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@jacobgudiol@mastodonsweden.se
2025-11-29 19:53:48

Vårt intag av dem har minskat stadigt sen 70 talet men
“We have updated the tolerable weekly intake (TWI), setting it at 0.6 picograms per kilogram of body weight. Updated dietary exposure estimates from European countries indicate that the new TWI is exceeded in all age groups,” efs…

Have your say – dioxins and related PCBs
Dioxins and dioxin-like PCBs are toxic chemicals that persist in the environment for years and accumulate at low levels in the food chain, usually in the fatty tissues of animals. Their presence in food and feed has declined since the 1970s thanks to the efforts of public authorities and industry.In their draft scientific opinion, EFSA experts confirmed the conclusion of the Authority’s previous assessments that dietary exposure to dioxins and dioxin-like PCBs is a health concern.“We have u…

@blakes7bot@mas.torpidity.net
2026-01-30 13:52:44

Series D, Episode 12 - Warlord
SERVALAN: What if Avon heard?
ZUKAN: He's been on Betafarl for three hours. He'll have left Scorpio by now.
[Sandpit on Betafarl. Nothing else is in sight.]
SOOLIN: Here?
blake.torpidity.net/m/412/322 B7B3

Claude Sonnet 4 describes the image as: "This appears to be a scene from a science fiction television production, likely from the 1970s or 1980s based on the aesthetic and production values. The setting is a futuristic spacecraft interior with characteristic sci-fi design elements including control panels with various buttons and displays, metallic surfaces, and a window showing stars and what appears to be another spacecraft in the background. The scene shows three people in what appears to b…
@blakes7bot@mas.torpidity.net
2025-11-30 19:47:00

Series A, Episode 02 - Space Fall
LEYLAN: And the prisoners?
DAINER: We've killed six.
LEYLAN: Six?
DAINER: [Glancing at body] Seven. In the course of quelling a riot and protecting the ship, sir.
LEYLAN: Very well. Carry on.
blake.torpidity.net/m/102/373 …

Claude Sonnet 4 describes the image as: "This image appears to be from a science fiction television production, likely from the 1970s or 1980s based on the visual style and production quality. The scene shows two figures in matching blue uniforms with distinctive red trim, suggesting they're part of the same organization or crew. The setting appears to be inside a spacecraft or futuristic facility, with sleek, minimalist design elements typical of sci-fi productions of that era. The uniforms a…
@blakes7bot@mas.torpidity.net
2025-10-30 10:22:30

Series B, Episode 01 - Redemption
BLAKE: It's all right, Vila. I think we've lost them.
VILA: How'd you know?
BLAKE: We're still here. Cut the auxiliaries. Get back to primary drive. [To Avon] Are you all right?
blake.torpidity.net/m/201/124 B7B2

Claude 3.7 describes the image as: "This image shows a scene from what appears to be a science fiction television production from the late 1970s or early 1980s, based on the visual style and production quality. The setting appears to be the bridge or control room of a spacecraft, with futuristic control panels and a distinctive angular design aesthetic typical of sci-fi productions from that era. Several people are visible in the control room, wearing costume garments that suggest a unified st…
@blakes7bot@mas.torpidity.net
2025-11-30 13:41:30

Series C, Episode 12 - Death-Watch
AVON: We are short of time, Orac.
VILA: I'll say we are. It's not hanging about this time. [Screen display: 2. WAIT blinks out and is replaced by:]
[Computer display: 2. ARBITERS TAKE POSITION AND INDICATE READINESS]
blake.torpidity.net/m/312/544

Claude Sonnet 4 describes the image as: "This appears to be a scene from the British science fiction television series "Blake's 7," likely from the late 1970s or early 1980s. The setting is the interior of what looks like a spaceship or futuristic facility, with characteristic sci-fi design elements including angular architecture and metallic surfaces visible in the background. Four actors are seated in a comfortable lounge area with cream-colored furniture arranged around a distinctive glass …
@blakes7bot@mas.torpidity.net
2025-11-29 10:14:47

Series C, Episode 06 - City at the Edge of the World
KERRIL: Sorry, Vila, it's all my fault.
VILA: No, you were right. Bayban would never have let me out without finishing the job.
KERRIL: How long do you think the air will last?
blake.torpidity.net/m/306/402 B7B2

Claude Sonnet 4 describes the image as: "This image shows two people in an intimate embrace in what appears to be a futuristic or science fiction setting. The scene has a distinctive 1970s or early 1980s aesthetic, with soft lighting and a technological backdrop featuring geometric patterns. Both individuals are wearing light-colored, flowing garments that complement the sci-fi atmosphere. The woman has blonde feathered hair typical of that era and is wearing earrings, while the man has darker …
@blakes7bot@mas.torpidity.net
2025-10-30 13:24:54

Series D, Episode 08 - Games
GERREN: Told you, there was no time. Besides, from what I've heard, she might be more than a match for you.
AVON: Well now. Just who are they sending?
blake.torpidity.net/m/408/87 B7B3

Claude Sonnet 4.0 describes the image as: "This image shows a character in what appears to be a futuristic military or space-faring uniform, featuring a high collar with metallic detailing. The costume design reflects the science fiction aesthetic typical of late 1970s British television production. The setting appears to be an interior spaceship or facility environment with blurred background elements. The uniform's sleek, authoritarian styling with its reflective collar elements suggests this…
@blakes7bot@mas.torpidity.net
2025-10-30 19:30:36

Series C, Episode 13 - Terminal
ZEN: Confirmed.
[Teleport room. All but Avon are present. Avon enters.]
AVON: You can take the watch now, Vila.
VILA: Wonderful. I've been looking forward to that.
TARRANT: Where are we going, Avon?
blake.torpidity.net/m/313/86

Claude 3.7 describes the image as: "This image shows a scene from a science fiction television series, set in what appears to be a spaceship or control room. The setting has distinctive angular walls with reddish-brown paneling and hexagonal design elements typical of 1970s/80s sci-fi productions. In the scene, a person wearing a dark leather outfit stands at what looks like a control console with various technical equipment. The futuristic control panel contains box-like devices with displays…
@blakes7bot@mas.torpidity.net
2025-12-30 07:14:00

#Blakes7 Series A, Episode 11 - Bounty
GAN: Bounty hunters. They're going to sell us to the Federation.
BLAKE: But how did they get on board?
AVON: Gan?
VILA: It wasn't Gan's fault.
GAN: They used me and a voice synthesizer. It was very well planned.

Claude Sonnet 3.7 describes the image as: "This image appears to be from the classic British science fiction television series "Blake's 7," showing a group of characters gathered in what looks like the interior of a spacecraft or control room. The scene has the distinctive visual style of late 1970s/early 1980s British television production, with somewhat muted lighting and practical set design. The image captures what seems to be a tense moment or discussion, with several people gathered arou…
@blakes7bot@mas.torpidity.net
2025-12-30 10:19:17

Series D, Episode 02 - Power
VILA: Oh yes. I just don't know what it's for.
PELLA: And they didn't teach this in, ah, Academy? [laughs] There's a switch. When the door is closed, every forty-eight hours Dorian must say a code word to reset the timing.
blake.torpidity.net/m/402/150

Claude Haiku 4.5 describes the image as: "# Scene Description This image appears to be from a science fiction television production, showing two characters in what looks like a spaceship or futuristic facility corridor. The setting features distinctive metallic ventilation panels and neutral-toned walls typical of 1970s-80s sci-fi aesthetics. On the left stands a character wearing an elegant flowing cream-colored robe or gown with draped fabric and a decorative collar piece. The styling inclu…