Tootfinder

@blakes7bot@mas.torpidity.net
2025-08-24 06:20:18

#Blakes7 Series B, Episode 13 - Star One
VILA: [On communicator] What about the teleport?
JENNA: I'll put Orac on it.
VILA: [On communicator] He's not as quick as we are.
JENNA: We'll have to live with that.
https://

Claude Sonnet 4.0 describes the image as: "This black and white image shows a scene from what appears to be a science fiction television series, likely from the late 1970s or early 1980s based on the styling and production quality. The setting appears to be inside a spacecraft or futuristic facility, with characteristic curved walls and technical details visible in the background that are typical of sci-fi productions from that era.

The scene captures a dramatic moment, with the lighting and c…

@blakes7bot@mas.torpidity.net
2025-08-25 06:14:01

#Blakes7 Series A, Episode 12 - Deliverance
TRAVIS: It was Maryatt.
SERVALAN: Does it matter?
TRAVIS: No... No. Only Blake matters now.
SERVALAN: And Orac.
TRAVIS: Right.
https://blake.torpidity.net/m/112/281…

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television series, showing what looks like a futuristic interior setting with distinctive geometric wall patterns. There's a person in dark, military-style clothing standing, and another figure seated or reclining. The set design has a sleek, spaceship-like aesthetic typical of classic sci-fi shows, with clean lines and metallic surfaces. The lighting and production values suggest this is from a Briti…

@blakes7bot@mas.torpidity.net
2025-07-25 06:00:33

#Blakes7 Series B, Episode 13 - Star One
JENNA: I've got the detector shield up.
AVON: [On communicator] What sort of a ship is it?
https://blake.torpidity.net/m/213/295 B7B1

@blakes7bot@mas.torpidity.net
2025-07-24 06:06:01

#Blakes7 Series B, Episode 07 - Killer
TYNUS: Nervous?
AVON: Just careful.
TYNUS: We've just received this odd message. I think it's from your friends on the Liberator.
https://blake.torpidity.net/m/207/128

Claude 3.7 describes the image as: "This image shows a scene in a futuristic, sterile-looking spacecraft or space station interior with distinctive geometric wall panels. Three people are visible in what appears to be a tense confrontation. In the center, a person in a brown leather outfit holds what looks like a document or paper. They are facing two others - one wearing a grayish uniform with utility belts and equipment on the left, and another in dark clothing on the right. The setting has t…

@blakes7bot@mas.torpidity.net
2025-06-24 06:19:38

#Blakes7 Series B, Episode 11 - Gambit
BLAKE: That is Docholli's case he's carrying.
CALLY: Are you sure?
BLAKE: Let's go. Keep in the shadows.
[In the loading bay.]
https://blake.torpidity.net/…

Blakes7Bot | Search
Companion site to the Blakes7Bot Twitter, Mastodon, and Bluesky accounts. Automated lines of Blakes 7 dialog. Includes a script search facility.

@blakes7bot@mas.torpidity.net
2025-08-23 06:05:23

#Blakes7 Series C, Episode 02 - Powerplay
DAYNA: Do what? Avon, why do you keep everything to yourself? Why so secretive?
AVON: Perhaps I'm shy. [Goes to leave] Anybody comes through this door, kill them. Anybody that isn't me, that is.
https…

Claude Sonnet 4.0 describes the image as: "This appears to be a scene from a science fiction television series, showing two characters in what looks like a futuristic spacecraft or base interior. The setting features sleek, metallic walls with a distinctive angular design typical of sci-fi productions from that era.

One character is wearing an elegant white flowing garment with decorative trim, suggesting a formal or ceremonial outfit. The other character is dressed in what appears to be a mil…

@blakes7bot@mas.torpidity.net
2025-07-23 06:13:05

#Blakes7 Series A, Episode 07 - Mission To Destiny
CALLY: It could be him. I told you I heard him quarreling with Sara, didn't I? Sonheim makes me uneasy, too.
AVON: He would be next on my list.
CALLY: The answer is here. If only we could see it.

Claude Sonnet 4.0 describes the image as: "This image shows a scene set in what appears to be a spacecraft's control room or technical facility, filled with futuristic computer equipment and monitoring devices typical of 1970s science fiction television. The setting features various control panels, screens, and electronic instruments that create an authentic spaceship bridge atmosphere. The person in the image is wearing what appears to be a dark uniform or outfit consistent with the show's dis…

@blakes7bot@mas.torpidity.net
2025-06-23 06:05:23

#Blakes7 Series A, Episode 03 - Cygnus Alpha
ZEN: Confirmed.
JENNA: [Looks at controls] That's done it. It seems we're on course now.
https://blake.torpidity.net/m/103/90…

Claude 3.7 describes the image as: "The image appears to be a still from a vintage science fiction television production, likely from the late 1970s or early 1980s based on the visual style and aesthetic.

It shows a person with curly blonde hair wearing an elegant dark outfit with decorative beaded or embellished details around the neckline. The costume has a distinctive retro-futuristic design that was characteristic of sci-fi productions from that era.

The scene has dramatic lighting with …

Blakes7Bot | Search
Companion site to the Blakes7Bot Twitter, Mastodon, and Bluesky accounts. Automated lines of Blakes 7 dialog. Includes a script search facility.

@blakes7bot@mas.torpidity.net
2025-08-22 06:08:47

#Blakes7 Series D, Episode 04 - Stardrive
TARRANT: [To Avon] What are you doing?
AVON: Programing in the main circuit drive.
DAYNA: You can't do that. That main drive will fire as soon as she makes the final connection.
SOOLIN: Fifteen seconds.

@blakes7bot@mas.torpidity.net
2025-07-22 06:10:00

#Blakes7 Series A, Episode 08 - Duel
TRAVIS: No. When I've killed Blake, I'll simply hunt down the others.
SINOFAR: There will be no destruction within our influence, but we cannot control your actions beyond this planet.
https://

Blakes7Bot | Search
Companion site to the Blakes7Bot Twitter, Mastodon, and Bluesky accounts. Automated lines of Blakes 7 dialog. Includes a script search facility.

