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@leftsidestory@mstdn.social
2026-03-31 00:21:16

Mundane Things IX🌀
普通物件 IX 🌀
📷 Nikon FE
🎞️ Ilford FP4 Plus 125, expired 1993
If you like my work, buy me a coffee from PayPal #filmphotography

Ilford FP4 Plus 125 (FF) English A black-and-white photograph taken through a window. The window is divided into four panes by a cross-shaped frame. Hanging in the window are three spherical ornaments, likely made of glass, and a decorative star or plant-like figure with elongated, spiky leaves. The ornaments and figure are silhouetted against the light coming through the window, creating a contrast between the dark shapes and the bright background. Surveillance cameras can been seen in the b…
Ilford FP4 Plus 125 (FF) English A black-and-white close-up of a weathered brick wall. The bricks are arranged in a staggered pattern, with visible signs of wear and mortar between them. Some bricks show cracks and chipping, and the mortar appears aged and crumbling in places, giving the wall a rustic, textured appearance. 中文 一张黑白特写照片，拍摄的是一面风化的砖墙。砖块以错位方式排列，砖缝间的灰浆清晰可见。部分砖块出现裂纹和破损，灰浆在某些地方显得老化、松散，使整面墙呈现出质朴、富有质感的外观。
Ilford FP4 Plus 125 (FF) English A black-and-white close-up of a large, geometric star-shaped ornament hanging among bare tree branches. The star has multiple sharp, elongated points and appears to be made of a reflective or translucent material, catching the light and standing out against the intricate network of branches in the background. 中文 一张黑白特写照片，拍摄的是一个悬挂在光秃树枝间的大型几何星形装饰物。星形装饰有多个尖锐细长的角，看起来由反光或半透明材料制成，在复杂的枝条网络背景下格外醒目。
Ilford FP4 Plus 125 (FF) English A black-and-white photograph of a human skeleton model posed as if riding a motorcycle. The skeleton is in front of a dark jacket with the word "ANSON'S" visible on the back, and it is seated on what appears to be a motorcycle seat. The background is blurred, but it suggests a dark, draped setting, possibly part of a display or exhibit. 中文 一张黑白照片，拍摄的是一个骷髅模型，姿势仿佛在骑摩托车。骷髅在一件深色夹克的前方，背部可见“ANSON'S”字样，坐在类似摩托车座位的物体上。背景模糊，但可以看出是一个黑暗、布幕环绕的场景，可能是某个展示或展览的一部分。
@Mediagazer@mstdn.social
2026-03-31 20:10:46

A profile of CBS' Tony Dokoupil: his start at Newsweek and NBC News, the shift to on-camera work, and ex-colleagues' surprise at some of his current coverage (Amos Barshad/Columbia Journalism Review)
cjr.org/feature/whats-up-with-

What’s up with Tony Dokoupil?
How Tony Dokoupil went from being a hair model to a print journalist to the anchor of CBS Evening News, guided by the principle “We love America.”

@matthiasott@mastodon.social
2026-03-30 10:59:33

Quick reminder, especially if you’re a freelancer or developer using Free/Pro/Pro plans for client work: Opt out of GitHub using your data for AI model training before April 24 (seriously, wtf that this isn’t opt-in!).
github.com/settings/copilot/fe

A GitHub setting labelled “Allow GitHub to use my data for AI model training", set to disabled
@mcdanlj@social.makerforums.info
2026-04-28 15:39:10

Updated to Fedora 44, and discovered pretty quickly that middle click is disabled. 🤮
Not a big fan of Jordan Petridis right now. The attitude in his pull request was not awesome. Next I expect GNOME will remove the ability entirely with the excuse that "nobody uses it" since that was also used as part of the excuse for disabling it by default, calling all of us who use it a "nobody" which is kind of disrespectful.
They didn't even add it to settings. The repair is not particularl…

