Tootfinder

Day 20: bell hooks.
Despite having decided to continue to 30, number 20 feels important, and hooks gets the spot in part because I haven't yet included a non-fiction feminist author, which feels like an obvious thing to include on such a list. The one category of author being bumped out of the first 20 here is anime writers, but I'll follow up with one of them, along with more academics and mangaka who I've been itching to include.
In any case, hooks is absolutely legendary as a feminist writer for good reason, and as a teacher I've especially appreciated her writing on pedagogy like "Teaching to Transgress: Education as the Practice of Freedom" and "Teaching Critical Thinking: Practical Wisdom". These have challenged me to teach at a higher level, and while I'm not sure I've completely succeeded, they're important to me. They also pair well with Paolo Friere's "Pedagogy of the Oppressed", but hooks always seems to be focused on very practical advice and it's incredibly direct in her writing, even though her advice isn't always straightforward to implement. In fact, that's one of the things I value about her writing: when the truth is complicated or the real work is messy interpersonal relationships that need to be negotiated with each student, she's not afraid to say so and give good advice for navigating those waters instead of trying to dispense simple-seeming platitudes or formulas for success that paper over the deeper issues. Her concern has always been truth, rather than simplicity or audience comfort and the popularity it might seem to entail, which I think is part of why her legacy endures so well.
#20AuthorsNoMen
#30AuthorsNoMen

Day 19 (a bit late): Alice Oseman
As I said I've got 14 authors to fit into two days. Probably just going to extend to 30? But Oseman gets this spot as an absolute legend of queer fiction in both novel & graphic novel form, and an excellent example of the many truths queer writers have to share with non-queer people that can make everyone's lives better. Her writing is very kind, despite in many instances dealing with some dark stuff.
I started out on Heartstopper, which is just so lovely and fun to read, and then made my way through several of her novels. The one I'll highlight here which I think it's her greatest triumph is "Loveless", which is semi-autobiographical and was at least my first (but no longer only) experience with the "platonic romance" sub-genre. It not only helped me work through some crufty internal doubts about aro/ace identities that I'd never really examined, but in the process helped improve my understanding of friendship, period. Heck, it's probably a nice novel for anyone questioning any sort of identity or dealing with loneliness, and it's just super-enjoyable as a story regardless of the philosophical value.
To cheat a bit more here on my author count, I recently read "Dear Wendy" by Ann Zhao, which shouts out "Loveless" and offers a more expository exploration of aro/ace identities, but "Loveless" is a book with more heart and better writing overall, including the neat plotting and great pacing. I think there are also parallels with Becky Albertalli's work, though I think I like Oseman slightly more. Certainly both excel at writing queer romance (and romance-adjacent) stuff with happy endings (#OwnVoices wins again with all three authors).
In any case, Oseman is excellent and if you're not up for reading a novel, Heartstopper is a graphic novel series that's easy to jump into and very kind to its adorable main characters.
I think I've now decided to continue to 30, which is a relief, so I'm tagging this (and the next post that rounds out 20) two ways.
#20AuthorsNoMen
#30AuthorsNoMen

Day 17 (oops; a bit early): Angie Thomas
Can hardly believe it's taken me this long to get to Thomas, and I haven't even read "The Hate You Give" which is probably her most popular book. I did read "Concrete Rose" and was duly blown away by her craft: the use of vernacular, the love she has for the community she writes about, the honesty with which she grapples with the bleak details of the setting, and her stubborn and inescapable portrayal of a human being where our society has taught us to see only perpetrators and victims. CW for family member death and gun violence that I can think of; it's not light reading.
As the parent of two children, Thomas' descriptions of baby care ring true, and drew me into the book more than any other factor, and her vision of a positive masculinity among so much pain is breathtaking. "Concrete Rose" is a brilliant novel, and Thomas richly deserves a spot on this list.
#20AuthorsNoMen

