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@yaya@jorts.horse
2026-01-27 07:17:06

this is the singularly most infuriatingly frustrating conversation I have ever had with someone regarding what decentralized social media means and I want to fucking scream
skyview.social/?url=https:%2

@blakes7bot@mas.torpidity.net
2025-11-27 19:29:53

Series D, Episode 04 - Stardrive
DAYNA: Of course we do.
VILA: Old friend.
VILA: Oh, uh, [Atlan grabs the front of his tunic] way back.
DAYNA: We were students of the doctor once.
ATLAN: Studying what?
blake.torpidity.net/m/404/343 B7B5

Claude Sonnet 4 describes the image as: "I can see this appears to be from a science fiction production, likely from the 1980s based on the visual style and futuristic costume design. The scene shows two people in conversation - one wearing a distinctive futuristic uniform with geometric patterns in dark and light colors with trim details. The setting appears to be indoors with atmospheric lighting. The production values and aesthetic suggest this is from a British science fiction series from t…
@servelan@newsie.social
2025-11-23 22:13:27

I can see it as a conversation starter, and what's bad about that?
Maga is in meltdown over a preppy pink sweater for men. So, what exactly is the problem? | Ellie Violet Bramley | The Guardian
theguardian.com/commentisfree/

@blakes7bot@mas.torpidity.net
2026-01-26 14:19:16

Series D, Episode 09 - Sand
TARRANT: If he's still inside the ship then he's probably safe. Oh you're very clever Servalan; why can't you work it out? Sand slides. Sand higher than the windows.
SERVALAN: Are you serious?
blake.torpidity.net/m/409/245 B7B3

Claude Sonnet 4 describes the image as: "This image appears to be from a scene in the British science fiction television series "Blake's 7," which aired from 1978 to 1981. The setting shows a futuristic interior with distinctive purple/magenta lighting and metallic surfaces, characteristic of the show's space-age aesthetic. Two characters are engaged in what appears to be an intense conversation or confrontation. One figure is shown from behind wearing what looks like a dark, form-fitting outfi…
@blakes7bot@mas.torpidity.net
2025-12-25 19:19:57

Series A, Episode 04 - Time Squad
JENNA: What do you mean? [pause] Gan?
GAN: I killed a security guard. They said it was murder. But he had a gun. I was unarmed. You see, he killed my woman.
JENNA: That must have been terrible.
blake.torpidity.net/m/104/298 B7B5

Claude Sonnet 3.7 describes the image as: "The image shows a scene from what appears to be a television program, likely from the 1980s based on the visual style and fashion. Two people are seated in what looks like the interior of a spaceship or futuristic vehicle with cream-colored seating.

On the right is a person with curly blonde hair wearing a distinctive patterned blouse with pastel colors including pink, yellow, and lavender. This character appears to be engaged in serious conversation.…
@blakes7bot@mas.torpidity.net
2026-01-26 10:36:14

Series A, Episode 01 - The Way Back
VARON: I don't know.
MAJA: Give me one minute and I'll come with you.
[Scene: The Public Records computer. An OPERATOR is listening to some music at his desk, with his feet up.]
blake.torpidity.net/m/101/265 B7B2

Claude Sonnet 3.7 describes the image as: "The image shows a scene from what appears to be a science fiction production, with two people in a conversation. They're wearing distinctive reddish-brown uniforms or costumes that suggest a futuristic or specialized setting. The person on the left has longer dark hair, while the person on the right has shorter hair and stands with arms crossed in a posture that suggests confidence or perhaps defiance.

The scene has warm lighting with neutral-toned wa…
@khalidabuhakmeh@mastodon.social
2026-01-16 18:46:36

People are really upset about the #AISlop being used in the latest Fatal Fury trailer. Yeah... not sure if this is what SNK expected the conversation to be about, rather than the announcement.
youtube.com/watch?v=IS9ItV5lhgA

@ErikUden@mastodon.de
2026-01-10 23:41:32

An uncomfortable conversation to have: Considering the U.S.' track record on human rights violations, invading sovereign nations, and committing war crimes during those efforts, should we truly remain in the same defense pact with them?
Considering the U.S. is currently openly discussing invading one of their NATO allies, bringing into question what being an ally means to the United States, does it makes any sense at all to view them as one?
I believe the nations of Europe should…

