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@tiotasram@kolektiva.social
2025-10-27 03:00:46

Day 30: Elizabeth Moon
This last spot (somehow 32 days after my last post, but oh well) was a tough decision, but Moon brings us full circle back to fantasy/sci-fi, and also back to books I enjoyed as a teenager. Her politics don't really match up to Le Guin or Jemisin, but her military experience make for books that are much more interesting than standard fantasy fare in terms of their battles & outcomes (something "A Song of Ice and Fire" achieved by cribbing from history but couldn't extrapolate nearly as well). I liked (and still mostly like) her (unironically) strong female protagonists, even if her (especially more recent) forays into "good king" territory leave something to be desired. Still, in Paksenarion the way we get to see the world from a foot-soldier's perspective before transitioning into something more is pretty special and very rare in fantasy (I love the elven ruins scene as Paks travels over the mountains as an inflection point). Battles are won or lost on tactics, shifting politics, and logistics moreso than some epic magical gimmick, which is a wonderful departure from the fantasy norm.
Her work does come with a content warning for rape, although she addresses it with more nuance and respect than any male SF/F author of her generation. Ex-evangelicals might also find her stuff hard to read, as while she's against conservative Christianity, she's very much still a Christian and that makes its way into her writing. Even if her (not bad but not radical enough) politics lead her writing into less-satisfying places at times, part of my respect for her comes from following her on Twitter for a while, where she was a pretty decent human being...
Overall, Paksenarrion is my favorite of her works, although I've enjoyed some of her sci-fi too and read the follow-up series. While it inherits some of Tolkien's baggage, Moon's ability to deeply humanize her hero and depict a believable balance between magic being real but not the answer to all problems is great.
I've reached 30 at this point, and while I've got more authors on my shortlist, I think I'll end things out tomorrow with a dump of also-rans rather than continuing to write up one per day. I may even include a man or two in that group (probably with at least non-{white cishet} perspective). Honestly, doing this challenge I first thought that sexism might have made it difficult, but here at the end I'm realizing that ironically, the misogyny that holds non-man authors to a higher standard means that (given plenty have still made it through) it's hard to think of male authors who compare with this group.
Looking back on the mostly-male authors of SF/F in my teenage years, for example, I'm now struggling to think of a single one whose work I'd recommend to my kids (having cheated and checked one of my old lists, Pratchett, Jaques, and Asimov qualify but they're outnumbered by those I'm now actively ashamed to admit I enjoyed). If I were given a choice between reading only non-men or non-woman authors for the rest of my life (yes I'm giving myself enby authors as a freebie; they're generally great) I'd very easily choose non-men. I think the only place where (to my knowledge) not enough non-men authors have been allowed through to outshine the fields of male mediocrity yet is in videogames sadly. I have a very long list of beloved games and did include some game designers here, but I'm hard-pressed to think of many other non-man game designers I'd include in the genuinely respect column (I'll include at least two tomorrow but might cheat a bit).
TL;DR: this was fun and you should do it too.
#30AuthorsNoMen

@cowboys@darktundra.xyz
2025-09-30 00:11:41

Cowboys RB Calls for Major Rule Change After Tie With Packers heavy.com/sports/nfl/dallas-co]

@blakes7bot@mas.torpidity.net
2025-10-29 19:12:27

Series A, Episode 08 - Duel
MUTOID: Time Distort Six.
TRAVIS: Minimum scan, their sensors mustn't register the beam.
MUTOID: Scan complete, identification confirmed.
blake.torpidity.net/m/108/12 B7B5

Claude 3.7 describes the image as: "The image shows a character from a science fiction television series wearing a distinctive black leather uniform with a silver badge or emblem on the front. The character has a notable eye patch or covering over one eye, which is a defining feature of their appearance. This appears to be from a scene set on a spaceship or futuristic facility, as indicated by the sterile, technological-looking background.

