Tootfinder

@blakes7bot@mas.torpidity.net
2025-12-04 07:04:23

#Blakes7 B09 - Countdown
SELSON: It's no good, sir. There's no way through; it's blocked. You must try and get back, sir - you must try and get back and stop... ahhh...[Dies]
[Rebels in the corridor outside the control room, beating on the door]

@blakes7bot@mas.torpidity.net
2025-12-03 07:06:20

#Blakes7 Series D, Episode 02 - Power
CATO: Overlooked. It's self-maintained. Powered by our sun, it will last forever. This generation, even Gunn Sar, believes it to be some kind of magic that keeps the chambers light and warm. A computer is like some ancient god to them.
AVON: What about the Seskas?

Claude Sonnet 3.7 describes the image as: "This black and white image shows a medieval king or nobleman character from what appears to be a historical drama or film. The figure is wearing an ornate metal circlet or crown with decorative medallions across the forehead, and has long hair and a full beard. They're dressed in what looks like medieval royal attire including armor or a metallic breastplate with a fur-trimmed cloak or mantle draped over the shoulders.

The setting appears to be a dark…

@blakes7bot@mas.torpidity.net
2025-11-04 07:19:02

#Blakes7 Series B, Episode 07 - Killer
BLAKE: The service history of that ship you've got in the landing bay. I sent you a warning about it earlier.
BELLFRIAR: Where did this come from?
BLAKE: Central Registry.
BELLFRIAR: Seven hundred years old?

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television production, likely from the late 1970s or early 1980s based on the visual style and production values. The scene shows someone in what appears to be a futuristic white outfit or uniform, sitting in what looks like a spaceship or futuristic setting. The lighting and set design have that distinctive look characteristic of British sci-fi productions from that era, with clean, minimalist aesthe…

@blakes7bot@mas.torpidity.net
2025-11-03 07:02:13

#Blakes7 Series C, Episode 12 - Death-Watch
DEETA: What do you think?
MAX: It's all been according to the rules.
https://blake.torpidity.net/m/312/161 B7B1

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television production, showing two people in what looks like a spacecraft or futuristic vehicle interior. The lighting is dramatic and moody, with both figures wearing light-colored clothing. The setting has the characteristic look of 1970s/80s sci-fi television production design, with angular surfaces and technical equipment visible in the background. The scene appears tense or dramatic based on the …

@blakes7bot@mas.torpidity.net
2025-10-03 06:08:48

#Blakes7 Series B, Episode 04 - Horizon
VILA: They'll murder us!
AVON: Blake, they might be protected.
BLAKE: I don't think so. And even if I'm wrong we still have a slim chance.
https://blake.torpidity.net/m/2…

@blakes7bot@mas.torpidity.net
2025-10-04 06:03:03

#Blakes7 Series A, Episode 11 - Bounty
CHENEY: [Into communicator] Yes?
VOICE: [V.O.] I think we've got some intruders.
CHENEY: [Into communicator] Are you sure?
VOICE: [V.O.] Electronic surveillance is usually reliable.
[Cheney interrupts him.]

Claude Sonnet 4.0 describes the image as: "I can see two figures in dark tactical or military-style gear in what appears to be a wooded, outdoor setting. One person is wearing a full face mask or helmet with protective equipment, while the other has their face partially visible and is wearing what looks like a tactical helmet or headgear. They appear to be equipped for some kind of mission or operation, with dark clothing and professional-grade protective equipment. The forest setting suggests …

@blakes7bot@mas.torpidity.net
2025-09-04 06:13:27

#Blakes7 Series A, Episode 12 - Deliverance
ENSOR: Energy cells...
BLAKE: They're here. They're quite safe. [He replaces them in Ensor's pocket.]
ENSOR: M-Must...get to my father. Without them, has only a few days to live.
CALLY: Gently, gently. Shhh.

Claude Sonnet 4.0 describes the image as: "I can see this is a dramatic scene showing two characters in what appears to be a tense, intimate moment. One man is lying down or reclining, appearing injured or distressed, while another man with dark curly hair leans over him in what seems to be either a threatening or concerned gesture. The setting appears to be inside a spacecraft or futuristic facility, with sleek, metallic surfaces visible in the background. The lighting and composition create a…

@blakes7bot@mas.torpidity.net
2025-12-02 07:08:20

#Blakes7 Series A, Episode 02 - Space Fall
LEYLAN: I thought maintenance was supposed to have fixed that high-dee shift vibration.
RAIKER: That's what they said.
LEYLAN: That's what they always say. They don't bother! Nobody bothers anymore.

@blakes7bot@mas.torpidity.net
2025-10-02 06:07:49

#Blakes7 Series D, Episode 08 - Games
TARRANT: I'm glad we didn't get too close.
DAYNA: But after all that, we go home empty-handed.
https://blake.torpidity.net/m/408/532 B7B1

@blakes7bot@mas.torpidity.net
2025-12-01 07:12:09

#Blakes7 Series A, Episode 05 - The Web
AVON: Neither can we.
BLAKE: I'll bear that in mind. [Tosses empty box away.]
AVON: Don't worry. I'll remind you.
[Novara and Geela approach. Blake and Avon rise. Avon draws his weapon.]
…

Claude Sonnet 4.5 describes the image as: "This image shows a scene filmed in a wooded outdoor setting with bare trees visible in the soft-focused background. The cinematography has a slightly muted, cool color palette typical of British television productions from the 1970s-80s era.

Paul Darrow appears in character wearing a distinctive costume featuring a light gray or silver padded vest or armor piece with prominent shoulder sections over a black underlayer. The costume has a science fictio…

@blakes7bot@mas.torpidity.net
2025-11-01 07:09:47

#Blakes7 Series C, Episode 06 - City at the Edge of the World
KERRIL: What are you staring at?
VILA: I'm not staring.
KERRIL: We've been on the move a lot.
VILA: Yes.
KERRIL: It's the first chance I've had to, well, get cleaned up.

Claude 3.7 describes the image as: "The image shows a scene set in what appears to be a futuristic or sci-fi environment with metallic walls and geometric patterns. Two people are visible in the frame - one wearing a light green sleeveless dress with blonde hair on the left, and another in a light gray wraparound tunic with matching pants and tan boots on the right.