@blakes7bot@mas.torpidity.net
2025-07-22 06:30:54

#Blakes7 Series B, Episode 02 - Shadow
JENNA: Approach completed.
GAN: All vectors are matched and holding
CALLY: Power down..now.
JENNA: Switching to automatics.
ZEN: Confirm. All systems functioning. Status is firm.
https://…

Claude Sonnet 4.0 describes the image as: "This scene appears to be set on the Liberator's flight deck or main area, featuring the characteristic white curved seating and metallic stepped platforms in the background. The futuristic set design includes the show's distinctive hexagonal wall panels and ambient lighting. Several crew members are positioned around the space - some seated on the white modular furniture in the foreground, while others are positioned on the raised platform areas behind…

@blakes7bot@mas.torpidity.net
2025-06-22 06:12:33

#Blakes7 Series D, Episode 06 - Headhunter
TARRANT: [V.O. over comm.] Muller can't.
AVON: Well, we'll give him a refund on his ticket. Just get that ship back, Tarrant. We'll worry about the details then. Out!
https://

Claude Sonnet 4.0 describes the image as: "This image shows a scene from inside a spacecraft, featuring futuristic interior design with metallic surfaces and technological elements typical of science fiction television from the late 1970s. The character is wearing a distinctive black leather outfit with metallic studs and white trim details, which was characteristic of the show's costume design. The setting appears to be aboard the Liberator, the main spacecraft used by the rebel crew. The slee…

Blakes7Bot | Search
Companion site to the Blakes7Bot Twitter, Mastodon, and Bluesky accounts. Automated lines of Blakes 7 dialog. Includes a script search facility.

@blakes7bot@mas.torpidity.net
2025-08-21 06:07:34

#Blakes7 Series B, Episode 10 - Voice from the Past
AVON: We must be getting near that asteroid by now.
JENNA: But why there? What is it that's drawing him to this particular asteroid.
https://blake.torpidity.net/m/210/238…

@blakes7bot@mas.torpidity.net
2025-07-21 06:17:03

#Blakes7 Series B, Episode 02 - Shadow
LARGO: That's better. We owned you from your first tiny drop of shadow.
BEK: [Picks up Largo's gun] Use shadow? Do I look that stupid? [Largo moves] Oh, try it!
HANNA: There are the two he promised...

@blakes7bot@mas.torpidity.net
2025-06-21 06:19:12

#Blakes7 Series C, Episode 10 - Ultraworld
AVON: When the planet was on the screen, did anyone notice Cally's reaction?
VILA: I didn't.
AVON: You were too busy teaching Orac nursery rhymes.
VILA: Riddles.
https://

Claude 3.7 describes the image as: "The image shows a person with dark, short hair styled in a typical 1970s-80s fashion. They're wearing what appears to be a high-necked costume with a brown textured material featuring some decorative elements or studs.

The lighting and film quality suggest this is from a British science fiction television production of that era. The costume design has that distinctive retro sci-fi aesthetic common in shows from this period.

The scene appears to be from a st…

Blakes7Bot | Search
Companion site to the Blakes7Bot Twitter, Mastodon, and Bluesky accounts. Automated lines of Blakes 7 dialog. Includes a script search facility.

@blakes7bot@mas.torpidity.net
2025-08-20 06:13:14

#Blakes7 Series D, Episode 10 - Gold
PILOT: [V.O., over comm.] There's no doubt in your mind that she'll die, Doctor?
DOCTOR: [V.O., over comm.] None at all, Captain.
PILOT: [V.O.] Aborting the trip is out of the question, I'm afraid.

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television series, showing what looks like a medical or scientific facility with futuristic set design. The scene features someone in medical/surgical attire in the foreground, with other figures visible in the background. The setting has distinctive sci-fi elements including curved walls, geometric patterns, and ambient lighting typical of 1970s-80s television production design. The scene appears to …

@blakes7bot@mas.torpidity.net
2025-07-20 06:04:11

#Blakes7 Series A, Episode 04 - Time Squad
BLAKE: Take a look.
[Avon enters hold]
BLAKE: [To Avon] Thank you.
AVON: Glad to be of help.
JENNA: You don't sound too sure about that. Thanks anyway. Nice flying.
[Blake goes to intercom]

Claude Sonnet 4.0 describes the image as: "This scene appears to be set on a spaceship or space station, with metallic corridors and industrial-style architecture visible in the background. The lighting creates a dramatic, somewhat tense atmosphere typical of science fiction television. Three characters are engaged in what seems to be an important conversation or confrontation. One figure wears earth-toned clothing, another is in darker attire, and the third character has blonde hair and is wea…

@blakes7bot@mas.torpidity.net
2025-08-19 06:08:57

#Blakes7 Series B, Episode 09 - Countdown
GRANT: Most of them.
BLAKE: Any senior officers?
GRANT: No.
BLAKE: He's got to be here somewhere.
GRANT: Who has?
https://blake.torpidity.net/m/209/286

@blakes7bot@mas.torpidity.net
2025-07-19 06:11:03

#Blakes7 Series B, Episode 13 - Star One
SERVALAN: Both. Now get back to your work. I am still waiting for your theories about where Star One may be located.
DURKIM: That summons is a Presidential Order in Council. I have to go.
https://

@blakes7bot@mas.torpidity.net
2025-06-19 06:07:31

#Blakes7 Series A, Episode 01 - The Way Back
RAVELLA: There's the signal.
[They see a torchlight in the distance. BLAKE and RAVELLA walk into a tunnel and through a metal door. Richie closes the door behind them. DEV TARRANT is outside, still apparently following. RICHIE and RAVELLA escort BLAKE through the room. BLAKE points at some people.]

Blakes7Bot | Search
Companion site to the Blakes7Bot Twitter, Mastodon, and Bluesky accounts. Automated lines of Blakes 7 dialog. Includes a script search facility.

@blakes7bot@mas.torpidity.net
2025-08-18 06:08:04

#Blakes7 Series A, Episode 11 - Bounty
BLAKE: Well, what have I got to gain by lying?
CALLY: You are the only man who can reunite your planet. If you act now, you can save it from war and from the Federation.
BLAKE: Well? [Sarkoff walks away.]
…

Claude 3.7 describes the image as: "The image shows a scene from what appears to be a science fiction television production from the late 1970s or early 1980s, based on the filming style and costume design.

In the foreground are three people engaged in what seems to be a tense conversation. On the left is an older person with silver hair wearing formal attire with a distinctive collar. In the center is a person with blonde hair pulled back, wearing a red outfit with a black choker or high nec…

@blakes7bot@mas.torpidity.net
2025-07-18 06:17:54

#Blakes7 Series D, Episode 02 - Power
ORAC: No, unless directed by an outside agency, matter transmuted to energy will merely dissipate at random.
VILA: [Indicating teleport area] Could this have done it without us knowing?
https://

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television series, showing someone in what looks like a futuristic white and blue uniform or flight suit. The setting appears to be inside a spacecraft or space station, with white paneled walls and what seems to be technical equipment visible in the background. The costume design has a distinctive retro-futuristic aesthetic typical of British science fiction from that era, with clean lines and a coll…

@blakes7bot@mas.torpidity.net
2025-06-18 06:14:53

#Blakes7 Series A, Episode 10 - Breakdown
JENNA: All right then, whoever programmed him.
AVON: One of these days I intend to find out who that is.
VILA: If you live that long.
BLAKE: Anything on the detectors?
https://

Blakes7Bot | Search
Companion site to the Blakes7Bot Twitter, Mastodon, and Bluesky accounts. Automated lines of Blakes 7 dialog. Includes a script search facility.

