. The neighboring houses had huge lawns, some with tractors.
Appropriately for this day and this moment in history, the history of the site turns out to be a microcosm of America. Across the field beyond a cross-shaped stone memorial stood an info board with a few diagrams and some text. The text of the main sign (including typos/misspellings) read:
"""
Town Is Formed
Early in the 1680's, interest began to generate to develop a town in the area west of Natick in the south central part of the Commonwealth that would be suitable for a settlement. A Mr. Hugh Campbell, a Scotch merchant of Boston petitioned the court for land for a colony. At about the same time, Joseph Dudley and William Stoughton also were desirous of obtaining land for a settlement. A claim was made for all lands west of the Blackstone River to the southern land of Massachusetts to a point northerly of the Springfield Road then running southwesterly until it joined the southern line of Massachusetts.
Associated with Dudley and Stoughton was Robert Thompson of London, England, Dr. Daniel Cox and John Blackwell, both of London and Thomas Freak of Hannington, Wiltshire, as proprietors. A stipulation in the acquisition of this land being that within four years thirty families and an orthodox minister settle in the area. An extension of this stipulation was granted at the end of the four years when no group large enough seemed to be willing to take up the opportunity.
In 1686, Robert Thompson met Gabriel Bernor and learned that he was seeking an area where his countrymen, who had fled their native France because of the Edict of Nantes, were desirous of a place to live. Their main concern was to settle in a place that would allow them freedom of worship. New Oxford, as it was the so-named, at that time included the larger part of Charlton, one-fourth of Auburn, one-fifth of Dudley and several square miles of the northeast portion of Southbridge as well as the easterly ares now known as Webster.
Joseph Dudley's assessment that the area was capable of a good settlement probably was based on the idea of the meadows already established along with the plains, ponds, brooks and rivers. Meadows were a necessity as they provided hay for animal feed and other uses by the settlers. The French River tributary books and streams provided a good source for fishing and hunting. There were open areas on the plains as customarily in November of each year, the Indians burnt over areas to keep them free of underwood and brush. It appeared then that this area was ready for settling.
The first seventy-five years of the settling of the Town of Oxford originally known as Manchaug, embraced three different cultures. The Indians were known to be here about 1656 when the Missionary, John Eliott and his partner Daniel Gookin visited in the praying towns. Thirty years later, in 1686, the Huguenots walked here from Boston under the guidance of their leader Isaac Bertrand DuTuffeau. The Huguenot's that arrived were not peasants, but were acknowledged to be the best Agriculturist, Wine Growers, Merchant's, and Manufacter's in France. There were 30 families consisting of 52 people. At the time of their first departure (10 years), due to Indian insurrection, there were 80 people in the group, and near their Meetinghouse/Church was a Cemetery that held 20 bodies. In 1699, 8 to 10 familie's made a second attempt to re-settle, failing after only four years, with the village being completely abandoned in 1704.
The English colonist made their way here in 1713 and established what has become a permanent settlement.
"""
All that was left of the fort was a crumbling stone wall that would have been the base of a higher wooden wall according to a picture of a model (I didn't think to get a shot of that myself). Only trees and brush remain where the multi-story main wooden building was.
This story has so many echoes in the present:
- The rich colonialists from Boston & London agree to settle the land, buying/taking land "rights" from the colonial British court that claimed jurisdiction without actually having control of the land. Whether the sponsors ever actually visited the land themselves I don't know. They surely profited somehow, whether from selling on the land rights later or collecting taxes/rent or whatever, by they needed poor laborers to actually do the work of developing the land (& driving out the original inhabitants, who had no say in the machinations of the Boston court).
- The land deal was on condition that there capital-holders who stood to profit would find settlers to actually do the work of colonizing. The British crown wanted more territory to be controlled in practice not just in theory, but they weren't going to be the ones to do the hard work.
- The capital-holders actually failed to find enough poor suckers to do their dirty work for 4 years, until the Huguenots, fleeing religious persecution in France, were desperate enough to accept their terms.
- Of course, the land was only so ripe for settlement because of careful tending over centuries by the natives who were eventually driven off, and whose land management practices are abandoned today. Given the mention of praying towns (& dates), this was after King Phillip's war, which resulted in at least some forced resettlement of native tribes around the area, but the descendants of those "Indians" mentioned in this sign are still around. For example, this is the site of one local band of Nipmuck, whose namesake lake is about 5 miles south of the fort site: #LandBack.