The setting has a distinctive retro sci-fi aesthetic typical of British television productions from the late 1970s/early 1980s. T…

@blakes7bot@mas.torpidity.net
2025-10-01 06:12:52

#Blakes7 Series B, Episode 13 - Star One
BLAKE: So, if Lurgan's coordinates are correct Star One is somewhere in there.
AVON: Which makes it about the only thing that is.
https://blake.torpidity.net/m/213/44

@blakes7bot@mas.torpidity.net
2025-11-30 07:07:10

#Blakes7 Series C, Episode 04 - Dawn of the Gods
TARRANT: Thanks to Orac it sounds as if the Liberator is still intact. A trip to Xaranar wouldn't take too long.
GROFF: Escape is impossible. While the energy isolators are on, your handguns won't work and it is not possible to put the gravity generator into the negative field mode.

@blakes7bot@mas.torpidity.net
2025-10-31 07:15:18

#Blakes7 Series C, Episode 03 - Volcano
TARRANT: [V.O.] Right.
CALLY: Orac, operate teleport as instructed. Orac?
ORAC: Yes.
CALLY: Did you hear what I said?
ORAC: Teleport operation is a menial task much more suited to one such as yourself.

Claude Sonnet 4.0 describes the image as: "This scene appears to be set aboard a spacecraft, likely the Liberator, given the distinctive futuristic interior with its sleek walls and control surfaces. The setting has the characteristic clean, technological aesthetic of the series with muted lighting and curved architectural elements.

The scene shows three crew members in what appears to be a tense moment of discussion or briefing. One figure stands in the foreground wearing light-colored clothi…

@blakes7bot@mas.torpidity.net
2025-09-30 06:18:06

#Blakes7 Series B, Episode 12 - The Keeper
OLD MAN: [Virtually inaudible] A fool knows everything and nothing. [Dies]
FOOL: He's dead! [pushes Blake away and sings over the body] I sing you of all the wise charls, I sing you of all that, Your life, your death, Brought honour to the tents...

@blakes7bot@mas.torpidity.net
2025-11-29 07:12:09

#Blakes7 Series D, Episode 02 - Power
KATE: Stop it, Pella! [Kate rushes at Pella, who shoots her dead. Pella enters the launch silo and the door closes before the others can rush in. Avon takes the crystal from Kate's neckband.]
[Inside silo. The Scorpio's turntable begins to turn and rise.]

Claude Sonnet 3.7 describes the image as: "This image appears to be a scene from the science fiction series "Blake's 7," showing three characters in distinctive costume design typical of the show's futuristic aesthetic.

The scene features three people standing together in what looks like a spacecraft or space station interior with neutral-colored walls. On the left is a person wearing a white and gray outfit with geometric patterns and a metallic collar. In the center is someone with blonde h…

@blakes7bot@mas.torpidity.net
2025-10-30 07:19:48

#Blakes7 Series B, Episode 03 - Weapon
COSER: [To Clone 2] You betrayed me.
TRAVIS: Blake is a reformed character. There are only two traitors here.
[Blake, Avon, and Gan materialize in the compound]
https://blake.torpidity…

@blakes7bot@mas.torpidity.net
2025-09-29 06:03:43

#Blakes7 Series B, Episode 03 - Weapon
JENNA: Maybe IMIPAK is another Orac. If we captured it perhaps we could breed from them.
BLAKE: What a disgusting idea.
JENNA: [Smiles] Well, despite Orac's lucky eavesdropping, we're not much wiser, are we?

Claude 3.7 describes the image as: "This image shows a scene set in what appears to be a spacecraft interior with distinctive futuristic design elements typical of classic science fiction television from the late 1970s/early 1980s.

The scene features two individuals in conversation - a person with blonde feathered hair wearing a navy blue outfit with decorative gold accents on the shoulders, and another person with curly dark hair wearing a brown jacket over darker clothing.

The spacecraft s…

@blakes7bot@mas.torpidity.net
2025-11-28 07:14:46

#Blakes7 Series D, Episode 03 - Traitor
SOOLIN: Just a minute. This is Scorpio, come in Tarrant.
AVON: Hold that order, Slave.
TARRANT: [V.O.] Soolin, we're almost finished here.
https://blake.torpidity.net/m/403/424

@blakes7bot@mas.torpidity.net
2025-10-29 07:01:35

#Blakes7 Series C, Episode 09 - Sarcophagus
ZEN: Confirmed. [There is an alien sound. Cally closes her eyes and winces slightly.]
AVON: [To Cally] What is it?
CALLY: What?
AVON: You picked up on something.
https://bla…

@blakes7bot@mas.torpidity.net
2025-09-28 06:10:02

#Blakes7 Series A, Episode 09 - Project Avalon
GUARD: Down, it's Blake! [He shoves Blake and Vila into the other guard and takes off down the hall.]
BLAKE: Chevner! [A fight ensues.] Jenna!
COMPUTER: Detention block seven - condition red. [Alarm starts.]

Claude 3.7 describes the image as: "This image appears to be from a science fiction television series, showing a scene in what looks like a spacecraft or space station corridor with white walls and futuristic design elements.

The image shows several people in costume - some wearing colorful outfits in burgundy and green with distinctive headwear, while a figure on the right is dressed in dark clothing and appears to be holding what looks like a weapon. The individuals with their hands near th…

@blakes7bot@mas.torpidity.net
2025-11-27 07:19:32

#Blakes7 Series C, Episode 11 - Moloch
VILA: What's that? Oh, no. No to whatever it was.
CALLY: Orac, please explain the significance of that.
ORAC: The T-16 will enter teleport range in one minute, seventeen seconds, en route for Sardos.
h…

@blakes7bot@mas.torpidity.net
2025-10-28 07:17:30

#Blakes7 B01 - Redemption
AVON: I warned them to stay away from the teleport area. The people who built this ship will have the same teleport capability as we have. They'll use it to board us.
JENNA: That doesn't account for their disappearance.

@blakes7bot@mas.torpidity.net
2025-09-27 06:15:43

#Blakes7 Series B, Episode 03 - Weapon
VILA: Why didn't you suggest it to us?
CALLY: Because I knew how you'd react.
AVON: Auron may be different, Cally, but on Earth it is considered ill-mannered to kill your friends while committing suicide.

Claude 3.7 describes the image as: "This image shows a person with short hair wearing a dark, high-collared uniform in what appears to be a futuristic sci-fi setting. The person has a somewhat concerned or serious expression, and is positioned against a gray/metallic background that suggests the interior of a spacecraft or space station.

The costume design is characteristic of 1970s-80s British science fiction television, with its minimalist styling and dark colors. The setting has the distin…

@blakes7bot@mas.torpidity.net
2025-11-26 07:03:30

#Blakes7 Series B, Episode 02 - Shadow
ORAC: I see no point in continuing this conversation.
VILA: Now, don't start sulking again, or I shall switch you off and throw away the key.
ORAC: Soon, that will be no longer a problem.
VILA: Eh?