@blakes7bot@mas.torpidity.net
2025-08-17 06:17:13

#Blakes7 Series B, Episode 09 - Countdown
BLAKE: We'll do it. [Starts to call the ship]
AVON: Wait. Disarming a device is not your field. You finish what we came here for: find Provine.
GRANT: [To Avon] I'll come with you.
AVON: No.

Claude Sonnet 4.0 describes the image as: "This appears to be a scene from a science fiction television series, showing a character in what looks like a futuristic or spaceship setting. The person is wearing a distinctive burgundy or maroon colored leather-like outfit with a high black collar, which has a sleek, military or space-faring aesthetic typical of sci-fi productions from this era. The lighting and production values suggest this is from a British television series, likely from the late…

@blakes7bot@mas.torpidity.net
2025-07-17 06:03:48

#Blakes7 Series A, Episode 09 - Project Avalon
GUARD: Sir.
TRAVIS: Good. Stay alert.
https://blake.torpidity.net/m/109/262 B7B1

Claude 3.7 describes the image as: "This image appears to be from a science fiction television series, showing a scene in a stark, white corridor. Several people are visible wearing dark uniforms, with some wearing helmets or visors that obscure parts of their faces. The image has the distinctive low-budget, vintage sci-fi aesthetic typical of British television productions from the late 1970s/early 1980s.

The scene appears to depict some kind of confrontation in what looks like a spacecraft o…

@blakes7bot@mas.torpidity.net
2025-08-16 06:02:45

#Blakes7 Series B, Episode 10 - Voice from the Past
JENNA: He's a hard man to rescue when he doesn't want to be rescued.
AVON: More to the point, are you yourself?
BLAKE: What happened? Why aren't we at Del Ten? What's going on, Avon.

Claude 3.7 describes the image as: "The image shows two people in a science fiction setting, wearing futuristic costumes with metallic and gray elements typical of classic sci-fi television production design from the late 1970s/early 1980s.

The individuals are dressed in similar styled uniforms with high collars, though the person on the right has more prominent silver detailing on their costume. Both have distinctive period hairstyles that align with the aesthetic of British television produ…

@blakes7bot@mas.torpidity.net
2025-07-16 06:09:50

#Blakes7 Series C, Episode 02 - Powerplay
AVON: Never heard of them. Are they important to you?
TARRANT: Very.
AVON: Why?
TARRANT: Because this was their ship.
DAYNA: I thought you said it was yours?
TARRANT: Prize of war.
http…

Claude Sonnet 4.0 describes the image as: "I can see this is a scene set in what appears to be a spaceship interior, with a large viewscreen or window showing space in the background. The setting has a futuristic control room or bridge aesthetic typical of science fiction productions from this era, with control panels and seating areas visible. The two figures are positioned facing each other in what seems to be a tense conversational moment, with one wearing what appears to be a light-colored …

@blakes7bot@mas.torpidity.net
2025-06-16 06:03:29

#Blakes7 Series B, Episode 03 - Weapon
COSER: I should have known better. A labor-grade slave. You're pathetic.
[Reception chamber]
SERVALAN: Travis, you are pathetic.
TRAVIS: If you say so.
SERVALAN: Of all the cripple-brained idiots.

Blakes7Bot | Search
Companion site to the Blakes7Bot Twitter, Mastodon, and Bluesky accounts. Automated lines of Blakes 7 dialog. Includes a script search facility.

@blakes7bot@mas.torpidity.net
2025-06-20 06:02:37

#Blakes7 Series A, Episode 07 - Mission To Destiny
RAFFORD: [Into microphone] Log entry one forty three. Flight time zero one zero, elapsed nine zero. We have reached course delta red two. New heading locked in, all systems functioning. Log entry closes.
[He picks up map viewer and inserts a new map transparency. Cut to corridor, someone is approaching the door. Back to Rafford, he…

Blakes7Bot | Search
Companion site to the Blakes7Bot Twitter, Mastodon, and Bluesky accounts. Automated lines of Blakes 7 dialog. Includes a script search facility.

@blakes7bot@mas.torpidity.net
2025-08-15 06:06:11

#Blakes7 Series D, Episode 01 - Rescue
AVON: Cally is dead.
TARRANT: Are you sure?
AVON: [Pause] Yes, I'm sure.
DAYNA: He went back in.
TARRANT: You wanted to be a hero too?
https://blake.torpidity.net/m/401…

@blakes7bot@mas.torpidity.net
2025-07-15 06:17:26

#Blakes7 Series B, Episode 03 - Weapon
JENNA: We're below horizon now.
GAN: Then she's lost!
AVON: Only us. She got what she really wanted.
VILA: I thought that was us.
https://blake.torpidity.net/m/203/510…

Claude Sonnet 4.0 describes the image as: "This appears to be a scene set aboard the Liberator, the advanced alien spacecraft that serves as the crew's base of operations. The setting shows the ship's distinctive flight deck with its characteristic hexagonal viewports and sleek, futuristic interior design. The scene captures what appears to be a tense moment during their ongoing struggle against the totalitarian Federation. The high-tech control panels and the ship's sophisticated architecture …

@blakes7bot@mas.torpidity.net
2025-06-15 06:10:29

#Blakes7 Series B, Episode 10 - Voice from the Past
AVON: [Restrains Blake] Blake.
BLAKE: Renounce!
AVON: Easy, easy!
BLAKE: Renounce!
AVON: [To Cally] Tranquilizer pack!
BLAKE: Renounce! [Cally administers the tranquilizer pack. Blake subsides]

Claude Sonnet 4.0 describes the image as: "I can see this appears to be a dramatic scene showing someone in what looks like a moment of intense physical or emotional distress. The person's eyes are closed, their mouth is open, and their face appears strained or pained, suggesting they may be experiencing some form of suffering or extreme exertion. The lighting and close-up framing creates a tense, dramatic atmosphere typical of science fiction television productions from that era. The image qua…

Blakes7Bot | Search
Companion site to the Blakes7Bot Twitter, Mastodon, and Bluesky accounts. Automated lines of Blakes 7 dialog. Includes a script search facility.

@blakes7bot@mas.torpidity.net
2025-08-14 06:11:58

#Blakes7 Series A, Episode 06 - Seek-Locate-Destroy
CALLY: I think so, too.
AVON: They would have called in.
JENNA: Avon's right.
AVON: [Looks over at Jenna] I usually am.
JENNA: Blake says wait so we wait.
https://

Claude 3.7 describes the image as: "This image appears to be from a science fiction television series, showing two individuals in a futuristic setting. They're wearing distinctive costume pieces that have a utilitarian, space-age aesthetic with mixed earth tones and metallic elements. The scene takes place in what looks like a spacecraft or space station interior with characteristic panel walls and technical elements visible in the background.