@hex@kolektiva.social
2026-05-19 07:09:57

Logistics in the technical sense (part of supply chain management) is a subset of logistics in the vernacular sense ("the handling of the details of an operation"). You can explore this second and more general sense, and thereby build an understanding of the first and more technical sense, by iteratively asking the question, "how does one make that happen" and follow questions from there.
A big part of organizing is figuring out the (vernacular) logistics (and helping others figure it out). You want to organize a seed swap? Ok. How does one make that happen? Well, you need seeds, people, a place, and perhaps a time. How does one make that happen? You can forage seeds or you can buy seeds for a garden and swap extras. How do you get people to come? Well, figure out where you want people to come from and choose an accessible place. What's the easiest thing to do? Get people from your neighborhood. How does one make that happen? Well, maybe put up flyers. How does one make that happen? Well, print them on your printer if you have one, or at a library, then go post them up. Etc.
Keep asking questions until you either find a roadblock that you can't find a way around, or you find things you can do yourself (one of those things you can do yourself is asking friends to help).
If you practice the exercise of thinking about how things happen, you can start to find things that you can do yourself. You can start to understand what exists now, and you can imagine what's possible. By thinking about logistics, you can figure out how to replace things when they collapse or are dismantled. You can also identify things that can't easily be replaced, and try to figure out alternatives.
This practice is good for figuring out how to build, but it can also be a valuable practice for figuring out how to resist. Concentration camps and ethnic cleansing also require logistics. Mass displacement means moving people. How does one do that? People are generally going to be moved in planes or buses. How does one do that? Well, people get loaded on to planes or buses in specific places. Planes and buses need fuel. Planes are fueled at their airports, which may well be the same places where people are loaded on to them. There is a fuel depo and a fuel truck that makes flying people out of a specific place possible. How does the fuel get to that fuel depo? Well, that fuel is probably also delivered by truck. Someone drives those trucks. Someone fuels those planes. Someone clears the planes for takeoff. Someone fuels those busses. Someone drives those busses. And so on.
Logistics networks can be highly complex. The more complex the operation, the more possible points of failure and more possible points where pressure can be applied, where operations can be disrupted. Ethnic cleansing is a complicated operation. The logistics of disrupting complicated things tend to be much less complicated than the logistics of the complicated things themselves.
The Right has exploited this fact for a long time. Centralized social services are logistically complex. Public infrastructure is logistically complex. By destroying these things, they can loot public resources by privatizing the infrastructure and functionality.
But the things that support the Right are even more logistically complex. Oil, cars, AI data centers, internal paramilitary, these are extremely complicated and fragile. There are numerous pressure points, all of which can respond to numerous strategies.
If we want to win, we should reduce the influence of politics over the things we care about. We should focus on building distributed mutual aid networks that don't rely on state funding and aren't subject to the whims of politicians. This is also known as "dual power." That is, creating counter-institutions outside of the dominant political system. The Right already does this in the form of churches and corporations.
As we reduce our complexity, we can then press our complexity advantage against the things for which the Right *needs* the state: the apparatus of violence needed to maintain capital and enforce the dominant order.

@leftsidestory@mstdn.social
2026-04-22 04:30:02

City Silhouettes IV 🏙️
城市轮廓线 IV 🏙️
📷 Pentax 6x7
🎞️ Lucky SHD 400 (6x7)
If you like my work, Support by buying me a coffee or a roll of film from PayPal paypal.com/paypalme/ydcdingsite

