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@relcfp@mastodon.social
2025-11-18 16:10:22

"Senses of the Divine: Aesthetics and Theology" Graduate Student Conference at the Centre for Comparative Literature, University of Toronto
ift.tt/gGnThfO
Online Workshop: Technology & Society in Japan and Beyond (Fri: Nov 07, 2025) Susanne Brucksch…
via Input 4 RELCFP

"Senses of the Divine: Aesthetics and Theology" Graduate Student Conference at the Centre for Comparative Literature, University of Toronto | H-Net
Dear all,We are happy to announce that the annual Graduate Student Conference of Centre for Comparative Literature at the University of Toronto is seeking papers for our conference, to be held March 20-22nd, 2026, in person in Toronto, ON.Our conference title this year "Senses of the Divine: Aesthetics and Theology." We are interpreting both the aesthetic and the theological as large, open-ended categories, and would love to have submissions and papers from the realm of Jewish Studies.

@kexpmusicbot@mastodonapp.uk
2026-01-17 02:35:05

🇺🇦 #NowPlaying on KEXP's #DriveTime
Aesop Rock:
🎵 Kirby
#AesopRock
aesoprock.bandcamp.com/track/k
open.spotify.com/track/38DEoY0

@blakes7bot@mas.torpidity.net
2026-01-18 16:32:16

Series A, Episode 13 - Orac
CALLY: [Returning.] Blake, I think I've found enough for everybody.
BLAKE: Oh good, at least the others will be all right.
ENSOR: Well, I'm ready, shall we get started?
BLAKE: Well, wait a minute. There is something else.
blake.torpidity.net/m/113/290

Claude Sonnet 4.5 describes the image as: "This image appears to be from a science fiction television production, likely from the 1970s or early 1980s based on the video quality and aesthetic. The scene is set in what appears to be a futuristic or spacecraft interior, with industrial equipment and plant life visible in the background, suggesting some kind of bio-dome or greenhouse facility. Three actors are present in the frame. On the left is a person with dark curly hair wearing a two-toned …
@BBC3MusicBot@mastodonapp.uk
2026-01-18 21:00:14

🔊 #NowPlaying on #BBCRadio3:
#20thCenturyRadicals
- Helmut Lachenmann: The Beauty of Decay
Kate Molleson and Gillian Moore shine new light on the 'modern' music of the 20th century. This week, Gillian explores the remarkable musical aesthetics of Helmut Lachenmann.
Relisten now 👇
bbc.co.uk/programmes/m002przz

@blakes7bot@mas.torpidity.net
2025-11-19 19:33:09

Series A, Episode 01 - The Way Back
P.A.: The President will be answering questions about new population control *?measures
RAVELLA: All our food and drink is treated with suppressants. Going without for a day and a half, they should be wearing off.
blake.torpidity.net/m/101/9 B7…

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television production, likely from the late 1970s or early 1980s based on the aesthetic and production values. The scene takes place in what looks like a futuristic, sterile interior setting with white/gray geometric walls and angular architectural elements typical of sci-fi set design from that era. Two actors are shown in what appears to be an intense dramatic moment. One person on the left has sho…
@blakes7bot@mas.torpidity.net
2025-12-19 16:20:21

Series A, Episode 02 - Space Fall
LEYLAN: All right... all right. Now... now don't move. Now, just look around and tell me what you see.
KRELL: [V.O.] What? I heard something.
LEYLAN: What is it?
blake.torpidity.net/m/102/555 B7B4

Claude Sonnet 4.5 describes the image as: "This image shows a close-up shot of actor Glyn Owen in what appears to be a scene from a television production, likely from the 1970s based on the video quality and aesthetic. Owen has dark hair with gray at the temples, styled in a period-appropriate cut with a distinctive swept fringe. He's wearing a dark navy or blue crew-neck sweater over what appears to be a black shirt or turtleneck. The setting appears to be an interior scene with a minimalist,…
@blakes7bot@mas.torpidity.net
2026-01-19 07:20:58

#Blakes7 Series D, Episode 11 - Orbit
EGRORIAN: A short range relay, now I see how they worked it.
SERVALAN: A bit late in the day, Egrorian!
EGRORIAN: Not so! It means that Orac is still on board the shuttle. We'll be able to recover it after the crash.

Claude Sonnet 4.5 describes the image as: "This appears to be a behind-the-scenes or production still from what looks like a science fiction television series, likely from the late 1970s or early 1980s based on the aesthetic and set design. The scene is set in what appears to be a futuristic control room or spaceship interior, characterized by white walls, a geometric ceiling panel design, and technical equipment visible in the foreground. Three actors are positioned around what seems to be a …
@blakes7bot@mas.torpidity.net
2025-12-19 13:17:51

Series A, Episode 11 - Bounty
BLAKE: Keep your head, Vila! That way I might have a chance at keeping mine.
VILA: Yes. Avon?
AVON: What?
VILA: Shut up. Please.
[On the flight deck.]
SARKOFF: Blake is finished, I'm afraid.
blake.torpidity.net/m/111/405 …

Claude Sonnet 3.7 describes the image as: "The image appears to be a scene from the classic British science fiction series "Blake's 7." It shows three people in a futuristic, sparse gray setting that looks like part of a spacecraft interior. The individuals are wearing distinctive costumes typical of the show's aesthetic - one in a brownish patterned jacket, another in a grayish outfit, and the third wearing a black and white striped or chevron-patterned top while crouching down. This appear…
@blakes7bot@mas.torpidity.net
2025-12-18 13:22:33

B02 - Shadow
CALLY: Yes. Once the moon discs had broken through my isolation; as soon as I was no longer alone I could fight it. fight it.
VILA: But what about the key? How did you get Orac's key while he was up here and you were down there? Long arms?
blake.torpidity.net/m/202/611

Claude Sonnet 4 describes the image as: "This image shows a man with a distinctive bowl-cut hairstyle wearing a cream or off-white colored garment that appears to be a tunic or simple shirt with a high neckline. The setting appears to be indoors with warm, golden lighting in the background that creates a soft, atmospheric mood. The lighting and overall aesthetic suggest this is from a television production, likely from the 1970s or early 1980s based on the visual quality and styling. The man ha…
@blakes7bot@mas.torpidity.net
2026-01-19 13:25:55

Series A, Episode 02 - Space Fall
DAINER: Now, that's better.
VILA: Not bad, is it, eh? One for you -
NOVA: [To Blake] How will we know when he's made it?
BLAKE: The lights on the scanner - when that goes off we're on our way.
VILA: - one for me.
blake.torpidity.net/m/102/259

Claude Sonnet 4.5 describes the image as: "This image appears to be from the British science fiction television series "Blake's 7" (1978-1981). The scene shows three characters in what appears to be a corridor or interior space of a spacecraft, characterized by typical BBC sci-fi set design of that era with grey walls and industrial-looking panels. Two actors are visible in period-appropriate costumes consisting of earth-toned tunics and practical garments typical of the show's aesthetic. One …