Both figures are equipped with what appear to be w…

@blakes7bot@mas.torpidity.net
2025-07-14 06:24:18

#Blakes7 Series A, Episode 06 - Seek-Locate-Destroy
SERVALAN: Yes, of course. But why so formal, Rai? What can be so important that we can't discuss it in a more relaxed way? Oh, Rai, come here. [She beckons him to join her on a couch. Stroking his shoulder] Rai, I thought we were old friends.
[Servalan continues stroking his shoulder.]

Claude 3.7 describes the image as: "This image appears to be from a vintage science fiction television production, likely from the late 1970s or early 1980s based on the filming style and aesthetic.

The scene shows two people in conversation in what looks like a futuristic setting with textured white walls. One person wears an elegant white outfit with decorative embellishments at the neckline, while the other is dressed in a dark, possibly black outfit.

The minimalist, clinical-looking bac…

@blakes7bot@mas.torpidity.net
2025-07-14 06:02:44

#Blakes7 Series C, Episode 11 - Moloch
TARRANT: [O.O.V.] Go where?
VILA: [O.O.V.] Somewhere a long way away.
TARRANT: [O.O.V.] Why do you say that?
https://blake.torpidity.net/m/311/83

Blakes7Bot | Search
Companion site to the Blakes7Bot Twitter, Mastodon, and Bluesky accounts. Automated lines of Blakes 7 dialog. Includes a script search facility.

@blakes7bot@mas.torpidity.net
2025-06-14 06:18:14

#Blakes7 Series C, Episode 12 - Death-Watch
DEETA: So, you have an answer for the Summons to Justification. Like what? Surely not a Blood Feud? [rises to face her] I can't have killed someone who's close kin to both of you. Particularly not as your friend here is a citizen of the Vandor Confederacy. As I assume you are. [drops a metal ID card at her feet]
KARLA: [Picks it …

Claude 3.7 describes the image as: "The image shows a scene from what appears to be a retro sci-fi production, featuring two people in a futuristic interior setting. One person is standing wearing a distinctive patterned outfit in neutral tones - a matching jacket and pants with a geometric pattern, paired with a light-colored top. The other person is seated below, wearing what looks like a cream-colored turtleneck sweater.

The setting has a very distinctive 1970s-era science fiction aesthetic…

@blakes7bot@mas.torpidity.net
2025-08-13 06:17:00

#Blakes7 Series C, Episode 08 - Rumours of Death
HOB: I believe we're lost unless we stick together. If killing Servalan is what it takes, then she's more use to us dead.
SULA: Alive, Servalan can order her forces to disarm. Alive, Servalan can announce that she's standing down in favour of the People's Council, which you and the others will lead. Alive, Servalan c…

Claude Sonnet 4.0 describes the image as: "I can see this is a scene from what appears to be a science fiction television series, showing two people in what looks like a futuristic or clinical setting. The woman on the left is wearing a light-colored, military or uniform-style jacket with buttons, while the man on the right is dressed in a dark colored outfit. The setting appears to be some kind of medical facility or spaceship interior, with white walls and what looks like medical or technical…

@blakes7bot@mas.torpidity.net
2025-07-13 06:07:28

#Blakes7 Series A, Episode 02 - Space Fall
VILA: Now I want to show you a little trick here. Right, Gan. You know this one.
DAINER: Now, I'll watch carefully this time.
VILA: Right, now watch carefully, watch the old piece of cloth, right... And a one...

Claude Sonnet 4.0 describes the image as: "This appears to be a scene set in what looks like a spacecraft or space station corridor with characteristic futuristic wall panels and lighting. The setting has the typical industrial, utilitarian design aesthetic of science fiction television from this era. Three figures are visible in the scene - two appear to be wearing earth-toned, practical clothing that suggests they might be prisoners or rebels, while a third figure in darker clothing appears t…

@blakes7bot@mas.torpidity.net
2025-06-13 06:00:45

#Blakes7 Series C, Episode 06 - City at the Edge of the World
KERRIL: No! You can push people too far.
SHERM: You should remember that.
KERRIL: I said people, not garbage.
SHERM: Garbage!
BAYBAN: Kerril - Sherm - out. [Kerril and Sherm leave]

Blakes7Bot | Search
Companion site to the Blakes7Bot Twitter, Mastodon, and Bluesky accounts. Automated lines of Blakes 7 dialog. Includes a script search facility.

@blakes7bot@mas.torpidity.net
2025-08-12 06:02:15

#Blakes7 Series A, Episode 01 - The Way Back
BLAKE: A professional thief.
VILA: More a vocation than a profession. Other people's property comes naturally to me.
JENNA: [Sits down next to Blake. To Blake.] What's the time?
https://

Claude 3.7 describes the image as: "This image appears to be from a vintage science fiction television series from the late 1970s or early 1980s. The scene shows three people in what looks like a spacecraft or futuristic interior setting.

On the left is a person with blonde curly hair wearing an elaborate dark outfit with embellished details. In the center is someone in a light-colored shirt with a green vest or wrap. This character appears to be engaged in conversation or interaction with an…

@blakes7bot@mas.torpidity.net
2025-06-12 06:06:05

#Blakes7 Series B, Episode 06 - Trial
SERVALAN: I was watching Samor. What Travis said bothered him!
THANIA: You were watching?
https://blake.torpidity.net/m/206/485 B7B1

Claude 3.7 describes the image as: "This image appears to be from a science fiction television series, showing a scene in a minimalist, futuristic setting with white walls featuring a geometric pattern. The scene depicts two people in a formal conversation across what appears to be a control console or technical device with buttons and a circular display.

On the left is a person with short dark hair wearing a white outfit, shown from behind. On the right stands someone in a fitted black leathe…

Blakes7Bot | Search
Companion site to the Blakes7Bot Twitter, Mastodon, and Bluesky accounts. Automated lines of Blakes 7 dialog. Includes a script search facility.

@blakes7bot@mas.torpidity.net
2025-08-11 06:07:14

#Blakes7 Series C, Episode 01 - Aftermath
MELLANBY: Servalan? I've heard of her. Yes, she came into power some years after my defection. It's possible she doesn't remember my case.
AVON: Don't count on it. Servalan has a long memory.
…

@blakes7bot@mas.torpidity.net
2025-07-11 06:20:31

#Blakes7 Series C, Episode 02 - Powerplay
CALLY: Well, there's something not quite right about all this.
VILA: Not right - I've never known such hospitality.
CALLY: I think I'm going to try and contact the Liberator.
https://…

@blakes7bot@mas.torpidity.net
2025-06-11 06:05:53

#Blakes7 Series D, Episode 02 - Power
VILA: No. Must be brain warp. Think I'll just go off and die somewhere. [starts to exit]
TARRANT: Vila.
VILA: What?
TARRANT: The door.
VILA: Which door?
https://

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television series, showing someone in what looks like futuristic costume design typical of late 1970s/early 1980s British sci-fi productions. The person is wearing what appears to be a light-colored outfit with darker trim or detailing, and the lighting and film quality are characteristic of that era's television production values. The setting appears to be an interior space, possibly a spacecraft or …

Blakes7Bot | Search
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@blakes7bot@mas.torpidity.net
2025-08-10 06:13:42

#Blakes7 Series B, Episode 13 - Star One
KELDAN CONTROL: Nova Queen, this is Keldan Control. The ship is an unmanned ore carrier on Computer Flight Coordination.
NOVA QUEEN PILOT: I hope you're sure about that, Keldan, it's still on zero-four-zero.

