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@blakes7bot@mas.torpidity.net
2025-08-01 15:17:32

Series C, Episode 07 - Children of Auron
SERVALAN: Ah, pilot four zero.
PILOT FOUR-ZERO: Loss of power. Systems failure. Total cutout.
SERVALAN: You were hit by a random ionic reef.
PILOT FOUR-ZERO: Ionic reef?
blake.torpidity.net/m/307/37 B7B4

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television production, likely from the late 1970s or early 1980s based on the styling and image quality. The scene shows someone in dramatic costume and makeup - featuring a very short, dark haircut, bold eye makeup, and what appears to be an ornate metallic collar or choker piece. The costume has an off-shoulder design in dark fabric. The lighting and backdrop suggest this is from a studio set, typic…
@Techmeme@techhub.social
2025-08-01 21:12:22

Sources: Mistral is in discussions, including with Abu Dhabi's MGX, to raise $1B at a valuation of about $10B, up from its previous valuation of €5.8B (Financial Times)
ft.com/content/c824d775-d5e9-4

@blakes7bot@mas.torpidity.net
2025-07-01 18:49:55

Series D, Episode 10 - Gold
KEILLER: Your friend, Vila, he wants no part in this?
SOOLIN: He doesn't trust you, Keiller. He thinks it's a trap.
KEILLER: Suspicious.
AVON: And frequently right. How much further?
blake.torpidity.net/m/410/99 B7B5

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television production, showing someone wearing an elaborate red costume with a distinctive scaled or textured pattern and gold collar details. The costume design suggests this is from a futuristic or fantasy setting, with the ornate styling typical of ceremonial or high-ranking character attire in classic sci-fi productions. The lighting and image quality are characteristic of television productions f…
@blackknight95857669@social.linux.pizza
2025-06-30 15:13:50

Creaks (Multi, XP'd on SteamDeck)
Another classic adventure/puzzle platform game from the makers of Samorost, Machinarium, Botanicula. Something strange is going on underneath your dwelling. Gather your wits and courage and solve the mystery.
I've been a fan of Amanita Design since the good old days of Flash web games. Even replayed the Samorost trilogy on my phone recently. So when Creaks went on sale last month and I happened to have a bit of spare change, I snapped it…

