Tootfinder

Just finished "The Word for World is Forest" by Ursula K. Le Guin. Can't believe I didn't read this one earlier, and this strengthens my resolve to finish off the rest of her stuff I have yet to read sooner. I think it benefits somewhat from having read it after "Four Ways to Forgiveness" which gives more of the Hainish context. Certainly none of the blurbs I had read about it did it any measure of justice, which is one reason I hadn't prioritized it. More than being about colonization, it's about a solution to the paradox of tolerance, and both the price and imperfections of that solution. As usual with Le Guin's science fiction, it's a rich companion to anarchist thought.
I think the typical objection to seeing it as an answer to the warlord question would be that it serendipitously positions the indigenous population with more power and a less ruthless opponent than in the imagined scenario, and it uses the League of Worlds as a sort of deus ex machina to foreclose further retribution. Ultimately that's why I think it's more about the paradox of tolerance than anything else, but I also think in regards to the warlord problem that we are too quick to underestimate just how numerous and enthusiastic the opponents of a warlord might be, and to overestimate the strength of technological weapons wielded by frail (and psychologically unarmored) humans.
In any case, Le Guin gives this book's alien humans yet another fascinatingly credible capability, and getting to see the introduction of ansible technology with all its implications is pretty cool too. Maybe not

Finished "Lobizona" by Romina Garber. I have extremely mixed feelings about this book. It's a powerful depiction of the fear of living as an undocumented child/teen and it has interesting things to say about rejection, belonging, and the choice between seeking to be recognized for who you are and wanting you blend in enough to be accepted as normal. However, it's also an explicit homage to Harry Potter, and while it doesn't include antisemitic tropes or glorify slavery or even have any anti-trans sentiments I can detect, to me the magical school setup felt forced and I thought it would have been a better book had it not tried to fit that mould. Also, it would have been a super interesting situation to explore trans issues, and while it's definitely fine for it not to do that, the author's praise of Rowling's work has me wondering...
There's a sequel that I think could in theory be amazing, but given the execution of the first book, I think I'll wait a bit before checking it out. By putting her main character in opposition to both ICE in the human world and the magical authorities in the other world, Garber explicitly sets the stage for a revolution standing between her protagonist and any kind of lasting peace. But I'm not confident she's capable of writing that story without relying on some kind of supernatural deus ex machina, which would be disappointing to me, since "a better world if only possible through divine intervention" is an inherently regressive message.
Overall, #OwnVoices fantasy centering an undocumented immigrant is an excellent thing, and I've certainly got a lot of privilege that surely influences my criticism. However, #OwnVoices stuff has a range of levels of craft and political stances, and it can be excellent for some reasons and mediocre for others.
On that point, if anyone reading this has suggestions for fiction books grappling with borders and the carceral state, Is be happy to hear them.
#AmReading

#WritersCoffeeClub October 2025
1. Have you written in an epistolary format?
2. Do you tend to include prologues? Why?
3. How do you transition into writing mode?
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1. Not the entire big literature thing. I did better.
In-game letters.
I love notes and letters in Morrowind, Deus Ex HR and MD as well as Dishonored. Not so much post-Oblivion (Beth Fallout3 …