Tootfinder

Day 30: Elizabeth Moon
This last spot (somehow 32 days after my last post, but oh well) was a tough decision, but Moon brings us full circle back to fantasy/sci-fi, and also back to books I enjoyed as a teenager. Her politics don't really match up to Le Guin or Jemisin, but her military experience make for books that are much more interesting than standard fantasy fare in terms of their battles & outcomes (something "A Song of Ice and Fire" achieved by cribbing from history but couldn't extrapolate nearly as well). I liked (and still mostly like) her (unironically) strong female protagonists, even if her (especially more recent) forays into "good king" territory leave something to be desired. Still, in Paksenarion the way we get to see the world from a foot-soldier's perspective before transitioning into something more is pretty special and very rare in fantasy (I love the elven ruins scene as Paks travels over the mountains as an inflection point). Battles are won or lost on tactics, shifting politics, and logistics moreso than some epic magical gimmick, which is a wonderful departure from the fantasy norm.
Her work does come with a content warning for rape, although she addresses it with more nuance and respect than any male SF/F author of her generation. Ex-evangelicals might also find her stuff hard to read, as while she's against conservative Christianity, she's very much still a Christian and that makes its way into her writing. Even if her (not bad but not radical enough) politics lead her writing into less-satisfying places at times, part of my respect for her comes from following her on Twitter for a while, where she was a pretty decent human being...
Overall, Paksenarrion is my favorite of her works, although I've enjoyed some of her sci-fi too and read the follow-up series. While it inherits some of Tolkien's baggage, Moon's ability to deeply humanize her hero and depict a believable balance between magic being real but not the answer to all problems is great.
I've reached 30 at this point, and while I've got more authors on my shortlist, I think I'll end things out tomorrow with a dump of also-rans rather than continuing to write up one per day. I may even include a man or two in that group (probably with at least non-{white cishet} perspective). Honestly, doing this challenge I first thought that sexism might have made it difficult, but here at the end I'm realizing that ironically, the misogyny that holds non-man authors to a higher standard means that (given plenty have still made it through) it's hard to think of male authors who compare with this group.
Looking back on the mostly-male authors of SF/F in my teenage years, for example, I'm now struggling to think of a single one whose work I'd recommend to my kids (having cheated and checked one of my old lists, Pratchett, Jaques, and Asimov qualify but they're outnumbered by those I'm now actively ashamed to admit I enjoyed). If I were given a choice between reading only non-men or non-woman authors for the rest of my life (yes I'm giving myself enby authors as a freebie; they're generally great) I'd very easily choose non-men. I think the only place where (to my knowledge) not enough non-men authors have been allowed through to outshine the fields of male mediocrity yet is in videogames sadly. I have a very long list of beloved games and did include some game designers here, but I'm hard-pressed to think of many other non-man game designers I'd include in the genuinely respect column (I'll include at least two tomorrow but might cheat a bit).
TL;DR: this was fun and you should do it too.
#30AuthorsNoMen

Day 29: Leanne Betasamosake Simpson
I've been sitting on Simpson for a while because there's some overlap in her writing with Robin Wall Kimmerer, and I've had a lot of different genres/styles/subjects/media I've wanted to post at least one author from. But I've now hit repeats on at least YA romance and manga, and Simpson's writing is actually quite different from Kimmerer's in a lot of ways. While Kimmerer is a biologist by training and literally braids that knowledge together with her knowledge of Potawatomi cosmology and ethics, Simpson is an Anishinaabe philosopher and anarchist, and her position as a scholar of Indigenous philosophy adds a different depth to her work: she talks in more depth about knowledge relationships and her connections with specific elders, and she has more citations to other Indigenous theorists, which is the one criticism I've ever seen of Kimmerer's work. Rather than being Indigenous and a scientist, she's Indigenous and a scholar of indigenous studies.
I've only read "Theory of Water" by Simpson, but it was excellent, and especially inspiring to read as an anarchist. Simpson's explicit politics are another difference from Kimmerer's work, which is more implicitly than explicitly political. This allows Simpson to draw extremely interesting connections to other anarchist theorists and movements. "Theory of Water" is probably a bit less accessible than "Braiding Sweetgrass," but it's richer from a theory perspective as a result.
In any case, Simpson is a magnificent writer, sharing personal insights and stories along with (and inseparable from) her theoretical ideas.
#30AuthorsNoMen

Day 27: Kate Beaton
I missed a day yesterday, but I noticed earlier that I had gotten ahead somewhere early on, so I'm gonna leave it and not post a catch-up.
Beaton is an absolute legend in the webcomic space for "Hark! A Vagrant!" which is full of extremely silly literary and historical short comics. However, I've also read her graphic autobiography "Ducks" which deals with her time working in the Alberta oilfields to pay off her college loans and gets into some serious stuff (CW: sexual assault). I love her lighthearted art style, and she's great at comedic delivery, letting me laugh at her comics even when I don't 100% get the literary or historical referent.
#30AuthorsNoMen

