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@blakes7bot@mas.torpidity.net
2025-07-02 06:13:26

#Blakes7 Series A, Episode 05 - The Web
BLAKE: It was an accident. [Takes hold of her arm] Look, we're very close to a planet but we don't know what it is. I can't find any transmission sources. Will you please run the checks for me. [She moves to communication position. Blake follows.]
ZEN: Sensor indicate increasing density of silica based organic material adhering t…

@blakes7bot@mas.torpidity.net
2025-07-03 06:06:18

#Blakes7 Series C, Episode 05 - The Harvest of Kairos
AVON: So?
TARRANT: So what do we do before they blow us out of the galaxy?
AVON: We attack.
TARRANT: Attack? We have nothing to attack with.
AVON: Then bluff it. Tell them to surrender.

Claude 3.7 describes the image as: "This image appears to be from a vintage science fiction television production, showing a control room or spacecraft bridge setting. Several individuals are gathered around what looks like technical equipment or control panels. The scene has the distinctive aesthetic of classic sci-fi from the late 1970s or early 1980s, with retro-futuristic technology featuring blinking lights and circuit boards visible in the foreground.

The setting appears to be a technica…
@blakes7bot@mas.torpidity.net
2025-06-02 06:11:03

#Blakes7 Series D, Episode 11 - Orbit
DAYNA: So how could Egrorian have planted it aboard?
AVON: He must have reprogrammed that automatic landing bay of his.
SOOLIN: And you moved it on your own?
AVON: I couldn't find Vila.
VILA: I'm glad about that.

Claude Sonnet 4.0 describes the image as: "This appears to be a scene from a science fiction television series, showing two characters in what looks like a spacecraft or futuristic facility interior. The setting features typical sci-fi production design with metallic walls and technical equipment visible in the background. One character is wearing an elaborate costume with metallic trim and ornate detailing around the collar and belt, while the other is dressed in more utilitarian clothing. The…
@blakes7bot@mas.torpidity.net
2025-06-03 06:04:37

#Blakes7 Series B, Episode 13 - Star One
DURKIM: She can't be, it's unmanned. The systems are automatic.
SERVALAN: A group of scientists and technicians elected to spend the rest of their lives refining, checking and guarding the systems.

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television series, showing what looks like a dramatic scene between two characters. The image shows a person with very short dark hair wearing what appears to be a white garment and pearl necklace, engaged in conversation with someone whose back is to the camera. The setting appears to be indoors with neutral-colored walls. The lighting and film quality suggest this is from a television production, li…
@blakes7bot@mas.torpidity.net
2025-07-01 06:40:42

#Blakes7 Series D, Episode 01 - Rescue
DORIAN: That's right, Soolin.
[Soolin examines her gun.]
SOOLIN: You're right. I did underestimate you, my dear.
blake.torpidity.net/m/401/485

@blakes7bot@mas.torpidity.net
2025-06-01 06:18:29

#Blakes7 Series C, Episode 09 - Sarcophagus
ALIEN: [Her robes start blowing as if a breeze had sprung up] I thought you were the clever one. You're a fool, like Tarrant. The pain Tarrant is experiencing ... visualize that pain and much more. [Shot of Cally tossing her head back and forth.] You're as close to death as you have ever been. Think about human death, Avon. Irrevocable…

Claude 3.7 describes the image as: "This image appears to be from a science fiction television series, featuring a scene set inside what looks like a futuristic spacecraft or space station. The interior has distinctive angular architecture with pink/reddish lighting elements and metallic walls.

Two figures are shown in conversation. On the left is a person wearing an elaborate costume consisting of a golden/beige dress with a green robe or cloak. On the right is a person dressed in black attir…
@blakes7bot@mas.torpidity.net
2025-06-30 06:05:10

#Blakes7 Series C, Episode 03 - Volcano
TARRANT: I don't trust anyone except my self. That's why I'm still alive. Which way?
DAYNA: Zen's groundplot said due north. And don't look so warlike.
TARRANT: Coming from you that's almost funny.

