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@cowboys@darktundra.xyz
2026-02-02 19:14:31

Scott Laidlaw, unsung hero of 1970s Cowboys, passes away at 72 dallascowboys.com/news/scott-l

Scott Laidlaw, unsung hero of 1970s Cowboys, passes away at 72
Part of the famed Dirty Dozen draft class of 1975, Scott Laidlaw played five seasons for the Cowboys, participating in two Super Bowls. 

@cowboys@darktundra.xyz
2026-02-02 19:03:41

Scott Laidlaw, unsung hero of 1970s Cowboys, passes away at 72 dallascowboys.com/news/scott-l

Scott Laidlaw, unsung hero of 1970s Cowboys, passes away at 72
Part of the famed Dirty Dozen draft class of 1975, Scott Laidlaw played five seasons for the Cowboys, participating in two Super Bowls. 

@LillyHerself@Mastodon.social
2026-01-01 11:14:51

RE: mas.to/@SmudgeTheInsultCat/115
A Black US president for 8 years and almost all of the European ministers of defence were ... women!
The patriarchy woke up from their long 1970s disco hangover, scratched their fat stomachs…

@stiefkind@mastodon.social
2026-02-01 08:35:13

Those of you interested in the history of cellular phones and cellular networks: There is a book on the subject "Cellular: An Economic and Business History of the International Mobile-Phone Industry" published by MIT Press, and the book is also available as PDF via Open Access:

Cellular: An Economic and Business History of the International Mobile-Phone Industry
Tracks the evolution of the international cellular industry from the late 1970s to the present.The development of the mobile-phone industry into what we kn

@blakes7bot@mas.torpidity.net
2026-01-01 16:15:11

Series C, Episode 07 - Children of Auron
CALLY: It would be quicker if we took Orac down with us.
AVON: It would be stupid to compound the risk.
CALLY: Risk! They're dying down there, dying by the thousands,.
TARRANT: Orac stays, Cally.
blake.torpidity.net/m/307/301…

Claude Sonnet 3.7 describes the image as: "This image appears to be from a vintage television program, likely from the 1970s or 1980s based on the visual style and production quality. The scene shows two people facing each other in what seems to be an interior setting with distinctive architectural elements, including a textured wall panel and some glass brick elements visible on the left side. The person on the left is wearing a dark outfit with a teal or turquoise collar detail, while the pe…
@blakes7bot@mas.torpidity.net
2026-01-01 10:07:10

Series B, Episode 03 - Weapon
TRAVIS: Whose in particular?
FEN: Like most of our city, this room lives; a vegetable biologically adapted but living and growing - and all life, Travis, is linked. [Laces her fingers] That is the basis of the Rule of Life.
blake.torpidity.net/m/203/158

Claude Sonnet 4 describes the image as: "This image appears to be from a science fiction television production, likely from the 1970s or early 1980s based on the aesthetic and production values. The scene takes place in a futuristic, minimalist set with sleek metallic walls, geometric architectural elements, and atmospheric lighting in warm tones of gold and pink. The setting appears to be some kind of ceremonial or formal space, possibly a throne room or council chamber, with its clean lines …
@blakes7bot@mas.torpidity.net
2026-01-02 16:12:16

Series A, Episode 07 - Mission To Destiny
JENNA: There it is, look. Circling every two minutes.
BLAKE: When d'you pick it up?
JENNA: Just before I called you.
BLAKE: It's circling all the time?
blake.torpidity.net/m/107/7 B7B4

Claude Sonnet 4 describes the image as: "This image appears to be from a classic science fiction television production, likely from the late 1970s or early 1980s based on the visual style and production values. The setting appears to be the interior of a spacecraft or futuristic facility, with characteristic angular white paneling and technological elements visible in the background. The scene shows two characters in what appears to be a dramatic moment. One figure wears dark leather or simila…
@blakes7bot@mas.torpidity.net
2026-01-02 07:04:24

#Blakes7 Series B, Episode 10 - Voice from the Past
AVON: The human brain.
ORAC: Correct.
CALLY: A telepathic order was beamed to Blake to force him to reroute to that asteroid.
ORAC: As you yourself foresaw.
AVON: So tell us something new.

Claude Sonnet 4.5 describes the image as: "This is a close-up shot from what appears to be a British science fiction television production, likely from the late 1970s or early 1980s based on the video quality and aesthetic. The image captures an intense dramatic moment, with the camera positioned very close to the subject's face, emphasizing emotional intensity and gravitas. Paul Darrow appears in character, displaying the kind of commanding presence he was known for in his television work. Hi…
@blakes7bot@mas.torpidity.net
2026-01-01 19:17:50

C07 - Children of Auron
DAYNA: Relax! Orac did a grand therapy job on their traffic controller.
TARRANT: [Through door] Franton. Zelda. You'll have to evacuate with us. They'll be here soon, Zelda, and it won't just be bugs they're bringing.
blake.torpidity.net/m/307/559

Claude Sonnet 4.5 describes the image as: "This image captures a tense dramatic moment featuring three actors in what appears to be a scene from a television production, likely from the late 1970s or early 1980s based on the film quality and styling. The setting is intimate and claustrophobic, with muted olive-green walls creating an oppressive atmosphere. On the left stands Josette Simon, wearing a striking red and black costume with shoulder detailing, her gaze directed intensely at the othe…
@blakes7bot@mas.torpidity.net
2026-03-01 17:14:20

Series A, Episode 10 - Breakdown
JENNA: Blake, I think you'd better get down to the flight deck. It's Gan.
BLAKE: What's wrong with him, Jenna?
JENNA: I don't know, he seems to be in some sort of pain. He's obviously got - [Gan attacks Jenna]
blake.torpidity.net/m/110/6

Claude Haiku 4.5 describes the image as: "# Image Description This image shows a scene from what appears to be a science fiction television production, featuring distinctive set design with dark, angular elements and studio lighting. The setting includes geometric shapes and a spacecraft-like interior typical of 1970s-80s television production design. The scene depicts a woman with blonde, wavy hair styled in a period-appropriate manner, wearing what appears to be a lavender or light purple-c…