Lucky LUCKY SHD 400 (6x7) English A black-and-white photograph of a traditional Chinese building entrance. The entrance features a tiled roof with upturned eaves and a wooden door adorned with decorative metal studs. The door is set within brick walls, and a small sign displaying the number "15" is positioned above the door. Shadows of tree branches are cast across the door and the ground. 中文 一张黑白照片，拍摄的是中国传统建筑的入口。入口处有翘角的瓦屋顶和一扇装饰有金属钉的木门。门两侧是砖墙，门上方有一个写着“15”的小牌子。树枝的影子投射在门和地面上。
Lucky LUCKY SHD 400 (6x7) English A black-and-white photograph of a modern architectural structure. The image features a patterned wall with geometric designs, casting intricate shadows on the ground. Several parked motorbikes are visible on the left side, and a tree-lined sidewalk runs parallel to the wall. 中文 一张黑白照片，照片中是一个现代建筑结构。图片展示了一面带有几何图案的墙，图案在地面上投射出错综复杂的影子。左侧停放着几辆摩托车，墙边有一条种满树的人行道。
Lucky LUCKY SHD 400 (6x7) English A black-and-white photograph showing two people walking past a traditional Chinese building entrance. The entrance has a tiled roof and a large wooden door. The walls are constructed from gray bricks, and an air conditioning unit is mounted on the right side. Shadows of tree branches are visible on the door and the ground. 中文 一张黑白照片，照片中有两个人走过中国传统建筑的入口。入口处有瓦屋顶和一扇大木门。墙是用灰砖砌成的，右侧墙上安装有一台空调。树枝的影子投射在门和地面上。
Lucky LUCKY SHD 400 (6x7) English A black-and-white photograph of a street scene with traditional Chinese architecture. The image shows a storefront with a large menu board displaying images and text. The menu board is attached to the front of the building, and a small statue or decoration is near the entrance. Shadows of tree branches are cast on the ground and the building. 中文 一张黑白照片，照片中是一个带有中国传统建筑的街道场景。图片展示了一个店铺的门面，门前有一个大菜单板，上面有图片和文字。菜单板附在建筑的前面，入口处有一个小雕像或装饰品。树枝的影子投射在地面和建筑上。
@leftsidestory@mstdn.social
2026-03-13 03:52:49

Cross To The Other Side ❎
去向另一边 ❎
📷 Nikon FE
🎞️ Lucky C200

If you like my work, buy me a coffee from PayPal #filmphotography

Lucky C200 (FF) English: A close-up of a weathered, blue and yellow wooden fence running alongside a paved sidewalk. The fence is partially broken and peeling, with some slats missing or damaged. The sidewalk is made of concrete pavers, and there is a narrow strip of dirt and small rocks between the fence and the pavement. The scene is lit by natural sunlight, casting shadows on the ground. Chinese: 一个靠近人行道的蓝黄色木栅栏特写。木栅栏部分破损、剥落，有些木条缺失或损坏。人行道由混凝土铺成，栅栏和路面之间有一条狭窄的土带和小石子。阳光照射下，地面上投射着影子。
Lucky C200 (FF) English: A pedestrian walkway lined with trees whose leaves are turning yellow, suggesting autumn. A person is walking towards the camera, wearing a hat and carrying a bag. The path is paved with bricks, and there are stone barriers on one side. The background includes modern buildings and a clear sky. Chinese: 一条两侧种有树木的人行道，树叶已经变黄，表明是秋季。一个人向着镜头走，戴着帽子，背着包。道路由砖块铺成，一侧有石头护栏。背景是现代建筑和晴朗的天空。
Lucky C200 (FF) English: The interior of a bus, viewed from the back. Two passengers are seated near the front: one man is looking outside, and a woman next to him looking at her phone. The bus is in motion, and the street scene outside is slightly blurred. The bus has metal handrails and a digital display above the front door. Chinese: 从公交车后部拍摄的车内景象。两名乘客坐在前排：一名男子看着前方，旁边的女子看着她的手机。公交车正在行驶，车窗外的街景略显模糊。车内有金属扶手，前门上方有电子显示屏。
Lucky C200 (FF) English: A view of a building and a clear blue sky, partially obscured by green leaves from a tree branch in the foreground. The building is light-colored, and there are some red flags visible on a rooftop in the background. The leaves are large and glossy, casting shadows on the scene. Chinese: 一棵树的绿色枝叶部分遮挡住视线，前景是树枝和叶子，背景是一栋浅色建筑和晴朗的蓝天。建筑物的屋顶上有几面红色旗帜。树叶较大且有光泽，阳光下投射出影子。
@leftsidestory@mstdn.social
2026-03-11 11:30:02