@blakes7bot@mas.torpidity.net
2025-05-31 06:01:33

#Blakes7 Series A, Episode 06 - Seek-Locate-Destroy
ESCON: Base Commander Escon reporting, sir.
TRAVIS: Yes, Base Commander?
blake.torpidity.net/m/106/396 B7B1

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television production, showing someone in dark, futuristic military-style armor or uniform. The costume design has a distinctive sci-fi aesthetic with metallic elements and structured plating typical of space opera productions from that era. The lighting and set design create a dramatic, somewhat ominous atmosphere with dark tones and institutional-looking backgrounds. The overall production values an…
@blakes7bot@mas.torpidity.net
2025-05-31 06:01:33

#Blakes7 Series A, Episode 06 - Seek-Locate-Destroy
ESCON: Base Commander Escon reporting, sir.
TRAVIS: Yes, Base Commander?
blake.torpidity.net/m/106/396 B7B1

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television production, showing someone in dark, futuristic military-style armor or uniform. The costume design has a distinctive sci-fi aesthetic with metallic elements and structured plating typical of space opera productions from that era. The lighting and set design create a dramatic, somewhat ominous atmosphere with dark tones and institutional-looking backgrounds. The overall production values an…
@blakes7bot@mas.torpidity.net
2025-06-29 06:12:39

#Blakes7 Series A, Episode 12 - Deliverance
JENNA: [V.O.] I'm safe and well. What happened to you?
BLAKE: A slight detour. We'll tell you when we see you. We'll be in teleport range in about four hours.

@blakes7bot@mas.torpidity.net
2025-05-30 06:07:57

#Blakes7 Series B, Episode 02 - Shadow
CALLY: I think Blake can look after himself.
VILA: He's led a very sheltered life.
CALLY: What, Blake has led a sheltered life?
blake.torpidity.net/m/202/119

@blakes7bot@mas.torpidity.net
2025-05-30 06:07:57

#Blakes7 Series B, Episode 02 - Shadow
CALLY: I think Blake can look after himself.
VILA: He's led a very sheltered life.
CALLY: What, Blake has led a sheltered life?
blake.torpidity.net/m/202/119

@blakes7bot@mas.torpidity.net
2025-06-28 06:19:40

#Blakes7 Series C, Episode 12 - Death-Watch
AVON: That is what you are to understand.
DAYNA: Is someone going to tell us what we're to understand?
CALLY: Yes, what exactly is going on?
VILA: You mean you've never heard of the Teal-Vandor Convention?

@blakes7bot@mas.torpidity.net
2025-05-29 06:16:20

#Blakes7 Series A, Episode 04 - Time Squad
GAN: Hull re-pressurized.
VILA: Inner hatches released.
AVON: Switch the visual.
[Main screen view changes to projectile at rest in inner hold]
blake.torpi…

Claude 3.7 describes the image as: "This appears to be a scene from a classic science fiction television series, set in what looks like a spacecraft or control room. The image shows two people seated in a futuristic cockpit or command area. One person on the left wears a brown and beige outfit, while the person on the right has a lighter brownish jacket with some distinctive details. The setting has the distinctive retro-futuristic aesthetic typical of British sci-fi productions from the late 1…
@blakes7bot@mas.torpidity.net
2025-05-29 06:16:20

#Blakes7 Series A, Episode 04 - Time Squad
GAN: Hull re-pressurized.
VILA: Inner hatches released.
AVON: Switch the visual.
[Main screen view changes to projectile at rest in inner hold]
blake.torpi…

Claude 3.7 describes the image as: "This appears to be a scene from a classic science fiction television series, set in what looks like a spacecraft or control room. The image shows two people seated in a futuristic cockpit or command area. One person on the left wears a brown and beige outfit, while the person on the right has a lighter brownish jacket with some distinctive details. The setting has the distinctive retro-futuristic aesthetic typical of British sci-fi productions from the late 1…
@blakes7bot@mas.torpidity.net
2025-06-27 06:06:51

#Blakes7 Series C, Episode 13 - Terminal
AVON: Thank you.
TARRANT: Avon, are we still on route for Calipheron? Are we?
AVON: No.
TARRANT: You've changed course?
AVON: Obviously.
TARRANT: You had no right to do that.