@LillyHerself@Mastodon.social
2025-07-17 10:52:17

Does anybody know anything about this news site?
europesays.com
I've never seen a website before that doesn't have an "About us" section.
It also has a UK bot that just RTs all of the toots from @…

@metacurity@infosec.exchange
2025-07-16 10:58:51

So Bitvise, the developer of an SSH client that competes with PuTTY, the widely-used open-source SSH and Telnet client, somehow got hold of the domain putty.org and is using it to promote its own products.
Here's how Bitvise responded to a tech blogger/journalist who wrote about this situation.
blog.pupred.…

A section from a post by blogger/journalist PupRed that shows how Bitvise responded to a post written by PupRed: Update: Bitvise escalates with personal attack after publishing private correspondence
Following publication of this article, Bitvise took the unusual step of publishing the entire email exchange with the journalist on their public support site, including the journalist’s full name without consent — despite a clear request to anonymize or redact personal information.

When asked to c…
@v_i_o_l_a@openbiblio.social
2025-06-15 17:14:39

"New File Format Research and Documentation on the Sustainability of Digital Formats" | The Signal blogs.loc.gov/thesignal/2025/0

@PwnieFan@infosec.exchange
2025-06-16 17:20:37

Trying not marinate in bad news all the time . . . but for those of you feeling a little crazy, you're not. Things are bad. I'm keeping this site updated as best as I can in between life stuff. If you have any time to spare, think about what you can do.
stateofourunion.com/report-card

@ruth_mottram@fediscience.org
2025-06-10 06:28:31

Not a whisper about this on DR's news site so thanks 🙏 @… for sharing the original briefing.
Looking forward to better IT support on our Linux machines now...
mastodon.social/@randahl/11465
randahl@mastodon.social - In Denmark, The Ministry of Digitalization now removes all Microsoft software from ministry computers and switches to open source in a strategy that has been agreed with all five regions of Denmark.
The more Trump threatens Europe, the more US companies will get the Tesla treatment.
I will not be surprised if the Parliament member iPhones are next.
nordjyske.dk/nyheder/politik/d

@arXiv_csIR_bot@mastoxiv.page
2025-07-18 07:46:42

Machine-Readable Ads: Accessibility and Trust Patterns for AI Web Agents interacting with Online Advertisements
Joel Nitu, Heidrun M\"uhle, Andreas St\"ockl
arxiv.org/abs/2507.12844

@Sustainable2050@mastodon.energy
2025-07-09 19:36:31

The @noaa.gov site is slow to publish the June average of atmospheric CO₂. In these times of Trump's war on climate science (building and staff already affected), this makes me worry about the end of the Keeling curve, the valuable record of 67 years. Daily measurements still coming in, though.
#CO2 #emissions

Graph showing accelerating increase in CO2, from 315 ppm in 1958 to 430 ppm now, with seasonal sawtooth pattern: the Keeling curve.
@chris@mstdn.chrisalemany.ca
2025-06-19 18:12:39