@blakes7bot@mas.torpidity.net
2025-10-27 07:01:29

#Blakes7 Series C, Episode 03 - Volcano
CALLY: Avon, repeat that. Message indistinct. Repeat that.
VILA: Communications blind spot. Or maybe he landed in the volcano.
CALLY: No, I think he's all right.
https://blake.to…

Claude Sonnet 4.0 describes the image as: "I can see this is a black and white image showing someone at what appears to be a control console or technical workstation. The person is leaning over the console, which has various buttons, switches, and control panels typical of science fiction television production design from the late 1970s or early 1980s. The setting appears to be some kind of spacecraft or high-tech facility interior, with geometric wall panels visible in the background. The ligh…

@blakes7bot@mas.torpidity.net
2025-09-26 06:00:55

#Blakes7 Series C, Episode 01 - Aftermath
AVON: So you have very little to fear from Servalan. There is no real Federation anymore. It's unlikely that anyone will come looking for you. You won't have to hide any longer.
MELLANBY: It's odd. For the last twenty years that's all I've dreamed of, freedom to do what I want, go where I want. Now that I've got it,…

Claude 3.7 describes the image as: "This image appears to be from a science fiction TV series from the late 1970s or early 1980s based on the visual style and production quality. The scene shows two people in what looks like a spacecraft or futuristic setting, with metallic elements visible in the background.

One person wears a black outfit while the other wears an elegant white off-shoulder garment and appears to be holding or examining something. The person on the right is adorned with a ne…

@blakes7bot@mas.torpidity.net
2025-11-25 07:06:39

#Blakes7 Series A, Episode 06 - Seek-Locate-Destroy
AVON: Space Commander Travis.
BLAKE: Travis!
JENNA: Do you know him?
BLAKE: I thought he was dead. I was sure I'd killed him.
https://blake.torpidity.net/m/106/…

Claude Haiku 4.5 describes the image as: "# Image Description

This scene appears to be from a science fiction television production, likely from the 1970s based on the visual style and set design. The image shows four people in what appears to be a spacecraft interior, characterized by the futuristic but modest production design typical of that era.

The setting features sleek, minimalist backgrounds with geometric patterns and metallic tones. The actors are wearing stylized costumes consisten…

@blakes7bot@mas.torpidity.net
2025-10-26 07:04:44

#Blakes7 Series B, Episode 12 - The Keeper
VILA: Huh! Blake!
BLAKE: Shhh, quiet.
VILA: Am I glad to see you. What are you doing here?
BLAKE: Is Jenna all right?
VILA: Only pair-bonding with the chief.
BLAKE: Good.
https://

Claude 3.7 describes the image as: "This image appears to be from a dark, dramatic scene, likely filmed in a low-light setting. The photo shows a person wearing what looks like a utilitarian or military-style jacket in a brownish color. They appear to be in some kind of dimly lit environment, possibly a corridor or confined space.

The dramatic lighting creates strong shadows and a tense atmosphere, which was characteristic of the sci-fi television production styles of the late 1970s/early 1980…

@blakes7bot@mas.torpidity.net
2025-11-24 07:11:59

#Blakes7 Series D, Episode 05 - Animals
AVON: Right. How's our armament situation?
SOOLIN: Good as it'll ever be. We couldn't hold off a Federation patrol with it, but we knew that already.
https://blake.torpidity.ne…

Claude 3.7 describes the image as: "This image appears to be from the classic British science fiction series "Blake's 7." The scene takes place in what looks like a spacecraft or space station interior with metallic walls and industrial styling typical of the show's production design.

Three people are gathered around what appears to be a control console or workstation. On the right, a person wearing a distinctive black outfit with decorative elements stands at the console, appearing to operate…

@blakes7bot@mas.torpidity.net
2025-10-25 06:08:12

#Blakes7 Series A, Episode 09 - Project Avalon
SERVALAN: [To Travis] Project Avalon has failed totally. There will be a full inquiry. Until that time you are relieved of your command.
TRAVIS: [To himself] If it takes all my life, I will destroy you, Blake. I will destroy you. I will destroy you.

Claude 3.7 describes the image as: "The image shows a person with very short dark hair wearing a white robe or garment with a wide neckline. They have a focused expression and appear to be speaking or reacting to something. The background is blurry but suggests an indoor setting with some structural elements visible.

This appears to be from a science fiction production, with the minimalist costume and setting typical of the genre from that era. The stark white costume against the industrial-lo…

@blakes7bot@mas.torpidity.net
2025-09-24 06:12:20

#Blakes7 Series B, Episode 07 - Killer
BLAKE: It wasn't an ordinary human being.
BELLFRIAR: It was the body of one.
BLAKE: I think it had been adapted.
BELLFRIAR: What?
https://blake.torpidity.net/m/207/349

Claude 3.7 describes the image as: "This image appears to be from a science fiction television series from the late 1970s or early 1980s. The scene shows an office or control room setting with vintage technology.

On the left, there's a person in a white uniform or coat seated at a desk with papers and equipment. On the right, there's another person in a brown leather jacket who appears on a monitor or television screen, suggesting this might be a communication between two locations.

The sett…

@blakes7bot@mas.torpidity.net
2025-11-23 07:19:37

#Blakes7 Series D, Episode 03 - Traitor
HUNDA: If we could knock it out they'd be isolated!
TARRANT: Couldn't you infiltrate and assault group or is it too heavily defended?
LEITZ: It's not defended, but the city's sealed off.
HUNDA: What is it?
…

@blakes7bot@mas.torpidity.net
2025-10-24 06:13:08

#Blakes7 Series B, Episode 03 - Weapon
VILA: I think my brain must be furring up.
GAN: IMIPAK might be something they can use against us, Vila.
VILA: Only if it can run faster than we can.
BLAKE: Jenna, set a course for that planet.
https…

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television production, showing someone in period-style costume consisting of a white shirt with a dark vest or jerkin that has decorative trim or braiding. The costume design suggests this might be from a futuristic or alternate historical setting. The person is wearing what appears to be some kind of headband or small hat. The background shows what looks like a set with columns and warm lighting typi…

@blakes7bot@mas.torpidity.net
2025-09-23 06:19:00

#Blakes7 Series C, Episode 06 - City at the Edge of the World
KERRIL: We're shut in. Vila, we're shut in!
VILA: Don't worry. My man knows we're here.
KERRIL: Your man?
https://blake.torpidity.net/m/306/322

