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@detondev@social.linux.pizza
2025-12-06 04:09:00

i love every little bit of human bodies on an aesthetic level but backs are lowkey my favorite part, i could study every slope and pore of them all day, whats ur favorite back image

@AimeeMaroux@mastodon.social
2025-11-05 19:01:12
Content warning:

It's the Day of Hermes aka Mercurius Day aka #Wednesday! 🐏
"O Hermes, lord of games (enagônios), son of Maia and Zeus!"
Aeschylus, Fragment 212
🏛 #Hermes and youth, red-figure vase painting

Detail of a red-figure vase painting: Hermes with a young athlete or soldier. Hermes wears his petasos hat on his short, curly hair, a chlamys cloak fastened over his breast, and is nude otherwise He holds his iconic kerykeion staff that identifies him as the god Hermes. The young man beside him is also nude, a spear or javelin in his left hand and a himation draped over his left arm.
@matthiasott@mastodon.social
2025-10-30 16:27:06

Oooh! New Aesop Rock dropped … again?!? Yesterday already…… 🤤🤩🎧
pitchfork.com/news/aesop-rock-

Aesop Rock Drops New Album I Heard It’s a Mess There Too: Listen
A surprise 12-song follow-up to May’s Black Hole Superette

@blakes7bot@mas.torpidity.net
2025-11-05 13:18:22

Series C, Episode 06 - City at the Edge of the World
VILA: To tell you the truth, I don't really care. It's not important any more.
TARRANT: [To Dayna] What's the matter with him?
blake.torpidity.net/m/306/616 B7B3

Claude 3.7 describes the image as: "The image shows a scene from a science fiction television production with a distinctive 1970s-80s aesthetic. Two performers are pictured in costume - one wearing a black and white medieval-inspired outfit with a belt, while the other is dressed in a simple light-colored tunic or jumpsuit with textured fabric. The setting appears to be inside a futuristic spacecraft or base with louvered panels visible in the background. The lighting and film quality have the…
@blakes7bot@mas.torpidity.net
2025-12-06 10:08:28

Series D, Episode 03 - Traitor
AVON: Ah well. Tarrant is brave; young; handsome. [Chuckles] There are three good reasons for anyone not to like him.
SOOLIN: He has a point all the same.
AVON: About Tarrant?
blake.torpidity.net/m/403/109 B7B2

Claude Haiku 4.5 describes the image as: "# Scene Description This image appears to be from a science fiction television production, set in a futuristic spacecraft interior. The setting features metallic cylindrical columns and modern technological elements typical of 1980s sci-fi aesthetic, with sleek gray and silver tones throughout. Two characters are shown in conversation within this high-tech environment. The character on the left wears a distinctive black jacket adorned with elaborate s…
@blakes7bot@mas.torpidity.net
2025-12-05 19:17:54

Series D, Episode 06 - Headhunter
VILA: I am!
SOOLIN: I know.
VILA: Where's Orac? He can run a scan first.
SOOLIN: 'Fraid not, sorry.
AVON: [Who has entered unnoticed and is leaning casually against the doorway.] Why not?
SOOLIN: Orac's in hiding.
blake.torpidity.net/m/406/444…

Claude Sonnet 4 describes the image as: "This image shows a scene from what appears to be a science fiction television production, set in a futuristic interior space with white/gray walls, ventilation grates, and industrial-style lighting. The setting has a distinctly spaceship or space station aesthetic typical of sci-fi shows from the late 1970s or early 1980s. Two actors are positioned in the scene - a man on the left wearing a light-colored military or utility-style jacket, and a woman on …
@blakes7bot@mas.torpidity.net
2025-11-06 07:08:06

#Blakes7 Series C, Episode 08 - Rumours of Death
REBEL 1: [V.O.] We want both!
REBEL 2: [V.O.] Yes!
[Avon and Tarrant break into Servalan's empty office, and leave. They then break into Surveillance. Avon shakes Grenlee in his chair.]

Claude 3.7 describes the image as: "The image shows a person in a dark interior setting, wearing what appears to be a black outfit or uniform with a v-neck. The lighting is very dim, giving the scene a moody, dramatic atmosphere. The background reveals what looks like a corridor or room in what might be a spacecraft or facility, with light-colored walls visible. The aesthetic has that distinctive late 1970s/early 1980s British television production quality - somewhat grainy and darkly lit. Th…
@blakes7bot@mas.torpidity.net
2025-11-05 19:23:10

Series C, Episode 05 - The Harvest of Kairos
JARVIK: You don't think they have enough problems as it is?
SERVALAN: Oh, I'm sure they have. You may take a small party with you to make the numbers equal.
blake.torpidity.net/m/305/477 B7B5

Claude 3.7 describes the image as: "The image shows two people in what appears to be a futuristic spaceship or station interior. One person with very short dark hair is wearing a light-colored patterned outfit and is looking up with a smile at the other person, who is wearing a distinctive blue padded vest or jacket with gray sections. The setting has a clean, minimalist sci-fi aesthetic typical of classic British television productions, with rounded wall fixtures and technical-looking panels…
@blakes7bot@mas.torpidity.net
2026-01-05 13:19:00

Series B, Episode 06 - Trial
PAR: Don't worry about them. Space Command runs the Federation.
LYE: Reckon so?
PAR: Know so. And we look after ourselves.
LYE: Tell that to the prisoner.
PAR: Broke the rules, didn't he?
LYE: Whose rules?
blake.torpidity.net/m/206/15

Claude Haiku 4.5 describes the image as: "# Image Description This scene appears to be from a television production, likely from the 1970s or 1980s based on the styling and image quality. The setting is a futuristic interior space with distinctive curved architectural elements, including arched doorways and a textured dark column on the right side. The walls feature vertical paneling and large windows allowing natural light to flood the space, creating a clean, modernist aesthetic. Four men a…
@blakes7bot@mas.torpidity.net
2026-01-05 13:19:00

Series B, Episode 06 - Trial
PAR: Don't worry about them. Space Command runs the Federation.
LYE: Reckon so?
PAR: Know so. And we look after ourselves.
LYE: Tell that to the prisoner.
PAR: Broke the rules, didn't he?
LYE: Whose rules?
blake.torpidity.net/m/206/15

Claude Haiku 4.5 describes the image as: "# Image Description This scene appears to be from a television production, likely from the 1970s or 1980s based on the styling and image quality. The setting is a futuristic interior space with distinctive curved architectural elements, including arched doorways and a textured dark column on the right side. The walls feature vertical paneling and large windows allowing natural light to flood the space, creating a clean, modernist aesthetic. Four men a…