Day 28: Samira Ahmed
As foreshadowed, we're back to YA land, which represents a lot of what I've been enjoying from the library lately.
I've read "Hollow Fires", "This Book Won't Burn", and "Love, Hate, and other Filters" by Ahmed, along with "Mad, Bad, and Dangerous to Know" which is quite different. All four are teen ~romances with interesting things to say about racism & growing up as a South Asian Muslim, but whereas the first three are set in small-town Indiana, the third is set in France and includes a historical fiction angle involving Dumas and a hypothetical Muslim woman who was (in this telling) the inspiration for several Lord Byron poems.
Ahmed's novels all include a strong and overt theme of social justice, and it's refreshing to see an author not try to wade around the topic or ignore it. Her romances are complex, with imperfect protagonists and endings that aren't always "happily ever after" although they're satisfying and believable.
My library has a plethora of similar authors I've been enjoying, including Adiba Jaigirdar (who appeared earlier in this list), Sabaa Tahir ("All my Rage" is fantastic but I'm less of a fan of her fantasy stuff), Sabina Khan ("The Love and Lies of Rukhsana Ali"), and Randa Abdel-Fattah ("Does My Head Look Big In This?"; from an earlier era). Ahmed gets the spot here because I really like her politics and the way she works them into her writing. Her characters are unapologetic advocates against things like book bans, and Ahmed doesn't second-guess them or try to make things more palatable for those who want to ban books (or whatever). Her historical fiction in "Mad..." is also really cool in terms of "huh that could actually totally be true" and grappling with literary sexism from ages past.
#30AuthorsNoMen

Day 26: Emily Short
If you know who Short is, you know exactly why she's on this list. If you don't, you're probably in the majority. She's an absolutely legendary author within the interactive fiction (IF) community, which gets somewhat pigeonholed by stuff like Zork when there's actually a huge range of stuff in the medium some of which isn't even puzzle-focused, and Short has been writing & coding on the bleeding edge of things for decades.
I was lucky enough to be introduced to Short's work in graduate school, where we played "Galatea" as part of an interactive fiction class. Short uses a lot of clever parser tricks to make your conversation with a statue feel very fluid and conversational, giving to contemporary audiences a great example of how vibrant interaction with a well-designed agent can be in contrast to an LLM, if you're willing to put in some work on bespoke parsing & responses (although the user does need to know basic IF conventions). While I didn't explore the full range of Galatea's many possible outcomes, it left a strong impression on me as a vision for what IF could be besides dorky puzzles, and I think that "visionary" is a great term to describe Short.
If you'd like you get a feel for her (very early) work, you can play Galatea here: #30AuthorsNoMen

Day 24: Yvonne Adhiambra Owuor
Owuor wrote "Dust", a novel that follows a scattered family's struggles with intergenerational trauma through a vivid tapestry of Kenyan history. Not only is it full of carefully rendered complex characters who both deal with their own issues and who are entangled in larger threads, but it also depicts a series of deeply personal reactions to and interactions with historical moments that give a gestalt sense of the painful history of Kenya both during and after the colonial era.
It's a gripping read despite not having a traditional suspense structure, where in the last third of the book every chapter seems to be tying up one more loose thread you had almost forgotten about, only to leave a little more still to discover, right up to the end. Owuor's skill at constructing such a detailed and complex plot and especially in navigating it to a satisfying conclusion is impressive, and her depictions of human foibles and struggles in the face of grief and not-wanting-to-know are relatable.
CW for domestic abuse, state murder, genocide, torture, etc.
#30AuthorsNoMen

Day 23: Thi Bui
Indirect CW: parental neglect, war, intergenerational trauma
Bui is the author of "The Best We Could Do", a graphic memoir which explores her relationship with her parents and unpacks some of the intergenerational trauma coming out of the Vietnam War. It has a lot of wisdom to offer about both dealing with troubled parents as a 1.5th-generation immigrant, and it delves deeply into her parents' histories in Vietnam and the complexities of the situation there both in the north and in the south. It's beautifully illustrated and very nicely plotted together given all the disparate threads it is working with.
I haven't read any of Bui's other work, but it looks like she's published a picture book for kids as well as a series of short comics during the pandemic. Besides Oseman who also writes non-illustrated fiction and the two manga artists Ice mentioned, Bui is the first graphic novel author I've included here, but I've actually got quite a few of them in my longer list, one of whom may make it into the 30 I'll include in this thread. These days I'm reading a bunch of graphic novels since they're easy to get through, and the variety of stories and perspectives in that space is wonderful these days, with a huge array of indie stuff that probably never would have gotten off the ground in traditional publishing/comics spaces.
#30AuthorsNoMen