Claude Sonnet 4.0 describes the image as: "I can see two people in what appears to be a library or archive setting, with shelves of books or documents visible in the background. The scene has the distinctive lighting and production values typical of late 1970s British science fiction television. One person is wearing a light-colored, loose-fitting garment, while the other is dressed in what appears to be a turtleneck or similar top. The setting suggests this might be taking place in some kind o…

@blakes7bot@mas.torpidity.net
2025-11-22 07:02:17

#Blakes7 Series A, Episode 08 - Duel
BLAKE: Thank you. She was, uh, she was very beautiful, wasn't she, Jenna?
JENNA: [Unenthusiastically] Yes. Very.
VILA: All we saw was the ugly one. How is it you get all the fun?
https://

@blakes7bot@mas.torpidity.net
2025-10-23 06:18:31

#Blakes7 Series B, Episode 09 - Countdown
BLAKE: What's the countdown?
CAUDER: Fifty-three.
BLAKE: [Into bracelet] Liberator, this is Blake. Do you read me?
JENNA: [V.O., over bracelet] We hear you.
BLAKE: Any news from Avon?
ht…

@blakes7bot@mas.torpidity.net
2025-09-22 06:04:33

#Blakes7 Series D, Episode 13 - Blake
ARLEN: You scum!
BLAKE: Don't bother calling me names, girl. Not after the killing you've done. [She tries to reach her gun again but Blake kicks it away.] There's a premium for bringing you back alive, but I'll kill you if I have to. The price for you dead isn't bad, but I'm not a greedy man.

@blakes7bot@mas.torpidity.net
2025-11-21 07:05:20

#Blakes7 Series A, Episode 03 - Cygnus Alpha
KARA: Gan.
[Gan steps back. The spear misses him and hits Kara. The fight continues. Blake is struggling with one of the priests. Vila stabs the priest.]
BLAKE: Don't just stand there Vila. Run.
h…

Claude 3.7 describes the image as: "# Theatrical Scene Analysis

This appears to be a dramatic stage production set in a gothic or medieval environment. The scene depicts a funeral or death ritual, with a figure lying horizontally on a red fabric-draped platform or altar. The setting is notably dark, with minimal lighting that creates an eerie atmosphere.

The staging includes numerous figures dressed in dark, period-appropriate clothing standing solemnly in the background. Some figures hold ca…

@blakes7bot@mas.torpidity.net
2025-10-22 06:03:57

#Blakes7 Series C, Episode 10 - Ultraworld
AVON: They've presented no threat so far.
TARRANT: Maybe they're biding their time.
AVON: What for? They could take us out quite easily with their technology.
https://blak…

Claude Sonnet 4.0 describes the image as: "This appears to be a scene set aboard a spacecraft, likely the Liberator or Scorpio, featuring three crew members in a tense moment. The setting shows the characteristic metallic interior design with geometric patterns typical of the series' futuristic aesthetic. The characters are wearing their distinctive costumes - one in a dark outfit with military-style detailing, another in the iconic studded leather jacket, and a third in red and black. The ligh…

@blakes7bot@mas.torpidity.net
2025-09-21 06:12:01

#Blakes7 Series C, Episode 12 - Death-Watch
DEETA: It's just the thought of all that stuff they put inside my head ... frightens the hell out of me.
MAX: It's quite safe, Deeta. [Whirring noises as the sensor net is charged. Deeta's eyes fill with sparkling white light for a few seconds]

@blakes7bot@mas.torpidity.net
2025-11-20 07:27:18

#Blakes7 Series B, Episode 02 - Shadow
LARGO: Oh, I'm fascinated. But I'm just an independent businessman.
AVON: [Takes two gems from a bag, lays them on Largo's platform] Are you sure?
https://blake.torpidity.net/m/…

Claude Sonnet 4.0 describes the image as: "This scene appears to be from a science fiction television production, likely from the 1970s or early 1980s based on the visual quality and costume design. The setting features a sleek, minimalist interior with pale walls and geometric patterns, characteristic of futuristic set design from that era.

In the foreground, one actor wears a distinctive metallic silver tunic with voluminous sleeves over black clothing, creating a striking space-age appearan…

@blakes7bot@mas.torpidity.net
2025-11-20 07:05:23

#Blakes7 Series B, Episode 04 - Horizon
AVON: We're also a long way out and still running. Why?
JENNA: We lost those patrol ships ages ago.
VILA: We lost everything ages ago. Nothing comes this far out.
BLAKE: So we're free for the time being anyway.

@blakes7bot@mas.torpidity.net
2025-10-21 06:08:34

#Blakes7 B12 - The Keeper
JENNA: I've told you, we mean him no harm.
GOLA: You come from a spaceship. My guards capture you, or else by now you would have killed us. [holding up teleport bracelets] What are these? You - fool! What are these?
http…

Claude 3.7 describes the image as: "This image shows a scene set in what appears to be a tribal or primitive interior space with decorative wall hangings and circular shields. Several people are visible in what looks like a costume drama from the late 1970s or early 1980s, based on the production style and costume design.

In the foreground, a person in leather-like attire sits on a cushioned seat, while others stand in the background. One figure wears a furry costume with an ornate vest, sugge…

@blakes7bot@mas.torpidity.net
2025-09-20 06:18:50

#Blakes7 Series C, Episode 12 - Death-Watch
VILA: Or bows and arrows. There's ... uh ... rules and honour and chivalry and ... all that sort of thing.
CALLY: [Rolling her eyes] That makes all the difference, of course.
https://

@blakes7bot@mas.torpidity.net
2025-11-19 07:13:24

#Blakes7 Series D, Episode 10 - Gold
AVON: We, have the gold.
TARRANT: We're well ahead of schedule.
AVON: We are going to need to be. We have to put Scorpio down on Beta Five, unload the gold, and get Scorpio back into orbit. All before they arrive.

Claude Sonnet 4.0 describes the image as: "This image shows a scene from the British science fiction series "Blake's 7," featuring five actors gathered around a futuristic control console. The setting appears to be the flight deck of the spacecraft Liberator, with its distinctive curved control panels and technical equipment visible throughout.

The actors are engaged in what appears to be a tactical discussion, gathered around illuminated control surfaces displaying maps or strategic informati…

@blakes7bot@mas.torpidity.net
2025-10-20 06:15:01

#Blakes7 D01 - Rescue
[Planet terminal. Exterior, night. A crude camp has been made. A small fire burns in the centre. Dayna, Tarrant and Avon are seated around the fire. Avon has Orac in his lap and is attempting to repair it.]
TARRANT: Vila rescued me?

