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Private market investments, while not technically barred from 401(k) plans, are riskier than publicly traded stocks and bonds.
They have traditionally been seen as unfit for defined contribution plans.
Consumer groups, lawmakers and some investment advisers have raised alarm about the potential harm to everyday investors.
Those concerns have been front and center.
But observers say the private asset industry, which has lobbied hard for the opening, could also expose…

@blakes7bot@mas.torpidity.net
2025-07-11 09:22:57

B02 - Shadow
BEK: What's in it for you?
BLAKE: You can help me with one of my crew. His name's Vila and he's suffering from a bad attack of alcoholic remorse. [Into bracelet] All right, Cally. [To them] He wants to make a necklace of his teeth.
blake.torpidity.net/m/202/321

Claude Sonnet 4.0 describes the image as: "I can see three people in what appears to be a futuristic or institutional setting with white/light colored walls and geometric patterns. They're wearing similar olive or khaki-colored clothing that looks like uniforms or simple garments. The individuals appear to be having a conversation, with one person in the center appearing to listen while the other two are engaged in discussion. The setting has a sterile, possibly medical or detention facility ap…
@jacobgudiol@mastodonsweden.se
2025-07-09 06:51:22

"At 6 months in, I think it’s time for food and nutrition advocates, scientists and professionals to call out the MAHA agenda for what it is - it’s a movement with the right vibes, the wrong priorities and solutions, headed up by someone with dangerous thoughts on public health who is not going to improve the health of Americans, nutritional or otherwise."
6 Months of MAHA

@Xavier@infosec.exchange
2025-07-08 17:11:34

An #infosec drama, in two screenshots.

 The image is a screenshot of a Twitter post by a user named Quackity, featuring a promotional tweet about a product called DABABEL. The tweet reads: "INTRODUCING DABABEL. THE UNIVERSAL REAL TIME TEXT AND VOICE TRANSLATION TOOL. SPEAK ANY LANGUAGE, WITH ANYBODY, ANYWHERE. AVAILABLE RIGHT NOW." Below the text, there is an image of two men sitting on stools, with one holding a smartphone. The man on the right is wearing a black t-shirt with the text "CAMPO REAL SOCCER" on it. The background is wh…
The image displays a mobile phone screen showing a subscription plan selection interface. The background is black, and the text is primarily white with some red and blue accents. At the top, the time is 7:04, and the battery is at 33%, with 5G connectivity indicated.

The interface features several subscription plans:

    Pro Plan: Highlighted as "Popular," priced at $17.99 weekly, offering 10,000 credits, suitable for regular travelers and those who work, learn, and create across borders.

  …
@karlauerbach@sfba.social
2025-06-08 23:49:03

Wouldn't it be cool it around the USA, and around the world, at 7pm Eastern US time, on this coming June 14, that everyone everywhere does a synchronized mass Braveheart mooning of FFOTUS while wearing underwear emblazoned with "TA" on the left side and "CO" on the right?
Hey, if Improve Anywhere can organize pant-less subway events around the world, we ought to be able to do this.
Example:

