Senators Assail Antidoping Regulator for 'Stonewalling and Intimidation' (Michael S. Schmidt/New York Times)
https://www.nytimes.com/2025/06/17/us/politics/senate-swimmers-antidoping-regulator.html
http://www.memeorandum.com/250617/p176#a250617p176
BRISC: Annotated Dataset for Brain Tumor Segmentation and Classification with Swin-HAFNet
Amirreza Fateh, Yasin Rezvani, Sara Moayedi, Sadjad Rezvani, Fatemeh Fateh, Mansoor Fateh
https://arxiv.org/abs/2506.14318
Antidirected paths in oriented graphs
Andrzej Grzesik, Marek Skrzypczyk
https://arxiv.org/abs/2506.11866 https://arxiv.org/pdf/2506.1…
The arts and education — when they are at their best, anyway — have in common this deep root: they ask us to see and to think and to feel, to see with fresh eyes, to be aware of our own seeing, to be •active• in our seeing.
In that way, both the arts and education are antidotes to the AI hype cycle, and similar endeavors of capitalism run amok.
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Here I find myself meditatively annotating data structures in a binary.
Clever stuff in there.
Mr. Abrego Garcia, speaking through an interpreter, has entered "not guilty" pleas to the two charges
@tennesseelookout.com
https://bsky.app/profile/anitawadhwani.bsky.social/post/3lripyl3g5s2q
TwiUSD: A Benchmark Dataset and Structure-Aware LLM Framework for User Stance Detection
Fuaing Niu, Zini Chen, Zhiyu Xie, Genan Dai, Bowen Zhang
https://arxiv.org/abs/2506.13343
But here’s the thing: anyone could make music •before• gen AI. Some more skilled or more artistically successful than others, sure! But that’s not the point. •Doing it• is the point. •Living it• is the point.
A product that promises to generate it for you so that you neither do it nor live it is antithetical to the point, is hostile to the idea of art itself.
(Note: that’s exactly what the artists in the OP are •not• doing! They are all grabbing the AI and actively •doing• and •living• while poking at the curious new object.)
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orGAN: A Synthetic Data Augmentation Pipeline for Simultaneous Generation of Surgical Images and Ground Truth Labels
Niran Nataraj, Maina Sogabe, Kenji Kawashima
https://arxiv.org/abs/2506.14303