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@blakes7bot@mas.torpidity.net
2026-01-26 07:33:49

#Blakes7 Series C, Episode 03 - Volcano
[Two Pyroans approach from a distance. They appear and disappear; each time they reappear they are closer.]
SERVALAN: Let me speak to them. [to approaching Pyroans] We're friends.

Claude Sonnet 4 describes the image as: "This image appears to be from a science fiction television production, likely from the 1970s or 1980s based on the visual style and film quality. The scene shows two characters in what appears to be an outdoor, rocky or mountainous setting. One figure is dressed in dark, military-style clothing with ornate details and a distinctive cap or headpiece, while the other wears a light-colored, futuristic-looking garment with metallic or reflective elements. Th…
@kctipton@mas.to
2026-01-27 16:35:18

National Rifle Association's Change on Gun Control in 1970s | TIME #history

When the NRA Supported Gun Control
Not only did the NRA support gun control for much of the 20th century, its leadership in fact lobbied for and co-authored gun control legislation

@cdarwin@c.im
2026-02-21 23:15:46

A woman adopted as a toddler by an American war veteran,
who he found in the 1970s in an Iranian orphanage and raised as a Christian,
is being threatened with deportation to Iran, a country notoriously dangerous for Christians and now on the brink of war with the United States.
She is one of thousands adopted from abroad who were never granted citizenship because of a fracture at the intersection of adoption and immigration law.
 
The woman, who The Associated Pres…

Woman adopted by American war veteran faces deportation to Iran
A woman adopted as a toddler by an American war veteran, who he found in the 1970s in an Iranian orphanage and raised as a Christian, is being threatened with deportation to Iran, a country notoriously dangerous for Christians and on the brink of war with the United States. She is one of thousands adopted from abroad who were never granted citizenship because of a legal loophole. The woman, who The Associated Press is not naming because of her legal situation, received a letter this month order…

@blakes7bot@mas.torpidity.net
2025-12-27 13:28:18

Series D, Episode 03 - Traitor
AVON: They must have picked up Dayna and Tarrant and realized we are up here somewhere. Slave, set the ship on an evasion pattern, maximum speed.
VILA: That's the first sensible ... [beep]
blake.torpidity.net/m/403/422 B7B3

Claude Haiku 4.5 describes the image as: "# Image Description This image shows a man in character wearing a distinctive black outfit adorned with metallic studs and decorative elements. The styling, including the shoulder armor and embellished costume, suggests a science fiction production from the 1970s or 1980s. The character has dark hair styled in a period-appropriate fashion and displays an intense, serious expression. The background features neutral gray tones with horizontal lines, con…
@blakes7bot@mas.torpidity.net
2026-01-27 21:48:03

Series D, Episode 03 - Traitor
TARRANT: I expect so. Just pray that there isn't a backup system. Ladies first.
DAYNA: You're so gallant. [She leads the way into the main laboratory and finds Forbus person in a wheelchair. His head is encased in a wired up frame and he wears a neck brace. He is holding a control switch]

Claude Sonnet 4 describes the image as: "This appears to be a scene from a science fiction production, likely from the late 1970s or 1980s based on the visual style and production values. The image shows a futuristic, dimly-lit interior setting with a distinctive blue-green color palette. Two figures are visible in what appears to be a spacecraft or space station corridor - one person wearing dark clothing with curly hair, and another figure partially visible in the background. The setting feat…
@blakes7bot@mas.torpidity.net
2026-02-25 10:45:28

Series A, Episode 13 - Orac
BLAKE: What is it?
CALLY: Look. [She puts her hand up to show some sort of barrier. Blake does the same.]
BLAKE: It's a force barrier. The question is are we on the outside unable to get in or....
blake.torpidity.net/m/113/176 B7B2

Claude Sonnet 4.5 describes the image as: "This image appears to be from a science fiction television production, likely from the late 1970s or early 1980s based on the visual quality and styling. The scene is set in what looks like a quarry or industrial location with concrete structures and rough terrain in the background. Two figures stand in the frame wearing distinctive costumes that suggest a futuristic or space-faring setting. The person on the left wears a brown and black outfit with w…
@blakes7bot@mas.torpidity.net
2026-01-27 07:36:46

#Blakes7 Series C, Episode 12 - Death-Watch
DAYNA: Do you want us to wait?
TARRANT: No. I'll find you. [exits]
VILA: Don't forget Orac. [Avon exits]
CALLY: No need. I'll operate the teleport.
DAYNA: Aren't you coming with us?

Claude Sonnet 3.7 describes the image as: "This image appears to be from the British science fiction television series "Blake's 7" from the late 1970s/early 1980s. The scene shows a group of people in what looks like a spacecraft control room or bridge. They're seated on light-colored couches/seating areas, watching a large screen or viewscreen with a green glow around it. On the screen appears a person wearing a light turtleneck. The interior has a distinctive retro-futuristic design typical …
@blakes7bot@mas.torpidity.net
2026-01-25 13:58:36

Series A, Episode 04 - Time Squad
BLAKE: [To Jenna] Put Zen on constant scan. I want to know immediately if those Federation ships come into this system.
JENNA: Of course. [goes to teleport controls]
blake.torpidity.net/m/104/263 B7B3

Claude Sonnet 4 describes the image as: "This image appears to be from the British science fiction television series "Blake's 7" from the late 1970s/early 1980s. The scene is set in what looks like a futuristic spacecraft interior with metallic steps and control panels. The setting has the characteristic low-budget but imaginative production design typical of British sci-fi from that era. The scene shows three characters in a tense moment on what appears to be the flight deck or control area o…
@blakes7bot@mas.torpidity.net
2025-12-25 16:17:26

Series D, Episode 12 - Warlord
TARRANT: Extent of damage, Orac? [pause, no response] Orac?
[Crew room. Tarrant enters and looks at Orac beneath the beam.]
[Shot of Zukan's ship in space, approaching another space ship.]
blake.torpidity.net/m/412/270 B7B4

Claude Sonnet 4.5 describes the image as: "This image appears to be from a science fiction television production, showing a scene set in what looks like a spacecraft or futuristic facility interior. The setting features technical panels and equipment typical of sci-fi set design from the late 1970s or early 1980s. The scene depicts four individuals in costume around what appears to be a control station or work area. The costumes are characteristic of space opera productions of that era, featur…
@blakes7bot@mas.torpidity.net
2025-12-25 10:12:27

Series B, Episode 10 - Voice from the Past
BLAKE: [V.O.] It's only a couple of years since it was abandoned. Under terms of the interplanetary mining agreement the company was bound by law to leave fuel and other...
VILA: Blake, you alright?
blake.torpidity.net/m/210/272 B7…

Claude Haiku 4.5 describes the image as: "I can see this is a close-up portrait of a man with distinctive features including receding hair, a beard, and intense facial expression. He appears to be in an indoor setting with a neutral background. The image quality and color grading suggest this is from a television production, likely from the 1970s or 1980s based on the visual style and cinematography. The subject is wearing what appears to be a dark-colored garment and is photographed in a serio…