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@pre@boing.world
2025-10-03 09:34:06
Content warning: ukpol Palestine Action Protest

The cops and the government suggest that tomorrow's protest against the proscription of Palestine Action should be postponed because a crazy person done some murders.
The home secretary says
“If the point of protest is to stand up for something and persuade other people that you are right, then I think this is entirely the wrong way to go about it, but that is on their conscience.”
That is not the point of the protest. The point of the protest is to show that the proscription of a non violent protest organization under terrorism laws is ridiculous and unenforceable as well as being a massive waste of police and court time.
Delaying the protest would harm that demonstration. The police are over stretched and can't enforce this stupid counter-productive proscription without compromising their duty elsewhere.
Demonstrating that is the point of the protest, and police saying "We are too stretched to arrest all these demonstrators" just reinforces that point all the more.
You know what police and government? You could just not persecute non violent protestors as terrorists. That'd solve your over-stretched police resources problem in one stroke!
#palestineAction #ukpol #protest

@servelan@newsie.social
2025-12-02 05:55:32

Everyday Plastics Could Be Fueling Obesity, Infertility, and Asthma
scitechdaily.com/everyday-plas

@scott@carfree.city
2025-10-02 18:42:38

organizing this panel about social housing and how Seattle’s success can inspire SF to get around roadblocks. please come if you’re in SF! Friday evening
actionnetwork.org/events/munic

@leftsidestory@mstdn.social
2025-11-03 01:01:17

Moody Urbanity - Action Required II 🧭
情绪化城市 - 行动指南 II 🧭
📷 Pentax MX
🎞️ Ilford HP5 Plus 400, expired 1993
#filmphotography #Photography #blackandwhite

Ilford HP5 Plus 400 (FF)

English Alt Text:
A monochrome photograph of a tree in an urban environment. The tree’s textured bark and branching limbs dominate the foreground. Behind it stands a modern building with large windows, vertical and horizontal lines, and a glass entrance canopy. The contrast between the organic form of the tree and the structured geometry of the building creates a balanced composition.

中文替代文字:
一张黑白照片,前景是一棵树,树干粗糙有质感,枝干向外伸展。背景是一栋现代建筑,带有大窗户、纵横线条和玻璃门廊。树木的自然形态与建筑的几何结构形成鲜明对比…
Ilford HP5 Plus 400 (FF)

English Alt Text:
A monochrome photograph of a parking garage entrance ramp. The ramp curves downward into a dark tunnel beneath a building. A white arrow painted on the ground indicates two-way traffic. On the left, a ticket machine is mounted on a column. To the right, a grassy area with a tree casts shadows across the scene, separated from the ramp by a railing. The composition highlights the contrast between light and shadow, guiding the viewer’s eye into the tunne…
Ilford HP5 Plus 400 (FF)

English Alt Text:
A black-and-white photograph of an outdoor urban scene. In the foreground, a neatly trimmed hedge borders a grassy area. A small sign with a fire hydrant symbol and a downward arrow marks the hydrant’s location beside the grass. The hydrant itself is visible near the sign. Behind this, modern buildings with large windows rise, and a paved walkway runs alongside them. A person is faintly visible near the buildings, adding a sense of scale. The photo em…
Ilford HP5 Plus 400 (FF)

English Alt Text:
A black-and-white cityscape featuring tall modern buildings. The central high-rise has a grid of square windows, creating a repetitive geometric pattern. In the foreground, a pedestrian bridge connects two buildings, adding depth and perspective. Above, textured clouds fill the sky, enhancing the dramatic mood. The low-angle viewpoint emphasizes the towering scale of the architecture.

中文替代文字:
一张黑白城市景观照片,展示高耸的现代建筑。中央的高楼布满方形窗户,形成规则的几何图案。前景是一座连接两栋建筑的人行天…
@tante@tldr.nettime.org
2025-10-02 13:44:10

Hallo Baden Württemberg:
Am Samstag könnt ihr in Stuttgart mithelfen, Eure Landesregierung davon abzuhalten die Software von Palantir für die Polizei einzuführen. Das wäre eine großartige Art diesen Samstag zu verbringen.
Palantir wegboxen.
sueden.social/@kein_palantir_b

@ErikJonker@mastodon.social
2025-09-03 15:37:41

I am wondering when the moment will arrive that state police forces in states like Illinois will clash with ICE or is that unthinkable? Shouldn't the police protect the people against masked men doing illegal actions?
#trump #ice

