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@barijaona@mastodon.mg
2025-10-16 10:53:57

Éditorial du journal Le Monde
Après la chute du président Andry Rajoelina, où va Madagascar ? lemonde.fr/idees/article/2025/

@arXiv_csCV_bot@mastoxiv.page
2025-07-17 10:28:40

SpatialTrackerV2: 3D Point Tracking Made Easy
Yuxi Xiao, Jianyuan Wang, Nan Xue, Nikita Karaev, Yuri Makarov, Bingyi Kang, Xing Zhu, Hujun Bao, Yujun Shen, Xiaowei Zhou
arxiv.org/abs/2507.12462

@arXiv_csRO_bot@mastoxiv.page
2025-09-16 11:00:36

MEMBOT: Memory-Based Robot in Intermittent POMDP
Youzhi Liang, Eyan Noronha
arxiv.org/abs/2509.11225 arxiv.org/pdf/2509.11225

@arXiv_astrophSR_bot@mastoxiv.page
2025-07-17 08:30:20

Granulation signatures in 3D hydrodynamical simulations: evaluating background model performance using a Bayesian nested sampling framework
Jens R. Larsen, Mia S. Lundkvist, Guy R. Davies, Martin B. Nielsen, Hans-G\"unter Ludwig, Yixiao Zhao, Luisa F. Rodr\'iguez D\'iaz, Hans Kjeldsen
arxiv.org/abs/2507.1169…

@andres4ny@social.ridetrans.it
2025-09-16 18:04:35

lmao

This interview has been lightly edited and condensed for clarity.

Hell Gate: If someone visits the "Offset" website, they're given the option to donate to saboteurs who have staged disruptive actions at pipelines and oil fields. Is the point to actually raise enough money to materially assist these groups?

Sam Lavigne: Yes, we analyze cases of sabotage or direct action, calculate their carbon benefits, and translate these into carbon offsets. You can then buy the offsets from our registry…
@blakes7bot@mas.torpidity.net
2025-08-15 21:19:08

Series B, Episode 10 - Voice from the Past
VILA: Right.
BLAKE: One more thing, Vila.
VILA: Oh yes, sorry [Releases Blake]
BLAKE: Thank you. Asteroid PK One One Eight.
VILA: Right. [Vila moves in front of Zen]
blake.torpidity.net/m/210/213 B7B6

Claude 3.7 describes the image as: "The image shows two characters in what appears to be a sci-fi television production from the late 1970s or early 1980s. The setting looks like the interior of a spacecraft or futuristic facility with light-colored walls visible in the background.

Two men are engaged in conversation, with one on the left having shorter, lighter hair and sideburns, while the person on the right has curly, darker hair. They're wearing light-colored clothing that appears to be d…
@tiotasram@kolektiva.social
2025-09-15 13:37:37

Just finished "Once For Yes" by Allie Millington. A phenomenal book dealing with tragedy, gentrification, grief, and community, it's preposterously poetic, but unfortunately has a twisted neoliberal politics lurking behind the scenes that makes me hesitate to recommend it. I enjoyed it greatly, especially the tightly choreographed prose, and the plot was both very well-paced and touching. It's fun for adults but also written for kids, which makes it all the more frustrating that despite touching on gentrification, it valorizes someone who is objectively a pretty scummy landlord, and fails to interrogate land ownership or rent in the slightest. It wouldn't be nearly the same story without the way things wrap up, but that doesn't make me comfortable with the larger messages it's sending, even if I think its messaging about grief is good, including for children.
#AmReading

@arXiv_csCL_bot@mastoxiv.page
2025-07-17 09:59:00

Value-Based Large Language Model Agent Simulation for Mutual Evaluation of Trust and Interpersonal Closeness
Yuki Sakamoto, Takahisa Uchida, Hiroshi Ishiguro
arxiv.org/abs/2507.11979

@blakes7bot@mas.torpidity.net
2025-10-16 09:17:24

Series B, Episode 09 - Countdown
TRONOS: Selson.
SELSON: Sir.
TRONOS: [Points to the screen on his console] That's the third staircase, isn't it?
SELSON: Yes, sir [The console screen displays a metal staircase] They're getting closer every minute, sir.
blake.torpidity.net/m/209/3

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television production, showing two men in what looks like a tense dramatic scene. One man is wearing dark clothing and appears to be in distress or being restrained, while another figure in what appears to be black leather or similar material is positioned behind him. The setting appears to be an interior space with institutional or futuristic styling typical of sci-fi productions from this era. The l…
@blakes7bot@mas.torpidity.net
2025-10-16 06:15:12

#Blakes7 Series C, Episode 07 - Children of Auron
FRANTON: With respect, sir. You and Cally are from the same sibling group, aren't you?
ZELDA: Yes, Cally's my twin.
FRANTON: Identical brain scan.
ZELDA: Optimum telepathic affinity.

Claude Sonnet 4.0 describes the image as: "I can see this is a scene from a science fiction television series, showing a person with blonde hair wearing what appears to be a futuristic uniform or costume with grey and green coloring and distinctive shoulder details. The setting appears to be an interior space with white or light-colored walls, consistent with the sterile, spaceship-like environments typical of sci-fi productions from this era. The costume design and production values are charac…