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@leftsidestory@mstdn.social
2026-07-31 02:31:55

Non-Blurry Figures III 🧿
非-模糊的形象 III 🧿
📷 Yashica 635
🎞️ Ilford FP4 Plus 125 (FF), expired 1994
If you like my work, Support by buying me a coffee or a roll of film from
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Wise

Ilford FP4 Plus 125 (FF)

English
A black-and-white photograph of a street scene featuring a pedestrian crossing sign. The sign displays a triangular symbol with a pedestrian figure and horizontal stripes, indicating a crosswalk. Above it, there is a rectangular sign with Chinese characters that read "雍和宫大街" (Yonghegong Dajie). Below the pedestrian sign, another sign. The background includes blurred trees and a person walking, adding depth to the urban setting.
中文
一张黑白照片,展示了一个街道场景,其中有一个行人过街标志。标…
Ilford FP4 Plus 125 (FF)

English
A black-and-white photograph of a weathered wooden door with intricate carvings. The door features a faded, ornate design at the top, including a circular motif and what appears to be a small statue or sculpture of a figure. The surface of the door is textured, with visible cracks and scratches, and a large, dark, cone-shaped object is mounted on it. The image captures the door in partial shadow, highlighting its aged and rustic appearance.
中文
一张黑白照片,展示了一扇有精美雕刻…
Ilford FP4 Plus 125 (FF)

English
A black-and-white photograph focusing on the shadow of a diagonal beam cast on a wall. The beam creates a sharp, angular shadow that intersects with the vertical and horizontal lines of the wall and frames, resulting in a stark contrast between light and dark areas. The image emphasizes the geometric interplay of light and architecture.
中文
一张黑白照片,聚焦于一根斜梁在墙上投下的影子。这根梁的影子形成一个锐利的角度,与墙面和框的垂直和水平线相交,制造出光线与阴影之间的强烈对比。照片强调了光线与建筑结构之间的几何交织。
Ilford FP4 Plus 125 (FF)

English
A black-and-white photograph of a staircase with metal handrails. The handrails are mounted on a plain, light-colored wall, casting distinct shadows. The staircase is a patterned design, and the image captures the interplay of light and shadow on the steps and railings, creating a geometric and abstract visual effect.
中文
一张黑白照片,展示了一个带有金属扶手的楼梯。扶手安装在一面素色的浅色墙上,投下清晰的阴影。楼梯铺有带图案, 照片捕捉了光线和阴影在台阶和扶手上的相互作用,营造出几何和抽象的视觉效果。
@tiotasram@kolektiva.social
2026-07-26 17:31:24

Semi-subtoot: there's a certain kind of anti-genocide narrative that draws comparisons between the Gaza genocide and the genocide of Jews, queer, and disabled people during WW2, with an incredulous overtone, the subtext of which is: if the good nations invaded Germany to stop the Nazis' evil in WW2, it's hypocritical for this nations not to take action to protect Gazan civilians now. There are a couple of problems with this line of reasoning, but the most obvious from an anarchist perspective (which sees "good nation" for the oxymoron it is) is that it's ahistorical. The reasons for the various allies' entrance into WW2 are varied, but they weren't about good and evil, and in fact the full depth of the evils of the Holocaust *was not known* in allied countries until after the war. Nations never really do things to "fight evil" like some humans might; they always act out of a kind of (imperfect) self-interest. The motivations for many of the allies were simply "we don't want Germany to conquer and destroy us" (and the imperfection in that motive is amply evident in the appeasement that preceded the war). America was of course not swayed by that motive, and it was the Japanese that (thinking the issue would have to come to a head eventually and that a surprise attack was worth speeding it up) put America in a situation where it joined for similar reasons.
Why is this extra relevant right now? Because neither the US nor any European country is existentially threatened by Israel (or threatened at all in fact, quite the opposite they're all benefiting economically from the situation in Gaza). The lesson of history isn't "brave, good nations will stand up to fight against anyone who commits genocide or other major evils", it's "nations act in their narrow and twisted and often mistaken self-interest (the interest of the national entity, which is often counter to the interest of it's citizens), and they always mythologize their actions after the fact as having been a fight against evil, which sometimes by luck is partially true."
To double down on this point: in the European theater the U.S. war actions were pretty good overall, defeating an evil opponent through military force and being a fairly gracious victor to the civilian populations there. In contrast, in the Pacific theater the U.S. was one of two evil empires duking it out for global dominance at the expense of civilians on both sides. The Japanese empire was a vile regime and perpetrated horrors in China, Korea, and across southeast Asia. The U.S. was barely better, between Japanese internment camps at home, and mass targeting of civilians on Japan, both with the firebombing of Tokyo and especially the nuclear bombs dropped on Hiroshima and Nagasaki.
So if your model of how we stop genocide is "convince the good guys to invade (or exert political pressure) and save the day", your model is wrong. That's not what happened in WW2. I'm not confident I know the perfect solution, but I do think it involves a mass of people making increasingly disruptive protest so that the cost *to rich companies and thus politicians* of falling to intervene is too high to stomach. That's a large part of what succeeded in South Africa, for example. Thankfully, there is already a vibrant protest movement to end the genocide in Gaza, and even though they haven't been fully successful yet, I'm optimistic that as things naturally (and through hard work) fall apart for various fascists politically, that movement will be able to succeed.
#gaza #genocide