@mgorny@social.treehouse.systems
2025-10-02 17:42:42

"""
Traditional politics of assistance and the repression of unemployment were now called into question. The need for reform became urgent.
Poverty was gradually separated from the old moral confusions. Economic crises had shown that unemployment could not be confused with indolence, as indigence and enforced idleness spread throughout the countryside, to precisely the places that had previously been considered home to the purest and most immediate forms of moral life. This demonstrated that poverty did not solely fall under the order of the fault: ‘Begging is the fruit of poverty, which in turn is the consequence of accidents in the production of the earth or in the output of factories, of a rise in the price of basic foodstuffs, or of growth of the population, etc.’ Indigence became a matter of economics.
But it was not contingent, nor was it destined to be suppressed forever. There would always be a certain quantity of poverty that could never be effaced, a sort of fatal indigence that would accompany all forms of society until the end of time, even in places where all the idle were employed: ‘The only paupers in a well governed state must be those born in indigence, or those who fall into it by accident.’ This backdrop of poverty was somehow inalienable: whether by birth or accident, it formed an inevitable part of society. The state of lack was so firmly entrenched in the destiny of man and the structure of society that for a long time the idea of a state without paupers remained inconceivable: in the thought of philosophers, property, work and indigence were terms linked right up until the nineteenth century.
This portion of poverty was necessary because it could not be suppressed; but it was equally necessary in that it made wealth possible. Because they worked but consumed little, a class of people in need allowed a nation to become rich, to release the value of its fields, colonies and mines, making products that could be sold throughout the world. An impoverished people, in short, was a people that had no poor. Indigence became an indispensable element in the state. It hid the secret but most real life of society. The poor were the seat and the glory of nations. And their noble misery, for which there was no cure, was to be exalted:
«My intention is solely to invite the authorities to turn part of their vigilant attention to considering the portion of the People who suffer … the assistance that we owe them is linked to the honour and prosperity of the Empire, of which the Poor are the firmest bulwark, for no sovereign can maintain and extend his domain without favouring the population, and cultivating the Land, Commerce and the Arts; and the Poor are the necessary agents for the great powers that reveal the true force of a People.»
What we see here is a moral rehabilitation of the figure of the Pauper, bringing about the fundamental economic and social reintegration of his person. Paupers had no place in a mercantilist economy, as they were neither producers nor consumers, and they were idle, vagabond or unemployed, deserving nothing better than confinement, a measure that extracted and exiled them from society. But with the arrival of the industrial economy and its thirst for manpower, paupers were once again a part of the body of the nation.
"""
(Michel Foucault, History of Madness)

@arXiv_csRO_bot@mastoxiv.page
2025-09-03 13:31:23

ManiFlow: A General Robot Manipulation Policy via Consistency Flow Training
Ge Yan, Jiyue Zhu, Yuquan Deng, Shiqi Yang, Ri-Zhao Qiu, Xuxin Cheng, Marius Memmel, Ranjay Krishna, Ankit Goyal, Xiaolong Wang, Dieter Fox
arxiv.org/abs/2509.01819

@Techmeme@techhub.social
2025-11-01 21:40:55

Microsoft's AI tools still lag behind OpenAI's, as Microsoft struggles to create a cohesive AI experience and add new features by integrating OpenAI models (Austin Carr/Bloomberg)

@leftsidestory@mstdn.social
2025-11-02 00:30:04

Moody Urbanity - Action Required 🧭
情绪化城市 - 行动指南 🧭
📷 Pentax MX
🎞️ Ilford HP5 Plus 400, expired 1993
#filmphotography #Photography #blackandwhite

Ilford HP5 Plus 400 (FF)

English Alt Text:
A black-and-white overhead view of four people playing badminton on a marked court. The net divides the space, and each player holds a racket, actively engaged in the game. One player is captured mid-swing, striking the shuttlecock. Tables and chairs in the background suggest a courtyard or recreational area. The image conveys energy, movement, and social interaction within a structured play environment.

中文替代文字:
一张黑白照片,从上方俯拍四个人在羽毛球场上比赛。球网将场地分为两半,每位选手…
Ilford HP5 Plus 400 (FF)

English Alt Text:
A black-and-white photograph of a spiral metal staircase viewed from above. The staircase curves downward in a clockwise direction, casting a shadow on the concrete ground below. Patches of grass break up the pavement, and a railing is visible in the corner, suggesting another walkway. The interplay of curves, shadows, and textures creates a visually dynamic and geometric composition.

中文替代文字:
一张黑白照片,从上方俯视一座金属螺旋楼梯。楼梯顺时针向下延伸,在混凝土地面上投下弯曲的阴影。地面上点缀着草地,左上角…
Ilford HP5 Plus 400 (FF)

English Alt Text:
A dramatic black-and-white photo of a tall high-rise building viewed from below. The building’s grid of windows stretches upward, framed by the dark silhouettes of tree leaves in the foreground. Another building is partly visible on the right. The sky is filled with textured clouds, adding depth and atmosphere. The contrast between rigid urban architecture and organic tree shapes creates a timeless, artistic mood.

中文替代文字:
一张黑白照片,从低角度拍摄一栋高层建筑。整齐的窗格向上延…
Ilford HP5 Plus 400 (FF)

English Alt Text:
A black-and-white photograph of a metal outdoor staircase leading up to a landing. The stairs and railings create sharp geometric shadows on the ground and wall, forming a striking pattern of light and dark. Grass and a sidewalk surround the structure, while a tree stands nearby. In the background, a sculpture shaped like a human figure with outstretched arms adds an artistic element. The composition emphasizes contrast, geometry, and the play of sunl…