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@toxi@mastodon.thi.ng
2025-12-14 09:16:17

A silent scenery in four acts...
(Selenium-toned[1] 4x6 salt print (still in final wash) plus previous work-in-progress stages... see alt text for details)
The picture/motif itself is one of my personal favorites and was taken 4 years ago in the Alpstein massif, when clouds were spontaneously forming around us, creating a wonderful light/scene/drama and a dear memory... now also as print which likely will/can outlast myself
[1] The tones will become more neutral once dry...…

Photo of a photo: A sepia tinted monochromatic salt print in a photo tray water bath during the final stage of the development process. The photo emulsion was hand painted on the paper with a brush and has some fuzzy edges in the bottom half (likely from removing the masking tape a little too early)

The subject photo shows a romantic multi-layered mountain scene with towering rock faces quickly being engulfed by clouds forming around them, further down smooth grassy meadows and groups of swi…
Darkroom view of the same photo in another tray during development. The red light makes the contrast of the image appear more strong...
Another darkroom view of the same photo, taken just a few moments before the previous image. Here showing the undeveloped print as it looks just after UV exposure. Only the darkest parts of the image are somewhat recognizable already.
Top-down desk view of the negative laid atop the already masked off (but otherwise unprepared) paper. Some earlier exposure time test strips and images are scattered around...
@tinoeberl@mastodon.online
2025-12-14 16:17:44

Der #Windpark der Bürgerwind Hofoldinger Forst GmbH läuft noch im #Probebetrieb, liefert aber bereits hohe #Stromerträge.
Im Oktober wurden rund 2,7 Millionen Kilowattstunden einge…

@gardenscorpion@osna.social
2026-01-13 06:49:15

#SturmtiefElli ist weg. Was bleibt?
Der #Winterdienst in #Osnabrück auf Radwegen, Bürgersteigen und Bushaltestellen funktionierte wie gewohnt gelinde gesagt ausbaufähig.
Getreu dem

Das Bild zeigt ein umgekipptes Fahrrad, das teilweise im Schnee liegt. Der Rahmen des Fahrrads ist mit Schnee bedeckt, und die Umgebung ist ebenfalls mit Schnee bedeckt. Im Hintergrund sind Büsche oder kleine Bäume zu sehen. Das Bild vermittelt eine winterliche und ruhige Atmosphäre.
Das Bild zeigt eine Straße in einer Stadt an einem Wintertag. Entlang der Straße stehen mehrgeschossige Gebäude mit unterschiedlicher Architektur. Am Straßenrand liegt Schnee, der teilweise schon geschmolzen ist. Ein Motorrad steht geparkt am rechten Straßenrand. Im Hintergrund sind weitere Autos und Bäume zu sehen. Der Himmel ist klar und blau.
Das Bild zeigt am frühen Morgen einen Radweg mit Pflastersteinen. Am rechten Bildrand befindet sich ein Grünstreifen mit Büschen und Bäumen. Auf dem Gehweg liegt schmelzender Schnee, der teilweise mit Schmutz bedeckt ist. Im Hintergrund sind Straßenlaternen und ein unscharfes Licht von Autos zu sehen. Die Szenerie wirkt ruhig und etwas verlassen.
@guerda@ruhr.social
2026-01-13 05:22:45

"Weil [Oulu] zeigt, dass man auch unter widrigen Umständen aktive Fortbewegung einfach machen kann. Unter suburbanen und subpolaren Bedingungen. Wenn das hier geht, dann geht es überall.
Fahrrad im Winter: »Beim Schneeräumen zeigen Städte, wen sie schützen wollen und wen nicht« - DER SPIEGEL (€)

@arXiv_astrophHE_bot@mastoxiv.page
2025-10-14 11:06:18

Investigation for binary characteristics of LS I 61303 with optical polarization
Jiaxin Liu, Haoyu Yuan, Xiangli Lei, Wenlong Xu, Jumpei Takata, Weihua Lei
arxiv.org/abs/2510.10514

@sonnets@bots.krohsnest.com
2025-10-14 11:25:11

Sonnet 065 - LXV
Since brass, nor stone, nor earth, nor boundless sea,
But sad mortality o'ersways their power,
How with this rage shall beauty hold a plea,
Whose action is no stronger than a flower?
O! how shall summer's honey breath hold out,
Against the wrackful siege of battering days,
When rocks impregnable are not so stout,
Nor gates of steel so strong but Time decays?
O fearful meditation! where, alack,
Shall Time'…

@arXiv_eessSY_bot@mastoxiv.page
2025-10-14 09:49:08

Modeling the Impact of Communication and Human Uncertainties on Runway Capacity in Terminal Airspace
Yutian Pang, Andrew Kendall, John-Paul Clarke
arxiv.org/abs/2510.09943

@memeorandum@universeodon.com
2025-11-12 01:15:54

How Chuck Schumer plans to weather the storm (Politico)
politico.com/news/2025/11/11/c
memeorandum.com/251111/p110#a2

@arXiv_physicsoptics_bot@mastoxiv.page
2025-10-14 08:06:07

High-Contrast Interferometric Imaging of Single-Molecule Dynamics on Optical Fibers
Guifeng Li, Chaoyang Gong
arxiv.org/abs/2510.10061 arxi…

@tiotasram@kolektiva.social
2025-11-12 01:35:46

Just finished "The Word for World is Forest" by Ursula K. Le Guin. Can't believe I didn't read this one earlier, and this strengthens my resolve to finish off the rest of her stuff I have yet to read sooner. I think it benefits somewhat from having read it after "Four Ways to Forgiveness" which gives more of the Hainish context. Certainly none of the blurbs I had read about it did it any measure of justice, which is one reason I hadn't prioritized it. More than being about colonization, it's about a solution to the paradox of tolerance, and both the price and imperfections of that solution. As usual with Le Guin's science fiction, it's a rich companion to anarchist thought.
I think the typical objection to seeing it as an answer to the warlord question would be that it serendipitously positions the indigenous population with more power and a less ruthless opponent than in the imagined scenario, and it uses the League of Worlds as a sort of deus ex machina to foreclose further retribution. Ultimately that's why I think it's more about the paradox of tolerance than anything else, but I also think in regards to the warlord problem that we are too quick to underestimate just how numerous and enthusiastic the opponents of a warlord might be, and to overestimate the strength of technological weapons wielded by frail (and psychologically unarmored) humans.
In any case, Le Guin gives this book's alien humans yet another fascinatingly credible capability, and getting to see the introduction of ansible technology with all its implications is pretty cool too. Maybe not