@gratianriter@bildung.social
2026-06-29 09:53:24

Großartiger Artikel von Emily Bender ("stocchic parrot") und Nanna Inie zur Frage, wie man über "KI" sprechen und gleichzeitig die Anthropomorphisierungsfalle umgehen kann:
buttondown.com/maiht3k/archive

artificial intelligence → probabilistic automation
hybrid intelligence → augmented human intelligence
image recognition → image labeling
speech recognition → automatic transcription
the model shows bias → the model reflects bias
model mistakes → model errors
chatbots are good at … → chatbots are good for …
hallucination → undesirable output
prompt → text input
answer → output
chatbot / conversational agent → conversation simulator
ChatGPT assisted students → the students used ChatGPT
revealing the solution → displaying the solution
AI agent → probabilistic, unverified software manipulator
who’s right? → is the machine output correct?
they produce results → the team uses it [the system] to produce results
@hikingdude@mastodon.social
2026-06-24 18:14:03

At the start of our recent vacation, we visited the #worldOfBricks in #munich .
It was uite nice. Not overly huge but a couple of LARGE sets, like Harry potter, Lord of the Rings, Star wars and those here as well!
Some more photos are here:

This image showcases an impressive and creative LEGO display featuring a scene inspired by the Ghostbusters movie. The centerpiece of the display is a large, detailed LEGO model of the Stay Puft Marshmallow Man, emerging from a brick wall backdrop. The figure is vividly green with a red tongue, capturing the iconic character's playful yet menacing appearance.
@hex@kolektiva.social
2026-05-19 07:09:57

