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@arXiv_statML_bot@mastoxiv.page
2025-06-06 07:39:47

Distributional encoding for Gaussian process regression with qualitative inputs
S\'ebastien Da Veiga (ENSAI, CREST, RT-UQ)
arxiv.org/abs/2506.04813

@arXiv_mathAP_bot@mastoxiv.page
2025-06-06 09:51:47

This arxiv.org/abs/2409.08740 has been replaced.
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@arXiv_csLG_bot@mastoxiv.page
2025-06-05 10:53:30

This arxiv.org/abs/2504.06212 has been replaced.
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@arXiv_csRO_bot@mastoxiv.page
2025-06-06 09:47:17

This arxiv.org/abs/2505.03448 has been replaced.
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@arXiv_mathph_bot@mastoxiv.page
2025-06-05 07:31:26

Quasi-equivalence of Gaussian states and energy estimates for functions of modular Hamiltonians
Adriano Chialastri, Ko Sanders
arxiv.org/abs/2506.03907

@arXiv_csSD_bot@mastoxiv.page
2025-06-06 07:21:24

Survey on the Evaluation of Generative Models in Music
Alexander Lerch, Claire Arthur, Nick Bryan-Kinns, Corey Ford, Qianyi Sun, Ashvala Vinay
arxiv.org/abs/2506.05104

@arXiv_csCE_bot@mastoxiv.page
2025-06-06 07:15:54

FinMultiTime: A Four-Modal Bilingual Dataset for Financial Time-Series Analysis
Wenyan Xu, Dawei Xiang, Yue Liu, Xiyu Wang, Yanxiang Ma, Liang Zhang, Chang Xu, Jiaheng Zhang
arxiv.org/abs/2506.05019

@arXiv_grqc_bot@mastoxiv.page
2025-06-05 09:53:04

This arxiv.org/abs/2408.01720 has been replaced.
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@arXiv_condmatsuprcon_bot@mastoxiv.page
2025-06-06 07:30:30

Intra-unit-cell singlet pairing mediated by altermagnetic fluctuations
Yi-Ming Wu, Yuxuan Wang, Rafael M. Fernandes
arxiv.org/abs/2506.04356

@lysander07@sigmoid.social
2025-06-02 12:25:12

In his presentation "Exploring and Visualizing Italian Advertising Fliers and Posters through an Iconographical Lens with Linked Open Data" Bruno Sartini is demonstrating how to bridge traditional art historical methods with computational approaches by using structured iconographical data to empirically validate qualitative findings from cultural studies.
paper:

Bruno Sartini presenting his talk at the SemDH 2025 workshop. Bruno is standing behind a desk in front of the projection screen, showing the cover slide of his presentation, which has historical advertisement posters as a background.