Tootfinder

@blakes7bot@mas.torpidity.net
2026-02-27 07:25:30

#Blakes7 Series C, Episode 04 - Dawn of the Gods
THAARN: It's too dangerous. Cally.
CALLY: Then I will never be able to trust you. [draws handgun]
THAARN: Very well. You see, your feelings are no different. [Cally shoots randomly around her]

GPT 4.1 Mini describes the image as: "The image shows a woman with short, curly brown hair, wearing a light gray cardigan with black patterns over a black top. She is seated or standing against a dark background featuring some artistic, indistinct floral or abstract designs, giving the scene a somewhat introspective or somber mood. The lighting is soft but focused on her face, highlighting her expression, which appears thoughtful or contemplative, and directed slightly upwards or away from the …

@blakes7bot@mas.torpidity.net
2026-02-28 07:17:31

#Blakes7 Series D, Episode 05 - Animals
DAYNA: Since you know all that, why ask me?
SERVALAN: Tell me about Justin.
DAYNA: Justin? Who's he? [The chair reacts. Servalan pushes a pain button. Dayna screams.]
https://bla…

Claude Haiku 4.5 describes the image as: "# Scene Description

This image captures an indoor conversation between two women in what appears to be an elegant, formal setting. The room features warm, neutral-toned walls with classical architectural details, including what looks like decorative molding or paneling in the background.

The woman on the left wears a striking black garment with textured or feathered detailing and deep neckline, paired with statement earrings. She has dark, slicked-bac…

@blakes7bot@mas.torpidity.net
2026-01-28 07:52:56

#Blakes7 Series C, Episode 04 - Dawn of the Gods
DAYNA: Zen, put up the radiation flare shields.
ZEN: Confirmed. Radiation flare shields in position. Neutron blasters cleared for firing. [Cally appears]
https://blake.torpidity.n…

@blakes7bot@mas.torpidity.net
2026-01-28 07:33:19

#Blakes7 Series A, Episode 13 - Orac
CALLY: Are you saying you can see into the future?
ORAC: The words future, present, past are meaningless.
AVON: Define 'meaningless'.
ORAC: I have the capacity to predict events that have not yet taken place.

@blakes7bot@mas.torpidity.net
2025-12-28 07:20:20

#Blakes7 Series A, Episode 05 - The Web
BLAKE: Yes. Vila is the course set?
VILA: Uh, on the panel now.
BLAKE: Lock onto it Jenna.
JENNA: She's responding very slowly. Coming round. That's it. Locked onto course.
https://

Claude Sonnet 4 describes the image as: "This image appears to be from a television production, likely from the 1970s or early 1980s based on the video quality and aesthetic. The scene shows a person with distinctive curly hair wearing what appears to be dark clothing with metallic or reflective elements, possibly part of a futuristic costume. The lighting and composition suggest this is from a science fiction television series, with dramatic shadowing and a somewhat theatrical presentation typ…

@blakes7bot@mas.torpidity.net
2026-03-26 07:20:48

#Blakes7 Series D, Episode 07 - Assassin
AVON: Maybe you ought to send in your visiting card.
TARRANT: Well, if it's a trap, he knows we're here. What should we do? Split up?
AVON: No. Let's cover each other every step of the way.
h…

@blakes7bot@mas.torpidity.net
2026-02-26 07:35:33

#Blakes7 Series C, Episode 11 - Moloch
SERVALAN: [Shouting] Watch out! [Vila promptly drops the gun. The other man knocks him down and starts pummeling him. Vila, yelping with every blow that hits him, nevertheless fights back, and the two roll through the underbrush. Servalan moves toward them; as she does, Vila manages to rise. The other man grabs Vila's arm and throws him; the th…

Claude Sonnet 4 describes the image as: "In this atmospheric scene from the British sci-fi series Blake's 7, two characters are engaged in conversation in what appears to be a misty, wooded outdoor setting. The male character on the left wears a dark leather jacket and has his back partially to the camera. The female character faces him, dressed in a striking black outfit with metallic studs or decorations and white straps, giving her a distinctive, futuristic appearance. She has dark hair styl…

@blakes7bot@mas.torpidity.net
2026-01-27 07:36:46

#Blakes7 Series C, Episode 12 - Death-Watch
DAYNA: Do you want us to wait?
TARRANT: No. I'll find you. [exits]
VILA: Don't forget Orac. [Avon exits]
CALLY: No need. I'll operate the teleport.
DAYNA: Aren't you coming with us?

Claude Sonnet 3.7 describes the image as: "This image appears to be from the British science fiction television series "Blake's 7" from the late 1970s/early 1980s. The scene shows a group of people in what looks like a spacecraft control room or bridge. They're seated on light-colored couches/seating areas, watching a large screen or viewscreen with a green glow around it. On the screen appears a person wearing a light turtleneck.