The costume design is characteristic of dystopian sci-…
@arXiv_csCV_bot@mastoxiv.page
2025-09-30 15:01:56

YOLO26: Key Architectural Enhancements and Performance Benchmarking for Real-Time Object Detection
Ranjan Sapkota, Rahul Harsha Cheppally, Ajay Sharda, Manoj Karkee
arxiv.org/abs/2509.25164

@mcdanlj@social.makerforums.info
2025-12-27 18:31:03

The case for my 28g QRP dual-ported (9:1 and 49:1) unun cracked from tightening one of the terminal screws too tight, and from having printed the box with too few perimeters, so it wasn't really strong enough. I had designed it so that the coax was integrated into the case, so I had to cut the case apart to remove the still-functional electrical components for re-use.
At least this gave me a chance to confirm that I hadn't blown up the ferrite from overheating it!

Damaged case with one side cracked off and pieces cut out for destructive disassembly to save the electrical parts for a new case.
Electrical components removed from broken box: a tapped autotransformer with three ring terminals at the connections, and a blue high-voltage capacitor. Two of the three ring terminals have brass M3x8 screws currently installed. 1/10" RG316 is visible at the bottom.
@whitequark@mastodon.social
2025-10-28 00:14:47

Sustaining Life on Planet Earth: Metalloenzymes Mastering Dioxygen and Other Chewy Gases link.springer.com/book/10.1007

@felwert@fedihum.org
2025-10-28 08:08:37

This morning, the #MetaphorsOfReligion conference starts with the panel on “Digital and Computational Approaches to Metaphor Analysis,” including our own presentation “Religious Metaphors at Scale.” I am looking forward to the discussion!

SESSION 4:
Digital and Computational Approaches to Metaphor Analysis
Chair: Tatjana Scheffler

The Venom of Heresy: A Computational Approach to Tracking the
Development of Anti-Heretical Hate Propaganda Metaphors in
Western Christendom, 1000-1150
David Zbiral

Counterfactual Metaphor
Markus Egg

Religious Metaphors at Scale: Digital and Computational Approaches to Metaphor Identification and Analysis
Frederik Elwert, Sebastian Reimann & Lina Rodenhausen
@arXiv_statML_bot@mastoxiv.page
2025-09-30 10:34:21

Singleton-Optimized Conformal Prediction
Tao Wang, Yan Sun, Edgar Dobriban
arxiv.org/abs/2509.24095 arxiv.org/pdf/2509.24095

@blakes7bot@mas.torpidity.net
2025-11-30 13:41:30

Series C, Episode 12 - Death-Watch
AVON: We are short of time, Orac.
VILA: I'll say we are. It's not hanging about this time. [Screen display: 2. WAIT blinks out and is replaced by:]
[Computer display: 2. ARBITERS TAKE POSITION AND INDICATE READINESS]
blake.torpidity.net/m/312/544

Claude Sonnet 4 describes the image as: "This appears to be a scene from the British science fiction television series "Blake's 7," likely from the late 1970s or early 1980s. The setting is the interior of what looks like a spaceship or futuristic facility, with characteristic sci-fi design elements including angular architecture and metallic surfaces visible in the background.

Four actors are seated in a comfortable lounge area with cream-colored furniture arranged around a distinctive glass …
@blakes7bot@mas.torpidity.net
2025-10-30 19:30:36

Series C, Episode 13 - Terminal
ZEN: Confirmed.
[Teleport room. All but Avon are present. Avon enters.]
AVON: You can take the watch now, Vila.
VILA: Wonderful. I've been looking forward to that.
TARRANT: Where are we going, Avon?
blake.torpidity.net/m/313/86

Claude 3.7 describes the image as: "This image shows a scene from a science fiction television series, set in what appears to be a spaceship or control room. The setting has distinctive angular walls with reddish-brown paneling and hexagonal design elements typical of 1970s/80s sci-fi productions.

In the scene, a person wearing a dark leather outfit stands at what looks like a control console with various technical equipment. The futuristic control panel contains box-like devices with displays…