@tiotasram@kolektiva.social
2025-07-28 13:04:34

How popular media gets love wrong
Okay, so what exactly are the details of the "engineered" model of love from my previous post? I'll try to summarize my thoughts and the experiences they're built on.
1. "Love" can be be thought of like a mechanism that's built by two (or more) people. In this case, no single person can build the thing alone, to work it needs contributions from multiple people (I suppose self-love might be an exception to that). In any case, the builders can intentionally choose how they build (and maintain) the mechanism, they can build it differently to suit their particular needs/wants, and they will need to maintain and repair it over time to keep it running. It may need winding, or fuel, or charging plus oil changes and bolt-tightening, etc.
2. Any two (or more) people can choose to start building love between them at any time. No need to "find your soulmate" or "wait for the right person." Now the caveat is that the mechanism is difficult to build and requires lots of cooperation, so there might indeed be "wrong people" to try to build love with. People in general might experience more failures than successes. The key component is slowly-escalating shared commitment to the project, which is negotiated between the partners so that neither one feels like they've been left to do all the work themselves. Since it's a big scary project though, it's very easy to decide it's too hard and give up, and so the builders need to encourage each other and pace themselves. The project can only succeed if there's mutual commitment, and that will certainly require compromise (sometimes even sacrifice, though not always). If the mechanism works well, the benefits (companionship; encouragement; praise; loving sex; hugs; etc.) will be well worth the compromises you make to build it, but this isn't always the case.
3. The mechanism is prone to falling apart if not maintained. In my view, the "fire" and "appeal" models of love don't adequately convey the need for this maintenance and lead to a lot of under-maintained relationships many of which fall apart. You'll need to do things together that make you happy, do things that make your partner happy (in some cases even if they annoy you, but never in a transactional or box-checking way), spend time with shared attention, spend time alone and/or apart, reassure each other through words (or deeds) of mutual beliefs (especially your continued commitment to the relationship), do things that comfort and/or excite each other physically (anywhere from hugs to hand-holding to sex) and probably other things I'm not thinking of. Not *every* relationship needs *all* of these maintenance techniques, but I think most will need most. Note especially that patriarchy teaches men that they don't need to bother with any of this, which harms primarily their romantic partners but secondarily them as their relationships fail due to their own (cultivated-by-patriarchy) incompetence. If a relationship evolves to a point where one person is doing all the maintenance (& improvement) work, it's been bent into a shape that no longer really qualifies as "love" in my book, and that's super unhealthy.
4. The key things to negotiate when trying to build a new love are first, how to work together in the first place, and how to be comfortable around each others' habits (or how to change those habits). Second, what level of commitment you have right now, and what how/when you want to increase that commitment. Additionally, I think it's worth checking in about what you're each putting into and getting out of the relationship, to ensure that it continues to be positive for all participants. To build a successful relationship, you need to be able to incrementally increase the level of commitment to one that you're both comfortable staying at long-term, while ensuring that for both partners, the relationship is both a net benefit and has manageable costs (those two things are not the same). Obviously it's not easy to actually have conversations about these things (congratulations if you can just talk about this stuff) because there's a huge fear of hearing an answer that you don't want to hear. I think the range of discouraging answers which actually spell doom for a relationship is smaller than people think and there's usually a reasonable "shoulder" you can fall into where things aren't on a good trajectory but could be brought back into one, but even so these conversations are scary. Still, I think only having honest conversations about these things when you're angry at each other is not a good plan. You can also try to communicate some of these things via non-conversational means, if that feels safer, and at least being aware that these are the objectives you're pursuing is probably helpful.
I'll post two more replies here about my own experiences that led me to this mental model and trying to distill this into advice, although it will take me a moment to get to those.
#relationships #love

@vague@social.linux.pizza
2025-06-06 14:16:34

We had some sun before the rain moved in #dogsofmastodon

A black and tan dog lying on a grassy area. The dog has a shiny black coat with tan markings on its face, chest, and paws. It is wearing a green collar with the text "AXX SPORT" visible, and a brown leash attached to it. The dog's tongue is out, suggesting it might be panting. The dog is positioned near a wooden bench, with a person's leg visible in the bottom right corner, wearing blue jeans. The grass is green and well-maintained, indicating a park or a garden setting.
@tante@tldr.nettime.org
2025-06-03 15:00:05

"GenAI art has already reached polyester status, and this is just the beginning. Despite all the techno-utopian promises, our brains see it as ersatz."
(Original title: GenAI is Our Polyester)
culture.ghost.io/genai-is-our-

@UP8@mastodon.social
2025-08-10 22:07:59

My son Elliot when we were visiting Gettysburg, PA this spring
#gettysburg #history #photo #photography

A wide picture with an almost straight path that curves to the left in the distance with a young man wearing dark grey pants and a blue and white shirt standing on one side of it.  To the right there is a strip of close mowed grass and then a field of taller grass with a few psoradic trees,  to the right close cut grass with stone walls and primitive rail fences
@blakes7bot@mas.torpidity.net
2025-07-05 06:17:56

#Blakes7 Series B, Episode 09 - Countdown
CAUDER: But it's four thousand miles away. It can't be done.
AVON: It can if we use the teleport.
BLAKE: We can teleport right down to the location.
AVON: We'll need special equipment, thermal clothing.

Claude Sonnet 4.0 describes the image as: "This image shows a character in what appears to be a futuristic setting, wearing a distinctive burgundy or maroon leather-style jacket with a high black collar. The costume design reflects the science fiction aesthetic typical of late 1970s British television production. The lighting and image quality suggest this is from a studio-based television production of that era. The character appears to be in a dramatic scene, with the camera capturing them in…