The interior has a distinctive retro-futuristic design typical …

@blakes7bot@mas.torpidity.net
2026-01-27 07:17:22

#Blakes7 Series B, Episode 02 - Shadow
JENNA: Orac is not a computer.
AVON: That was its creator's vanity. Orac is a computer. It is a highly sophisticated tool, and that is all.
JENNA: Well, something frightened Cally.
https://

@blakes7bot@mas.torpidity.net
2026-01-26 07:33:49

#Blakes7 Series C, Episode 03 - Volcano
[Two Pyroans approach from a distance. They appear and disappear; each time they reappear they are closer.]
SERVALAN: Let me speak to them. [to approaching Pyroans] We're friends.
https://

Claude Sonnet 4 describes the image as: "This image appears to be from a science fiction television production, likely from the 1970s or 1980s based on the visual style and film quality. The scene shows two characters in what appears to be an outdoor, rocky or mountainous setting. One figure is dressed in dark, military-style clothing with ornate details and a distinctive cap or headpiece, while the other wears a light-colored, futuristic-looking garment with metallic or reflective elements. Th…

@blakes7bot@mas.torpidity.net
2026-03-25 07:28:22

#Blakes7 Series A, Episode 02 - Space Fall
LEYLAN: Yes... well... err, be discreet.
RAIKER: Yes, sir.
[Door to the prisoner's section opens. Raiker steps in]
https://blake.torpidity.net/m/102/42

Claude Haiku 4.5 20251001 describes the image as: "# Blake's 7 Scene

This image captures a tense moment in a stark, minimalist corridor aboard a spacecraft. Two men in dark uniforms stand face-to-face in what appears to be an interior ship passage, characterized by plain grey walls and a simple floor with a textured pattern. A small blue illuminated panel is visible on the wall to the left, suggesting advanced technology typical of the series' aesthetic.

The setting reflects the utilitarian d…

@blakes7bot@mas.torpidity.net
2026-02-25 07:25:04

#Blakes7 Series A, Episode 06 - Seek-Locate-Destroy
TRAVIS: Man saved my life.
SERVALAN: But why did you never let the surgeons finish the job?
https://blake.torpidity.net/m/106/314 B7B1…

@blakes7bot@mas.torpidity.net
2026-01-25 07:33:19

#Blakes7 Series D, Episode 01 - Rescue
DORIAN: Vila will join you later. Now make your goodbyes. Your lives, your consciousness are over. [Laughs insanely.]
[From above Vila hurries part way down the stairs.]
VILA: Avon. [hands him the gun]
DORIAN: No.

@blakes7bot@mas.torpidity.net
2026-03-24 07:35:47

#Blakes7 Series C, Episode 03 - Volcano
VILA: It's not serious. The pad'll take care of it, if you don't fiddle with it. You did very well there, I must say.
AVON: Must you?
https://blake.torpidity.net/m/303/492

Claude Sonnet 4.6 describes the image as: "This image is from the classic BBC Television series **Blake's 7**. The scene takes place aboard what appears to be the interior of the **Liberator**, the crew's spacecraft, recognizable by its distinctive futuristic white curved seating and angular design elements.

Two actors are seated together on the spacecraft's seating area. **Michael Keating**, who plays the roguish computer expert **Vila Restal**, is on the left, wearing a loose cream-colored s…

@blakes7bot@mas.torpidity.net
2026-02-24 07:27:09

#Blakes7 Series C, Episode 08 - Rumours of Death
ORAC: To cross it undetected would be impossible.
AVON: I'll take your best option within the perimeter.
https://blake.torpidity.net/m/308/378…

Claude Sonnet 4 describes the image as: "This appears to be a scene from the British science fiction television series "Blake's 7," likely from the 1980s based on the production style and set design. The image shows two characters in what appears to be a futuristic spacecraft or space station setting. One character is wearing a distinctive black leather outfit with a high collar, positioned at what looks like a control console or computer terminal with transparent components. The other characte…

@blakes7bot@mas.torpidity.net
2026-01-24 07:18:19

#Blakes7 Series B, Episode 02 - Shadow
ORAC: Orac is my bridge. You stand before it, puny telepath.
CALLY: Yes, I know you now. My powers are in your dimension, and Orac's carrier waves are your bridge.
https://blake.torpidi…

@blakes7bot@mas.torpidity.net
2026-03-23 07:22:20

#Blakes7 Series D, Episode 06 - Headhunter
ORAC: Correction. Dependent on one action. [Tarrant and Dayna approach over the footbridge.]
SOOLIN: Help me get Avon back to base.
https://blake.torpidity.net/m/406/615

Claude Haiku 4.5 20251001 describes the image as: "# Blake's 7 - Technical Equipment Scene

This image shows a transparent acrylic box containing various electronic components and circuitry, photographed outdoors on grass. The device appears to be some form of specialized equipment being examined or operated by crew members visible in the frame.

