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@simon_brooke@mastodon.scot
2025-11-15 09:38:53

"The fundamental problem is this: that most of the means of communication are owned or influenced by the very rich. If democracy is the problem capital is always trying to solve, propaganda is part of the solution. Like the kings and empire-builders of the past, they use their platforms to project the claims that suit them and suppress the claims that don’t. This means boosting right and far-right movements, which defend wealth and power..." -- George Monbiot.

@simon_brooke@mastodon.scot
2025-11-15 09:57:31

"A new investigation of Elon #Musk’s X by Sky News found that every account set up by reporters, 'no matter their political orientation, was fed a glut of rightwing content', much of which was extreme. The experts it consulted believe this pattern could have resulted only from an algorithm engineered for this purpose, and that 'an algorithmic bias must be decided by senior people at …

@tiotasram@kolektiva.social
2025-10-16 07:22:11

Day 23: Thi Bui
Indirect CW: parental neglect, war, intergenerational trauma
Bui is the author of "The Best We Could Do", a graphic memoir which explores her relationship with her parents and unpacks some of the intergenerational trauma coming out of the Vietnam War. It has a lot of wisdom to offer about both dealing with troubled parents as a 1.5th-generation immigrant, and it delves deeply into her parents' histories in Vietnam and the complexities of the situation there both in the north and in the south. It's beautifully illustrated and very nicely plotted together given all the disparate threads it is working with.
I haven't read any of Bui's other work, but it looks like she's published a picture book for kids as well as a series of short comics during the pandemic. Besides Oseman who also writes non-illustrated fiction and the two manga artists Ice mentioned, Bui is the first graphic novel author I've included here, but I've actually got quite a few of them in my longer list, one of whom may make it into the 30 I'll include in this thread. These days I'm reading a bunch of graphic novels since they're easy to get through, and the variety of stories and perspectives in that space is wonderful these days, with a huge array of indie stuff that probably never would have gotten off the ground in traditional publishing/comics spaces.
#30AuthorsNoMen

@blakes7bot@mas.torpidity.net
2026-01-15 13:12:08

Series C, Episode 12 - Death-Watch
VILA: [Pulls Orac's key] They don't write poetry like that anymore. What this electronic pain is trying to say is-
TARRANT: -is that unless we get a break, there's going to be a fatal foul-up.
VILA: Right.
blake.torpidity.net/m/312/52

Claude Haiku 4.5 describes the image as: "# Scene from a Sci-Fi Production

This image captures a scene set inside what appears to be a spaceship or futuristic vessel. Four individuals are seated together in what looks like a common area or control room, with curved architectural elements and control panels visible in the background. The setting suggests this is from a science fiction television production, likely from the 1980s based on the visual style and costume design.

The group appears t…
@AimeeMaroux@mastodon.social
2025-12-14 10:19:34
Content warning:

It's the #DayOfHelios / Sol's Day / #Sunday! ☀️
"O daughter, to take the juices of herbs and spices, which the great god Helios Mithras ordered to be revealed to me by his archangel, so that I alone may ascend into heaven as an inquirer and behold the universe."
Line …

This (reverse) face of the monument depicts a banquet scene. In the middle, a bull's hide, of which the head and one hindleg are visible. Sol and Mithras recline on it side by side. Mithras holds a torch in his left hand and extends his right hand behind Sol. Sol is dressed only in a cape, fastened on his right shoulder with a fibula. Around Sol's head is a crown of eleven rays. He holds a whip in his left hand and extends the right towards a torchbearer who offers him a rhyton. In the lower ri…
@hex@kolektiva.social
2026-01-09 21:07:32

The thing that Renee Good now knows, that Tortuguita knows, that Heather Heyer knows, that I only know because I glimpsed for a second, is that when you die fighting oppression you live forever in that memory of resistance. When we carve their names into a monument, along with all the other names of the murdered and disappeared, that will stand, perhaps, across from the statue of Willem in the park where the Northwest Detention Center once stood, they will always be reminders of what it looks like to sacrifice everything in order to be on the right side of history.
The names of those who resist live as ghosts, summoned by name to haunt future oppressors, summoned by name to awaken our own conscience to the call. Martyrs, whispered like the White Rose or yelled as a threat like John Brown, cannot die so long as any of us with a bit of spine carries even an ounce of humanity.
It is possible to die knowing you did the right thing, and I have felt it. There is an acceptance that is impossible to imagine without being there, without feeling it for yourself. You have nothing to fear in resisting, even if it ends you. But you will never forget the shame of doing nothing if you fail to.

@callunavulgaris@mastodon.scot
2026-01-14 06:23:30

A massive (but not unusual) sneezing fit followed by hiccups certainly wakes you up in the morning. I hope Wednesday is good to you. I'm bringing together the findings from one part of a small sample set we've processed and then moving onto the microscopes to analyse the other part. I enjoy both aspects but tragically it's the admin that really makes my heart sing 😄 I spent years fighting it but now I accept I was born under the admin star.

@blakes7bot@mas.torpidity.net
2025-11-15 22:17:30

Series A, Episode 05 - The Web
CALLY: [Moves to stand next to him] Why?
AVON: All knowledge is valuable.
CALLY: [Touches her temple as if listening] Which are the forward detector links?
blake.torpidity.net/m/105/40 B7B6

Claude 3.7 describes the image as: "This image appears to be from the classic British science fiction television series "Blake's 7." The scene shows two people in a futuristic spacecraft setting, with distinctive angular wall panels visible in the background that were characteristic of the show's set design.

The person on the left is wearing a greenish metallic top, while the person on the right is dressed in a dark outfit with a structured vest or armor piece that has padded shoulders and a p…
@simon_brooke@mastodon.scot
2026-01-12 18:33:19

Today I have procrastinated by rearranging books. I have far too many for such a small house.
(Doing this reminded me of a piece by a #Palestinian academic I read recently. He has just started teaching again, but all his books have been lost or destroyed. To be without my books would be very hard for me)

Non work thinking books, a very miscallaneous collection. In front of them are a trans pride flag, my practice sword, and my longbow.
Books which are being evicted from my bedroom, roughly organised into loose piles on my bed.
The fiction bookshelf — an extraordinarily catholic collection, each volume of which I have some reason for keeping (not all of them are good!)
Mostly-work thinking books (there's also a collection of Scots politics books top right, which overflowed from somewhere else)
@blakes7bot@mas.torpidity.net
2025-12-15 13:14:01

Series C, Episode 03 - Volcano
TARRANT: They were gonna die anyway, remember.
VILA: Servalan's battle fleet's moving away.
TARRANT: Any damaged?
VILA: Hard to tell.
AVON: Zen, flight status.
ZEN: Energy banks are now at the lowest workable capacity
blake.torpidity.net/m/303/644

Claude Sonnet 4.5 describes the image as: "This image shows a scene from the classic British science fiction series "Blake's 7" (1978-1981). The setting is the flight deck of the Liberator, the advanced alien spacecraft that serves as the crew's base throughout much of the series.

The distinctive set features curved white seating in the foreground and an elevated platform behind with angular Art Deco-inspired panels. The crew members are positioned at their typical stations, wearing the show's…