Claude 3.7 describes the image as: "The image shows a scene from a science fiction television series featuring two people in distinctive futuristic costumes. One person is wearing a burgundy outfit with studded details and is shown from behind. The other is wearing a black leather-like ensemble with silver trim and a high collar, facing the camera with a serious expression. 

The setting appears to be a spacecraft or space station interior with angular walls and technological elements visible i…
@blakes7bot@mas.torpidity.net
2025-05-28 06:02:02

#Blakes7 Series D, Episode 11 - Orbit
VILA: I think so. Try it now.
AVON: Switching to manual. Maximum power on all drives.
[Biodome]
PINDER: Egrorian.
EGRORIAN: They've broken the autocontrol and switched to manual. We've allowed for that.

Claude Sonnet 4.0 describes the image as: "This image shows a scene set in what appears to be the flight deck or control room of a spacecraft. The setting features a futuristic control console with various buttons, switches, and monitoring equipment typical of science fiction television production design from the late 1970s. Two crew members are visible - one in the foreground operating controls at the main console, wearing what appears to be a light-colored uniform, while another crew member c…
@blakes7bot@mas.torpidity.net
2025-05-28 06:02:02

#Blakes7 Series D, Episode 11 - Orbit
VILA: I think so. Try it now.
AVON: Switching to manual. Maximum power on all drives.
[Biodome]
PINDER: Egrorian.
EGRORIAN: They've broken the autocontrol and switched to manual. We've allowed for that.

Claude Sonnet 4.0 describes the image as: "This image shows a scene set in what appears to be the flight deck or control room of a spacecraft. The setting features a futuristic control console with various buttons, switches, and monitoring equipment typical of science fiction television production design from the late 1970s. Two crew members are visible - one in the foreground operating controls at the main console, wearing what appears to be a light-colored uniform, while another crew member c…
@blakes7bot@mas.torpidity.net
2025-06-26 06:13:46

#Blakes7 Series C, Episode 13 - Terminal
KOSTOS: What is it?
VILA: It's just a pile of junk, really, but it means a lot to me. I built it. It's a sculpture. You're not going to make me leave it, are you?
KOSTOS: All right.

@blakes7bot@mas.torpidity.net
2025-05-27 06:09:02

#Blakes7 Series A, Episode 02 - Space Fall
JENNA: You think he's been caught?
BLAKE: No. No, there would have been an alarm. [Looks at the access hatch] I'd better get in after him.
blake.torpidity.net…

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television series, showing what looks like a dramatic scene with three people in what appears to be a futuristic or spaceship-like setting with metallic walls and lighting. The scene has the distinctive visual style of late 1970s British television production. However, I cannot identify specific individuals in the image or confirm which actors these might be, so I cannot provide details about the spec…
@blakes7bot@mas.torpidity.net
2025-05-27 06:09:02

#Blakes7 Series A, Episode 02 - Space Fall
JENNA: You think he's been caught?
BLAKE: No. No, there would have been an alarm. [Looks at the access hatch] I'd better get in after him.
blake.torpidity.net…

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television series, showing what looks like a dramatic scene with three people in what appears to be a futuristic or spaceship-like setting with metallic walls and lighting. The scene has the distinctive visual style of late 1970s British television production. However, I cannot identify specific individuals in the image or confirm which actors these might be, so I cannot provide details about the spec…
@blakes7bot@mas.torpidity.net
2025-05-26 06:17:45

#Blakes7 Series A, Episode 02 - Space Fall
BLAKE: [To Avon] Could it be altered?
AVON: What?
BLAKE: The running log. Could the readings be faked?
AVON: Only by a top-line technician. Nobody on this ship could do it.
BLAKE: Except you.