@blakes7bot@mas.torpidity.net
2025-07-10 06:05:33

#Blakes7 Series D, Episode 11 - Orbit
TARRANT: Already? Well, I'll be damned. That means he's got away with it.
SOOLIN: Got away with what? You mean the tachyon funnel?
TARRANT: Not just the tachyon funnel.
[On shuttle]
https://

@blakes7bot@mas.torpidity.net
2025-06-10 06:12:50

#Blakes7 Series A, Episode 04 - Time Squad
AVON: Good. Moving to line up. Right lateral, minimum power.
VILA: Too much. You're overshooting.
AVON: Left lateral. That's enough. Hold.
VILA: Square on.
https://

Claude Sonnet 4.0 describes the image as: "This scene appears to be set aboard a spacecraft, likely the Liberator, given the futuristic interior with curved walls and control panels visible in the background. The setting has the characteristic sleek, technological aesthetic of the series with muted lighting creating a serious atmosphere.

Two crew members are shown in what appears to be a tense or contemplative moment. One character is wearing the distinctive brown and beige Federation uniform …

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@blakes7bot@mas.torpidity.net
2025-06-17 06:18:40

#Blakes7 Series B, Episode 02 - Shadow
ZEN: Information. Main visual is available. [displays Space City on screen.]
VILA: So?
ZEN: You expressed a desire to see what it is like.
https://blake.torpidity.net/m/202…

Claude Sonnet 4.0 describes the image as: "I can see this is a scene showing someone in white clothing examining what appears to be a complex technological device or control panel with a transparent casing. The device contains intricate circuitry, wiring, and small lights, suggesting it's some kind of advanced computer or navigation system. The setting appears to be inside a spaceship or advanced facility, with sleek metallic surfaces and futuristic architecture visible in the background. The p…

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2025-07-09 06:12:38

#Blakes7 Series D, Episode 04 - Stardrive
PLAXTON: What's the matter with your main drive?
TARRANT: It's a museum piece.
PLAXTON: Standard fiber optic control connections?
AVON: Very standard.
https://blake.t…

Claude Sonnet 4.0 describes the image as: "This appears to be a scene set on the flight deck or bridge of the Liberator spacecraft. The futuristic set features the characteristic curved control console with its distinctive ribbed design and multiple monitor screens. Several crew members are positioned around the bridge - some seated at the control stations while others stand nearby. The setting has the typical gray and metallic color scheme of the ship's interior, with the multi-level bridge de…

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2025-06-09 06:17:16

#Blakes7 Series B, Episode 01 - Redemption
JENNA: Look, we've been on the Liberator for a long time. The computers have never turned against us before. Why now?
AVON: That's what I was trying to find out when you sent for me. There's something else I'd like to try. [Burbles and gargles in two tones from Zen]

Claude 3.7 describes the image as: "This is a black and white image from a television production that appears to be from the late 1970s or early 1980s based on the styling. The image shows a person with voluminous, feathered blonde hair styled in a way typical of that era. They're wearing what looks like a patterned blouse or top with a pearl or beaded necklace. The expression appears somewhat serious or concerned, and the lighting creates a dramatic contrast typical of television productions f…

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@blakes7bot@mas.torpidity.net
2025-07-08 06:20:19

#Blakes7 Series D, Episode 11 - Orbit
VILA: Hideaway? Avon, if I got my hands on that kind of money, I'd have gone somewhere I could enjoy it. What is the point of having money if you have to exist on a hole like that!
AVON: You are forgetting, there is a big difference between you and Egrorian. HE has a brain.

Claude 3.7 describes the image as: "This image appears to be from a science fiction television series from the late 1970s or early 1980s, based on the production style and visual effects. The scene shows a person in a light-colored tunic-style costume sitting in what looks like a spacecraft or space station interior.

Behind them is a curved window or viewing screen displaying what appears to be a planet or moon against the darkness of space. The set design features white paneled walls typical…

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@blakes7bot@mas.torpidity.net
2025-06-08 06:02:22

#Blakes7 Series B, Episode 01 - Redemption
AVON: Have you considered amputation?
[Blake and Cally meet in a corridor]
BLAKE: How's Jenna?
CALLY: Just shaken. She'll be back in the teleport as soon as she's recovered.
BLAKE: Good. Help Avon with Zen.

Claude 3.7 describes the image as: "The image shows a person in what appears to be a science fiction setting, wearing a distinctive dark leather or vinyl costume with metallic studs or decorative elements. They are seated in what looks like a high-backed chair or control station with light-colored padding visible behind them. The costume has a futuristic, somewhat militaristic style typical of classic science fiction television productions from the late 1970s or early 1980s. The lighting and fi…

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@blakes7bot@mas.torpidity.net
2025-07-07 06:04:35

#Blakes7 Series D, Episode 02 - Power
VILA: A sort of academy, when I was a boy. They chose me as technical advisor for the escape.
PELLA: Escape? From an academy?
VILA: Perhaps academy was the wrong word.
https://

Claude 3.7 describes the image as: "This image appears to be from a science fiction television series, showing two people in a futuristic setting. On the left is a person with short blonde hair wearing an elegant cream-colored draped gown with a distinctive metallic collar. They're facing another person on the right who is partially visible from behind, wearing a gray uniform with yellow shoulder detailing.

The scene takes place in what looks like a spacecraft or space station interior, with m…

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@blakes7bot@mas.torpidity.net
2025-06-07 06:07:23

#Blakes7 Series B, Episode 04 - Horizon
BLAKE: Look at me, Jenna. Concentrate. The whole idea is - is to disorientate you.
JENNA: It doesn't seem to help.
BLAKE: When they ask questions, pretend you're dizzy.
JENNA: I AM dizzy.

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television production, showing a person in what looks like a white or light-colored shirt or jacket against a dark background with green geometric framing elements. The lighting and visual style is characteristic of 1970s or early 1980s British television production. The setting appears to be some kind of interior space, possibly a spacecraft or futuristic facility, with the distinctive green-tinted g…

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@blakes7bot@mas.torpidity.net
2025-07-06 06:10:51

#Blakes7 Series C, Episode 06 - City at the Edge of the World
CALLY: That's what we think.
AVON: [Pointing gun at soldier] What do you think?
[In room]
SHERM: All the guards are in place captain, he can't have got away.
BAYBAN: He must have done.