#PondLife #PoolPond #Backyard #DIY #PortAlberni #Home
$CAD1100 is a lot to spend on just a couple items, but I guess in the grand scheme of making a pond/pool that will completely transform our backyard, it's not crazy. This about equals the amount spent ($1200 iirc) to rent the digger last Labour Day weekend. The liner and underlay fabric was another $3000. So we're looking at about $5500 so far for the project as a whole. Still better (including for the ecosystem!) than your average $50,000 in-ground pool install. ;=D
I realized last night that I bought the wrong pumps (DCT vs DCP argh). One of those “oh that's cheaper than I thought it would be” moments... followed by... “oh crap.”
I'll send the previous pumps back immediately upon arrival.
It's ok though, these will be two 20,000L/h variable pumps. The entire pond/pool system should be no more than 23,000L. My biggest rookie mistake with the #pandemicpond in the front yard was too small a pump. I rectified that when I added the bog filters there.
So I'm overbuilding this time. I should be able to run them at low-speed/power for the same amount of flow. Which will be better for pump longevity and power over time.
Also got main piping for the system: 50ft of 2" flexible PVC (Schedule 40). This will move water from the intake bay (behind the tree) to the bog filter (in front of the tree) and connect to smaller diameter piping/valves/fittings for sprayers in the pool.
This should be the end of the big-ticket items. The rest will be a LOT of little stuff: electrical, piping, and a lot of rock. Probably another $1000-$1500 to go, all should be local, and some of it can be put off until next year if needed.
It took a few tries on the Bezos Site, but I managed to find a supplier within Canada to avoid tariffs on any of it because Tariff-flation is definitely a thing! (American .com store essentially doubled the cost!)
So ya, you can hashtag this #tariffs #TariffLife #TheAmericanFascist and #TrumpTariffs

@blakes7bot@mas.torpidity.net
2025-06-19 21:19:06

Series A, Episode 08 - Duel
BLAKE: [To Travis] We could agree not to fight.
TRAVIS: [Chuckles slightly] Could we?
GIROC: If you trusted one another.
SINOFAR: There is another matter: a lesson you must learn about death.
blake.torpidity.net/m/108/281 B7B6

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television production, showing what looks like a dramatic scene in what appears to be a cave or rocky underground setting. There are several people in the scene - one person wearing what appears to be futuristic armor or protective gear with a metallic chest piece, and others in darker clothing. The lighting and set design has that distinctive look of British science fiction television from the late 1…
@johl@mastodon.xyz
2025-06-08 09:43:31

As I thought of the game of Go this morning, I remembered that when Wikipedia started in 2001, I thought "oh, it’s something like Sensei‘s Library“, because that was the biggest and most active wiki I knew at that time.
senseis.xmp.net/

@stefan@gardenstate.social
2025-07-09 13:07:56

In Mastodon v4.4.0 instance owners can enable HTTP referrers.
If somebody clicks a link in a Mastodon post (e.g. to a news article), the link target owner (such as the news site operator) can see that a user from that instance has visited their website.
They do _only_ get the instance domain (e.g. gardenstate.social). No information about the user!
That being said I think gardenstate.social is probably too small to turn this on. Let me know if you feel different!

@gwire@mastodon.social
2025-05-26 14:31:08

A bit of context that might be needed for this story about a 2010 website, is that prior to 2011 https wasn't widely used outside of e-commerce. The release of Firesheep in October 2010 led to a push for site authentication to go over https, and the 2013 Snowden revelations shifted the web towards encrypt all transmission.

@aral@mastodon.ar.al
2025-06-25 15:18:21

Introducing Web Numbers
Domains? Where we’re going, we don’t need domains!
Get ready for an exciting new (old?) way to address (small) web sites in 2026.
ar.al/2025/06/25/web-numbers/
💕
(Thanks to @…

@arXiv_physicsinsdet_bot@mastoxiv.page
2025-07-09 08:48:02

Quantitative U/Th deposition and cleanliness control strategies in the JUNO site air
Jie Zhao, Chenyang Cui, Yongpeng Zhang, Gaosong Li, Nan Wang, Monica Sisti
arxiv.org/abs/2507.05759

@grahamperrin@bsd.cafe
2025-05-25 03:14:45

The FreeBSD Forums versus the Internet Archive Wayback Machine
Recently: "Save Page Now could not capture this URL because it was unreachable. If the site is online, it may be blocking access from our service."
I assume that the block is inadvertent.
Pictured below: an attempt to capture