@tiotasram@kolektiva.social
2025-07-28 13:06:20

How popular media gets love wrong
Now a bit of background about why I have this "engineered" model of love:
First, I'm a white straight cis man. I've got a few traits that might work against my relationship chances (e.g., neurodivergence; I generally fit pretty well into the "weird geek" stereotype), but as I was recently reminded, it's possible my experience derives more from luck than other factors, and since things are tilted more in my favor than most people on the planet, my advice could be worse than useless if it leads people towards strategies that would only have worked for someone like me. I don't *think* that's the case, but it's worth mentioning explicitly.
When I first started dating my now-wife, we were both in graduate school. I was 26, and had exactly zero dating/romantic experience though that point in my life. In other words, a pretty stereotypical "incel" although I definitely didn't subscribe to incel ideology at all. I felt lonely, and vaguely wanted a romantic relationship (I'm neither aromantic nor asexual), but had never felt socially comfortable enough to pursue one before. I don't drink and dislike most social gatherings like parties or bars; I mostly hung around the fringes of the few college parties I attended, and although I had a reasonable college social life in terms of friends, I didn't really do anything to pursue romance, feeling too awkward to know where to start. I had the beginnings of crushes in both high school and college, but never developed a really strong crush, probably correlated with not putting myself in many social situations outside of close all-male friend gatherings. I never felt remotely comfortable enough to act on any of the proto-crushes I did have. I did watch porn and masturbate, so one motivation for pursuing a relationship was physical intimacy, but loneliness was as much of a motivating factor, and of course the social pressure to date was a factor too, even though I'm quite contrarian.
When I first started dating my now-wife, we were both in graduate school. I was 26, and had exactly zero dating/romantic experience though that point in my life. In other words, a pretty stereotypical "incel" although I definitely didn't subscribe to incel ideology at all. I felt lonely, and vaguely wanted a romantic relationship (I'm neither aromantic nor asexual), but had never felt socially comfortable enough to pursue one before. I don't drink and dislike most social gatherings like parties or bars; I mostly hung around the fringes of the few college parties I attended, and although I had a reasonable college social life in terms of friends, I didn't really do anything to pursue romance, feeling too awkward to know where to start. I had the beginnings of crushes in both high school and college, but never developed a really strong crush, probably correlated with not putting myself in many social situations outside of close all-male friend gatherings. I never felt remotely comfortable enough to act on any of the proto-crushes I did have. I did watch porn and masturbate, so one motivation for pursuing a relationship was physical intimacy, but loneliness was as much of a motivating factor, and of course the social pressure to date was a factor too, even though I'm quite contrarian.
I'm lucky in that I had some mixed-gender social circles already like intramural soccer and a graduate-student housing potluck. Graduate school makes a *lot* more of these social spaces accessible, so I recognize that those not in school of some sort have a harder time of things, especially if like me they don't feel like they fit in in typical adult social spaces like bars.
However, at one point I just decided that my desire for a relationship would need action on my part and so I'd try to build a relationship and see what happened. I worked up my courage and asked one of the people in my potluck if she'd like to go for a hike (pretty much clearly a date but not explicitly one; in retrospect not the best first-date modality in a lot of ways, but it made a little more sense in our setting where we could go for a hike from our front door). To emphasize this point: I was not in love with (or even infatuated with) my now-wife at that point. I made a decision to be open to building a relationship, but didn't follow the typical romance story formula beyond that. Now of course, in real life as opposed to popular media, this isn't anything special. People ask each other out all the time just because they're lonely, and some of those relationships turn out fine (although many do not).
I was lucky in that some aspects of who I am and what I do happened to be naturally comforting to my wife (natural advantage in the "appeal" model of love) but of course there are some aspects of me that annoy my wife, and we negotiate that. In the other direction, there's some things I instantly liked about my wife, and other things that still annoy me. We've figured out how to accept a little, change a little, and overall be happy with each other (though we do still have arguments; it's not like the operation/construction/maintenance of the "love mechanism" is always perfectly smooth). In particular though, I approached the relationship with the attitude of "I want to try to build a relationship with this person," at first just because of my own desires for *any* relationship, and then gradually more and more through my desire to build *this specific* relationship as I enjoyed the rewards of companionship.
So for example, while I think my wife is objectively beautiful, she's also *subjectively* very beautiful *to me* because having decided to build a relationship with her, I actively tried to see her as beautiful, rather than trying to judge whether I wanted a relationship with her based on her beauty. In other words, our relationship is more causative of her beauty-to-me than her beauty-to-me is causative of our relationship. This is the biggest way I think the "engineered" model of love differs from the "fire" and "appeal" models: you can just decide to build love independent of factors we typically think of as engendering love (NOT independent of your partner's willingness to participate, of course), and then all of those things like "thinking your partner is beautiful" can be a result of the relationship you're building. For sure those factors might affect who is willing to try building a relationship with you in the first place, but if more people were willing to jump into relationship building (not necessarily with full commitment from the start) without worrying about those other factors, they might find that those factors can come out of the relationship instead of being prerequisites for it. I think this is the biggest failure of the "appeal" model in particular: yes you *do* need to do things that appeal to your partner, but it's not just "make myself lovable" it's also: is your partner putting in the effort to see the ways that you are beautiful/lovable/etc., or are they just expecting you to become exactly some perfect person they've imagined (and/or been told to desire by society)? The former is perfectly possible, and no less satisfying than the latter.
To cut off my rambling a bit here, I'll just add that in our progress from dating through marriage through staying-married, my wife and I have both talked at times explicitly about commitment, and especially when deciding to get married, I told her that I knew I couldn't live up to the perfect model of a husband that I'd want to be, but that if she wanted to deepen our commitment, I was happy to do that, and so we did. I also rearranged my priorities at that point, deciding that I knew I wanted to prioritize this relationship above things like my career or my research interests, and while I've not always been perfect at that in my little decisions, I've been good at holding to that in my big decisions at least. In the end, *once we had built a somewhat-committed relationship*, we had something that we both recognized was worth more than most other things in life, and that let us commit even more, thus getting even more out of it in the long term. Obviously you can't start the first date with an expectation of life-long commitment, and you need to synchronize your increasing commitment to a relationship so that it doesn't become lopsided, which is hard. But if you take the commitment as an active decision and as the *precursor* to things like infatuation, attraction, etc., you can build up to something that's incredibly strong and rewarding.
I'll follow this up with one more post trying to distill some advice from my ramblings.
#relationships #love