Claude Sonnet 4.0 describes the image as: "This scene appears to be set on a grassy hillside with a stone wall in the background. Three figures are lying prone on the ground wearing what looks like studded leather armor or protective gear, positioned as if they're taking cover or hiding. Two other figures are visible in the background - one wearing a burgundy and cream colored outfit, and another in lighter colored clothing. The setting has a rustic, outdoor feel typical of location shooting, w…

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2025-06-06 06:19:21

#Blakes7 Series B, Episode 06 - Trial
THANIA: We reserve our opening declaration, sir.
SAMOR: Very well. Enter prosecution data. [A clerk presses some buttons.]
https://blake.torpidity.net/m/206/53

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2025-08-05 06:15:27

#Blakes7 Series D, Episode 05 - Animals
DAYNA: Nothing to tell. Simply an unimportant genetic experiment.
SERVALAN: I don't think so. These animals are radiation-proof. That's worth a great deal to the Federation.
https://

Claude 3.7 describes the image as: "This is a black and white image from a dramatic television series from the late 1970s/early 1980s British science fiction era. The frame shows a person wearing a distinctive two-tone outfit with a white and dark color-blocked design featuring a zippered front. The person is wearing small hoop earrings and has a serious, intense expression against a dark background, creating a stark contrast typical of the dramatic lighting used in this production.

The minima…

@blakes7bot@mas.torpidity.net
2025-07-05 06:17:56

#Blakes7 Series B, Episode 09 - Countdown
CAUDER: But it's four thousand miles away. It can't be done.
AVON: It can if we use the teleport.
BLAKE: We can teleport right down to the location.
AVON: We'll need special equipment, thermal clothing.

Claude Sonnet 4.0 describes the image as: "This image shows a character in what appears to be a futuristic setting, wearing a distinctive burgundy or maroon leather-style jacket with a high black collar. The costume design reflects the science fiction aesthetic typical of late 1970s British television production. The lighting and image quality suggest this is from a studio-based television production of that era. The character appears to be in a dramatic scene, with the camera capturing them in…

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@blakes7bot@mas.torpidity.net
2025-06-05 06:12:33

#Blakes7 Series A, Episode 05 - The Web
BLAKE: Perhaps.
NOVARA: In that case, we apologize.
BLAKE: You communicated with us through another member of my crew.
https://blake.torpidity.net/m/105/331

Claude Sonnet 4.0 describes the image as: "I can see this is a scene featuring a man with dark curly hair wearing what appears to be a light-colored, futuristic-style jacket or uniform. The lighting and composition suggest this is from a science fiction television production, likely from the late 1970s or early 1980s based on the visual style and production values. The setting appears to be indoors, possibly on a spacecraft or futuristic facility set. The character appears to be in conversation…

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@blakes7bot@mas.torpidity.net
2025-08-04 06:18:53

#Blakes7 Series C, Episode 07 - Children of Auron
TARRANT: Has Orac got any results yet?
VILA: [V.O.] No.
C.A. TWO: The first batch are just coming back from treatment.
C.A. ONE: Good. Get the next six ready.
AVON: Treatment?
CALLY: Where?

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2025-08-04 06:41:25

#Blakes7 Series A, Episode 09 - Project Avalon
BLAKE: Yes, and Avalon was hit in the leg. [Shoots at a tumbler on a table. It falls over. He picks it up and inspects it] A nasty kick, that's all. Avon, what do you make of this? [Tosses the weapon to Avon.]
AVON: It's not standard issue. Low energy bolt discharge. This could bruise or stun, but it couldn't cause any ser…

Claude 3.7 describes the image as: "This image shows a scene from what appears to be a science fiction television series from the late 1970s or early 1980s, based on the production style and set design. The scene takes place in what looks like a spacecraft or control room with distinctive textured copper/brown walls and futuristic control panels.

In the foreground is a console with a green display screen and various controls. A person is standing in the set wearing a dark outfit with a light-c…

@blakes7bot@mas.torpidity.net
2025-07-04 06:02:50

#Blakes7 Series D, Episode 01 - Rescue
SLAVE: Yes, Master.
DORIAN: Analyze exterior disturbance.
SLAVE: It is an earthquake, Master.
AVON: Cause?
[Slave does not answer. Avon points his gun at Dorian.]
DORIAN: Cause?

Claude 3.7 describes the image as: "This image appears to be from a science fiction television series, showing two people in what looks like a futuristic spacecraft or control room. The set features metallic walls, technical panels with green lighting, and distinctive retro sci-fi design elements typical of television productions from the late 1970s or early 1980s.

One person wears a gray uniform with rolled-up sleeves, while the other is dressed in a black outfit with studded or decorated sle…

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@blakes7bot@mas.torpidity.net
2025-06-04 06:18:43

#Blakes7 Series B, Episode 07 - Killer
BLAKE: Kemp, Wardin, Tober, missing in the constellation of 61 Cygnii, seven hundred years ago.
WILER: May I continue?
BELLFRIAR: Sorry.
[Mortuary]
https://blake.torpi…

Claude 3.7 describes the image as: "This image appears to be from a classic British science fiction television series from the late 1970s/early 1980s. The scene shows two men in what looks like a futuristic or institutional setting. On the left is an older man wearing a white uniform or outfit, possibly representing authority or medical profession, holding what appears to be a document or paper. To his right is a younger man with curly dark hair wearing a dark shirt or jacket, who seems to be l…

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@blakes7bot@mas.torpidity.net
2025-07-03 06:06:18

#Blakes7 Series C, Episode 05 - The Harvest of Kairos
AVON: So?
TARRANT: So what do we do before they blow us out of the galaxy?
AVON: We attack.
TARRANT: Attack? We have nothing to attack with.
AVON: Then bluff it. Tell them to surrender.

Claude 3.7 describes the image as: "This image appears to be from a vintage science fiction television production, showing a control room or spacecraft bridge setting. Several individuals are gathered around what looks like technical equipment or control panels. The scene has the distinctive aesthetic of classic sci-fi from the late 1970s or early 1980s, with retro-futuristic technology featuring blinking lights and circuit boards visible in the foreground.

The setting appears to be a technica…

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2025-06-03 06:04:37

#Blakes7 Series B, Episode 13 - Star One
DURKIM: She can't be, it's unmanned. The systems are automatic.
SERVALAN: A group of scientists and technicians elected to spend the rest of their lives refining, checking and guarding the systems.