@blakes7bot@mas.torpidity.net
2025-06-03 12:08:16

Series B, Episode 03 - Weapon
ORAC: No. It was a priority one - for automatic relay to the senior officer present.
BLAKE: Orac, I want more information. I want to know everything there is to know about this man Coser; I want to know how he got out of the base; and I want to know what IMIPAK is.
blake.torpidi…

Claude Sonnet 4.0 describes the image as: "I can see this is a science fiction television scene set on what appears to be a spaceship or space station, with characteristic retro-futuristic production design typical of late 1970s sci-fi shows. The setting features metallic surfaces and geometric architectural elements in the background. There are two people visible in the frame - one person in the foreground wearing what appears to be a dark leather or similar material jacket, and another person…
@blakes7bot@mas.torpidity.net
2025-06-02 15:17:20

Series C, Episode 04 - Dawn of the Gods
AVON: Orac has a weakness: a thirst for knowledge. Infallibility depends upon your point of view.
TARRANT: How about testing his infallibility in the recycling machine?
blake.torpidity.net/m/304/31 B7B4

Claude Sonnet 4.0 describes the image as: "This image shows a scene with dramatic lighting and shadows cast across a futuristic interior setting. The character is wearing a dark, high-collared outfit typical of the series' distinctive costume design. The background features the show's characteristic sterile, technological aesthetic with clean lines and geometric patterns. The lighting creates an atmospheric effect with strong contrasts between light and shadow, emphasizing the serious, tense mo…
@Luke_Vader@social.linux.pizza
2025-05-23 09:55:54

The Luxembourgish government is about to destroy a historic monument! (please boost :boost_ok: )
"Wandmillen" (translating to windmills) is a historic monument located in Val Fleuri, Belair. It is currently in a bad state as it has been ignored for a while.
Luxembourg's main hospital "CHL" has been undergoing heavy construction works for some years now. Recently, articles were published that this historic site is "in the way" of the new constructi…

Image of the threatened windmill in val fleuri, before construction works started. the actual windmill part of it is missing due to it being previously destroyed in a fire, only the bottom part made from stone, the building attached to it and walls surrounding it still stand.

Image sourced from Wikimedia commons under cc attribution 3 Luxembourg_City_Val_Fleuri_windmill_ruins.jpg

https://commons.wikimedia.org/wiki/File:Luxembourg_City_Val_Fleuri_windmill_ruins.jpg
@blakes7bot@mas.torpidity.net
2025-06-01 15:24:03

Series A, Episode 01 - The Way Back
VARON: There's nothing in the charges about murder. There are a number of other counts. Assault on a minor, attempting to corrupt minors, moral deviation ...
BLAKE: Let me see that! [He gets up. Varon presses the sheet against the glass. He reads it.] All involving children! None of this is true!

@blakes7bot@mas.torpidity.net
2025-05-25 18:11:15

Series A, Episode 12 - Deliverance
JENNA: Basic respirator, that's about all. [Blake enters.]
BLAKE: The coordinates place both capsules within one square mile. [Hands Cally the coordinates.] We're going to put you down in the centre of the search area.
blake.torpidity.net/m/112/59

Claude Sonnet 4.0 describes the image as: "I can see this is a scene featuring a character wearing a distinctive burgundy and pink outfit with a fur-trimmed hood. The setting appears to be aboard a spacecraft, with the characteristic angular wall panels and lighting typical of the series' production design. The costume suggests this might be from an episode involving cold environments or disguises, as the hooded garment appears practical for harsh conditions. The interior set design shows the s…
@blakes7bot@mas.torpidity.net
2025-05-25 18:11:15

Series A, Episode 12 - Deliverance
JENNA: Basic respirator, that's about all. [Blake enters.]
BLAKE: The coordinates place both capsules within one square mile. [Hands Cally the coordinates.] We're going to put you down in the centre of the search area.
blake.torpidity.net/m/112/59