@inthehands@hachyderm.io
2026-01-09 18:56:02

Excellent words from @…, shared here with permission:
❝My favorite piece of advice for protests has been, “accept side quests”. Sure, you can show up, shout a bit, and go home - there's value in just uncorking some frustration. But don't look past meeting your like-minded neighbors. If you're an introvert, like me, that may induce anxiety just thinking about it. But there's all sorts of easy conversation starters - people spent time on their signs, and chances are they would love to talk about them - how they made them or what they were inspired by. Viola! Now you're talking! Everybody at a protest is looking for something - whether it is a word of encouragement or witty comment, a pointer to a place to go or a thing to join, that something may be you!❞

@portaloffreedom@social.linux.pizza
2025-11-18 13:59:37

I'm tired of random follows from not accounts. Every new follower will need to be approved.
The bar is low, just be a human being interested in conversation.
Bot, spammers and "I follow you so you check my profile" all gets an automatic rejection block.
If you also follow a thousand or more accounts I will get suspicious you are not really interested in what I write or the stuff I repost.
I don't care about inflating my numbers. I actually care much m…

@underdarkGIS@fosstodon.org
2025-10-31 20:43:31

QGIS :qgis: to (Geo)Pandas follow-up:
The conversation around Looking for better ways to convert between QGIS VectorLayer and (Geo)DataFrame is continuing over at fosstodon.org/@underdarkGIS/11

@jkmartindale@mastodon.social
2025-11-15 02:59:06

I wonder what graven image moses would have to say about me using the graven image chat app ("Text With Jesus")

Screenshot from the Text With Jesus App Store listing. The screenshot depicts a conversation with "Moses", with the caption "OLD TESTAMENT. Moses, Abraham, Noah, Samson and more!"

Moses: Shalom. traveller! 🙏 I am Moses, a servant of God. it is a joy to meet you here.

User: Hi Moses! I've always been curious about the parting of the Red Sea. How did you feel then?

Moses: It was a moment of faith and obedience, traveller. With the Israelites at my back and Pharaoh's army fast approaching, I tr…
@blakes7bot@mas.torpidity.net
2025-11-22 13:08:30

Series C, Episode 06 - City at the Edge of the World
AVON: Seems we're not the only strangers on this planet.
CALLY: That could explain a lot.
AVON: The woman is still with us. Is she trying to bluff her way out?
blake.torpidity.net/m/306/284 B7B3

Claude 3.7 describes the image as: "This image appears to be a still from a vintage television production, likely from the late 1970s or early 1980s based on the film quality and styling. The scene shows two people in conversation outdoors near what seems to be a body of water, with greenery in the background. The setting has a somewhat muted, cool color palette typical of productions from that era.

The person on the left is wearing a light-colored jacket with darker accents, while the person …
@blakes7bot@mas.torpidity.net
2025-11-20 13:32:22

Series B, Episode 12 - The Keeper
JENNA: Where?
TARA: The vapour does not tell me that.
JENNA: Lurgen left behind him a secret, what does the vapour say about that? The keeper of the secret may not even know that he, or she, is the keeper.
blake.torpidity.net/m/212/261 B7…

Claude Sonnet 4.0 describes the image as: "This appears to be a scene from a period drama or horror film, set in what looks like a dimly lit, rustic interior. The atmosphere is moody and theatrical, with dramatic lighting creating shadows throughout the scene. Two figures are visible - one appears to be an older woman with long, grey hair wearing period costume with ornate details, seated and appearing to be in conversation or consultation. The other figure is partially visible in the foregroun…
@blakes7bot@mas.torpidity.net
2025-12-16 16:12:50

Series B, Episode 01 - Redemption
AVON: Exactly. You have just made a prediction based on the known facts. A computer works on precisely the same principle.
BLAKE: But all you're saying is that prediction is not immutable fact.
blake.torpidity.net/m/201/23 B7B4

Claude Sonnet 4 describes the image as: "This appears to be a scene from the British science fiction television series "Blake's 7," set aboard what looks like the Liberator spaceship. The image shows two characters in conversation in what appears to be the ship's relaxation area or quarters. One figure is seated on a curved, cream-colored chair or sofa, wearing what appears to be a leather or dark jacket, with curly hair and appearing to be in a contemplative or possibly troubled state with his…
@blakes7bot@mas.torpidity.net
2026-01-21 21:01:41

Series A, Episode 13 - Orac
BLAKE: You all right?
AVON: Ah, yes. I, I just felt a little dizzy, that's all.
BLAKE: My point is there's something we're missing in all this.
blake.torpidity.net/m/113/3 B7B5

Claude Sonnet 3.7 describes the image as: "This image shows a scene from what appears to be a classic science fiction television production, likely from the British series "Blake's 7." The setting features a futuristic interior with distinctive colored panels visible in the background.