Day 18: Mark Oshiro
Having just learned that Oshiro is nonbinary, they're an instant include on this list. In veering extremely heavily towards YA, and losing a spot that would have gone to an absolutely legendary mangaka, anime writer, or feminist philosopher, but "Anger is A Gift" and "Each of us a Desert" are just that good, and I'm trying to steer a bit towards towards lesser-known authors I respect.
I already mentioned "Anger is a Gift" above, but to recap, it's a painful, vivid, and beautifully honest story of queer love, loss, and protest against an oppressive system. CW for racist police murder, intergenerational trauma, and police brutality against highschool students. It's a book a lot of Americans could benefit from reading right now, and while it's fiction, it's not fantasy or sci-fi. Besides the themes and politics, the writing is just really solid, with delicate characterization and tight-plotted developments that are beautifully paced.
To me "Each of us a Desert" is maybe even more beautiful, and Oshiro leaps into a magnificent fantasy world that's richly original in its desolation, dark history, lonely characters, and mythical magic. Particularly the clearly-not-just-superscription but ambiguously-important/powerful magical elements of Oshiro's worldbuilding are a rare contrast to the usual magic-is-real-here's-how-it-works fare, and pulling that off a all as they do is a testament to their craft. The prose is wonderful, probably especially so if you speak Spanish, but I enjoyed it immensely despite only knowing a few words here and there. The rich interiority of the characters, their conflicts both with each other and within themselves, and the juxtaposition of all that against origins in cult-like ignorance allows for the delivery of a lot of wisdom and complex truths.
Between these two books, so different and yet each so powerful, Oshiro has demonstrated incredible craft and also a wide range of styles, so I'm definitely excited to read more of their work and to recommend them to others.
I'm also glad to have finally put a nonbinary author on this list; the others I had in mind won't make it at this point because there's too much genre overlap, although I'll include them in my didn't-make-it list at the end. I've now got just 2 slots left and have counted up 14 more authors that absolutely need to be mentioned, so we'll see what happens.
#20AuthorsNoMen

Day 15 (belated): Darcie Little Badger
An Indigenous author of YA fiction, Little Badger writes warm characters with deep hearts, and of course offers a fantasy world that feels refreshingly different to anyone steeped mainly in fantasy of the Tolkien lineage. Would be nice if works like hers weren't rare and didn't seem exotic, but that's not the world we live in.
I greatly enjoyed "A Snake Falls to Earth" and need to remember to grab more from her soon, although my current library crop is sitting at something like 8 books to do through first.
#20AuthorsNoMen

Day 16: Mayra Cuevas & Marie Marquardt
Okay so this is cheating, but they're co-authors of multiple books together, and there's no way for me to separate their contributions... I've already got too many authors I'd like to list, so why not?
I read their book "Does My Body Offend You?" and absolutely loved it; it's a celebration of teen activism while also being a deep exploration of feminist issues through practical situations that bring out the complicated side of things, which the authors refuse to reduce back to a simple formulaic answer. It has a supporting cast of appropriately-complex male characters that help in exploring the nuances of issues like the line between female empowerment & male gratification, and it brings race and macho culture into the conversion as well.
CW for sexual harassment & deep discussion of the resultant trauma.
I'll cheat again here to sneak in mention of two male authors whose work resonates with theirs: Mark Oshiro's "Anger is a Gift" has a more pessimistic/complex take on teen activism along with a gay romance (CW for racist cop murder), while Jeremy Whitley's graphic novel "Navigating With You" deals with queer romance & disability, while having a main character pairing that echoes those from "Does My Body Offend You?" in a lot of ways. Another connection (to non-men authors this time) is with "Go With the Flow" by Lily Williams and Karen Schneemann. Their graphic novel about teen activism and periods is a bit more didactic and has a much lighter tone, but it does necessarily have some overlapping themes.
To bring it back to Cuevas & Marquhardt, their writing is great and their ability to discuss such complex topics with such nuance, all wrapped up in a story that feels completely natural, is amazing to me, and makes their book feel like one of the most valuable to recommend to others.
In writing this I've realized a grave oversight in the list so far that I'll have to correct tomorrow, but I'm quickly running out of days. The didn't-quite-make-it list is going to be full of more excellent authors, and I'm honestly starting to wonder whether it might actually be harder to name 20 male authors I respect now that I've found the sense to be mostly somewhere between disgusted and disappointed with so many of the male authors I enjoyed as a teen.
#20AuthorsNoMen (cheating a bit)

Day 14: Zoulfa Katouh
Her book "As Long as the Lemon Trees Grow" was gripping, devastating, and beautiful (CW for Syrian civil war, war crimes, death of family/kids). It's also somehow a halal romance, it has an incredible twist, and it engages deeply with trauma, fear, and surrounding compulsions.
I've read several graphic novels recently that focused on the plight of refugees, but none have gone as deep into the horrors of war, nor have they navigated the complexities of the choice to flee from a cause you believe in so well. Reading this book after the fall of Assad certainly feels different, even though the ultimate outcome in Syria still seems like it is in flux and a second dictatorship seems possible. It also serves as a grim look at what might be ahead for the US given current events.
#20AuthorsNoMen

Day 13: Patricia C. Wrede
If you know me you know I'm not exactly a fan of monarchy-praise, even (or perhaps especially) in "fairy tales" and adjacent writing, but even though Wrede's Princess Cimorene doesn't quite completely get away from that, I still love the character and her adventures in "Dealing With Dragons" and the sequels. It's honestly pretty cool that Wrede started out writing a trope-flipping fairy-tale adventure-comedy with a male teen prince protagonist, and then decided it was much more fun to focus on a princess who takes the trope-flipping to the next level and completely abandons most of the trappings of a fairy tale in order to both have fun with what's left of the genre and develop a story centered on wholesome friendship (with a dragon) and practical solutions to improbable problems.
I read these books as a kid, and then again as an adult, and then again out loud with my wife, and I'll be reading them again before long with our kids. I'm still on the lookout for more kids books with even better politics, but Wrede's work is definitely part of a solid childhood reading foundation from my perspective.
#20AuthorsNoMen