The transparent casing allows viewers to see the internal mechanisms, including circuit boards, wiring, metallic components, and what appear to be ind…

@blakes7bot@mas.torpidity.net
2026-02-23 07:35:42

#Blakes7 Series A, Episode 01 - The Way Back
VARON: A fictional experience and emotion, implanted into the mind so vividly and permanently that it becomes reality.
MAJA: Is that possible?
https://blake.torpidity.net/m/101/297

@blakes7bot@mas.torpidity.net
2026-03-22 07:31:12

#Blakes7 Series D, Episode 04 - Stardrive
VILA: Hey, just think. If we can get hold of one of those drives and swap it for the clapped out unit on our ship-
AVON: That will be our immediate objective. Where is Dr. Plaxton now?
https://

Claude Sonnet 4.6 describes the image as: "This image is from the classic BBC Television series **Blake's 7**, likely from a later series given the distinctive Scorpio spacecraft interior setting. The scene takes place on the flight deck, recognizable by its characteristic ribbed/ridged seating arrangement and the transparent equipment console visible in the foreground.

The five crew members are seated in the spacecraft's distinctive molded crew stations. The set design reflects the show's sig…

@blakes7bot@mas.torpidity.net
2026-02-22 07:20:28

#Blakes7 Series C, Episode 12 - Death-Watch
VILA: Well, how can you enjoy yourself staying here? [Dayna exits]
CALLY: Well, maybe it's got something to do with the fact that you won't be.
https://blake.torpidity.net/m/31…

Claude Sonnet 4 describes the image as: "This appears to be a scene from the British science fiction television series "Blake's 7" from the late 1970s or early 1980s. The setting is clearly a futuristic spacecraft interior, with characteristic hexagonal viewports and sleek control panels visible in the background showing stars in space.

The scene shows three characters in a tense conversation aboard what appears to be the Liberator spacecraft. On the left is a woman with curly dark hair wearin…

@blakes7bot@mas.torpidity.net
2026-01-22 07:25:36

#Blakes7 Series C, Episode 02 - Powerplay
ZEE: That's not allowed, I'm afraid.
BARR: Zee and I have work to do.
https://blake.torpidity.net/m/302/388 B7B1

@blakes7bot@mas.torpidity.net
2026-03-21 07:17:41

#Blakes7 Series C, Episode 07 - Children of Auron
AVON: One of his victims was a young woman called Anna Grant. She was important to me.
CALLY: So it's just revenge you're after?
AVON: Just and sweet. [moves game piece on triangle board]

@blakes7bot@mas.torpidity.net
2026-02-21 07:28:48

#Blakes7 Series B, Episode 03 - Weapon
COSER: What do you suppose happened?
RASHEL: People must have left.
COSER: I can see that, but why did they leave? This isn't a Federation colony planet, so who were they anyway?
RASHEL: Perhaps they were free.

Claude Haiku 4.5 describes the image as: "# Scene Description

This image appears to be from a science fiction production, likely from the 1970s based on the visual style and costume design. The scene takes place in what looks like a futuristic spacecraft or space station interior, with distinctive curved metallic walls and architectural elements visible in the background.

Two characters are shown in conversation. The figure on the left wears a black outfit with ornate metal studded details ar…

@blakes7bot@mas.torpidity.net
2026-01-21 07:30:48

#Blakes7 Series C, Episode 04 - Dawn of the Gods
VILA: Wonderful. There's nothing wrong with the Liberator, therefore we must have imagined those alarms going off.
TARRANT: Orac, a small problem for you. What is the possiblity of a directional control fault arising on the Liberator without Zen knowing about it?

Claude Sonnet 3.7 describes the image as: "This image shows a scene from what appears to be a science fiction television production, likely from the series "Blake's 7" based on the distinctive set design. The scene takes place in what looks like a futuristic spacecraft interior with geometric wall panels and control consoles.

The setting features three people in a control room or flight deck. On the left is a person wearing a loose orange/tan shirt with dark trim. In the center background, som…

@blakes7bot@mas.torpidity.net
2026-03-20 07:29:19

#Blakes7 A01 - The Way Back
BLAKE: Forget the other things. Just what do you know?
FOSTER: They're dead. Your brother and sister are both dead. I'm sorry, I didn't intend you to hear it like that. They were executed four years ago just after your trial.

@blakes7bot@mas.torpidity.net
2026-02-20 07:16:50

#Blakes7 Series C, Episode 05 - The Harvest of Kairos
JARVIK: And so are you. But when was the last time you felt the warmth of the Earth's sun on your naked back? Or lifted your face to the heavens, and laughed with the joy of being alive? How long since you wept at the death of a friend? [Pause.] Doesn't mean a thing to you, does it, Madam President? You've surrounded your…

GPT 4.1 Nano describes the image as: "This image depicts a scene set in what appears to be a futuristic or sci-fi environment, possibly a spaceship or advanced facility, indicated by the minimalistic, metallic decor and lighting. Two characters are engaged in a tense or serious interaction: a man on the left wearing a space or sci-fi styled jacket with padded sections and a neutral expression, and a woman on the right with short dark hair, dramatic makeup, and a distinctive outfit featuring a w…