Some Places with Snow II ❄️
一些有雪的地方 II ❄️
📷 Nikon F4E
🎞️ Ilford FP4 Plus 125, expired 1993
If you like my work, buy me a coffee from PayPal #filmphotography

Ilford FP4 Plus 125 (FF) Image 1 – English Alt Text A black‑and‑white photograph showing several leafless trees on the left side of the frame. Their thin branches extend upward and outward against a blank sky that occupies the right side. Among the branches, a small star‑shaped object is visible, positioned slightly above the center. The scene is quiet and minimal, with strong contrast between the dark branches and the pale sky. Image 1 – 中文替代文字 一张黑白照片，画面左侧是几棵没有树叶的树，细长的树枝向上和向外伸展。右侧是空白的天空，占据了大部…
Ilford FP4 Plus 125 (FF) Image 4 – English Alt Text A black‑and‑white close view of a gravel surface. Two parallel curved tracks run through the gravel, suggesting something small moved across it. The gravel pieces vary in size and create a rough texture. The tracks are slightly darker than the surrounding stones and form gentle arcs across the frame. Image 4 – 中文替代文字 一张黑白的近景照片，显示一片碎石地面。两条平行的弯曲痕迹穿过碎石，似乎是某个小物体经过后留下的。碎石大小不一，形成粗糙的纹理。痕迹比周围的石子略深，在画面中呈弧形延伸。
Ilford FP4 Plus 125 (FF) mage 3 – English Alt Text A nighttime black‑and‑white image showing a triangular traffic sign behind a metal fence. The sign is illuminated and displays the character “让,” meaning “give way to.” Vertical and horizontal metal bars in the foreground partially obscure the sign, creating a grid‑like pattern. The background is dark, making the lit sign stand out. Image 3 – 中文替代文字 一张黑白的夜间照片。画面中，一个三角形交通标志位于金属栅栏后方，标志被照亮，上面有“让”字。前景的金属栏杆形成网格状，部分遮挡了标志。背景较暗，使得被照亮的标志更加突出。
Ilford FP4 Plus 125 (FF) Image 2 – English Alt Text A black‑and‑white outdoor scene with snow covering the ground. Patches of grass and small twigs protrude through the snow in the foreground. Behind them, dense branches from a coniferous tree fill much of the background, with needle‑like leaves creating a textured pattern. The contrast between the bright snow and the dark branches is prominent. Image 2 – 中文替代文字 一张黑白的户外场景照片。前景是被积雪覆盖的地面，部分草丛和细小树枝从雪中露出。背景由密集的针叶树枝构成，针状叶片形成明显的纹理。画面中明亮的雪与深色的树枝形成强烈对…
@leftsidestory@mstdn.social
2026-03-08 10:00:00

Seconds Apart ⌛️
一秒钟 ⌛️
📷 Zeiss IKON Super Ikonta 533/16
🎞️ Ilford HP5 Plus 400, expired 1993
If you like my work, buy me a coffee from PayPal paypal.com/paypalme/ydcdingsite