Two people are engaged in conversation across a white table or console. The person on the left wears a dark sweater with patterned sleeves, while the person on the right is dressed in a striped outfit with disti…
@blakes7bot@mas.torpidity.net
2026-01-21 10:33:22

Series C, Episode 03 - Volcano
VILA: Because we can't.
[Flight deck]
AVON: Zen, flight status?
ZEN: The energy banks still require two minutes before power will be available to make navigation speed.
AVON: We'll be dead by then
blake.torpidity.net/m/303/622

Claude Sonnet 4.5 describes the image as: "This appears to be a scene from the British science fiction television series "Blake's 7." The setting is inside what looks like a spaceship interior, with characteristic 1970s/80s sci-fi production design visible in the background, including control panels and curved architectural elements.

Four characters are gathered in conversation. On the left is a figure in a blue-grey uniform with curly hair. Next to them stands someone wearing an elaborate bro…
@blakes7bot@mas.torpidity.net
2026-01-20 22:36:41

Series A, Episode 03 - Cygnus Alpha
BLAKE: And we can't hold out much longer. That's certain.
VILA: And they'll be getting reinforcements.
blake.torpidity.net/m/103/547 B7B6

Claude Haiku 4.5 describes the image as: "# Scene Description

This image appears to be from a science fiction television production, showing three men in what looks like an underground or industrial setting with dark, weathered walls in the background. The lighting is dim and atmospheric, creating a tense mood typical of dramatic sci-fi programming.

The three actors are positioned closely together, engaged in what appears to be an intense conversation or confrontation. Their costumes consist …
@blakes7bot@mas.torpidity.net
2025-12-17 10:04:15

Series D, Episode 08 - Games
SOOLIN: His personality, then.
ORAC: A better definition, but still not quite accurate.
AVON: Would it know how the booby traps on the orbiter are programed?
ORAC: As yet, I don't have enough data to answer that question.
blake.torpidity.net/m/408/287

Claude Sonnet 3.7 describes the image as: "This is a black and white image from what appears to be a television production from the 1970s or 1980s. The scene shows a person with long, light-colored hair styled in a half-up fashion with a distinctive top knot or small bun. They're wearing what looks like a decorative or patterned garment with some detailing visible at the neckline. The person appears to be in a conversation or dramatic moment, with their hand resting on what seems to be part of …
@blakes7bot@mas.torpidity.net
2025-12-11 13:06:58

Series D, Episode 13 - Blake
TARRANT: That isn't the plan anymore, though, is it Avon?
AVON: I think we can do better.
VILA: Does that mean safer?
AVON: In the end, winning is the only safety.
VILA: It doesn't mean safer. I didn't think it would.
blake.torpidity.net/m/413/16

Claude Sonnet 3.7 describes the image as: "The image shows a scene from what appears to be the science fiction TV series "Blake's 7." The setting is a futuristic spacecraft interior with metallic walls and control panels. 

Several people are visible in the scene, dressed in characteristic 1970s/80s sci-fi costumes. In the foreground, two individuals wearing gray uniforms appear to be in conversation, with one seated near what looks like a control panel. In the background, several other crew me…
@blakes7bot@mas.torpidity.net
2026-01-16 16:30:57

Series A, Episode 13 - Orac
BLAKE: Well, get it open.
ENSOR: Key, now where did I put the key?
[Scene: Servalan and Travis reach the laboratory door]
SERVALAN: Blast it open.
blake.torpidity.net/m/113/336 B7B4

Claude Sonnet 3.7 describes the image as: "This image shows a scene from what appears to be the classic British science fiction series "Blake's 7." The setting looks like a futuristic spaceship or base interior, with some greenery visible in the background. 