Claude Sonnet 4.0 describes the image as: "I can see this is a scene featuring a character wearing a distinctive burgundy and pink outfit with a fur-trimmed hood. The setting appears to be aboard a spacecraft, with the characteristic angular wall panels and lighting typical of the series' production design. The costume suggests this might be from an episode involving cold environments or disguises, as the hooded garment appears practical for harsh conditions. The interior set design shows the s…
@blakes7bot@mas.torpidity.net
2025-05-31 21:14:40

Series B, Episode 08 - Hostage
JENNA: [To Cally] You know what all this is about, don't you?
CALLY: [Nodding] I think I can guess.
JENNA: It is a trap, isn't it?
CALLY: Avon thinks so.
JENNA: Well Avon always thinks so.
blake.torpidity.net/m/208/321

Claude 3.7 describes the image as: "The image shows two people seated together in what appears to be a sci-fi television series set from the late 1970s or early 1980s. The person on the left has blonde layered hair and is wearing a patterned black and white top with a pearl necklace. The person on the right has curly brown hair and is wearing a light-colored top with some subtle detailing at the shoulder.

The styling, lighting, and overall aesthetic are characteristic of British television pro…
@blakes7bot@mas.torpidity.net
2025-06-02 06:11:03

#Blakes7 Series D, Episode 11 - Orbit
DAYNA: So how could Egrorian have planted it aboard?
AVON: He must have reprogrammed that automatic landing bay of his.
SOOLIN: And you moved it on your own?
AVON: I couldn't find Vila.
VILA: I'm glad about that.

Claude Sonnet 4.0 describes the image as: "This appears to be a scene from a science fiction television series, showing two characters in what looks like a spacecraft or futuristic facility interior. The setting features typical sci-fi production design with metallic walls and technical equipment visible in the background. One character is wearing an elaborate costume with metallic trim and ornate detailing around the collar and belt, while the other is dressed in more utilitarian clothing. The…
@blakes7bot@mas.torpidity.net
2025-06-01 06:18:29

#Blakes7 Series C, Episode 09 - Sarcophagus
ALIEN: [Her robes start blowing as if a breeze had sprung up] I thought you were the clever one. You're a fool, like Tarrant. The pain Tarrant is experiencing ... visualize that pain and much more. [Shot of Cally tossing her head back and forth.] You're as close to death as you have ever been. Think about human death, Avon. Irrevocable…

Claude 3.7 describes the image as: "This image appears to be from a science fiction television series, featuring a scene set inside what looks like a futuristic spacecraft or space station. The interior has distinctive angular architecture with pink/reddish lighting elements and metallic walls.

Two figures are shown in conversation. On the left is a person wearing an elaborate costume consisting of a golden/beige dress with a green robe or cloak. On the right is a person dressed in black attir…
@blakes7bot@mas.torpidity.net
2025-05-30 18:16:15

Series C, Episode 07 - Children of Auron
TARRANT: Not that it'll do us much good without bracelets to get us up to the Liberator.
DAYNA: Could be. If they've somehow found out about Servalan's urge to breed.
VILA: But how?
blake.torpidity.net/m/307/536

Claude 3.7 describes the image as: "This image shows a scene from a science fiction television series set in a futuristic spacecraft or station interior. The setting features metallic walls and technical panels in the background, typical of the show's distinctive 1970s-80s sci-fi aesthetic.

In the foreground, two people are engaged in conversation - a woman wearing a striking burgundy outfit with a gold emblem and bracelet, and a man in a brown leather-like jacket with a distinctive collar. Th…
@blakes7bot@mas.torpidity.net
2025-05-30 18:16:15

Series C, Episode 07 - Children of Auron
TARRANT: Not that it'll do us much good without bracelets to get us up to the Liberator.
DAYNA: Could be. If they've somehow found out about Servalan's urge to breed.
VILA: But how?
blake.torpidity.net/m/307/536

Claude 3.7 describes the image as: "This image shows a scene from a science fiction television series set in a futuristic spacecraft or station interior. The setting features metallic walls and technical panels in the background, typical of the show's distinctive 1970s-80s sci-fi aesthetic.