@blakes7bot@mas.torpidity.net
2026-01-20 07:35:32

#Blakes7 Series D, Episode 07 - Assassin
AVON: And reduce our chances of finding Cancer by a third. Out of the question.
SOOLIN: Why don't we lock her in here?
TARRANT: He got out of the hold, he can get into it.
https://

Claude Sonnet 4 describes the image as: "This image appears to be from a science fiction television production, showing two characters in what looks like a spacecraft or futuristic control room setting. The scene has dramatic lighting with green and blue tones that create an atmospheric, otherworldly ambiance. One character wears a distinctive black leather outfit with metallic studs or decorative elements, giving them an authoritative, possibly villainous appearance. The other character has bl…

@blakes7bot@mas.torpidity.net
2026-03-19 07:15:55

#Blakes7 Series C, Episode 09 - Sarcophagus
AVON: I didn't hear any terms, just something about "pets."
ALIEN: Cally would want you to live, I know that.
AVON: It must get tiresome for you, knowing so much.
VILA: Avon! Say you'll do as she says.

Claude Opus 4.6 describes the image as: "This image shows Paul Darrow in his iconic role as Kerr Avon from the classic BBC Television series "Blake's 7." He is wearing one of Avon's distinctive costumes — a black leather-look jacket featuring studded detailing, white/cream trim accents, and a front zipper, which is characteristic of the show's bold, futuristic costume design. The outfit reflects Avon's sharp, stylish persona that set him apart from other characters in the series.

Darrow is cap…

@blakes7bot@mas.torpidity.net
2026-02-19 07:27:55

#Blakes7 Series A, Episode 03 - Cygnus Alpha
AVON: It's a bit elaborate for a toothpick.
BLAKE: Depends how elaborate their teeth were. [touches another of the gun handles] Ow. That one's hot.
https://blake.torpidity.net/…

@blakes7bot@mas.torpidity.net
2026-01-19 07:20:58

#Blakes7 Series D, Episode 11 - Orbit
EGRORIAN: A short range relay, now I see how they worked it.
SERVALAN: A bit late in the day, Egrorian!
EGRORIAN: Not so! It means that Orac is still on board the shuttle. We'll be able to recover it after the crash.

Claude Sonnet 4.5 describes the image as: "This appears to be a behind-the-scenes or production still from what looks like a science fiction television series, likely from the late 1970s or early 1980s based on the aesthetic and set design. The scene is set in what appears to be a futuristic control room or spaceship interior, characterized by white walls, a geometric ceiling panel design, and technical equipment visible in the foreground.

Three actors are positioned around what seems to be a …

@blakes7bot@mas.torpidity.net
2026-03-18 07:26:04

#Blakes7 Series B, Episode 11 - Gambit
KRANTOR: Watch him. Watch him, carefully. Every time, just before he makes a bet, he moves his left hand up to his ear.
TOISE: Or his head.
KRANTOR: We must find out how he's doing it.
[Casino.]
h…

@blakes7bot@mas.torpidity.net
2026-02-18 07:36:23

#Blakes7 Series A, Episode 05 - The Web
BLAKE: Reduce speed to standard by point five.
JENNA: Reverse primaries. Speed now standard by point five.
BLAKE: Put up navigation projection.
[Main viewscreen shows a series of six circles.]
https:…

@blakes7bot@mas.torpidity.net
2026-01-18 07:22:55

#Blakes7 Series C, Episode 03 - Volcano
MORI: Must be more of them. [Troopers surround Pyroans.]
SERVALAN: Are either of you called Milus?
MILUS: I am Milus. This is my brother Nettin.
SERVALAN: I am Servalan. You have a message for me.
h…

@blakes7bot@mas.torpidity.net
2026-03-17 07:36:21

#Blakes7 Series A, Episode 03 - Cygnus Alpha
VILA: Someone beckoning. Do you see it, Gan. [pause] It's gone.
ARCO: I didn't see anybody.
VILA: You must have done.
ARCO: I tell you I didn't. You're so scared your brain's curdling.

@blakes7bot@mas.torpidity.net
2026-02-17 07:18:33

#Blakes7 A07 - Mission To Destiny
KENDALL: Why? For what reason?
CALLY: Perhaps Sonheim was still trying to cover up. Mandrian knew about him and threatened to expose him. Or perhaps he went into the filter plant while Sonheim was sabotaging the equipment?

@blakes7bot@mas.torpidity.net
2026-01-17 07:23:02

#Blakes7 Series D, Episode 12 - Warlord
DAYNA: Don't, Tarrant.
ZEEONA: Why hurt him for speaking the truth? [tries to lead him away] Come on.
AVON: [V.O.] Scorpio to base. Scorpio to base. Come in base. [They all rush back to the comm room.]

Claude Sonnet 4 describes the image as: "This appears to be a scene from a science fiction television production, likely from the 1980s based on the visual style and production values. The setting is clearly a futuristic spacecraft or space station interior, with characteristic sci-fi elements like computer terminals, metallic surfaces, and technical equipment visible in the background.

