Tootfinder

Yesterday I finished "The Other Side of Tomorrow" written by Tina Cho and illustrated by Deb JJ Lee. Lee's "In Limbo" was an excellent graphic memoir, and this similarly has wonderful art, although I didn't make the connection until checking the authors after reading to the end.
This book is a realistic fictional account of two childrens' escape from North Korea via China, Laos, and ultimately Thailand where they could declare themselves refugees at a US embassy and get sponsored to live in America. Along the way they're helped by various members of the Asian Underground Railroad. I'll avoid spoilers but yet definitely encounter difficulties along the way.
The ending definitely hits different now (while also accentuating my disgust with the current US regime). Like "Libertad" that I also finished recently, the "escape to the US at the end" plot line is going to become less prevalent going forward, although Libertad involved a good measure of complexity around that point.
I was a bit disappointed in one of the later plot points where a different and more-real-world-probable turn of events could have served as a better message for society, with the "lucky" outcome as written reinforcing regressive notions of family, and as an ex-Christian the Christian elements of the story made me feel a way. I'm an agnostic, not an atheist though, and can respect the idea that those willing to risk torture and death for their faith have every right to stand by it and take inspiration from it. Most (very valid) critiques of big western Church institutions just don't apply to underground churches in northern China who are helping people escape the horrors of deep fascism.
Overall a really good book.
#AmReading #ReadingNow

Just finished "It's Lonely at the Center of the Earth" by Zoe Thorogood.
CW: Frank/graphic discussion of suicide and depression (not in this post but in the book).
It feels a bit wrong to simply give it my review here as I would another graphic memoir, because it's much more personal and less consensual than the usual. It feels less like Thorogood has invited us into her life than like she was forced to put her life on display in order to survive, and while I selfishly like to read into the book that she benefited in some way from the process, she's honest about how tenuous and sometimes false that claim can be. Knowing what I've learned from this book about Thorogood's life and demons, I don't want her to feel the mortification of being perceived by me, and so perhaps the best thing I could do is to simply unread the book and pull it back out of my memories.
I did not find Thorogood's life relatable, nor pitiable (although my instinct bends in that direction), but instead sacred and unknowable. I suspect that her writing and drawing has helped others in similar circumstances, but she leaves me with no illusion that this fact brings her any form of peace or joy. I wonder what she would feel reading "Lab Girl" or "The Deep Dark," but she has been honest enough to convey that such speculation on my part is a bit intrusive.
I guess the one other thing I have to say: Zoe Thorogood has through artistic perseverance developed an awe-inspiring mastery of the comic medium, from panel composition, through to page layout and writing. This book wields both Truth and Beauty.
#AmReading #ReadingNow