Day 12: Laura Zimmerman
We're back to a YA author here, and Zimmerman has been floating in my list of people to include since the start. I've read "My Eyes are Up Here" about dealing with misogyny and just general logistics while having very large breasts in high school. It's both engaging & educational, but also very well written in terms of the pacing, comedic moments, and turns of phrase. That led me to check out "Just Do This One Thing For Me" which is extremely dark, *incredibly hilarious*, and so thick with dramatic irony it had me constantly amused. It's also really touching at times, and a beautiful ode to the bonds of siblinghood that made me cry as well as laugh. I won't spoil the plot at all, but it's one of the best YA books I've ever read.
#20AuthorsNoMen

Day 11: Bee Johnson
As promised, back to printed books, and since I hadn't yet done any authors of picture or board books, here's one. It looks like Johnson is primarily an illustrator and has only written a single kids' book, but it's a magnificent one: "What Can A Mess Make?"
Naturally, the illustrations are rich and evocative, but it's also got one of my favorite formats (just a few lines per page, with consistent meter and rhymes throughout) and has the incredibly charming theme of two sisters who are constantly making messes, except it highlights the fun (and other emotions) they get out of their messy play, reminding parents cleaning up messes that there's a benefit to letting your kids make the mess in the first place, which is an idea that's stuck with me as I clean up my own kids' messes. This book checks *all* of my boxes for a good picture book (which is kinda hard).
#20AuthorsNoMen
P.S. at this point, I think I've exhausted the range of "author" definitions I wanted to include in my list, and I've now got the unenviable task of balancing between genres and trying to hit some of my favorite authors before we get to 20. We'll see how that goes...

Day 10: Stacey Mason
Another academic, but this time one of my compatriots; we overlapped at UC Santa Cruz as advisees of Michael Mates, and even collaborated on a Twitch stream called ScholarsPlay for a bit, although we never coauthored any papers. We did chat about our research, and I had many good discussions with her about agency in interactive fiction, a topic we both published on. Her paper "On Games and Links: Extending the Vocabulary of Agency and Immersion in Interactive Narratives" (#20AuthorsNoMen

Day 8 (a bit late): Timnit Gebru
Academic authors are authors too, and there are a bunch of people I deeply respect both in my fields and adjacent.
Gebru is someone I have huge respect for because she stood up for her (mild, completely reasonable) principles to the point of losing her job on Google's AI ethics team (since disbanded entirely), and then went ahead and founded an independent research institute to continue doing AI ethics research.
Why was she fired? Because she insisted on publishing her "Stochastic Parrots" paper after it passed Google internal review only to have extra nonstandard scrutiny applied at the last minute. Why did Google want to suppress her paper (which included an academic co-author)? Because it expressed valid criticisms of the large language models fad, and Google was planning to make money off that fad. Personally, I don't think I'd hire an "AI ethics" team only to then try to suppress their publications, and Google seems to now agree, having scrapped the team (during the initial furor, Timnit's boss also effectively quit to support her).
That "Stochastic Parrots" paper? Indeed, it predicts the core underlying problems with large language models that lead to so many of their user-side harms today. You can read it here: #20AuthorsNoMen

Day 9: Eniko Fox
Edit: added a store link for Kitsune Tails.
We're back to videogames, and with another author who's on the fediverse: @…
Fox has developed a few games, but the one that I've played and love is Kitsune Tails. It's a sapphic romance take on Super Mario Bros. 3, and (critically for a platformer) it's got very crisp controls and runs smoothly. I think one thing a lot of indie platforms devs struggle with is getting those fundamentals right, because on the technical side they require very challenging things like optimization of your code and extremely careful input handling that go beyond the basic skills necessary to put together a game. From following her on Twitter and now the Fediverse, it's clear that Fox is a deeply competent programmer, and her games reflect that. Beyond the fundamentals, Kitsune Tails has a very sweet plot with a very cool twist in the middle, and without spoilers, that twist made both the levels and gameplay very difficult to design, but Fox rose to that challenge and put together a wonderful game. Particularly past the plot twist (but in subtle ways before it) Fox is able to build beyond SMB3 mechanics in ways that gracefully complement the original, and the movement in the game ends up being difficult but extremely satisfying, with an excellent skill/speed response allowing for both slower, easier approaches that work for a range of players and high-skill extremely-fast options for those who want to push themselves.
There have been plenty of people I follow with indie game projects that are kinda meh in the end, and I'll still boost them without much comment if they're decent. Fox' work is actually amazing, which is why if you've followed me for a while you'll know I tend to mention it periodically, and which is why she makes this list of authors I respect.
You can buy Kitsune Tails here: #20AuthorsNoMen

