Tootfinder

Day 21: Aya Yoshinaga
I'm actually generally much less aware of the creators involved in the anime I watch, for a number of reasons, and the few anime directors I could name without looking them up were all men before I started this list. I've now got a short list of anime directors/writers who are women, and the first I'll include here is Yoshinaga, in part because she was pivotal to one of my favorite lesser-known anime, "Kurau Phantom Memory". It was actually one of the first anime I watched ever, but I didn't like it just because of that, since I've rewatched it at least twice and still regard it highly. It's got a pretty cool science fiction setting, an extremely cool barely-comprehensible alien race, a female protagonist who is not sexualized and not subjected to romance, and it centers a platonic relationship torn apart by technological hubris. Very "cool seinen stuff that wouldn't make it past the focus groups today" stuff.
Besides Kurau, Yoshinaga has worked on other great stuff like Golden Kamuy, Azumanga Daioh, Durarara, and Fullmetal Alchemist, and when you see a correlation like that between well-written shows and the same writer showing up again and again, it's clear there's talent there, even if most of these are manga-based.
Probably going to circle back to at least one more anime writer, but for tomorrow I'll move on to manga probably, since I want to space out all my YA enthusiasm a bit.
#30AuthorsNoMen

Day 20: bell hooks.
Despite having decided to continue to 30, number 20 feels important, and hooks gets the spot in part because I haven't yet included a non-fiction feminist author, which feels like an obvious thing to include on such a list. The one category of author being bumped out of the first 20 here is anime writers, but I'll follow up with one of them, along with more academics and mangaka who I've been itching to include.
In any case, hooks is absolutely legendary as a feminist writer for good reason, and as a teacher I've especially appreciated her writing on pedagogy like "Teaching to Transgress: Education as the Practice of Freedom" and "Teaching Critical Thinking: Practical Wisdom". These have challenged me to teach at a higher level, and while I'm not sure I've completely succeeded, they're important to me. They also pair well with Paolo Friere's "Pedagogy of the Oppressed", but hooks always seems to be focused on very practical advice and it's incredibly direct in her writing, even though her advice isn't always straightforward to implement. In fact, that's one of the things I value about her writing: when the truth is complicated or the real work is messy interpersonal relationships that need to be negotiated with each student, she's not afraid to say so and give good advice for navigating those waters instead of trying to dispense simple-seeming platitudes or formulas for success that paper over the deeper issues. Her concern has always been truth, rather than simplicity or audience comfort and the popularity it might seem to entail, which I think is part of why her legacy endures so well.
#20AuthorsNoMen
#30AuthorsNoMen

Day 19 (a bit late): Alice Oseman
As I said I've got 14 authors to fit into two days. Probably just going to extend to 30? But Oseman gets this spot as an absolute legend of queer fiction in both novel & graphic novel form, and an excellent example of the many truths queer writers have to share with non-queer people that can make everyone's lives better. Her writing is very kind, despite in many instances dealing with some dark stuff.
I started out on Heartstopper, which is just so lovely and fun to read, and then made my way through several of her novels. The one I'll highlight here which I think it's her greatest triumph is "Loveless", which is semi-autobiographical and was at least my first (but no longer only) experience with the "platonic romance" sub-genre. It not only helped me work through some crufty internal doubts about aro/ace identities that I'd never really examined, but in the process helped improve my understanding of friendship, period. Heck, it's probably a nice novel for anyone questioning any sort of identity or dealing with loneliness, and it's just super-enjoyable as a story regardless of the philosophical value.
To cheat a bit more here on my author count, I recently read "Dear Wendy" by Ann Zhao, which shouts out "Loveless" and offers a more expository exploration of aro/ace identities, but "Loveless" is a book with more heart and better writing overall, including the neat plotting and great pacing. I think there are also parallels with Becky Albertalli's work, though I think I like Oseman slightly more. Certainly both excel at writing queer romance (and romance-adjacent) stuff with happy endings (#OwnVoices wins again with all three authors).
In any case, Oseman is excellent and if you're not up for reading a novel, Heartstopper is a graphic novel series that's easy to jump into and very kind to its adorable main characters.
I think I've now decided to continue to 30, which is a relief, so I'm tagging this (and the next post that rounds out 20) two ways.
#20AuthorsNoMen
#30AuthorsNoMen