Claude Sonnet 4.0 describes the image as: "This scene shows four characters gathered around a small campfire in what appears to be a cave or rocky shelter. The setting suggests they're in hiding or taking refuge, with patches of snow or frost visible on the ground, indicating cold conditions. The characters are dressed in their typical practical clothing - leather jackets and sturdy garments suitable for their circumstances as rebels on the run. The intimate gathering around the fire creates a …

@blakes7bot@mas.torpidity.net
2025-09-19 06:04:20

#Blakes7 Series C, Episode 06 - City at the Edge of the World
AVON: What the hell is that? [to Dayna, who enters] What happened?
DAYNA: Bayban got away from me.
TARRANT: He'll be making for his ship.
NORL: No! Let him go. He has no men left.

Claude Sonnet 4.0 describes the image as: "In this scene, two characters are engaged in what appears to be a tense conversation aboard a spacecraft. The setting has the distinctive purple-tinted lighting and metallic interior design typical of the series. One character wears a dark leather outfit with metallic studs or details, while the other is dressed in flowing red and dark clothing. They appear to be standing close together in what looks like a corridor or chamber of the ship, suggesting a…

@blakes7bot@mas.torpidity.net
2025-11-18 07:14:56

#Blakes7 Series A, Episode 04 - Time Squad
BLAKE: I'm hardly likely to use the landing area am I? I need to contact the resistance fighters.
CALLY: Your words are meaningless to me.
https://blake.torpidity.net/m/104/354

@blakes7bot@mas.torpidity.net
2025-10-19 06:09:36

#Blakes7 Series A, Episode 01 - The Way Back
JENNA: About twenty-four hours. If you're expecting a last-minute reprieve you'd better forget it. Once they get you this far there's no going back. You'd better get used to the idea. Nobody out there gives a damn about you.
[Scene: VARON's apartment. He walks towards the bed where MAJA is sleeping and stops. She awak…

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television series, showing two people in what looks like a dramatic scene. One person has curly blonde hair and is wearing what appears to be a sparkly or sequined dark outfit, while the other has dark curly hair and is wearing what looks like a green or olive-colored garment. The setting appears to be indoors with muted lighting, suggesting this might be taking place on a spacecraft or futuristic int…

@blakes7bot@mas.torpidity.net
2025-09-18 06:09:43

#Blakes7 Series B, Episode 05 - Pressure Point
VERON: I won't.
BLAKE: Now, once we're into the entry blockhouse-
VILA: Why don't we teleport right down to the control computer chamber?
https://blake.torpidity.n…

Claude 3.7 describes the image as: "This image appears to be from a science fiction television series, showing a dark, moody scene with four individuals standing together in what looks like a spacecraft or futuristic setting. The scene has a distinctly retro sci-fi aesthetic typical of 1970s-80s British television productions.

The characters are wearing distinctive costumes - one in a yellow/beige outfit with some type of arm support or design element, while others are dressed in darker leathe…

@blakes7bot@mas.torpidity.net
2025-11-17 07:17:27

#Blakes7 Series A, Episode 11 - Bounty
SARKOFF: Beautiful, aren't they. Earth insects of the order Lepidoptera.
BLAKE: Butterflies.
SARKOFF: Ah, so you're an historian, are you?
BLAKE: No, but I did study some natural history.
htt…

@blakes7bot@mas.torpidity.net
2025-10-18 06:14:14

#Blakes7 D07 - Assassin
BENOS: Look, when I say I win, I win. Right? [Knocks him down and kicks him - cut back to Avon and Vila]
VILA: Friendly looking lot aren't they? Are you sure you can manage them on your own? [Avon hands his gun to Vila]
htt…

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television production, showing what looks like a dramatic confrontation scene between two characters in ornate, futuristic costumes with metallic studs and decorative elements. The setting appears to be against a rough stone or cave-like background. The scene has the distinctive visual style of British science fiction television from the late 1970s or early 1980s, with elaborate costume design typical…

@blakes7bot@mas.torpidity.net
2025-09-17 06:15:20

#Blakes7 Series C, Episode 07 - Children of Auron
TARRANT: In the absence of a more pressing engagement.
AVON: I am not asking THEM to kill him.
CALLY: But pointless revenge, it doesn't achieve anything.
https://blake.t…

Claude 3.7 describes the image as: "This image shows a scene set in what appears to be a spaceship interior with a futuristic design. Four individuals are pictured in a lounge-like area with cream-colored seating arranged in a sunken conversation pit style. There's a colorful triangular game board on a table in the foreground.

The setting features typical sci-fi elements of the late 1970s/early 1980s era television production, with distinctive costume styling of that period - including brown a…

@blakes7bot@mas.torpidity.net
2025-11-16 07:01:12

#Blakes7 Series B, Episode 09 - Countdown
BLAKE: [To Jenna] Get a locator fix on the signal.
CALLY: It's already pinpointed.
BLAKE: Well done. Alright, Avon, get kitted up. You too, Vila.
https://blake.torpidity.net/m/2…

Claude 3.7 describes the image as: "This image appears to be from a science fiction television series, likely from the late 1970s or early 1980s based on the production style and costumes. The scene shows two individuals in conversation within what looks like a spacecraft or futuristic facility with metallic walls and reflective surfaces visible in the background.

The person on the left is wearing a gray uniform-like outfit, while the person on the right is dressed in a brown/olive sleeveless …

@blakes7bot@mas.torpidity.net
2025-10-17 06:08:04

#Blakes7 Series A, Episode 11 - Bounty
BLAKE: He is older. It's seven years since he came into exile. [Into bracelet] Liberator, come in, Liberator.
[Flight deck of the Liberator]
https://blake.torpidity.net/m/111/32

Claude 3.7 describes the image as: "The image shows two individuals with curly dark hair in what appears to be a rustic or wilderness setting. They are wearing what looks like period or specialized costume clothing, with one wearing what appears to be a spotted fur or animal print garment. The scene has a muted, somewhat desaturated color palette typical of television productions from the late 1970s or early 1980s.

The individuals seem to be in a tense or watchful moment, with one looking off …

@blakes7bot@mas.torpidity.net
2025-09-16 06:08:29

#Blakes7 Series D, Episode 12 - Warlord
ZUKAN: Insofar as we on Betafarl have always sought to protect ourselves and our borders, there are some here who would not be unjustified in regarding us as aggressors, but if it is aggression to protect oneself by ensuring that the others remain weak, then we have been aggressors.
BOORVA: Ah.