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television series, showing what looks like a dramatic scene between two characters. The image shows a person with very short dark hair wearing what appears to be a white garment and pearl necklace, engaged in conversation with someone whose back is to the camera. The setting appears to be indoors with neutral-colored walls. The lighting and film quality suggest this is from a television production, li…

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@blakes7bot@mas.torpidity.net
2025-08-02 06:05:46

#Blakes7 Series A, Episode 07 - Mission To Destiny
GROVANE: Well, I didn't see Mandrian die either, but I know he's dead.
AVON: I've just spent the last ten minutes in the filter plant looking for something that should be there but isn't. The cable that was damaged carries a high energy charge. In order to cut it, he would need a laser knife or an insulated saw. Ne…

Claude Sonnet 4.0 describes the image as: "This scene shows two characters in conversation aboard a spacecraft. The setting appears to be inside a futuristic vessel with characteristic white and metallic interior design elements visible in the background, including circular porthole-like features. One character is wearing a dark leather outfit with decorative studs or metallic elements, while the other is dressed in what appears to be a reddish garment. The lighting and production design are ty…

@blakes7bot@mas.torpidity.net
2025-07-02 06:13:26

#Blakes7 Series A, Episode 05 - The Web
BLAKE: It was an accident. [Takes hold of her arm] Look, we're very close to a planet but we don't know what it is. I can't find any transmission sources. Will you please run the checks for me. [She moves to communication position. Blake follows.]
ZEN: Sensor indicate increasing density of silica based organic material adhering t…

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2025-06-02 06:11:03

#Blakes7 Series D, Episode 11 - Orbit
DAYNA: So how could Egrorian have planted it aboard?
AVON: He must have reprogrammed that automatic landing bay of his.
SOOLIN: And you moved it on your own?
AVON: I couldn't find Vila.
VILA: I'm glad about that.

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2025-08-01 06:10:52

#Blakes7 Series A, Episode 01 - The Way Back
BLAKE: I don't understand.
VILA: You're on your way to the penal colony on Cygnus Alpha. Or you will be when the prison ship's refueled. Try to look on the bright side. It must have something. None of the guests have ever left early. In fact, none of them have ever left at all.

Claude 3.7 describes the image as: "The image shows a person with short dark hair wearing a light-colored jacket, appearing to be seated in what looks like an interior setting, possibly of a spacecraft or transport vehicle based on the metallic or industrial-looking background elements. They have a slight smile and are looking off to the side. The lighting gives the image a somewhat vintage television production quality, with the slightly soft focus and lighting typical of TV productions from e…

@blakes7bot@mas.torpidity.net
2025-07-01 06:40:42

#Blakes7 Series D, Episode 01 - Rescue
DORIAN: That's right, Soolin.
[Soolin examines her gun.]
SOOLIN: You're right. I did underestimate you, my dear.
https://blake.torpidity.net/m/401/485

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2025-06-01 06:18:29

#Blakes7 Series C, Episode 09 - Sarcophagus
ALIEN: [Her robes start blowing as if a breeze had sprung up] I thought you were the clever one. You're a fool, like Tarrant. The pain Tarrant is experiencing ... visualize that pain and much more. [Shot of Cally tossing her head back and forth.] You're as close to death as you have ever been. Think about human death, Avon. Irrevocable…

Claude 3.7 describes the image as: "This image appears to be from a science fiction television series, featuring a scene set inside what looks like a futuristic spacecraft or space station. The interior has distinctive angular architecture with pink/reddish lighting elements and metallic walls.

Two figures are shown in conversation. On the left is a person wearing an elaborate costume consisting of a golden/beige dress with a green robe or cloak. On the right is a person dressed in black attir…

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2025-06-30 06:05:10

#Blakes7 Series C, Episode 03 - Volcano
TARRANT: I don't trust anyone except my self. That's why I'm still alive. Which way?
DAYNA: Zen's groundplot said due north. And don't look so warlike.
TARRANT: Coming from you that's almost funny.

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2025-05-31 06:01:33

#Blakes7 Series A, Episode 06 - Seek-Locate-Destroy
ESCON: Base Commander Escon reporting, sir.
TRAVIS: Yes, Base Commander?
https://blake.torpidity.net/m/106/396 B7B1

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television production, showing someone in dark, futuristic military-style armor or uniform. The costume design has a distinctive sci-fi aesthetic with metallic elements and structured plating typical of space opera productions from that era. The lighting and set design create a dramatic, somewhat ominous atmosphere with dark tones and institutional-looking backgrounds. The overall production values an…

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2025-05-31 06:01:33

#Blakes7 Series A, Episode 06 - Seek-Locate-Destroy
ESCON: Base Commander Escon reporting, sir.
TRAVIS: Yes, Base Commander?
https://blake.torpidity.net/m/106/396 B7B1

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2025-06-29 06:12:39

#Blakes7 Series A, Episode 12 - Deliverance
JENNA: [V.O.] I'm safe and well. What happened to you?
BLAKE: A slight detour. We'll tell you when we see you. We'll be in teleport range in about four hours.
https://

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2025-05-30 06:07:57

#Blakes7 Series B, Episode 02 - Shadow
CALLY: I think Blake can look after himself.
VILA: He's led a very sheltered life.
CALLY: What, Blake has led a sheltered life?
https://blake.torpidity.net/m/202/119

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2025-05-30 06:07:57

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2025-07-29 06:06:52

#Blakes7 Series D, Episode 09 - Sand
CHASGO: You felt what happened to the ship. I barely held her. The base is about five miles to the north.
REEVE: Care to take a walk? [Looks at his handgun - a projectile weapon.] Can't trust anything else with Virn's electromagnetic record. Still, bullet can still make a mess of a man. I might save one for you, Chasgo, after that landi…

@blakes7bot@mas.torpidity.net
2025-06-28 06:19:40

#Blakes7 Series C, Episode 12 - Death-Watch
AVON: That is what you are to understand.
DAYNA: Is someone going to tell us what we're to understand?
CALLY: Yes, what exactly is going on?
VILA: You mean you've never heard of the Teal-Vandor Convention?

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2025-05-29 06:16:20

#Blakes7 Series A, Episode 04 - Time Squad
GAN: Hull re-pressurized.
VILA: Inner hatches released.
AVON: Switch the visual.
[Main screen view changes to projectile at rest in inner hold]
https://blake.torpi…

Claude 3.7 describes the image as: "This appears to be a scene from a classic science fiction television series, set in what looks like a spacecraft or control room. The image shows two people seated in a futuristic cockpit or command area. One person on the left wears a brown and beige outfit, while the person on the right has a lighter brownish jacket with some distinctive details. The setting has the distinctive retro-futuristic aesthetic typical of British sci-fi productions from the late 1…

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2025-05-29 06:16:20

Blakes7Bot | Search
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@blakes7bot@mas.torpidity.net
2025-07-28 06:13:46

#Blakes7 Series B, Episode 08 - Hostage
VILA: Why should they want to kill us?
BLAKE: Because they enjoy it.
AVON: All we can hope for is that it's quick.
[Main room of the tower. Molok is twisting Inga's shoulder. She screams.]
ht…

@blakes7bot@mas.torpidity.net
2025-06-27 06:06:51

#Blakes7 Series C, Episode 13 - Terminal
AVON: Thank you.
TARRANT: Avon, are we still on route for Calipheron? Are we?
AVON: No.
TARRANT: You've changed course?
AVON: Obviously.
TARRANT: You had no right to do that.