Logistics in the technical sense (part of supply chain management) is a subset of logistics in the vernacular sense ("the handling of the details of an operation"). You can explore this second and more general sense, and thereby build an understanding of the first and more technical sense, by iteratively asking the question, "how does one make that happen" and follow questions from there.
A big part of organizing is figuring out the (vernacular) logistics (and helping others figure it out). You want to organize a seed swap? Ok. How does one make that happen? Well, you need seeds, people, a place, and perhaps a time. How does one make that happen? You can forage seeds or you can buy seeds for a garden and swap extras. How do you get people to come? Well, figure out where you want people to come from and choose an accessible place. What's the easiest thing to do? Get people from your neighborhood. How does one make that happen? Well, maybe put up flyers. How does one make that happen? Well, print them on your printer if you have one, or at a library, then go post them up. Etc.
Keep asking questions until you either find a roadblock that you can't find a way around, or you find things you can do yourself (one of those things you can do yourself is asking friends to help).
If you practice the exercise of thinking about how things happen, you can start to find things that you can do yourself. You can start to understand what exists now, and you can imagine what's possible. By thinking about logistics, you can figure out how to replace things when they collapse or are dismantled. You can also identify things that can't easily be replaced, and try to figure out alternatives.
This practice is good for figuring out how to build, but it can also be a valuable practice for figuring out how to resist. Concentration camps and ethnic cleansing also require logistics. Mass displacement means moving people. How does one do that? People are generally going to be moved in planes or buses. How does one do that? Well, people get loaded on to planes or buses in specific places. Planes and buses need fuel. Planes are fueled at their airports, which may well be the same places where people are loaded on to them. There is a fuel depo and a fuel truck that makes flying people out of a specific place possible. How does the fuel get to that fuel depo? Well, that fuel is probably also delivered by truck. Someone drives those trucks. Someone fuels those planes. Someone clears the planes for takeoff. Someone fuels those busses. Someone drives those busses. And so on.
Logistics networks can be highly complex. The more complex the operation, the more possible points of failure and more possible points where pressure can be applied, where operations can be disrupted. Ethnic cleansing is a complicated operation. The logistics of disrupting complicated things tend to be much less complicated than the logistics of the complicated things themselves.
The Right has exploited this fact for a long time. Centralized social services are logistically complex. Public infrastructure is logistically complex. By destroying these things, they can loot public resources by privatizing the infrastructure and functionality.
But the things that support the Right are even more logistically complex. Oil, cars, AI data centers, internal paramilitary, these are extremely complicated and fragile. There are numerous pressure points, all of which can respond to numerous strategies.
If we want to win, we should reduce the influence of politics over the things we care about. We should focus on building distributed mutual aid networks that don't rely on state funding and aren't subject to the whims of politicians. This is also known as "dual power." That is, creating counter-institutions outside of the dominant political system. The Right already does this in the form of churches and corporations.
As we reduce our complexity, we can then press our complexity advantage against the things for which the Right *needs* the state: the apparatus of violence needed to maintain capital and enforce the dominant order.

@peterhoneyman@a2mi.social
2026-07-25 20:53:45

alpena has a great used record store, noise & toys, and i usually come home with an inch or two of LPs, but not this year bc they’re in the middle of moving to a new space #alas
they don’t sort by categories, just alphabetically. i usually spend hours rummaging for vintage jazz among all the rest, picking up where i left off the following year.
i have found so many gems there
any…

A storefront entrance is flanked by two big display windows painted with "NOISE & TOYS" and "WE PAY CASH FOR RECORDS," plus a hand-drawn "OPEN" sign and a Record Store Day Drops poster in the right window. The awning above is decorated with a row of oversized musical notes cut from what looks like white vinyl or paper, giving it a fun, handmade record-shop vibe. Chalkboard panels below each window are covered in band names and doodles — KISS, Aerosmith, a Grateful Dead skull-and-lightning-bolt,…
@heiseonline@social.heise.de
2026-07-22 13:30:12

OpenAIs neuestes KI-Modell bricht während eines Tests selbstständig aus seiner Test-Umgebung aus, sucht im Internet nach geheimen Dokumenten und hackt sich bei der Firma Hugging Face ein. Dort kompromittiert es völlig automatisiert und unbeaufsichtigt reihenweise Server. 😳
Zum Kommentar:

Im Bild ist ein Smartphone-Display zu sehen, auf dem das OpenAI Logo abgebildet ist. Im Bild steht: „Kommentar: OpenAI – KI-Sicherheit nur ein Marketing-Gag?”, darunter steht: „Das Problem ist nicht, dass KI zu gefährlich oder gar unbeherrschbar wäre. 
Es sind die Prioritäten der Konzerne, die KI-Modelle entwickeln. An denen müssen wir arbeiten.”
@unixviking@social.linux.pizza
2026-06-29 12:09:00

A week ago, I treated myself to a new monitor: the BenQ MA270S, a 27-inch model with 5K resolution, 2x Thunderbolt 4 ports, and much more. The picture quality is incredibly sharp—the best I’ve ever seen! It was actually meant to connect to my MacBook Pro, but of course, it works just as perfectly with all my Linux and Windows computers. Once you’ve experienced 5K resolution, you’ll never want to go back. And this monitor is significantly cheaper than an Apple Studio Display, which ONLY works…

@leftsidestory@mstdn.social
2026-07-23 00:30:04

Civic Museums V 🏛️
民间博物馆 V 🏛️
📷 Pentax MX
🎞️ LUCKY SHD 400 (FF)
If you like my work, Support by buying me a coffee or a roll of film from
PayPal paypal.com/paypalme/ydcdingsite
Wise

Lucky LUCKY SHD 400 (FF)

