I still love how something as totally basic as slowing down sound can reveal textures, harmonics, & microstructures that would otherwise be missed. A fleeting impact unfolds into something spatial, musical, & emotionally resonant. High overtones drop into the audible range, transients dissolve into evolving timbres, & the familiar becomes beautifully uncanny. In slowing sound, we don’t just decelerate it; we uncover its inner architecture - its grain, its buried melodies.
An Introductory Survey of Recursions in the Computation of Resistance Distance
Emily J. Evans, Russell Jay Hendel
https://arxiv.org/abs/2506.12048 https://…