Day 21: Aya Yoshinaga
I'm actually generally much less aware of the creators involved in the anime I watch, for a number of reasons, and the few anime directors I could name without looking them up were all men before I started this list. I've now got a short list of anime directors/writers who are women, and the first I'll include here is Yoshinaga, in part because she was pivotal to one of my favorite lesser-known anime, "Kurau Phantom Memory". It was actually one of the first anime I watched ever, but I didn't like it just because of that, since I've rewatched it at least twice and still regard it highly. It's got a pretty cool science fiction setting, an extremely cool barely-comprehensible alien race, a female protagonist who is not sexualized and not subjected to romance, and it centers a platonic relationship torn apart by technological hubris. Very "cool seinen stuff that wouldn't make it past the focus groups today" stuff.
Besides Kurau, Yoshinaga has worked on other great stuff like Golden Kamuy, Azumanga Daioh, Durarara, and Fullmetal Alchemist, and when you see a correlation like that between well-written shows and the same writer showing up again and again, it's clear there's talent there, even if most of these are manga-based.
Probably going to circle back to at least one more anime writer, but for tomorrow I'll move on to manga probably, since I want to space out all my YA enthusiasm a bit.
#30AuthorsNoMen

Day 22: Yuki Urushibara
I've got a few more mangaka left on my short list, and might very well get to at least one more, but Urushibara is the author of Mushishi and anyone who knows either the manga or anime understands immediately why she appears here.
Mushishi is a "seinen" anime, which means it's written for adults, not children or teenagers (although it's very accessible for all ages). It deals with a vast array of life's circumstances through the lens of a traveling mushi expert and the various whimsical supernatural creatures he is called on to deal with. He's not an exorcist though, instead understanding that humans must live in harmony with the mushi, and working like an ecologist to sort things out. As is probably obvious, Urushibara is an incredible world-builder; she's also a top-notch artist and above all, her stories are overflowing with kindness, humanity, and respect for the natural world.
Besides Mushishi, I've read "Suiiki", and it's one of the few manga I stumbled through in the original Japanese, which says a lot given my limited reading vocabulary (and the fact that it doesn't include rubi). It weaves the supernatural into a story of childhood innocence and curiosity in a lovely way.
Much like Shirahama who I mentioned earlier, Urushibara's stories are full of gentle wisdom for all ages, but Urushibara's work is quieter and less dramatic, with an adult main character confident in his expertise instead of a young-and-learning protagonist.
#30AuthorsNoMen

Day 20: bell hooks.
Despite having decided to continue to 30, number 20 feels important, and hooks gets the spot in part because I haven't yet included a non-fiction feminist author, which feels like an obvious thing to include on such a list. The one category of author being bumped out of the first 20 here is anime writers, but I'll follow up with one of them, along with more academics and mangaka who I've been itching to include.
In any case, hooks is absolutely legendary as a feminist writer for good reason, and as a teacher I've especially appreciated her writing on pedagogy like "Teaching to Transgress: Education as the Practice of Freedom" and "Teaching Critical Thinking: Practical Wisdom". These have challenged me to teach at a higher level, and while I'm not sure I've completely succeeded, they're important to me. They also pair well with Paolo Friere's "Pedagogy of the Oppressed", but hooks always seems to be focused on very practical advice and it's incredibly direct in her writing, even though her advice isn't always straightforward to implement. In fact, that's one of the things I value about her writing: when the truth is complicated or the real work is messy interpersonal relationships that need to be negotiated with each student, she's not afraid to say so and give good advice for navigating those waters instead of trying to dispense simple-seeming platitudes or formulas for success that paper over the deeper issues. Her concern has always been truth, rather than simplicity or audience comfort and the popularity it might seem to entail, which I think is part of why her legacy endures so well.
#20AuthorsNoMen
#30AuthorsNoMen

Day 19 (a bit late): Alice Oseman
As I said I've got 14 authors to fit into two days. Probably just going to extend to 30? But Oseman gets this spot as an absolute legend of queer fiction in both novel & graphic novel form, and an excellent example of the many truths queer writers have to share with non-queer people that can make everyone's lives better. Her writing is very kind, despite in many instances dealing with some dark stuff.
I started out on Heartstopper, which is just so lovely and fun to read, and then made my way through several of her novels. The one I'll highlight here which I think it's her greatest triumph is "Loveless", which is semi-autobiographical and was at least my first (but no longer only) experience with the "platonic romance" sub-genre. It not only helped me work through some crufty internal doubts about aro/ace identities that I'd never really examined, but in the process helped improve my understanding of friendship, period. Heck, it's probably a nice novel for anyone questioning any sort of identity or dealing with loneliness, and it's just super-enjoyable as a story regardless of the philosophical value.
To cheat a bit more here on my author count, I recently read "Dear Wendy" by Ann Zhao, which shouts out "Loveless" and offers a more expository exploration of aro/ace identities, but "Loveless" is a book with more heart and better writing overall, including the neat plotting and great pacing. I think there are also parallels with Becky Albertalli's work, though I think I like Oseman slightly more. Certainly both excel at writing queer romance (and romance-adjacent) stuff with happy endings (#OwnVoices wins again with all three authors).
In any case, Oseman is excellent and if you're not up for reading a novel, Heartstopper is a graphic novel series that's easy to jump into and very kind to its adorable main characters.
I think I've now decided to continue to 30, which is a relief, so I'm tagging this (and the next post that rounds out 20) two ways.
#20AuthorsNoMen
#30AuthorsNoMen