Claude 3.7 describes the image as: "The image shows a scene from a science fiction television series featuring two people in distinctive futuristic costumes. One person is wearing a burgundy outfit with studded details and is shown from behind. The other is wearing a black leather-like ensemble with silver trim and a high collar, facing the camera with a serious expression.

The setting appears to be a spacecraft or space station interior with angular walls and technological elements visible i…

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2025-05-28 06:02:02

#Blakes7 Series D, Episode 11 - Orbit
VILA: I think so. Try it now.
AVON: Switching to manual. Maximum power on all drives.
[Biodome]
PINDER: Egrorian.
EGRORIAN: They've broken the autocontrol and switched to manual. We've allowed for that.

Claude Sonnet 4.0 describes the image as: "This image shows a scene set in what appears to be the flight deck or control room of a spacecraft. The setting features a futuristic control console with various buttons, switches, and monitoring equipment typical of science fiction television production design from the late 1970s. Two crew members are visible - one in the foreground operating controls at the main console, wearing what appears to be a light-colored uniform, while another crew member c…

Blakes7Bot | Search
Companion site to the Blakes7Bot Twitter, Mastodon, and Bluesky accounts. Automated lines of Blakes 7 dialog. Includes a script search facility.

@blakes7bot@mas.torpidity.net
2025-05-28 06:02:02

Blakes7Bot | Search
Companion site to the Blakes7Bot Twitter, Mastodon, and Bluesky accounts. Automated lines of Blakes 7 dialog. Includes a script search facility.

@blakes7bot@mas.torpidity.net
2025-07-27 06:19:01

#Blakes7 Series D, Episode 06 - Headhunter
VILA: The interceptors!
MULLER: Send it back. That box must go back! [Throws Tarrant to floor.]
VILA: Slave, set a course for base. Maximum power. Go! Go! [Tarrant shoulders Muller away from the box.]
h…

Claude 3.7 describes the image as: "This image shows a scene from a science fiction television series, set in what appears to be a spacecraft or space station interior. The setting features metallic walls and control panels typical of retro sci-fi production design.

The scene includes three figures: two people in standard clothing appropriate for the show's futuristic setting, and between them is a distinctive alien or masked character wearing a dark purple/blue outfit with red and white accen…

@blakes7bot@mas.torpidity.net
2025-06-26 06:13:46

#Blakes7 Series C, Episode 13 - Terminal
KOSTOS: What is it?
VILA: It's just a pile of junk, really, but it means a lot to me. I built it. It's a sculpture. You're not going to make me leave it, are you?
KOSTOS: All right.

Blakes7Bot | Search
Companion site to the Blakes7Bot Twitter, Mastodon, and Bluesky accounts. Automated lines of Blakes 7 dialog. Includes a script search facility.

@blakes7bot@mas.torpidity.net
2025-05-27 06:09:02

#Blakes7 Series A, Episode 02 - Space Fall
JENNA: You think he's been caught?
BLAKE: No. No, there would have been an alarm. [Looks at the access hatch] I'd better get in after him.
https://blake.torpidity.net…

Blakes7Bot | Search
Companion site to the Blakes7Bot Twitter, Mastodon, and Bluesky accounts. Automated lines of Blakes 7 dialog. Includes a script search facility.

@blakes7bot@mas.torpidity.net
2025-05-27 06:09:02

Blakes7Bot | Search
Companion site to the Blakes7Bot Twitter, Mastodon, and Bluesky accounts. Automated lines of Blakes 7 dialog. Includes a script search facility.

@blakes7bot@mas.torpidity.net
2025-07-26 06:03:44

#Blakes7 Series A, Episode 06 - Seek-Locate-Destroy
TRAVIS: It's perfect.
ESCON: He still may not come.
TRAVIS: Oh, he'll come. He wouldn't abandon the girl. Not Blake. Right, it starts now. Get under cover.
ESCON: Sir.
https:…

@blakes7bot@mas.torpidity.net
2025-05-26 06:17:45

#Blakes7 Series A, Episode 02 - Space Fall
BLAKE: [To Avon] Could it be altered?
AVON: What?
BLAKE: The running log. Could the readings be faked?
AVON: Only by a top-line technician. Nobody on this ship could do it.
BLAKE: Except you.

Claude 3.7 describes the image as: "This image appears to be from a science fiction television series, set in what looks like a spacecraft or space station interior. The scene takes place in what appears to be crew quarters with bunk beds visible in the background.

The image shows three people in conversation. One person is standing in the center wearing a dark vest over a light-colored shirt. To the right, someone is seated in dark clothing with a thoughtful expression. On the left, partially…

Blakes7Bot | Search
Companion site to the Blakes7Bot Twitter, Mastodon, and Bluesky accounts. Automated lines of Blakes 7 dialog. Includes a script search facility.

@blakes7bot@mas.torpidity.net
2025-05-26 06:17:45

Blakes7Bot | Search
Companion site to the Blakes7Bot Twitter, Mastodon, and Bluesky accounts. Automated lines of Blakes 7 dialog. Includes a script search facility.

@blakes7bot@mas.torpidity.net
2025-08-08 06:01:51

#Blakes7 Series C, Episode 08 - Rumours of Death
SHRINKER: I specialize in uncooperative prisoners.
AVON: And you love a challenge.
SHRINKER: It's good that we understand each other.
AVON: Your name wouldn't be Shrinker, by any chance, would it?

@blakes7bot@mas.torpidity.net
2025-08-07 06:07:06

#Blakes7 Series D, Episode 05 - Animals
JUSTIN: I mean it. Nothing.
SERVALAN: I suppose I could convince you.
JUSTIN: You might damage my memory doing it.
SERVALAN: Yes, I might. All right, Dayna, sit in that chair.
DAYNA: No, no.
h…

Claude Sonnet 4.0 describes the image as: "I can see this is from a science fiction television series, showing an elegantly dressed character in what appears to be a luxurious interior setting. The person is wearing a dramatic black outfit with feathered or textured shoulders, and has striking makeup with bold red lipstick. Their hair is styled in a sleek, short fashion typical of futuristic or avant-garde looks. The background features warm lighting and what appears to be decorative elements, …

@blakes7bot@mas.torpidity.net
2025-08-06 06:12:03

#Blakes7 Series C, Episode 11 - Moloch
VILA: Uh...we'll have to find a way to get round him.
SERVALAN: What for?
VILA: He's armed.
SERVALAN: *You're* armed.
VILA: Yes, but ...
SERVALAN: Oh, give me the gun. I'll see to it.

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television series, showing two characters in what looks like an outdoor, misty or foggy setting with trees visible in the background. One character has very short dark hair and is wearing what appears to be a metallic or reflective costume with vertical striping. The other character has longer hair and is wearing dark clothing. The atmospheric, overcast setting and costume design suggest this is from …

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