Claude 3.7 describes the image as: "This image appears to be from a science fiction television series, set in what looks like a spacecraft or space station interior. The scene takes place in what appears to be crew quarters with bunk beds visible in the background.

The image shows three people in conversation. One person is standing in the center wearing a dark vest over a light-colored shirt. To the right, someone is seated in dark clothing with a thoughtful expression. On the left, partially…
@blakes7bot@mas.torpidity.net
2025-05-26 06:17:45

#Blakes7 Series A, Episode 02 - Space Fall
BLAKE: [To Avon] Could it be altered?
AVON: What?
BLAKE: The running log. Could the readings be faked?
AVON: Only by a top-line technician. Nobody on this ship could do it.
BLAKE: Except you.

Claude 3.7 describes the image as: "This image appears to be from a science fiction television series, set in what looks like a spacecraft or space station interior. The scene takes place in what appears to be crew quarters with bunk beds visible in the background.

The image shows three people in conversation. One person is standing in the center wearing a dark vest over a light-colored shirt. To the right, someone is seated in dark clothing with a thoughtful expression. On the left, partially…
@blakes7bot@mas.torpidity.net
2025-05-25 06:03:18

#Blakes7 Series C, Episode 06 - City at the Edge of the World
BAYBAN: That's better.
VILA: You're top of the Federation's Most Wanted list - after Blake.
blake.torpidity.net/m/306/167

Claude 3.7 describes the image as: "The image shows a scene from what appears to be a science fiction television show, likely from the 1980s based on the production quality and styling. 

The scene depicts two individuals in conversation. On the right is a person wearing a simple light-colored turtleneck or high-necked garment. Facing them on the left is someone in an elaborate costume featuring a dark, studded or armored outfit with textured shoulders and decorative elements.

The setting has …
@blakes7bot@mas.torpidity.net
2025-05-25 06:03:18

#Blakes7 Series C, Episode 06 - City at the Edge of the World
BAYBAN: That's better.
VILA: You're top of the Federation's Most Wanted list - after Blake.
blake.torpidity.net/m/306/167

Claude 3.7 describes the image as: "The image shows a scene from what appears to be a science fiction television show, likely from the 1980s based on the production quality and styling. 

The scene depicts two individuals in conversation. On the right is a person wearing a simple light-colored turtleneck or high-necked garment. Facing them on the left is someone in an elaborate costume featuring a dark, studded or armored outfit with textured shoulders and decorative elements.

The setting has …
@blakes7bot@mas.torpidity.net
2025-06-23 06:05:23

#Blakes7 Series A, Episode 03 - Cygnus Alpha
ZEN: Confirmed.
JENNA: [Looks at controls] That's done it. It seems we're on course now.
blake.torpidity.net/m/103/90

Claude 3.7 describes the image as: "The image appears to be a still from a vintage science fiction television production, likely from the late 1970s or early 1980s based on the visual style and aesthetic. 

It shows a person with curly blonde hair wearing an elegant dark outfit with decorative beaded or embellished details around the neckline. The costume has a distinctive retro-futuristic design that was characteristic of sci-fi productions from that era.

The scene has dramatic lighting with …
@blakes7bot@mas.torpidity.net
2025-06-22 06:12:33

#Blakes7 Series D, Episode 06 - Headhunter
TARRANT: [V.O. over comm.] Muller can't.
AVON: Well, we'll give him a refund on his ticket. Just get that ship back, Tarrant. We'll worry about the details then. Out!

