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@lightweight@mastodon.nzoss.nz
2025-10-28 04:10:48
Content warning: Aotearoa NZ education curriculum...

Whoa. This is very damning. e-tangata.co.nz/comment-and-an I'm seeing a big push from Atlas Network affiliates right now - seeing it too in civil society discussions (e.g. Intern…

@blakes7bot@mas.torpidity.net
2025-11-28 13:21:59

Series A, Episode 11 - Bounty
JENNA: It could be an injured pilot.
AVON: It could be a trap.
GAN: It's not a very good one, then. We're suspicious of it already.
AVON: The test is not whether you are suspicious but whether you are caught.
blake.torpidity.net/m/111/65

Claude Sonnet 4.5 describes the image as: "This image captures a scene from the classic British science fiction television series "Blake's 7," which aired from 1978 to 1981. The setting appears to be aboard the Liberator spacecraft, characterized by its distinctive angular, modernist interior design with clean lines and geometric shapes visible in the background.

Sally Knyvette portrays Jenna Stannis, a smuggler and pilot who becomes part of the rebel crew. She wears a black outfit adorned wit…
@arXiv_csCR_bot@mastoxiv.page
2025-09-29 08:54:18

Designing Ethereum's Geographical (De)Centralization Beyond the Atlantic
Sen Yang, Burak \"Oz, Fei Wu, Fan Zhang
arxiv.org/abs/2509.21475

@paulbusch@mstdn.ca
2025-11-28 13:59:39

Good Morning #Canada
#HappyBirthday to Paul Shaffer, born OTD in 1949 in Toronto, and raised in Fort William (now part of Thunder Bay), Ontario. Shaffer is a Canadian musician, actor, and comedian who served as David Letterman's musical director, bandleader, and sidekick on Late Night with David Letterman (1982–1993) and Late Show with David Letterman (1993–2015). His father was a jazz aficionado while his mother loved show tunes. When Shaffer was 12, his parents took him on a trip to Las Vegas where they took in Nat King Cole and other shows; this was an experience Shaffer described later as "life changing" and led to his decision to become a performer. He was the musical director for the Toronto production of Godspell, a band member on SNL from 1975 to 1980, and the musical director for The Blues Brothers. Shaffer was inducted into the Order of Canada in 2007.
#CanadaIsAwesome #CanadianMusician
thecanadianencyclopedia.ca/en/

@davej@dice.camp
2025-11-20 11:58:46

This week’s #ThursdayFiveList is all about #Children, courtesy of @…:
1. Almost Vinyl, “That's a Fucking Ugly Baby”—

Painting of a young boy in t-shirt and shorts standing on a doorstep, squinting coolly at the viewer beneath an expansive forehead. Beside him, the lifelike doll of a girl rests against the doorframe, clutching what appears to be a bottle with wires protruding from the top. The door behind them consists of glass panes, behind which a dozen disembodied hands can be seen. At the door’s top, directly above the boy, the moon reflects from a glass pane, dark but for a sliver of light on its bottom s…
@arXiv_physicsoptics_bot@mastoxiv.page
2025-11-25 09:57:52