English
A black-and-white photograph showing an outdoor scene with discarded furniture. In the foreground, there is an ornate, tufted sofa with curved armrests and wooden legs, placed on a paved surface. Surrounding the sofa are various items: a wooden cabinet, a shelving unit, a rolled-up mattress, and several cardboard boxes, some of which are open. In the background, there is a metal fence with vertical bars and trees visible beyond it. A sign with the text is parti…
Lucky LUCKY SHD 400 (FF)

English
A black-and-white photograph of a tire shop interior. The image prominently features a tall stack of used tires in the foreground. In the background, there are shelves displaying various automotive products and accessories. A sign with Chinese characters is visible.
中文
一张黑白照片,展示了轮胎店的内部。图像前景是一个高高的废旧轮胎堆。背景中有展示各种汽车产品和配件的货架。还可以看到一个中文标志。
Lucky LUCKY SHD 400 (FF)

English
A black-and-white photograph of a construction site with multiple cranes. The image captures a tall crane in the foreground, with its long arm extended upward. In the background, several other cranes are visible against a hazy sky. The lower part of the image shows the skeletal structure of a building under construction, with concrete pillars and beams.
中文
一张黑白照片,展示了一个建筑工地,有多台起重机。图像前景是一台高大的起重机,其长臂向上延伸。背景中,在朦胧的天空下还可以看到其他几台起重机。图像下方显示了一栋在建建筑的骨架结构,有混凝土柱和梁。
Lucky LUCKY SHD 400 (FF)

English
A black-and-white photograph of a site. The image shows a large building with a modern, geometric facade featuring triangular and rectangular glass panels. Two individuals are seated on the ground near the entrance, which is surrounded by scaffolding and construction materials. The ground appears to be concrete, and there are steps leading up to the building. The scene is quiet, with no active construction visible.
中文
一张黑白照片,展示了一个工地。图像中有一栋大楼,其外立面采用现代几何设计,有三角形和矩…
@leftsidestory@mstdn.social
2026-07-08 03:11:22

Red City 🌆
红色城市 🌆
📷 Pentax MX
🎞️ Harman Red 125 (FF)
If you like my work, Support by buying me a coffee or a roll of film from
PayPal paypal.com/paypalme/ydcdingsite
Wise

Harman Red 125 (FF)

English
A sepia-toned photograph of a large, grand building with classical architecture, featuring columns and a triangular pediment. The building has a sign with Chinese characters at the top. The sky is hazy, and the scene is bathed in a warm, orange glow. A few people and vehicles are visible in the open square in front of the building.
中文
一张带有暖色调的照片,展示了一座宏伟的古典建筑,建筑上方有中文字样的标志。建筑物有柱子和三角形山墙,天空呈现朦胧的橙色光晕。建筑前方的广场上有几个人和车辆。
Harman Red 125 (FF)

English
A dark, red-toned photograph of a bar or café interior. A person is seated at the counter, facing away from the camera. The counter is cluttered with various items, including a large metal coffee machine and bottles. Warm lights create a cozy, dimly lit atmosphere.
中文
一张红色调的酒吧或咖啡馆内部照片。一个人坐在柜台前,背对着镜头。柜台上摆放着各种物品,包括一个大型金属咖啡机和瓶子。温暖的灯光营造出温馨、光线昏暗的氛围。
Harman Red 125 (FF)

English
A red-toned photograph of a bustling night market stall. Three people are visible. The stall is lit by bright lights and displays various food items, including stacked bowls and bags of snacks. Chinese characters are visible on signs and boxes.
中文
一张红色调的夜市摊位照片。照片中有三个人。摊位被明亮的灯光照亮,展示着各种食物,包括叠放的碗和零食袋。中文字样出现在招牌和箱子上。
Harman Red 125 (FF)

English
A sepia-toned photograph of a cityscape with tall buildings framing a bright, overcast sky. The buildings are modern, with glass facades, and a lamppost is visible in the center. The image is taken from a low angle, emphasizing the height of the structures.
中文
一张带有暖色调的城市景观照片,高楼大厦环绕着明亮的阴天天空。建筑物现代化,有玻璃外立面,中央有一根灯柱。照片从低角度拍摄,强调了建筑物的高度。