I have at least two more converts to The Story Graph in the last couple days, yanking them away from Amazon’s Good Reads.
I use it:
https://app.thestorygraph.com/profile/aardrian
Not perfect but definitely *not* Amazon. Just sayin’.
Another installment of the AI Hater's Guide to Code with LLMs https://aredridel.dinhe.net/2026/02/15/an-ai-haters-guide-to-code-with-llms-the-how-to/
This time, how to actually use the tools competently. Some theory and how they actually work, and some practical instruction.
We can't have anything nice goddammit!! 🧛
https://artthreat.net/8345-59320-hulu-drops-buffy-the-vampire-slayer-reboot-gellar-blindsided-by-decision/
In the end, the Guide concluded that Sol-3 was another datapoint in resolving the Fermi Paradox, revising the Drake Equation L down further.
Ford's notes read "mostly harmless" but Arthur found a Dick's Burgers napkin in a glovebox, with a scribbled note saying "the self-fulfilling DFPC is a particularly nasty bug."
"What's DFPC?", Arthur asked.
"Dark Forest Pareidolaic Collapse", said Zaphod.
"We see faces in t…
I am currently sitting in the Helsinki Library Oodi, and the plane that should take me from Helsinki to Copenhagen and Zurich (yes, the same plane) hasn't left Munich yet, it's delayed 1.5 hours. And it still needs to fly to Copenhagen and then Helsinki!
...
I think I'll get another book... #airtravel
A year since I cautioned about using APCA and calling it WCAG3’s next contrast algorithm:
https://toot.cafe/@aardrian/113801092971854851
As recent as last week, it seems WCAG3 contrast is still an open item:
1965
The illustration is by Boris Artzybasheff who was a prolific artist, especially for commercial art.
Back when tech companies paid artists to make amazing artworks and didn't just steal their work.
https://en.wikipedia.org/wiki/Boris_Artzybasheff
🇺🇦 #NowPlaying on KEXP's #MiddayShow
Arthur SatŠn:
🎵 A Cold Morning
#ArthurSatàn
https://jcsatan.bandcamp.com/track/a-cold-morning
https://open.spotify.com/track/1C6EYYOyjz3dbeVqb8d1Ck
I,i "orthopraxic homosexual”