The scene captures three people engaged in conversation. On the left is someone wearing a light beige/tan jacket over a shirt. In the center stands a person in a dark green jacket with some contrasting trim details. On the right is someone…
@blakes7bot@mas.torpidity.net
2025-12-06 16:14:52

Series B, Episode 08 - Hostage
JOBAN: Goodbye, Supreme Commander.
SERVALAN: Goodbye, Counsellor Joban. [Joban exits. Communicator chimes]
SERVALAN: Yes.
VOICE: The message reads "Travis is on the planet Exbar."
SERVALAN: Is that all?
blake.torpidity.net/m/208/237

Claude Sonnet 3.7 describes the image as: "This image appears to be from a science fiction television production, likely from the British series "Blake's 7." The scene is set in what looks like a futuristic or spaceship interior with a distinctive geometric pattern on the white wall behind. 

The image shows two people in conversation. On the left is a person wearing an elegant white high-collared outfit with some decorative elements at the shoulder. Facing them is an older individual with whit…
@blakes7bot@mas.torpidity.net
2025-11-16 07:01:12

#Blakes7 Series B, Episode 09 - Countdown
BLAKE: [To Jenna] Get a locator fix on the signal.
CALLY: It's already pinpointed.
BLAKE: Well done. Alright, Avon, get kitted up. You too, Vila.
blake.torpidity.net/m/2…

Claude 3.7 describes the image as: "This image appears to be from a science fiction television series, likely from the late 1970s or early 1980s based on the production style and costumes. The scene shows two individuals in conversation within what looks like a spacecraft or futuristic facility with metallic walls and reflective surfaces visible in the background.

The person on the left is wearing a gray uniform-like outfit, while the person on the right is dressed in a brown/olive sleeveless …
@blakes7bot@mas.torpidity.net
2025-11-15 07:04:41

#Blakes7 Series A, Episode 06 - Seek-Locate-Destroy
SERVALAN: Very well, Councillor Bercol. You may tell the President that I am appointing a Space Commander to take absolute control of this matter. He will be exclusively concerned to seek, locate, and destroy Blake.
BERCOL: Oh, excellent, excellent.

Claude 3.7 describes the image as: "The image shows a person with short dark hair in what appears to be a scene from a television production. They are wearing an elegant white outfit with a decorative crystal or beaded collar that has a distinct vintage sci-fi or fantasy aesthetic. The individual has a contemplative or mid-conversation expression and is seated against what looks like a light-colored sofa or seating area.

The setting appears to be from a classic television production, likely fr…
@blakes7bot@mas.torpidity.net
2026-01-12 19:31:51

Series B, Episode 01 - Redemption
AVON: What the hell is going on?
BLAKE: Zen, report.
ZEN: Aft hull sensors register two strikes by medium-range neutron blasters.
AVON: Where are they coming from?
blake.torpidity.net/m/201/40 B7B5

Claude Haiku 4.5 describes the image as: "# Scene Description

This image appears to be from a science fiction television production, showing two men in conversation. The figure on the left wears a distinctive black leather jacket adorned with metal studs and rivets, which appears to be a futuristic costume design. The lighting is dramatic, with blue-tinted atmospheric lighting visible in the background, suggesting an interior spacecraft or sci-fi setting.

The scene captures an intimate moment…
@blakes7bot@mas.torpidity.net
2025-12-16 19:15:27

Series D, Episode 01 - Rescue
VILA: Dayna. Dayna. [follows the path Dayna has taken. He leaves Orac and the binoculars on the ground in the snow.] Dayna.
[Planet Terminal. Exterior. Avon finds Tarrant lying face down in the snow, unconscious. Avon walks over and nudges Tarrant with his boot. Tarrant stirs.]
blake.torpidi…

Claude Sonnet 4 describes the image as: "This appears to be a scene from what looks like a British television production, likely from the late 1970s or early 1980s based on the image quality and styling. The setting is outdoors in a wooded, rural area during winter, with patches of snow visible on the ground and bare trees in the background.