Claude Sonnet 4.0 describes the image as: "This image shows a scene from inside a spacecraft, featuring futuristic interior design with metallic surfaces and technological elements typical of science fiction television from the late 1970s. The character is wearing a distinctive black leather outfit with metallic studs and white trim details, which was characteristic of the show's costume design. The setting appears to be aboard the Liberator, the main spacecraft used by the rebel crew. The slee…
@blakes7bot@mas.torpidity.net
2025-06-21 06:19:12

#Blakes7 Series C, Episode 10 - Ultraworld
AVON: When the planet was on the screen, did anyone notice Cally's reaction?
VILA: I didn't.
AVON: You were too busy teaching Orac nursery rhymes.
VILA: Riddles.

Claude 3.7 describes the image as: "The image shows a person with dark, short hair styled in a typical 1970s-80s fashion. They're wearing what appears to be a high-necked costume with a brown textured material featuring some decorative elements or studs.

The lighting and film quality suggest this is from a British science fiction television production of that era. The costume design has that distinctive retro sci-fi aesthetic common in shows from this period.

The scene appears to be from a st…
@blakes7bot@mas.torpidity.net
2025-06-19 06:07:31

#Blakes7 Series A, Episode 01 - The Way Back
RAVELLA: There's the signal.
[They see a torchlight in the distance. BLAKE and RAVELLA walk into a tunnel and through a metal door. Richie closes the door behind them. DEV TARRANT is outside, still apparently following. RICHIE and RAVELLA escort BLAKE through the room. BLAKE points at some people.]

@blakes7bot@mas.torpidity.net
2025-06-18 06:14:53

#Blakes7 Series A, Episode 10 - Breakdown
JENNA: All right then, whoever programmed him.
AVON: One of these days I intend to find out who that is.
VILA: If you live that long.
BLAKE: Anything on the detectors?

@blakes7bot@mas.torpidity.net
2025-06-16 06:03:29

#Blakes7 Series B, Episode 03 - Weapon
COSER: I should have known better. A labor-grade slave. You're pathetic.
[Reception chamber]
SERVALAN: Travis, you are pathetic.
TRAVIS: If you say so.
SERVALAN: Of all the cripple-brained idiots.

@blakes7bot@mas.torpidity.net
2025-06-24 06:19:38

#Blakes7 Series B, Episode 11 - Gambit
BLAKE: That is Docholli's case he's carrying.
CALLY: Are you sure?
BLAKE: Let's go. Keep in the shadows.
[In the loading bay.]
blake.torpidity.net/…

@blakes7bot@mas.torpidity.net
2025-06-15 06:10:29

#Blakes7 Series B, Episode 10 - Voice from the Past
AVON: [Restrains Blake] Blake.
BLAKE: Renounce!
AVON: Easy, easy!
BLAKE: Renounce!
AVON: [To Cally] Tranquilizer pack!
BLAKE: Renounce! [Cally administers the tranquilizer pack. Blake subsides]

Claude Sonnet 4.0 describes the image as: "I can see this appears to be a dramatic scene showing someone in what looks like a moment of intense physical or emotional distress. The person's eyes are closed, their mouth is open, and their face appears strained or pained, suggesting they may be experiencing some form of suffering or extreme exertion. The lighting and close-up framing creates a tense, dramatic atmosphere typical of science fiction television productions from that era. The image qua…
@blakes7bot@mas.torpidity.net
2025-06-14 06:18:14

#Blakes7 Series C, Episode 12 - Death-Watch
DEETA: So, you have an answer for the Summons to Justification. Like what? Surely not a Blood Feud? [rises to face her] I can't have killed someone who's close kin to both of you. Particularly not as your friend here is a citizen of the Vandor Confederacy. As I assume you are. [drops a metal ID card at her feet]
KARLA: [Picks it …

Claude 3.7 describes the image as: "The image shows a scene from what appears to be a retro sci-fi production, featuring two people in a futuristic interior setting. One person is standing wearing a distinctive patterned outfit in neutral tones - a matching jacket and pants with a geometric pattern, paired with a light-colored top. The other person is seated below, wearing what looks like a cream-colored turtleneck sweater.