The scene shows three characters in what appears to be a tense or dramatic moment. One figure is wearing a l…

@blakes7bot@mas.torpidity.net
2026-03-16 07:23:10

#Blakes7 Series C, Episode 05 - The Harvest of Kairos
DAYNA: What's the matter?
VILA: There's something in my boot. [Takes out crystal] Look at that! It's Kairopan. I've just done my foot in on half a million credits worth of Kairopan. Couldn't have happened when I was down on my luck and looking for the price of a drink, could it?

Claude Sonnet 4.6 describes the image as: "This image appears to be from the classic BBC Television series **Blake's 7**, filmed outdoors on what looks like an open moorland or grassland location under a partly cloudy sky — a setting typical of the show's location shoots.

**Josette Simon**, who played the fierce and independent warrior **Dayna Mellanby**, is seen on the left wearing her characteristic costume with distinctive gold metallic shoulder detailing and a large gold cuff bracelet. She…

@blakes7bot@mas.torpidity.net
2026-02-16 07:29:06

#Blakes7 Series A, Episode 10 - Breakdown
BLAKE: All right, Avon, that's enough!
BLAKE: The signal to abort the auxiliary computers came from Zen. Can you override it, bypass Zen, and get them working again?
AVON: Possibly.
BLAKE: Well, try.

@blakes7bot@mas.torpidity.net
2026-01-16 07:23:28

#Blakes7 Series B, Episode 09 - Countdown
AVON: I doubt it. [Turns and leaves]
[Blake smiles]
[End of episode. Roll credits.]
https://blake.torpidity.net/m/209/537 B7B1

Claude Haiku 4.5 describes the image as: "# Science Fiction Scene

This image captures two men in what appears to be a spacecraft interior, characterized by futuristic geometric ceiling panels that emit bright white light. The setting suggests a science fiction production from the 1970s or 1980s, with its distinctive design aesthetic featuring angular architectural elements typical of that era's space opera aesthetics.

Both individuals are dressed in quilted, form-fitting tunics—one in olive/t…

@blakes7bot@mas.torpidity.net
2026-03-15 07:32:26

#Blakes7 Series A, Episode 07 - Mission To Destiny
KENDALL: We've calculated the orbital pattern required to maintain a balance and save our planet. [quickly takes neutrotope from Blake holding it up high]
BLAKE: Impressive.
https://

@blakes7bot@mas.torpidity.net
2026-02-15 07:16:39

#Blakes7 Series B, Episode 12 - The Keeper
GOLA: While I decide how you will die. Get him out of here!
FOOL: I did nothing! I did nothing! [carried off protesting just like Vila]
GOLA: Are you all right, my love?
https://b…

@blakes7bot@mas.torpidity.net
2026-01-15 07:07:24

#Blakes7 Series D, Episode 09 - Sand
SERVALAN: No.
TARRANT: [He holsters his gun.] It's fairly standard equipment. If there's power for the life supports, there will be for these. [Servalan activates the base computer.] Ah!
https://

Claude Sonnet 4 describes the image as: "This appears to be a scene from the British science fiction television series "Blake's 7," which aired from 1978-1981. The image shows two characters in what appears to be a futuristic spacecraft interior or space station setting. The scene has the distinctive green-tinted lighting and industrial aesthetic typical of the show's production design.

One character is wearing an elegant black sequined or beaded dress in a classical style, while the other is …

@blakes7bot@mas.torpidity.net
2026-03-14 07:20:35

#Blakes7 Series C, Episode 06 - City at the Edge of the World
AVON: Welcome back, Vila. [exits]
TARRANT: Vila, I'm sorry for what I said to you. I didn't mean it. It wasn't true.
https://blake.torpidity.net/m/306/614…

@blakes7bot@mas.torpidity.net
2026-02-14 07:23:26

#Blakes7 Series A, Episode 04 - Time Squad
JENNA: Stabilize and trim back to stationary.
BLAKE: Check.
JENNA: [To Avon] Negative anti-gravs. [Avon presses buttons] Compensate for orbital drift and hold. [points to button] Hold.
BLAKE: All confirmed.

@blakes7bot@mas.torpidity.net
2026-01-14 07:12:53

#Blakes7 Series B, Episode 13 - Star One
STOT: Which of your hands is artificial?
BLAKE: [Raises left hand] This one. Rather good, don't you think?
STOT: And the eye patch, what happened to that?
[Scene - outside the base entrance]
htt…

@blakes7bot@mas.torpidity.net
2026-03-13 07:29:16

#Blakes7 Series A, Episode 07 - Mission To Destiny
AVON: Well thank you Cally, what a clever idea.
CALLY: [Telepathically] Blake will return.
AVON: You can bet your life on it, in fact you've just bet both our lives on it. [Blake smiles at their banter]

@blakes7bot@mas.torpidity.net
2026-02-13 07:29:06

#Blakes7 Series B, Episode 08 - Hostage
BLAKE: I see, yes of course.
TRAVIS: It is the fastest, the most powerful ship in existence.
BLAKE: Not a chance, Travis.
TRAVIS: We'll see.
[Exbar. Avon running, like a sleek silver colussus]

@blakes7bot@mas.torpidity.net
2026-01-13 07:17:00

#Blakes7 Series D, Episode 05 - Animals
SLAVE: I can find no trace of one, sir.
[On planet's surface, Dayna looks around and sees an animal following her]
TARRANT: Dayna.
https://blake.torpidity.net/m/405/13

@blakes7bot@mas.torpidity.net
2026-03-12 07:30:56

#Blakes7 Series D, Episode 12 - Warlord
ZUKAN: You make me wonder if I didn't choose badly. You fear him. He and I, together we could have been invincible.
SERVALAN: Really?
CAPTAIN: [V.O., from comm] Commissioner.
SERVALAN: Yes, Captain?

