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@blakes7bot@mas.torpidity.net
2025-12-31 10:11:11

Series C, Episode 11 - Moloch
POOLA: Chesil... I think I've got something. [Chesil moves to look at Poola's screen.]
CHESIL: Aren't you going to report it?
POOLA: No. Wait! [They watch as a spacecraft-shaped dot crosses the screen.]
blake.torpidity.net/m/311/50

Claude Sonnet 3.7 describes the image as: "This image appears to be from a vintage television production, likely from the 1970s or early 1980s based on the styling and production quality. The scene shows a person with blonde, curly hair wearing a teal green outfit with a v-neck design and a small pendant necklace. They appear to be working at some kind of control desk or console, possibly in a broadcast studio or communications setting, as suggested by the equipment in front of them and the win…
@blakes7bot@mas.torpidity.net
2025-12-01 16:20:05

Series C, Episode 11 - Moloch
AVON: Cally, has it dematerialized?
CALLY: 'S'unlikely. There's no sign of abnormal particle activity.
AVON: All right. Zen, maintain present course. Sensors on full alert. - Speed standard by four.
blake.torpidity.net/m/311/30 B7B…

@blakes7bot@mas.torpidity.net
2025-12-01 13:17:12

Series C, Episode 11 - Moloch
CALLY: And that's what the teleport did to him?
DAYNA: How will the Sardoans make out without him?
blake.torpidity.net/m/311/577 B7B3

Claude Sonnet 4 describes the image as: "I can see this is a scene from what appears to be a science fiction television production, likely from the 1980s based on the aesthetic and production values. The setting appears to be a futuristic or space-based environment, with characteristic sci-fi set design visible in the background including geometric patterns and sleek surfaces.

The person in the image is wearing a distinctive blue garment with white collar details and decorative trim, which app…
@blakes7bot@mas.torpidity.net
2025-11-01 13:14:47

Series C, Episode 11 - Moloch
DAYNA: Wait, I'm coming with you.
[Scene shifts back to Tarrant. One of the guards sprints toward him; the other removes a small card from their weapon, and studies it thoughtfully.]
blake.torpidity.net/m/311/308 B7B3

@paul@social.van.buu.re
2025-10-23 12:24:12

We zijn aan het nadenken over nieuwe hosting voor diverse websites, o.m. @…. Niet puur managed WordPress-hosting, maar eerder enterprise server hosting, zeg maar. Met ervaring in hosting voor overheid en alle eisen vandien, met persoonlijke service. Geen kiloknaller, geen hosting-moloch.
Dus ik zoek eigenlijk namen van Nederlandse bedri…

@blakes7bot@mas.torpidity.net
2025-11-29 13:17:10

Series C, Episode 11 - Moloch
AVON: It will, if the program carries a built-in life-support system: a machine to do the work of the organs.
DAYNA: [Glancing toward Astrid's door] Like his?
blake.torpidity.net/m/311/454 B7B3

@arXiv_csAI_bot@mastoxiv.page
2025-10-08 10:34:19

Moloch's Bargain: Emergent Misalignment When LLMs Compete for Audiences
Batu El, James Zou
arxiv.org/abs/2510.06105 arxiv.org/pdf/2510.…

@blakes7bot@mas.torpidity.net
2025-11-27 07:19:32

#Blakes7 Series C, Episode 11 - Moloch
VILA: What's that? Oh, no. No to whatever it was.
CALLY: Orac, please explain the significance of that.
ORAC: The T-16 will enter teleport range in one minute, seventeen seconds, en route for Sardos.

@blakes7bot@mas.torpidity.net
2025-12-26 19:15:11

Series C, Episode 11 - Moloch
TARRANT: [O.O.V.] Get it! [Before anyone can do so, an energy blast flares up around the bracelet.]
VILA: Who did that?
DORAN: [Staring at the bracelet] Um....
blake.torpidity.net/m/311/542 B7B5

Claude Haiku 4.5 describes the image as: "# Scene from Blake's 7

This image captures a moment from the science fiction television series "Blake's 7," set in a spaceship interior with distinctive red-toned walls and futuristic design elements. The scene shows several crew members gathered in what appears to be a command or control area, with a console visible in the foreground.

The actors are dressed in the show's characteristic costume design, featuring form-fitting synthetic materials and me…
@blakes7bot@mas.torpidity.net
2025-12-24 07:14:57

#Blakes7 Series C, Episode 11 - Moloch
CALLY: By teleport using a short-pulse omicron beam. I know how to do it.
AVON: We've never done it before.
CALLY: We've never been in a situation like this before. [Dayna enters.]
<…

@blakes7bot@mas.torpidity.net
2025-12-20 10:34:13

Series C, Episode 11 - Moloch
AVON: We shouldn't have made him go.
CALLY: He's a free man; he didn't have to go if he didn't want to.
AVON: He was under pressure. It's all very well for Tarrant to play the hero; that's his decision. But Vila?
blake.torpidity.net/m/311/260

@blakes7bot@mas.torpidity.net
2025-11-10 10:07:26

Series C, Episode 11 - Moloch
AVON: Tarrant! Full deflection! [Tarrant complies. Viewscreen shows planet surface receding. Vila goes head-over-heels across the bridge.]
[Scene of a protective dome nestled on a hillside, with four spires rising from its corners. Three square sensors protrude from the hillside. Within the dome, two women, Poola and Chesil, are monitoring the sensors.]

@blakes7bot@mas.torpidity.net
2025-12-04 13:10:28

Series C, Episode 11 - Moloch
AVON: He liked to think so.
GROSE: [O.O.V.] And why did you come here?
AVON: I wish I knew. [Tarrant, Vila, Chesil, and Doran burst through the door.]
blake.torpidity.net/m/311/526 B7B3

Claude Sonnet 3.7 describes the image as: "The image shows a close-up shot of a person with dark, short-styled hair and intense eyes looking slightly upward. They are wearing what appears to be a dark, possibly leather-like collar or jacket. The scene has a dramatic lighting quality typical of television productions from an earlier era, with a somewhat dark background that suggests an interior setting.

The image appears to be from a television production, likely from the 1970s or 1980s based o…