@arXiv_csRO_bot@mastoxiv.page
2025-07-02 08:30:20

Control-Optimized Deep Reinforcement Learning for Artificially Intelligent Autonomous Systems
Oren Fivel, Matan Rudman, Kobi Cohen
arxiv.org/abs/2507.00268

@blakes7bot@mas.torpidity.net
2025-09-01 15:18:08

Series B, Episode 04 - Horizon
BLAKE: [Rubs his stomach and neck] Zen, check systems status.
ZEN: Confirmed.
blake.torpidity.net/m/204/94 B7B4

Claude 3.7 describes the image as: "This image appears to be from a classic science fiction television series from the late 1970s/early 1980s. The scene takes place in what looks like a spacecraft interior with metallic walls and futuristic design elements typical of that era's production values.

The shot captures four individuals in a tense moment. One person in a yellow outfit is being examined or assisted by another wearing a distinctive cream-colored outfit with unusual puffed shoulders or…
@blakes7bot@mas.torpidity.net
2025-07-01 15:47:33

Series A, Episode 05 - The Web
BLAKE: Cut in the auxiliaries.
JENNA: That's helped at bit. We're now up to standard by one and one half and building but slowly.
BLAKE: Vila.
VILA: Yes.
BLAKE: It's time to use the neutron blasters.
blake.torpidity.net/m/105/246

Claude Sonnet 4.0 describes the image as: "This appears to be a scene from inside a spacecraft, showing the futuristic interior with curved walls, metallic surfaces, and distinctive hexagonal lighting panels. The setting has the characteristic high-tech aesthetic of the series, with angular architectural elements and a sterile, functional design typical of the spaceship environments. The scene shows what appears to be crew members in their typical attire - practical, utilitarian clothing suitab…
@blakes7bot@mas.torpidity.net
2025-09-01 09:13:56

Series B, Episode 07 - Killer
BLAKE: What's happened?
BELLFRIAR: Well, it's standard drill with a space death. The autopsy's carried out in a sealed mortuary in case there are any alien micro-organisms around. Are you all set, Dr. Wiler?
blake.torpidity.net/m/207/286

Claude Sonnet 4.0 describes the image as: "I can see this appears to be a science fiction setting with futuristic interior design featuring white and geometric wall patterns. There are two figures in the scene - one person with curly dark hair wearing what appears to be a light-colored outfit, and another figure in white clothing. The setting has the distinctive clean, minimalist aesthetic typical of sci-fi productions from this era, with sleek walls and modern-looking control panels or equipme…
@blakes7bot@mas.torpidity.net
2025-07-30 12:07:16

Series B, Episode 02 - Shadow
GAN: The manual controls won't respond.
VILA: Do something, Gan.
GAN: Something is draining off the power. [Lights dim]
VILA: Orac, it has to be Orac.
blake.torpidity.net/m/202/565 B7B3

Claude 3.7 describes the image as: "This image appears to be from a science fiction television series from the late 1970s or early 1980s, showing a person in a light-colored uniform or jumpsuit inside what seems to be a spacecraft or futuristic control room. They are working with what looks like technical equipment or control panels, typical of retro sci-fi production design. The interior has the distinctive aesthetic of television productions from that era, with somewhat minimalist set design …