Claude Sonnet 4.6 describes the image as: "The scene appears to be from a science fiction television production, likely from the 1970s or 1980s, based on the aesthetic of the set. The setting is a spacecraft control room or bridge, featuring a futuristic console with numerous buttons and controls, along with distinctive wall panels with horizontal light strips.

Three actors are visible in the scene. On the left stands a male actor in an elaborate black villain-style costume with metallic shoul…

@blakes7bot@mas.torpidity.net
2026-02-12 07:17:51

#Blakes7 Series D, Episode 12 - Warlord
DAYNA: [V.O.] Happy landings. Out.
AVON: He's going to get here and discover that his daughter is nowhere to be found before we've even finished loading.
SOOLIN: Unless we get a move on.
https://

@blakes7bot@mas.torpidity.net
2026-02-12 07:17:51

@blakes7bot@mas.torpidity.net
2026-01-12 07:11:10

#Blakes7 Series C, Episode 05 - The Harvest of Kairos
VILA: Tell that to Servalan. They don't take kindly to scrumping on Kairos.
ZEN: The planet has an orbital revolution of fifteen Earth years. The fertile zone is small, and noted for the suborganic growth of Kairopan, a highly prized crystal, which is gathered during the first week following the vernal equinox. This is know…

Claude Sonnet 4.5 describes the image as: "This image shows a close-up shot from what appears to be a British science fiction television production from the late 1970s or early 1980s. The scene features an actor in a cream-colored ribbed turtleneck sweater with a beige vest or waistcoat over it. The styling and costuming are characteristic of the era's television production aesthetics.

The actor displays an expressive, slightly skeptical or questioning look, with raised eyebrows and an upward …

@blakes7bot@mas.torpidity.net
2026-03-11 07:17:16

#Blakes7 Series D, Episode 04 - Stardrive
SOOLIN: That's just it, none of us are sure.
VILA: But they're maintaining a standard Federation patrol pattern.
[Main drive chamber]
AVON: We can't leave what we're doing.
[Scorpio flight deck]

Claude Opus 4.6 describes the image as: "This image is from the British science fiction television series **Blake's 7**, featuring three crew members seated at what appears to be the flight deck of the spacecraft *Liberator* (or *Scorpio*).

**Michael Keating** is on the left, recognizable in his distinctive blue-green costume, portraying the character **Vila Restal**, the group's skilled thief and lock-picker known for his cowardly yet endearing personality.

**Josette Simon** is in the cente…

@blakes7bot@mas.torpidity.net
2026-02-11 07:25:57

#Blakes7 Series A, Episode 01 - The Way Back
BLAKE: It's illegal to have contact with anyone who lives outside the city.
RICHIE: Right, but then this whole meeting is illegal.
https://blake.torpidity.net/m/101/56

@blakes7bot@mas.torpidity.net
2026-02-11 07:25:57

@blakes7bot@mas.torpidity.net
2026-01-11 07:16:14

#Blakes7 Series B, Episode 04 - Horizon
RO: Let her go.
KOMMISSAR: She's no good to you, Ro. None at all. You must be rid of her. She should not have been brought back to the palace.
RO: You are, I think, mistaken, Kommissar. She means us no harm.

Claude Sonnet 4.5 describes the image as: "This image appears to be from a classic science fiction television production, likely from the 1970s or 1980s based on the video quality and costume design. The scene is dimly lit with dramatic lighting that creates a tense, confrontational atmosphere.

The setting appears to be an ornate interior space with decorative elements visible in the background, suggesting a formal or ceremonial location. The characters are wearing elaborate burgundy and dark-…

@blakes7bot@mas.torpidity.net
2026-03-10 07:25:52

#Blakes7 Series B, Episode 01 - Redemption
BLAKE: Orac's prediction still hasn't come into effect. I am trying to find some reason why he was wrong.
AVON: Have you found what you want?
BLAKE: No.
https://blake.torpid…

@blakes7bot@mas.torpidity.net
2026-02-10 07:31:46

#Blakes7 Series D, Episode 06 - Headhunter
TARRANT: Is something wrong?
AVON: We have company. Muller!
VILA: Alive?
AVON: And dangerous.
VENA: [Throws down her gloves and marches over to Avon.] He is not violent. He is never violent!