Claude 3.7 describes the image as: "This image shows a scene from a science fiction television production featuring several characters in distinctive costumes. In the center is a figure with a striking appearance, wearing a black outfit with pronounced shoulders and a gold belt. They have pale makeup and reddish hair styled upward. Surrounding this central character are others in varied futuristic attire - one in minimal black clothing with gold accents, another in dark robes with curly hair, a…

@blakes7bot@mas.torpidity.net
2025-11-15 07:04:41

#Blakes7 Series A, Episode 06 - Seek-Locate-Destroy
SERVALAN: Very well, Councillor Bercol. You may tell the President that I am appointing a Space Commander to take absolute control of this matter. He will be exclusively concerned to seek, locate, and destroy Blake.
BERCOL: Oh, excellent, excellent.

Claude 3.7 describes the image as: "The image shows a person with short dark hair in what appears to be a scene from a television production. They are wearing an elegant white outfit with a decorative crystal or beaded collar that has a distinct vintage sci-fi or fantasy aesthetic. The individual has a contemplative or mid-conversation expression and is seated against what looks like a light-colored sofa or seating area.

The setting appears to be from a classic television production, likely fr…

@blakes7bot@mas.torpidity.net
2025-09-15 06:15:30

#Blakes7 Series D, Episode 05 - Animals
SERVALAN: Every time you see him, you're going to hate him.
DAYNA: No!
SERVALAN: In the end you'll tell me you'll hate him and when I believe you I'll stop.
DAYNA: I'll never hate him.
SERVALAN: You will.

Claude Sonnet 4.0 describes the image as: "I can see this is a scene set in what appears to be an elegant, dimly lit interior space with warm lighting and refined decor. One person is wearing a dramatic black outfit with feathered or textured detailing, standing in a commanding pose. The other person is seated, wearing what looks like a light-colored uniform or formal outfit with dark trim. The setting suggests this could be taking place in a luxurious room or ship's quarters, with the lighting…

@blakes7bot@mas.torpidity.net
2025-11-14 07:09:32

#Blakes7 Series B, Episode 05 - Pressure Point
SERVALAN: If you tell me about the rendezvous, I will consider sparing your life.
KASABI: My life isn't yours to spare.
SERVALAN: Oh, but it is.
https://blake.torpidity.ne…

Claude Sonnet 4.0 describes the image as: "The image shows a tense scene in what appears to be a medical or clinical setting, indicated by the blurred institutional background with pale green and white tones. In the foreground, a woman with dark hair pulled back wears a military-style olive green vest or uniform, suggesting she may be portraying a soldier or service member. Her expression is serious and somewhat weary, with her gaze directed off-camera. The lighting creates a stark, documentary…

@blakes7bot@mas.torpidity.net
2025-10-15 06:13:52

#Blakes7 Series C, Episode 09 - Sarcophagus
TARRANT: I'm sure you wouldn't. [Draws his gun and exits. Avon smiles.]
[Corridors. As Tarrant runs toward the flight deck he is intercut with visions of the conjured figure in scarlet doing the same things.]

Claude Sonnet 4.0 describes the image as: "I can see a figure in what appears to be a futuristic or science fiction setting, wearing distinctive costume elements including red and tan/brown colored clothing with a cape-like garment. The character appears to be on what looks like a spaceship or futuristic interior set, with curved walls and technological elements visible in the background. The lighting creates a dramatic atmosphere typical of science fiction television productions from this era.…

@blakes7bot@mas.torpidity.net
2025-09-14 06:00:48

#Blakes7 Series A, Episode 02 - Space Fall
JENNA: He's not my type.
VILA: You can't afford to be choosy now!
JENNA: Why else would I be talking to you?
VILA: Thanks!
JENNA: Pleasure.
JENNA: [To Avon] What've you got there?

Claude Sonnet 4.0 describes the image as: "This appears to be a scene set in what looks like a spacecraft or futuristic facility interior, with metallic walls and institutional lighting typical of science fiction productions from this era. The scene shows several characters in conversation, with costumes reflecting the show's distinctive late 1970s sci-fi aesthetic. The characters are wearing a mix of practical spacefaring garments and more elaborate period-appropriate clothing. The lighting an…

@blakes7bot@mas.torpidity.net
2025-11-13 07:13:43

#Blakes7 Series A, Episode 10 - Breakdown
BLAKE: How soon can you complete?
KAYN: Thirty-five minutes.
BLAKE: Do it in twenty.
KAYN: Or you'll kill me.
https://blake.torpidity.net/m/110/540

Claude 3.7 describes the image as: "# Scene Description

This image appears to be from a science fiction television production, showing a medical or clinical setting. The scene captures three individuals in what looks like a spacecraft or futuristic facility interior, characterized by the metallic walls visible in the background.

In the foreground, a person wears a distinctive lime green headband and white medical mask, suggesting a medical or emergency scenario. Behind them, another figure in…

@blakes7bot@mas.torpidity.net
2025-10-14 06:20:20

#Blakes7 Series C, Episode 02 - Powerplay
VILA: Oh. Well that seems to cover everything.
LOM: You were in a space accident?
VILA: Accident? It was a full scale war. There was this alien battle fleet...
https://blake.torpidi…

@blakes7bot@mas.torpidity.net
2025-09-13 06:18:51

#Blakes7 Series A, Episode 04 - Time Squad
AVON: We'll need to blast the door. That will alert the guards before we've even started.
VILA: [To Avon] Listen fingers, computers are yours, doors are mine. Right?
BLAKE: You can open it?
htt…

Claude Sonnet 4.0 describes the image as: "I can see this appears to be a scene from a science fiction television series, showing two people in what looks like a futuristic or spaceship-like setting with white/light colored walls in the background. One person is wearing what appears to be a red or burgundy colored outfit, while the other is wearing darker clothing with what looks like a light-colored vest or jacket over it. The lighting and film quality suggests this is from a television produc…

@blakes7bot@mas.torpidity.net
2025-11-12 07:18:40

#Blakes7 Series A, Episode 04 - Time Squad
JENNA: Ah, don't tell him that.
BLAKE: [Into communicator] Thank you, Avon. [to Jenna] You ever seen anything like this before?
JENNA: No.
https://blake.torpidity.net/m/104/10…