Multi-port programmable silicon photonics using low-loss phase change material Sb$_2$Se$_3$
Thomas W. Radford, Idris A Ajia, Latif Rozaqi, Priya Deoli, Xingzhao Yan, Mehdi Banakar, David J Thomson, Ioannis Zeimpekis, Alberto Politi, Otto L. Muskens
arxiv.org/abs/2511.18205 arxiv.org/pdf/2511.18205 arxiv.org/html/2511.18205
arXiv:2511.18205v1 Announce Type: new
Abstract: Reconfigurable photonic devices are rapidly emerging as a cornerstone of next generation optical technologies, with wide ranging applications in quantum simulation, neuromorphic computing, and large-scale photonic processors. A central challenge in this field is identifying an optimal platform to enable compact, efficient, and scalable reconfigurability. Optical phase-change materials (PCMs) offer a compelling solution by enabling non-volatile, reversible tuning of optical properties, compatible with a wide range of device platforms and current CMOS technologies. In particular, antimony tri-selenide ($\text{Sb}_{2}\text{Se}_{3}$) stands out for its ultra low-loss characteristics at telecommunication wavelengths and its reversible switching. In this work, we present an experimental platform capable of encoding multi-port operations onto the transmission matrix of a compact multimode interferometer architecture on standard 220~nm silicon photonics using \textit{in-silico} designed digital patterns. The multi-port devices are clad with a thin film of $\text{Sb}_{2}\text{Se}_{3}$, which can be optically addressed using direct laser writing to provide local perturbations to the refractive index. A range of multi-port geometries from 2$\times$2 up to 5$\times$5 couplers are demonstrated, achieving simultaneous control of up to 25 matrix elements with programming accuracy of 90% relative to simulated patterns. Patterned devices remain stable with consistent optical performance across the C-band wavelengths. Our work establishes a pathway towards the development of large scale PCM-based reconfigurable multi-port devices which will allow implementing matrix operations on three orders of magnitude smaller areas than interferometer meshes.
toXiv_bot_toot

@blakes7bot@mas.torpidity.net
2025-12-25 16:17:26

Series D, Episode 12 - Warlord
TARRANT: Extent of damage, Orac? [pause, no response] Orac?
[Crew room. Tarrant enters and looks at Orac beneath the beam.]
[Shot of Zukan's ship in space, approaching another space ship.]
blake.torpidity.net/m/412/270 B7B4

Claude Sonnet 4.5 describes the image as: "This image appears to be from a science fiction television production, showing a scene set in what looks like a spacecraft or futuristic facility interior. The setting features technical panels and equipment typical of sci-fi set design from the late 1970s or early 1980s.

The scene depicts four individuals in costume around what appears to be a control station or work area. The costumes are characteristic of space opera productions of that era, featur…
@blakes7bot@mas.torpidity.net
2025-11-21 19:14:55

Series D, Episode 06 - Headhunter
AVON: Where is Orac?
SOOLIN: Behind a panel in section four.
AVON: We have to get Orac outside.
TARRANT: Why risk it?
blake.torpidity.net/m/406/498 B7B5

Claude 3.7 describes the image as: "This image appears to be from the classic British science fiction television series "Blake's 7" from the late 1970s/early 1980s. The scene shows a group of people in futuristic costumes standing in what looks like a spacecraft or space station interior with gray walls and utilitarian design.

The costumes feature distinctive styling typical of sci-fi productions of that era - including a character in black leather with silver accents holding what appears to b…
@blakes7bot@mas.torpidity.net
2025-12-14 19:24:23

Series A, Episode 13 - Orac
CALLY: We should keep on moving, they could be right behind us.
BLAKE: Yes, without weapons we don't stand a chance. Look, you keep going. I'm going to stay here and try and bring the roof down - block them off.
blake.torpidity.net/m/113/347

Claude Sonnet 4.5 describes the image as: "This image appears to be from a science fiction television production, likely from the 1970s based on the visual quality and costume design. The scene takes place in what looks like a dark, cave-like or underground setting with rough stone walls visible in the background.

Three figures are present in the frame, wearing distinctive futuristic uniforms characterized by two-tone color schemes with V-shaped chevron designs on the chest. The person on the …
@blakes7bot@mas.torpidity.net
2025-11-21 13:10:01

Series B, Episode 04 - Horizon
AVON: Has anybody else picked it up?
ZEN: Negative. [More beeps come in]
AVON: Decode.
blake.torpidity.net/m/204/530 B7B3

Claude 3.7 describes the image as: "# Scene Description

This image shows a figure in a silvery, flowing tunic-style garment seated at what appears to be a control console or command station. The setting features a futuristic interior with dark, metallic walls and atmospheric lighting in warm tones. Behind the figure is a sleek panel with horizontal lines characteristic of science fiction production design from the 1970s-1980s era.

The character displayed a composed, serious demeanor while sea…