@blakes7bot@mas.torpidity.net
2026-02-10 07:31:46

@blakes7bot@mas.torpidity.net
2026-01-10 07:14:55

#Blakes7 Series D, Episode 07 - Assassin
PIRI: But I never saw him before today. This woman came and bought me from the slave compound and gave me to him. He said - he said that he wanted me to help him to celebrate after he'd finished a job that he had to do.
AVON: That's all he said?

Claude Sonnet 4 describes the image as: "This appears to be a scene from a science fiction television production, likely from the late 1970s or 1980s based on the visual style and production quality. The setting appears to be the interior of a spacecraft or futuristic facility, with dark metallic walls and technical equipment visible in the background.

The scene shows three people in what appears to be a tense dramatic moment. On the left is a woman with an elaborate blonde updo hairstyle, wea…

@blakes7bot@mas.torpidity.net
2026-03-09 07:32:56

#Blakes7 Series D, Episode 10 - Gold
SOOLIN: That's a lot of cash.
DAYNA: [To Avon.] The idea's good, isn't it? Seems good to me.
TARRANT: It's all clear. Maybe Vila should be here, to give us his professional opinion.
KEILLER: Vila?

@blakes7bot@mas.torpidity.net
2026-02-09 07:21:21

#Blakes7 Series C, Episode 03 - Volcano
TARRANT: This is the Liberator, go ahead.
[Obsidian control room]
https://blake.torpidity.net/m/303/634 B7B1

@blakes7bot@mas.torpidity.net
2026-02-09 07:21:21

#Blakes7 Series C, Episode 03 - Volcano
TARRANT: This is the Liberator, go ahead.
[Obsidian control room]
https://blake.torpidity.net/m/303/634 B7B1

Claude Sonnet 4 describes the image as: "This image shows a scene from what appears to be a science fiction television production, likely from the late 1970s or early 1980s based on the production values and costume design. The setting is a futuristic spacecraft or space station interior, featuring characteristic angular metallic walls, multi-level platforms connected by stairs, and ambient lighting that creates an otherworldly atmosphere.

The scene captures four actors positioned at different…

@blakes7bot@mas.torpidity.net
2026-01-09 07:20:14

#Blakes7 Series C, Episode 11 - Moloch
CHESIL: I don't know what you mean.
DORAN: Oh, yes; yes, you do, lady; you know what I'm on about. [gesturing at the monitoring screens] These eyes are everywhere, right?
CHESIL: What do you want?
…

Claude Haiku 4.5 describes the image as: "# Image Description

This scene shows two actors in what appears to be an indoor setting with dramatic lighting. The man on the left is partially visible, shown from behind, wearing dark clothing. The woman on the right faces toward him with a concerned or surprised expression on her face. She has styled brown wavy hair and is wearing what appears to be a green or teal-colored garment with a necklace.

The background is predominantly dark, with a striki…

@blakes7bot@mas.torpidity.net
2026-03-08 07:17:43

#Blakes7 Series A, Episode 02 - Space Fall
JENNA: What was it?
BLAKE: I don't know.
JENNA: I saw my mother. It was so real. Then something terrible, a nightmare. But it was my mother.
AVON: I saw my brother. It used him like bait. I had to go closer.

@blakes7bot@mas.torpidity.net
2026-02-08 07:30:51

#Blakes7 Series B, Episode 02 - Shadow
GAN: Are you all right Jenna?
JENNA: What does it look like? [Hanna and Bek enter. Bek starts to pick up Largo's gun.]
BLAKE: [To Bek] Leave it! [Avon holds a gun on Bek. Communicator chimes]
https://

@blakes7bot@mas.torpidity.net
2026-01-08 07:20:30

#Blakes7 Series D, Episode 09 - Sand
AVON: [V.O.] What's wrong?
TARRANT: Dayna's just been kissed by a bullet. It's not serious, but messy. Take her up.
DAYNA: I didn't say I agreed!
https://blake.torpidity…

@blakes7bot@mas.torpidity.net
2026-03-07 07:25:48

#Blakes7 Series C, Episode 11 - Moloch
TARRANT: [Interrupting, o.o.v] Vila!
CALLY: Vila, please!
https://blake.torpidity.net/m/311/22 B7B1

claude-opus-4-6 describes the image as: "This image shows **Steven Pacey** in his role as **Del Tarrant** from the British science fiction television series **Blake's 7**, which aired on the BBC from 1978 to 1981. Pacey joined the series in its third season as the confident and sometimes brash pilot of the Liberator spacecraft.