Day 7: Brenda Romero
I hinted yesterday I'd be moving beyond a narrow definition of "author," so of course that means I'm going to include game designers. I'll definitely get back to some more traditional authors before I hit 20, but I wanted to mix things up early.
Brenda Romero is something of a celebrity in the niche culture that is the Game Developers Coherence, I like to imagine. Of course the misogyny there likely means many just pay attention to who her husband is, but she's a terrific designer in her own right, if not prolific.
Content warning: the Holocaust
To me her most outstanding game has always been "Train," which is an exhibition tabletop game in which players collaborate to load and unload cargo and move train cars around a board, with the stated objective of efficiently delivering cargo to meet certain collective goals. However, through both physical cues and in-game reveals, it becomes clear to players that the game they are playing stimulates the Holocaust, and the cargo they're moving is people being brought to extermination camps. The actual goal of the game is for the players to stop playing and walk away, or perhaps to play against the stated objective and gridlock the trains. Romero supervised play at the expos where it was presented, and intervened to stop the game if the players continued too far (in some cases not picking up on the hints offered because they had very little knowledge of the Holocaust as a historical event). I've never played the game myself; just heard Romero give a report about it, but the sheer genius of designing a game meant not to be played to help educate about a system within which defying the rules was the only ethical action earned her instant respect from me. Romero has a whole series of games in this vein about didn't historical events (not necessarily all designed to not be played), although last I checked in most are just at prototyping stages.
I've got other non-man game designers that will appear on this list, but Romero stood out to go first because she's a good example that you don't need to be someone prolific or widely-known to do great work; I'd bet most people have an author or two they respect who is not widely known (and I'll include at least one more from that category on this list).
#20AuthorsNoMen

Day 6: Kamome Shirahama
Before I wander much father afield, I'd be remiss not to include at least one Mangaka (I've got 8 on my planning list; if you think Manga is pushing it just wait until you see what the next few days have in store).
I'm currently following "Witch Hat Atelier," and it's absolutely amazing in several dimensions: first class world-building, deep philosophical themes, nuanced diverse cast, tightly-constructed interwoven plots, deep mysteries that keep everything churning and show up in unexpected places, absolutely stellar art both in terms of in-panel depictions and page layouts (some are Watchmen-quality), especially if you are sartorially inclined, and general kindness of its core messages. This is a series I wish every programmer would read, because it includes excellent advice about software design in multiple ways (did I mention there's an intricate and logical magic system within which the main character innovates in legible-to-the-reader-as-innovation ways?). Also, I bet I would have enjoyed this just a much as a 10-year-old as I'm enjoying it in my 30's, which is something that takes well-honed skill to pull off.
Shirahama is a master of her craft, and I'm honestly kinda surprised to see Witch Hat is only her second series. Definitely thinking how I can get my hands on her earlier work in English.
#20AuthorsNoMen

Day 5: Robin Wall Kimmerer
I'm taking these liberty of changing my hashtag and expanding the intent of this list to include all non-men, although Kimerer is a woman so I'll get to more gender diversity later... I've also started planning this out more and realized that I may continue a bit beyond 20...
In any case, Robin Wall Kimmerer is an Indigenous academic biologist and excellent non-fiction author whose work touches on Potawotomi philosophy, colonialism (including in academic spaces), and ideas for a better future. Anyone interested in ecology, conservation, or decolonization in North America will probably be impressed by her work and the rich connections she weaves between academic ecology and Indigenous knowledge offer a critical opportunity to expand your understanding of the world if like me you were raised deeply enmeshed in "Western" scientific tradition. I suppose a little background in skepticism helped prepare me to respect her writing, but I don't think that's essential.
I've only read "Braiding Sweetgrass," but "Gathering Moss" and her more recent "The Serviceberry" are high on my to-read list, despite my predilection for fiction. Kimmerer incorporates a backbone of fascinating anecdotes into "Braiding Sweetgrass" that makes it surprisingly easy reading for a work that's philosophical at its core. She also pulls off an impressive braided organization to the whole thing, weaving together disparate knowledges in a way that lets you see both their contradictions and their connections.
The one criticism I've seen of her work is that it's not sufficiently connected to other Indigenous philosophers & writers, and that it's perhaps too comfortable of a read for colonizers, and that seems valid to me, even though (perhaps because I am a colonizer) I still find her book important.
An excellent author in any case, and one doing concrete ideological work towards a better world.
#20AuthorsNoMen