@blakes7bot@mas.torpidity.net
2025-10-13 06:06:17

#Blakes7 Series D, Episode 04 - Stardrive
VILA: So what's that supposed to tell us?
AVON: That recording told Orac something. If we want to know what it is, we have to check every frame.
https://blake.torpidity.net/m/404/119…

@blakes7bot@mas.torpidity.net
2025-09-12 06:03:19

#Blakes7 Series A, Episode 10 - Breakdown
JENNA: Hello.
RENOR: Hello, hello, hello!
VILA: Ah. Jenna, this is Professor Kayn's assistant, his name is -
RENOR: Renor. And I had a feeling this was going to be a good day.
https://

@blakes7bot@mas.torpidity.net
2025-11-11 07:02:02

#Blakes7 Series D, Episode 08 - Games
AVON: Who does?
SLAVE: I fear I am unable to identify them Master. I regret this failure most bitterly.
AVON: Orac?
https://blake.torpidity.net/m/408/117…

Claude 3.7 describes the image as: "This image shows a droid or robot character from the science fiction television series. The machine has a distinctive spherical, segmented design with metallic sections separated by gold trim bands. It appears to have a control panel with small red lights visible in its midsection. The robot is positioned in what looks like a technical corridor or facility with textured green wall panels visible on either side, creating a classic retro sci-fi aesthetic. The s…

@blakes7bot@mas.torpidity.net
2025-10-12 06:13:26

#Blakes7 Series B, Episode 01 - Redemption
SPACEWORLD SLAVE: Then one of the planets developed a computer so powerful it was able to take over the weaponry computers of the other two.
BLAKE: So all three became one?
https://blak…

@blakes7bot@mas.torpidity.net
2025-09-11 06:07:54

#Blakes7 Series D, Episode 06 - Headhunter
ORAC: The survival of organic humanoid life is improbable.
SOOLIN: Are you talking about Vila and Tarrant?
ORAC: All organic humanoid life throughout the galaxy is at hazard.
https://

Claude Sonnet 4.0 describes the image as: "This image shows a scene set in what appears to be a futuristic spacecraft or space station interior, with control panels and technical equipment visible in the background. The setting has the characteristic sterile, high-tech aesthetic typical of science fiction productions from this era. The scene appears to be from a dramatic moment, with the lighting and composition suggesting tension or concern. The futuristic costume design includes metallic elem…

@blakes7bot@mas.torpidity.net
2025-11-10 07:04:42

#Blakes7 Series B, Episode 13 - Star One
AVON: [On communicator] What is it, Jenna?
JENNA: There's a ship, its coming in for a surface landing.
AVON: [On communicator] Have they spotted you?
JENNA: I've got the detector shield up.

@blakes7bot@mas.torpidity.net
2025-10-11 06:20:40

#Blakes7 Series C, Episode 06 - City at the Edge of the World
VILA: If the energy threshold isn't too low, and the field too thick. This one tried, but the air ran out on him. Ship was still in flight. [takes probe from skeleton]
KERRIL: Can I do anything?

@blakes7bot@mas.torpidity.net
2025-09-10 06:14:53

#Blakes7 Series A, Episode 01 - The Way Back
VARON: Look at that: outpatient admission, identity unrecorded.
VARON: And there's another.
VARON: And a third.
MAJA: Three unidentified admissions on the date the victims weren't at school.

Claude Sonnet 4.0 describes the image as: "I can see two people in what appears to be a futuristic corridor or spacecraft interior, wearing dark colored clothing that looks like uniforms or utilitarian outfits typical of science fiction productions from this era. The setting has clean, geometric walls with modern lighting that creates dramatic shadows. The scene appears tense or serious based on their body language and positioning. However, I cannot identify who the specific actors are in this …

@blakes7bot@mas.torpidity.net
2025-11-09 07:06:06

#Blakes7 Series D, Episode 13 - Blake
AVON: This won't hold it for long.
TARRANT: Have we shaken any of them off?
SOOLIN: [Looking at monitor] Not exactly.
VILA: Not remotely. There's four more coming on zero two three.
https://…

Claude 3.7 describes the image as: "The image shows a person in what appears to be a science fiction television production from the late 1970s or early 1980s, based on the filming style and costume design.

The individual is wearing a distinctive black leather outfit with metallic studs or embellishments, which is characteristic of the futuristic, somewhat dystopian aesthetic common in British sci-fi of that era.

The costume has a militaristic or authoritarian quality, with structured should…

@blakes7bot@mas.torpidity.net
2025-10-10 06:06:15

#Blakes7 Series B, Episode 12 - The Keeper
JENNA: If he's wise, he does.
VILA: And if he's not, he's dead.
BLAKE: All right, put us down Cally.
[They transfer to Goth, landing in a wooded gorge.]
https://bl…

Claude Sonnet 4.0 describes the image as: "This appears to be a scene set aboard a spacecraft, likely the Liberator, showing crew members gathered around what looks like a control console or computer interface. The setting has the characteristic futuristic interior design of the series, with metallic surfaces and technological equipment visible in the background. The characters appear to be examining or discussing something displayed on a screen or panel, which shows a grid of what might be dat…

@blakes7bot@mas.torpidity.net
2025-09-09 06:20:37

#Blakes7 Series D, Episode 03 - Traitor
AVANDIR: Igin volunteered.
HUNDA: I should never have sent him. He was too old.
AVANDIR: But that's why he volunteered Hunda, don't you see? He wanted to be of use.
https://bl…

Claude 3.7 describes the image as: "The image shows two people in what appears to be a battle or survival scenario, taking cover behind what looks like rocky terrain. They're wearing dark brown military-style jackets or uniforms and appear to be armed with weapons. The setting has a gritty, desaturated color palette typical of older science fiction productions, with a barren landscape visible in the background.

The scene appears to be from a dramatic moment where the characters are in a tense …

@blakes7bot@mas.torpidity.net
2025-11-08 07:04:57

#Blakes7 Series B, Episode 01 - Redemption
ALTA TWO: Take control. [Guards enter flight deck]
AVON: [To Jenna] I think we just lost our ship.
https://blake.torpidity.net/m/201/341 B7B1…

@blakes7bot@mas.torpidity.net
2025-10-09 06:12:56

#Blakes7 Series D, Episode 11 - Orbit
VILA: I'd have given odds Egrorian'd try to pull something! What's the escape velocity of this thing?
AVON: I don't know. Why don't you ask Orac?
VILA: Eh? [Avon opens panel, revealing Orac on the shuttle]
[Biodome]

Claude 3.7 describes the image as: "The image shows a scene from a classic science fiction television series from the late 1970s/early 1980s. It depicts two characters in what appears to be a futuristic control room or spacecraft setting, with technical equipment and computer banks visible in the background.