Ilford HP5 Plus 400 (6x6) English Alt Text A black‑and‑white photo of several plastic stools arranged loosely in a circle on a paved walkway. The ground is made of rectangular bricks, and fallen leaves are scattered around. Large concrete columns from an elevated structure stand in the background. Trees line one side of the walkway, and the scene appears quiet and outdoors. Chinese Alt Text 一张黑白照片，画面中有几张塑料小凳子随意围成一圈，放在铺有长方形砖块的步道上。地面上散落着落叶。背景是高架结构的巨大混凝土柱子，一侧有树木成排。整体氛围安静，呈现户外环境。
Ilford HP5 Plus 400 (6x6) English Alt Text A black‑and‑white low‑angle photo showing plastic stools on a paved surface beneath a large elevated structure. Tall trees stand in the background, and sunlight filters through the leaves. The perspective emphasizes the ground texture and the vertical lines of the stools and columns. The scene feels quiet and outdoors. Chinese Alt Text 一张黑白低角度照片，画面中塑料小凳子摆放在铺装地面上，上方是大型高架结构。背景有高大的树木，阳光从树叶间洒下。视角突出地面纹理以及凳子和柱子的垂直线条。整体氛围安静，位于户外。
Ilford HP5 Plus 400 (6x6) English Alt Text A black‑and‑white photo of an outdoor staircase with white railings leading upward. At the top, a metal fence displays Chinese characters. A tall light pole with multiple fixtures rises into the clear sky behind it. The image has visible film grain and circular marks, suggesting a scanned negative. The setting appears urban and open. Chinese Alt Text 一张黑白照片，展示一段带白色扶手的户外楼梯向上延伸。楼梯顶部的金属围栏上有中文字符。背景中有一根高大的多灯杆，天空清晰。画面带有胶片颗粒和圆形痕迹，像是底片扫描。整体呈现城市户外环境
Ilford HP5 Plus 400 (6x6) English Alt Text A black‑and‑white photo of a person walking down outdoor stairs while holding plastic bags in both hands. The person wears casual clothing, including a zip‑up jacket and sneakers. Another person is visible behind a metal fence on the opposite staircase. Buildings and a tall light pole appear in the distance. The image has a textured, film‑like surface. Chinese Alt Text 一张黑白照片，一名手提塑料袋的人正走下户外楼梯，穿着休闲外套和运动鞋。另一侧楼梯上、金属栅栏后可见另一名行人。远处有建筑物和高灯杆。画面带有胶片质感的纹理。
@leftsidestory@mstdn.social
2026-03-03 15:56:12

Sickly Red II ⭕️
病态的红 II ⭕️
📷 Pentax MX
🎞️ CineStill 800T
If you like my work, buy me a coffee from PayPal #filmphotography …

CineStill 800T (FF) English Alt Text An indoor space with a two‑tone blue wall, light blue on top and dark blue on the bottom. Five stacked plastic chairs sit in the corner beneath an emergency exit sign with Chinese characters and a left‑pointing arrow. The ceiling has integrated lighting strips, and the floor features colorful stripes in blue, green, and purple. Electrical outlets and coiled green cables rest along the left wall, giving the room a clean but utilitarian feel. 中文替代文字 一个室内空间，墙面…
CineStill 800T (FF) English Alt Text A nighttime city scene featuring a tall construction crane lit with red lights along its arm and bright white lights at its base. The crane rises against a dark sky, with several mid‑rise buildings behind it. One building displays a vertical red neon sign with Chinese characters. The overall atmosphere is dramatic, with strong contrasts between the artificial lights and the surrounding darkness. 中文替代文字 夜间城市景象，一座高大的施工起重机矗立在黑暗的天空前。起重机的臂架上有红色灯光，底部有明亮的白光。背景中有几栋…
CineStill 800T (FF) English Alt Text A row of futuristic white pod‑style chairs with red accents, resembling massage or entertainment pods, arranged against a brightly lit wall. The wall features colorful graphics and Chinese text in a modern, high‑tech style. The scene suggests a relaxation or entertainment zone, possibly in a mall or public facility, with a vibrant and playful atmosphere. 中文替代文字 一排未来感十足的白色舱型座椅，带有红色装饰，看起来像按摩舱或娱乐舱。它们靠着一面亮丽的墙壁摆放，墙上有彩色图案和现代科技风格的中文文字。整体氛围活泼、现代，像是商场或公共空间中的休闲娱乐区域。
CineStill 800T (FF) English Alt Text A hallway leading to a doorway marked by a glowing green exit sign with Chinese characters and the word “EXIT.” To the right of the doorway is a reflective panel showing distorted neon‑like colors in yellow, red, and blue. Beyond the doorway, a room with blue lighting and metal railings is visible. The polished floor reflects the lights, and a fire alarm and safety sign are mounted on the left wall. 中文替代文字 一条走廊通向一扇门，门上方有绿色发光的出口标志，包含中文和“EXIT”字样。门右侧的反光面呈现扭曲的黄…