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@heiseonline@social.heise.de
2025-09-13 14:05:00

Angespielt: Das ARTE-Adventure "Gloomy Eyes" ist ein spielbarer Tim-Burton-Film
Das Cozy-Horror-Abenteuer "Gloomy Eyes" verbindet märchenhafte Erzählung mit morbider Ästhetik und setzt dabei auf Atmosphäre statt Anspruch.

@jlpiraux@wallonie-bruxelles.social
2025-08-15 12:17:00

La mortalité associée Š la fumée des incendies de forêt pourrait être sous-estimée de 93 %, selon des résultats de recherche publiés dans The Lancet Planetary Health.
#changementclimatique #feuxdeforêt

@arXiv_physicssocph_bot@mastoxiv.page
2025-08-14 08:45:42

Coupling between risk and cautious behavior affect epidemic morbidity, mortality and dynamics
Yoel Sanders
arxiv.org/abs/2508.09300 arxiv.o…

@arXiv_astrophEP_bot@mastoxiv.page
2025-09-15 09:15:21

A massive primordial atmosphere on early Mars
Sarah Joiret, Alessandro Morbidelli, Rafael de Sousa Ribeiro, Guillaume Avice, Paolo Sossi
arxiv.org/abs/2509.10060

@kexpmusicbot@mastodonapp.uk
2025-10-05 07:46:40

🇺🇦 #NowPlaying on KEXP's #SeekAndDestroy
MorbidVirus:
🎵 Butcher Frankenstein
#MorbidVirus
morbidvirus.bandcamp.com/track

@heiseonline@social.heise.de
2025-08-27 13:57:00

"Morbid Metal": "Devil May Cry" im Zeitraffer
Stylishe Schwertkampf-Action in einem asiatisch-futurischen Szenario, verbunden mit dem Roguelite-Spielprinzip: "Morbid Metal" spielt sich sehr reizvoll.

@memeorandum@universeodon.com
2025-10-11 20:51:27

Deep cuts made to CDC's flagship MMWR publication, a cornerstone of public health (Chelsea Cirruzzo/STAT)
statnews.com/2025/10/11/cdc-mo
memeorandum.com/251011/p58#a25

@arXiv_csLG_bot@mastoxiv.page
2025-08-12 11:46:53

How Effectively Can Large Language Models Connect SNP Variants and ECG Phenotypes for Cardiovascular Risk Prediction?
Niranjana Arun Menon, Iqra Farooq, Yulong Li, Sara Ahmed, Yutong Xie, Muhammad Awais, Imran Razzak
arxiv.org/abs/2508.07127

@mgorny@social.treehouse.systems
2025-08-10 18:33:53

"""
Once the distinctions had been made, and the first punishments applied, the venereal were accepted into the hospital. And they were crammed inside. In 1781, 138 men occupied 60 beds in the Saint-Eustache quarter of Bicêtre, and in the Miséricorde in the Salpêtrière there were 125 beds for 224 women. Patients in the terminal stages of the disease were simply left to die. 'Grand Remedies' were applied to the others: never more, and rarely less than six weeks of care, starting of course with blood-letting and purging, then a week of baths for two hours per day, then purging again, followed by a full and complete confession to bring this first part of the treatment to a close. Rubbing with mercury could then begin, with all its efficacy. Each course of treatment lasted one month, and was followed by two more purges and one final bleeding to chase out the remaining morbific humours. Fifteen days of convalescence were then granted. After he had definitively made his peace with God, the patient was declared cured and sent away.
This 'therapeutic' demonstrates a rich tapestry of fantasy, and above all a profound complicity between medicine and morality, which give their full meaning to these purification practices. For the classical age, venereal disease was less a sickness than an impurity to which physical symptoms are correlated. Accordingly, medical perception is ruled by ethical perception, and on occasion even effaced by it. The body must be treated to remove the contagion, but the flesh must be punished, for it is the flesh that attaches us to sin. Mere corporal punishment was not enough: the flesh was to be pummelled and bruised, and leaving painful traces was not to be feared, as good health, all too frequently, transformed the human body into another opportunity for sinful conduct. The sickness was to be treated, but the good health that could lead to temptation was to be destroyed.
"""
(Michel Foucault, History of Madness)

@arXiv_physicssocph_bot@mastoxiv.page
2025-10-14 08:22:28

Generalizing Multimorbidity Models Across Countries: A Comparative Study of Austria and Denmark
Johanna Einsiedler, Katharina Ledebur, Peter Klimek, Laust Hvas Mortensen
arxiv.org/abs/2510.09680