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@tiotasram@kolektiva.social
2026-07-12 16:28:07

Since it was relevant to a discussion I just had on here and is something most people probably haven't thought about much (unless you've taken one of a handful of philosophy classes), I thought I'd try to lay out a key piece of Descartes' Meditations (#philosophy

@markhburton@mstdn.social
2026-07-09 08:43:36

I agree with Tim
timotheeparrique.com/a-respons
"First, I want to challenge their definitions of sufficiency and degrowth, showing that their usage of the…

@toxi@mastodon.thi.ng
2026-05-08 11:42:03

Schlangenhaus (16th century, Werdenberg, St. Gallen)
#FensterFreitag #History #Switzerland

View of the wooden gable of a 16th century rustic house. The planks have been painted in reddish brown and the areas around the windows decorated with gray ornaments. The painted tails of two large snakes are running down along the inside of the overhanging roof. Clear azure sky.
@kexpmusicbot@mastodonapp.uk
2026-07-05 09:09:33

🇺🇦 #NowPlaying on KEXP's #VarietyMix
Soundgarden:
🎵 4th of July
#Soundgarden
aggro1.bandcamp.com/track/soun
open.spotify.com/track/2bdUkiK

@leftsidestory@mstdn.social
2026-05-23 02:05:47

The Story of the Two Towers II 📖
双塔故事 II 📖
📷 Nikon F4
🎞️ Harman Switch Azure (FF)
If you like my work, Support by buying me a coffee or a roll of film from PayPal paypal.com/paypalme/ydcdingsite

Harman Switch Azure (FF)

English
Two multi-tiered pagodas are visible in the distance, framed by leafless trees against an orange-pink sky. A winding pathway with lampposts and young trees leads the viewer’s eye toward the pagodas. The ground is covered in low shrubs and grass.
中文
远处可见两座多层宝塔,被光秃秃的树木框住,背景是橙粉色的天空。一条蜿蜒的小路,两旁有路灯和幼树,引导观者的视线朝向宝塔。地面覆盖着低矮的灌木和草。
Harman Switch Azure (FF)

English
A traditional brick gateway with a tiled roof and decorative elements stands in the foreground. Above it, bare tree branches stretch across an orange-pink sky. The gateway is part of a blue-painted brick wall, creating a striking contrast with the warm sky.
中文
前景是一座传统的砖砌门楼,屋顶铺有瓦片,并有装饰性元素。上方是光秃秃的树枝,横跨在橙粉色的天空中。门楼是蓝色粉刷砖墙的一部分,与温暖的天空形成鲜明对比。
Harman Switch Azure (FF)

English
Two multi-tiered pagoda stands prominently against a soft orange-pink sky. The pagoda is surrounded by a mix of bare and evergreen trees, creating a layered silhouette effect. The scene is tranquil and slightly misty.
中文
两座多层宝塔矗立在柔和的橙粉色天空下。宝塔被光秃秃的树木和常绿树包围,形成了分层的剪影效果。场景宁静,略带薄雾。
Harman Switch Azure (FF)

English
Silhouettes of two traditional multi-tiered pagodas stand tall against a gradient orange-pink sky. Bare trees frame the scene on both sides. In the foreground, a paved pathway is visible with a few people walking and a trash bin. The atmosphere is serene and calm.
中文
两座传统多层宝塔的剪影矗立在渐变的橙粉色天空下。两侧是光秃秃的树木。前景中,一条铺好的小路可见,有几个人在行走,还有一个垃圾桶。氛围宁静而平和。
@arXiv_eessAS_bot@mastoxiv.page
2026-05-13 07:40:50

Chunkwise Aligners for Streaming Speech Recognition
Wen Shen Teo, Takafumi Moriya, Masato Mimura
arxiv.org/abs/2605.11422 arxiv.org/pdf/2605.11422 arxiv.org/html/2605.11422
arXiv:2605.11422v1 Announce Type: new
Abstract: We propose the Chunkwise Aligner, a novel architecture for streaming automatic speech recognition (ASR). While the Transducer is the standard model for streaming ASR, its training is costly due to the need to compute all possible audio-label alignments. The recently introduced Aligner reduces this cost by discarding explicit alignments, but this modification makes it unsuitable for streaming. Our approach overcomes this limitation by dividing the audio into chunks and aligning each label to the leftmost frames of its chunk, whereas transitions between chunks are managed by a learned end-of-chunk probability. Experiments show that the Chunkwise Aligner not only matches the Transducer's accuracy in both offline and streaming scenarios, but also offers superior training and decoding efficiencies.
toXiv_bot_toot

@yaya@jorts.horse
2026-05-28 20:13:17

done a bit of sprucing to the football nook, finally put my scarves up and put up the new shirts I got specifically for decoration (bc they don't fit me lol)
I need to acquire a ladder or a tall friend to fill in the space higher up #fedifc

Two walls surrounding my bed. One wall has two football shirts pinned up, on the top a colorful Brazil kit with a graphic of someone kicking a football and the word GOAL, and below it a Bob Marley Jamaica kit that says FOOTBALL IS FREEDOM. Next to that I have several teams' scarves hanging from a pants hanger: Rayo, Celtic, Brøndby, Grorud, Reading, and 3 Clapton scarves. Next to that is a big Reading FC flag. 

On the adjoining wall, there is a Portugal training kit with the words "chinga la m…
@arXiv_quantph_bot@mastoxiv.page
2026-06-11 08:30:44

An iterative Ising decoder for quantum error correction codes
Yuanqi Liu, Weilei Zeng, Peixiang Li, Yantong Liu, Guangyao Huang, Yingwen Liu, Dongyang Wang, Junjie Wu, Lingling Lao
arxiv.org/abs/2606.12301 arxiv.org/pdf/2606.12301 arxiv.org/html/2606.12301
arXiv:2606.12301v1 Announce Type: new
Abstract: The Ising framework maps the decoding problem in quantum error correction onto ground-state optimization of a classical Hamiltonian, in which $X$-$Z$ error correlations enter as cross terms. Under phenomenological depolarizing noise, the exact joint formulation contains up to 8-body interactions for the toric code and 10-body for the $6.6.6$ color code. These high-order terms degrade solver convergence, inflate runtime, and raise the auxiliary spin overhead when embedding into native 2-body Ising hardware. In this work, we propose the iterative low-order decoding (ILOD) algorithm, which alternates between $X$- and $Z$-type sub-Hamiltonians, approximating cross-type correlations through Bayesian priors that reweight each type's couplings using the other type's inferred error configuration. This halves the maximum body count of interaction terms in the Hamiltonian, accelerating the solver, restoring convergence at larger code distances, and reducing the total spin count for 2-body embedding by a factor of $2.5$. For the toric code, ILOD attains a threshold of $4.73%$ versus $4.83%$ for the joint formulation, with the empirical runtime ratio scaling as $(0.81)^d$. For the $6.6.6$ color code, their thresholds agree within statistical uncertainty for small code distances, and ILOD remains convergent for larger distances where the joint formulation fails to converge despite a larger annealing budget.
toXiv_bot_toot

@kexpmusicbot@mastodonapp.uk
2026-07-05 01:21:29

🇺🇦 #NowPlaying on KEXP's #Audioasis
Soundgarden:
🎵 4th of July
#Soundgarden
aggro1.bandcamp.com/track/soun
open.spotify.com/track/51tNVUh