The scene shows two people in conversation - one wearing a rust-colored or reddish-brown top with dark pants and a distinctive necklace, and the other in …
@blakes7bot@mas.torpidity.net
2025-12-09 22:13:18

Series B, Episode 01 - Redemption
BLAKE: All right, where is it?
AVON: It's in the Twelfth Sector. Astral point seven eight one.
blake.torpidity.net/m/201/32 B7B6

Claude Sonnet 4.5 describes the image as: "This image shows a scene from what appears to be a British science fiction television production, likely from the late 1970s or early 1980s. The actor wears a distinctive dark brown leather jacket over a black shirt, presenting a commanding presence. His curly hair and intense facial expression suggest he's in the middle of a dramatic moment or conversation.

The setting appears to be a futuristic interior, with soft lighting and what looks like colore…
@blakes7bot@mas.torpidity.net
2025-11-02 16:13:12

Series A, Episode 10 - Breakdown
AVON: ...concept.
BLAKE: Damn.
AVON: We're going to have to turn back. Jenna, stand by to reverse the course.
JENNA: Look, we've set out to save Gan and that's what we're going to do.
AVON: But you don't understand.
blake.torpidity.net/m/110/204

Claude 3.7 describes the image as: "The image shows two people in what appears to be a spacecraft interior, sitting on cream-colored seating. They're engaged in what seems to be a serious conversation. Both are wearing dark clothing with some decorative elements - one has curly hair while the other has straight darker hair. The futuristic setting is suggested by the control panel visible in the background with colored lights. The aesthetic has that distinctive late 70s/early 80s sci-fi televisi…
@blakes7bot@mas.torpidity.net
2025-12-07 19:16:50

Series A, Episode 03 - Cygnus Alpha
BLAKE: You mean we crossed the anti-matter interface?
JENNA: That's impossible.
AVON: That's what they said about the light barrier.
JENNA: Well, which one next?
blake.torpidity.net/m/103/62 B7B5

Claude Sonnet 4.5 describes the image as: "This image appears to be from the British science fiction television series "Blake's 7" (1978-1981). The scene shows three characters in what looks like a dimly lit spacecraft interior or similar enclosed setting. The composition features a blonde woman on the left wearing dark clothing with lace detailing, engaged in conversation with two men. One man stands in the middle background, while another is positioned on the right wearing a dark high-collare…
@blakes7bot@mas.torpidity.net
2025-11-06 19:17:45

Series D, Episode 11 - Orbit
AVON: I didn't come here to be... flattered.
EGRORIAN: You came here out of curiosity and because you scented there might be something in it for you, mm, am I right?
AVON: Close enough.
blake.torpidity.net/m/411/127 B7B5

Claude 3.7 describes the image as: "The image shows two people in conversation in what appears to be a futuristic or science fiction setting. On the left is someone wearing a distinctive black outfit with a metallic or studded vest/jacket with silver accents. They have dark hair and are speaking to another person on the right who is wearing lighter-colored clothing, possibly white or cream.

The scene appears to be from a science fiction television production from the late 1970s or early 1980s …
@blakes7bot@mas.torpidity.net
2025-11-11 16:09:46

Series A, Episode 09 - Project Avalon
TRAVIS: Ohh?
SERVALAN: Oh, so far I have resisted that pressure. But now, I need your reassurance that my confidence has not been misplaced.
TRAVIS: I think Project Avalon will silence the critics.
blake.torpidity.net/m/109/174 B7B4

Claude 3.7 describes the image as: "# Scene Description

This image appears to be from a science fiction television production, set in what looks like a minimalist, futuristic interior space with plain gray walls and metallic fixtures. The setting has a sterile, institutional quality typical of 1970s-80s sci-fi design.

In the foreground, a woman wearing a white garment with dark trim is engaged in conversation with a man in a black leather jacket. Between them appears to be some kind of white …
@blakes7bot@mas.torpidity.net
2025-12-02 22:21:05

Series B, Episode 12 - The Keeper
SERVALAN: Really? And who do you imagine told him?
JENNA: The only person who knew: Lurgen.
SERVALAN: Lurgen was gone before we arrived.
JENNA: Was he? Are you sure.
blake.torpidity.net/m/212/393 B7B6

Claude Haiku 4.5 describes the image as: "# Scene Description

This appears to be a scene from a science fiction production, likely from the 1970s based on the visual style and color grading. The setting is an ornate interior space with decorative patterned panels visible in the background and what appears to be a fireplace or light source. The room features rich furnishings including cushioned seating and elegant drapery.

Two women are shown in conversation, with one seated on a bed or couch …