The setting has a very distinctive 1970s-era science fiction aesthetic…
@blakes7bot@mas.torpidity.net
2025-06-13 06:00:45

#Blakes7 Series C, Episode 06 - City at the Edge of the World
KERRIL: No! You can push people too far.
SHERM: You should remember that.
KERRIL: I said people, not garbage.
SHERM: Garbage!
BAYBAN: Kerril - Sherm - out. [Kerril and Sherm leave]

@blakes7bot@mas.torpidity.net
2025-06-12 06:06:05

#Blakes7 Series B, Episode 06 - Trial
SERVALAN: I was watching Samor. What Travis said bothered him!
THANIA: You were watching?
blake.torpidity.net/m/206/485 B7B1

Claude 3.7 describes the image as: "This image appears to be from a science fiction television series, showing a scene in a minimalist, futuristic setting with white walls featuring a geometric pattern. The scene depicts two people in a formal conversation across what appears to be a control console or technical device with buttons and a circular display.

On the left is a person with short dark hair wearing a white outfit, shown from behind. On the right stands someone in a fitted black leathe…
@blakes7bot@mas.torpidity.net
2025-06-11 06:05:53

#Blakes7 Series D, Episode 02 - Power
VILA: No. Must be brain warp. Think I'll just go off and die somewhere. [starts to exit]
TARRANT: Vila.
VILA: What?
TARRANT: The door.
VILA: Which door?

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television series, showing someone in what looks like futuristic costume design typical of late 1970s/early 1980s British sci-fi productions. The person is wearing what appears to be a light-colored outfit with darker trim or detailing, and the lighting and film quality are characteristic of that era's television production values. The setting appears to be an interior space, possibly a spacecraft or …
@blakes7bot@mas.torpidity.net
2025-06-10 06:12:50

#Blakes7 Series A, Episode 04 - Time Squad
AVON: Good. Moving to line up. Right lateral, minimum power.
VILA: Too much. You're overshooting.
AVON: Left lateral. That's enough. Hold.
VILA: Square on.

Claude Sonnet 4.0 describes the image as: "This scene appears to be set aboard a spacecraft, likely the Liberator, given the futuristic interior with curved walls and control panels visible in the background. The setting has the characteristic sleek, technological aesthetic of the series with muted lighting creating a serious atmosphere.

Two crew members are shown in what appears to be a tense or contemplative moment. One character is wearing the distinctive brown and beige Federation uniform …
@blakes7bot@mas.torpidity.net
2025-06-09 06:17:16

#Blakes7 Series B, Episode 01 - Redemption
JENNA: Look, we've been on the Liberator for a long time. The computers have never turned against us before. Why now?
AVON: That's what I was trying to find out when you sent for me. There's something else I'd like to try. [Burbles and gargles in two tones from Zen]

Claude 3.7 describes the image as: "This is a black and white image from a television production that appears to be from the late 1970s or early 1980s based on the styling. The image shows a person with voluminous, feathered blonde hair styled in a way typical of that era. They're wearing what looks like a patterned blouse or top with a pearl or beaded necklace. The expression appears somewhat serious or concerned, and the lighting creates a dramatic contrast typical of television productions f…
@blakes7bot@mas.torpidity.net
2025-06-08 06:02:22

#Blakes7 Series B, Episode 01 - Redemption
AVON: Have you considered amputation?
[Blake and Cally meet in a corridor]
BLAKE: How's Jenna?
CALLY: Just shaken. She'll be back in the teleport as soon as she's recovered.
BLAKE: Good. Help Avon with Zen.