In the foreground, two people are engaged in conversation - a woman wearing a striking burgundy outfit with a gold emblem and bracelet, and a man in a brown leather-like jacket with a distinctive collar. Th…
@blakes7bot@mas.torpidity.net
2025-06-28 09:22:09

Series C, Episode 01 - Aftermath
AVON: That's about all. Keep feeding reports through Orac.
ZEN: Information. A space vehicle has been registering on the detectors. Visual scan now indicates that it is approaching the Liberator. Present status suggests the vehicle will attempt docking beside port entry.

Claude 3.7 describes the image as: "This image shows a scene set in a futuristic spacecraft or space station interior with metallic walls and sci-fi styling typical of late 1970s/early 1980s British television production. 

The person in the image is wearing a dark outfit with a distinctive collar and appears to be in what looks like a control room or laboratory setting. In the foreground, there's a clear container or box with visible electronic components inside, suggesting some kind of techno…
@blakes7bot@mas.torpidity.net
2025-05-30 12:11:45

Series A, Episode 01 - The Way Back
VARON: He works in the Outer Worlds most of the time. He's in Security.
BLAKE: He's a murderer.
VARON: Then he'll come to trial like everyone else in this cover-up.
BLAKE: And what about me?
blake.torpidity.net/m/101/317

Claude 3.7 describes the image as: "The image shows a person behind what appears to be prison bars or some type of confinement. They have curly dark hair and are wearing what looks like an olive or greenish shirt. The scene has a dramatic quality with the bars creating a stark visual separation between the subject and the viewer. The lighting creates shadows that emphasize the confined setting, giving the image a tense, dramatic atmosphere typical of classic science fiction television productio…
@blakes7bot@mas.torpidity.net
2025-05-30 12:11:45

Series A, Episode 01 - The Way Back
VARON: He works in the Outer Worlds most of the time. He's in Security.
BLAKE: He's a murderer.
VARON: Then he'll come to trial like everyone else in this cover-up.
BLAKE: And what about me?
blake.torpidity.net/m/101/317

Claude 3.7 describes the image as: "The image shows a person behind what appears to be prison bars or some type of confinement. They have curly dark hair and are wearing what looks like an olive or greenish shirt. The scene has a dramatic quality with the bars creating a stark visual separation between the subject and the viewer. The lighting creates shadows that emphasize the confined setting, giving the image a tense, dramatic atmosphere typical of classic science fiction television productio…
@blakes7bot@mas.torpidity.net
2025-05-27 06:09:02

#Blakes7 Series A, Episode 02 - Space Fall
JENNA: You think he's been caught?
BLAKE: No. No, there would have been an alarm. [Looks at the access hatch] I'd better get in after him.
blake.torpidity.net…

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television series, showing what looks like a dramatic scene with three people in what appears to be a futuristic or spaceship-like setting with metallic walls and lighting. The scene has the distinctive visual style of late 1970s British television production. However, I cannot identify specific individuals in the image or confirm which actors these might be, so I cannot provide details about the spec…
@blakes7bot@mas.torpidity.net
2025-05-27 06:09:02

#Blakes7 Series A, Episode 02 - Space Fall
JENNA: You think he's been caught?
BLAKE: No. No, there would have been an alarm. [Looks at the access hatch] I'd better get in after him.
blake.torpidity.net…

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television series, showing what looks like a dramatic scene with three people in what appears to be a futuristic or spaceship-like setting with metallic walls and lighting. The scene has the distinctive visual style of late 1970s British television production. However, I cannot identify specific individuals in the image or confirm which actors these might be, so I cannot provide details about the spec…