On the left is a person wearing a light gray outfit, while on the right is someone dressed in a distinctive black leather or vinyl costume with silver accents. Both appear to be seated at …

@blakes7bot@mas.torpidity.net
2025-09-08 06:03:13

#Blakes7 Series B, Episode 11 - Gambit
KRANTOR: How much has he won?
TOISE: Nearly five million, Krantor.
KRANTOR: I want that money back, Toise. Have him picked up the moment he leaves.
https://blake.torpidity.net/m/211/4…

Claude 3.7 describes the image as: "This image appears to be from a period costume drama, featuring two performers in elaborate 18th-century style attire. On the left, a figure wears a distinctive black and white striped outfit with a white powdered wig and ruffled cravat. On the right, another figure is dressed in ornate dark clothing with a dramatic golden crown or headdress. The setting includes white fabric draping in the background, suggesting a formal or theatrical environment. The costum…

@blakes7bot@mas.torpidity.net
2025-11-07 07:06:50

#Blakes7 Series C, Episode 06 - City at the Edge of the World
VILA: You wouldn't be interested in what comes top of it, would you?
KERRIL: You! [hits Vila playfully]
[In the room]
https://blake.torpidity.net/m/306/545…

@blakes7bot@mas.torpidity.net
2025-10-08 06:19:08

#Blakes7 Series D, Episode 04 - Stardrive
AVON: Regeneration will take about twenty minutes, while we deal with the coil.
[Space. Shot of three ships in formation.]
[Scorpio flight deck]
https://blake.torpidity.net/m/404/83…

@blakes7bot@mas.torpidity.net
2025-09-07 06:20:42

#Blakes7 Series B, Episode 10 - Voice from the Past
AVON: You WILL leave it.
GLYND: Why not, it's already served its purpose in uniting us for the common cause. [Blake hands the box to Avon]
BLAKE: Acclaim it for that.
https://

Claude Sonnet 4.0 describes the image as: "I can see this is a scene from a science fiction television series, showing what appears to be the interior of a spacecraft or futuristic facility. The setting has the characteristic look of late 1970s/early 1980s television production, with metallic surfaces and industrial-style lighting in the background. The person in the image is wearing what appears to be dark clothing typical of the series' costume design. The lighting and cinematography create a…

@blakes7bot@mas.torpidity.net
2025-11-06 07:08:06

#Blakes7 Series C, Episode 08 - Rumours of Death
REBEL 1: [V.O.] We want both!
REBEL 2: [V.O.] Yes!
[Avon and Tarrant break into Servalan's empty office, and leave. They then break into Surveillance. Avon shakes Grenlee in his chair.]
https:…

Claude 3.7 describes the image as: "The image shows a person in a dark interior setting, wearing what appears to be a black outfit or uniform with a v-neck. The lighting is very dim, giving the scene a moody, dramatic atmosphere. The background reveals what looks like a corridor or room in what might be a spacecraft or facility, with light-colored walls visible.

The aesthetic has that distinctive late 1970s/early 1980s British television production quality - somewhat grainy and darkly lit. Th…

@blakes7bot@mas.torpidity.net
2025-10-07 06:04:14

#Blakes7 Series D, Episode 11 - Orbit
VILA: Now what? There's nothing left to throw out!
AVON: Let's check with Orac. Come on!
[Shuttle, bridge]
AVON: What's the position now, Orac?
ORAC: Remaining flight time: five minutes and forty seconds.

@blakes7bot@mas.torpidity.net
2025-09-06 06:03:13

#Blakes7 Series C, Episode 10 - Ultraworld
CALLY: [V.O. faintly] Calling Liberator.
AVON: Be quiet, Vila.
CALLY: [V.O. signal is distorted and weak] I don't know where I am.
VILA: That's Cally's voice.
https://

Claude 3.7 describes the image as: "This image shows a scene from a science fiction television series, set aboard a spacecraft. The image features several people gathered around what appears to be a control panel or table in a futuristic command center environment. The set design has hexagonal lighting panels and metallic walls typical of sci-fi productions from this era.

The individuals are wearing distinctive 1970s/80s-style sci-fi costumes - one in a brown outfit with decorative elements, a…

@blakes7bot@mas.torpidity.net
2025-11-05 07:13:22

#Blakes7 Series D, Episode 02 - Power
PELLA: Nina -
AVON: Pella!
NINA: Now please. I have my duties to attend to.
PELLA: I feel sorry for you, Nina. You were a Seska, but more than that, you were a great Seska.
https://

Claude Sonnet 4.0 describes the image as: "I can see two people in what appears to be a futuristic setting with white/light colored walls or corridors typical of science fiction productions from this era. One person is wearing an ornate costume with metallic studs and decorative elements in black and white, suggesting a military or authoritative role. The other person is wearing a simpler light-colored garment with what appears to be a collar or neck piece. The lighting and set design have the …

@blakes7bot@mas.torpidity.net
2025-10-06 06:09:11

#Blakes7 Series A, Episode 01 - The Way Back
BLAKE: Where are we?
VILA: In a transit cell.
BLAKE: I don't understand.
https://blake.torpidity.net/m/101/227 B7B1

@blakes7bot@mas.torpidity.net
2025-09-05 06:07:52

#Blakes7 Series A, Episode 02 - Space Fall
ARTIX: [Into desk-mounted intercom] Full emergency, full emergency. All crew to operational stations. All crew to operational stations.
[Blake is crawling though a narrow access channel. The ship lurches from another shock-wave. When he recovers, Blake continues to a small panel. He taps it three times and waits.]

Claude Sonnet 4.0 describes the image as: "This appears to be a scene set aboard a spacecraft, likely the Liberator's flight deck or control room. A crew member is seated at what looks like a control station or pilot's position, with the characteristic white and metallic control panels visible in the background. The setting has the distinctive sterile, high-tech aesthetic typical of the series' spacecraft interiors, with various buttons, switches, and monitoring equipment arranged on the walls.…

@blakes7bot@mas.torpidity.net
2025-10-05 06:16:48

#Blakes7 Series D, Episode 06 - Headhunter
VILA: Do you think we can trust it? Scabby little rebel!
SOOLIN: Switch on and we'll see. [Vila activates Orac.]
SOOLIN: Prognosis, Orac.
ORAC: Prospect for organic humanoid life is dependent on one condition.

Tootfinder

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