Claude 3.7 describes the image as: "The image shows a person in what appears to be a science fiction setting, wearing a distinctive dark leather or vinyl costume with metallic studs or decorative elements. They are seated in what looks like a high-backed chair or control station with light-colored padding visible behind them. The costume has a futuristic, somewhat militaristic style typical of classic science fiction television productions from the late 1970s or early 1980s. The lighting and fi…
@blakes7bot@mas.torpidity.net
2025-06-20 06:02:37

#Blakes7 Series A, Episode 07 - Mission To Destiny
RAFFORD: [Into microphone] Log entry one forty three. Flight time zero one zero, elapsed nine zero. We have reached course delta red two. New heading locked in, all systems functioning. Log entry closes.
[He picks up map viewer and inserts a new map transparency. Cut to corridor, someone is approaching the door. Back to Rafford, he…

@blakes7bot@mas.torpidity.net
2025-06-07 06:07:23

#Blakes7 Series B, Episode 04 - Horizon
BLAKE: Look at me, Jenna. Concentrate. The whole idea is - is to disorientate you.
JENNA: It doesn't seem to help.
BLAKE: When they ask questions, pretend you're dizzy.
JENNA: I AM dizzy.

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television production, showing a person in what looks like a white or light-colored shirt or jacket against a dark background with green geometric framing elements. The lighting and visual style is characteristic of 1970s or early 1980s British television production. The setting appears to be some kind of interior space, possibly a spacecraft or futuristic facility, with the distinctive green-tinted g…
@blakes7bot@mas.torpidity.net
2025-06-06 06:19:21

#Blakes7 Series B, Episode 06 - Trial
THANIA: We reserve our opening declaration, sir.
SAMOR: Very well. Enter prosecution data. [A clerk presses some buttons.]
blake.torpidity.net/m/206/53

Claude 3.7 describes the image as: "This image appears to be from a science fiction television production, featuring a person in a sleek black uniform with a high collar and military-style design. The setting has a minimalist, futuristic aesthetic with vertical white panels forming the background, giving it a sterile, possibly spaceship or high-tech facility appearance. The subject is shown in profile, wearing their dark hair slicked back, which complements the austere, utilitarian style of the…
@blakes7bot@mas.torpidity.net
2025-06-05 06:12:33

#Blakes7 Series A, Episode 05 - The Web
BLAKE: Perhaps.
NOVARA: In that case, we apologize.
BLAKE: You communicated with us through another member of my crew.
blake.torpidity.net/m/105/331

Claude Sonnet 4.0 describes the image as: "I can see this is a scene featuring a man with dark curly hair wearing what appears to be a light-colored, futuristic-style jacket or uniform. The lighting and composition suggest this is from a science fiction television production, likely from the late 1970s or early 1980s based on the visual style and production values. The setting appears to be indoors, possibly on a spacecraft or futuristic facility set. The character appears to be in conversation…
@blakes7bot@mas.torpidity.net
2025-06-04 06:18:43

#Blakes7 Series B, Episode 07 - Killer
BLAKE: Kemp, Wardin, Tober, missing in the constellation of 61 Cygnii, seven hundred years ago.
WILER: May I continue?
BELLFRIAR: Sorry.
[Mortuary]
blake.torpi…

Claude 3.7 describes the image as: "This image appears to be from a classic British science fiction television series from the late 1970s/early 1980s. The scene shows two men in what looks like a futuristic or institutional setting. On the left is an older man wearing a white uniform or outfit, possibly representing authority or medical profession, holding what appears to be a document or paper. To his right is a younger man with curly dark hair wearing a dark shirt or jacket, who seems to be l…
@blakes7bot@mas.torpidity.net
2025-06-17 06:18:40

#Blakes7 Series B, Episode 02 - Shadow
ZEN: Information. Main visual is available. [displays Space City on screen.]
VILA: So?
ZEN: You expressed a desire to see what it is like.
blake.torpidity.net/m/202…

Claude Sonnet 4.0 describes the image as: "I can see this is a scene showing someone in white clothing examining what appears to be a complex technological device or control panel with a transparent casing. The device contains intricate circuitry, wiring, and small lights, suggesting it's some kind of advanced computer or navigation system. The setting appears to be inside a spaceship or advanced facility, with sleek metallic surfaces and futuristic architecture visible in the background. The p…