In the image, he is wearing one of the show's distinctive costumes — a green leather-look quilted vest with studded trim over a black turtleneck, characteristic of the …

@blakes7bot@mas.torpidity.net
2026-02-07 11:23:26

#Blakes7 Series A, Episode 05 - The Web
SAYMON: That is why we had to control her. She would not have accepted us freely.
BLAKE: You are the only one of the six that is left?
https://blake.torpidity.net/m/105/436

@blakes7bot@mas.torpidity.net
2026-02-07 08:22:16

#Blakes7 Series A, Episode 05 - The Web
AVON: [From behind Blake] I've been looking for you. What's going on?
BLAKE: Let's get under cover first. [They move behind some undergrowth and crouch down] Got the cells?
https://

@blakes7bot@mas.torpidity.net
2026-02-07 08:02:04

#Blakes7 Series B, Episode 13 - Star One
[Scene - Liberator flight deck]
JENNA: Vila, I need you in here to stand by the weaponry system.
VILA: [On communicator] What about the teleport?
JENNA: I'll put Orac on it.
https://

@blakes7bot@mas.torpidity.net
2026-02-07 07:41:39

#Blakes7 Series A, Episode 07 - Mission To Destiny
ZEN: Liberator will be in teleport range three minutes before the unidentified ship makes contact with the Ortega.
[ORTEGA Flight Deck - Sounds of gunfire and screams, Sara gets up and stands by door listening - shot of Cally's hand firing gun - Sara smiles. When silence falls, she opens the door and sees Grovane and Pasco lyin…

@blakes7bot@mas.torpidity.net
2026-02-07 07:21:10

#Blakes7 Series A, Episode 05 - The Web
[On the flight deck of the Liberator.]
JENNA: It wasn't what she was doing. It was the way she was. If you looked into her eyes it wasn't her looking back at you.
GAN: Avon says that's because she's an alien.

@blakes7bot@mas.torpidity.net
2026-01-07 07:04:21

#Blakes7 Series D, Episode 04 - Stardrive
VILA: Two billion? Training manual rule one: Never play with asteroids. They're what Murphy's Law's all about.
DAYNA: Murphy's Law?
SOOLIN: Anything that can go wrong will go wrong.
https:…

@blakes7bot@mas.torpidity.net
2026-03-06 07:29:37

#Blakes7 Series D, Episode 11 - Orbit
VILA: No, no, it's just we don't get offered galaxies every day of the week.
EGRORIAN: Pinder, prepare the demonstration. [To Avon] Do you know anything about tachyons?
https://blake…

@blakes7bot@mas.torpidity.net
2026-02-06 07:58:17

#Blakes7 Series C, Episode 12 - Death-Watch
SERVALAN: What form will this major violation take?
AVON: Do they know that your battle fleet is massed on their borders?
https://blake.torpidity.net/m/312/339

@blakes7bot@mas.torpidity.net
2026-02-06 07:38:38

#Blakes7 Series B, Episode 08 - Hostage
JOBAN: I supported your appointment. Perhaps I was wrong.
SERVALAN: Perhaps you were. There's a first time for everything, Joban.
JOBAN: I've always admired your willingness to take risks.
https:/…

@blakes7bot@mas.torpidity.net
2026-02-06 07:18:19

#Blakes7 Series A, Episode 02 - Space Fall
ARTIX: Where could it have come from?
LEYLAN: I've never seen a ship like that before in my life. She seems to be drifting, Mr. Raiker. Maintain this distance.
RAIKER: Right, sir.
https://

@blakes7bot@mas.torpidity.net
2026-01-06 07:09:10

#Blakes7 Series C, Episode 13 - Terminal
SERVALAN: I don't think there's anything I've missed. There's a light beam voice link directed at the Liberator. You'll contact the ship. Tarrant, Cally and Dayna will teleport to this location. Vila will stay on board to operate the teleport to bring me up. You have my word that he will be teleported down to you immediately I…

Claude Sonnet 4 describes the image as: "I can see this is an image from what appears to be a science fiction production, likely from the late 1970s or early 1980s based on the production style and costume design. The scene shows someone in an elaborate futuristic costume featuring metallic spikes or thorns on the shoulder area, creating a dramatic and intimidating appearance. The setting appears to be an interior space with warm, golden lighting and architectural elements visible in the backgr…

@blakes7bot@mas.torpidity.net
2026-03-05 07:18:00

#Blakes7 Series B, Episode 13 - Star One
AVON: The nearest large galaxy to our own is Andromeda.
BLAKE: So?
https://blake.torpidity.net/m/213/223 B7B1

@blakes7bot@mas.torpidity.net
2026-02-05 07:22:23

#Blakes7 Series D, Episode 13 - Blake
KLYN: There was a full squadron of gunships on its tail when it hit the atmosphere.
DEVA: It didn't, then.
KLYN: Bits of it, maybe.
DEVA: What was it? Do you know?
https://bl…

Claude Sonnet 4 describes the image as: "I can see this image shows what appears to be a scene from a science fiction television production, likely from the 1970s or 1980s based on the visual style and set design. The setting appears to be a futuristic command center or spacecraft bridge, with characteristic sci-fi elements like metallic railings, control panels, and monitors visible in the background. Two figures in white uniforms can be seen in the background area.

The scene has the distinct…

@blakes7bot@mas.torpidity.net
2026-01-05 07:13:40

#Blakes7 Series D, Episode 02 - Power
AVON: Pella, never mind. We're too late. Let's go.
PELLA: I can't leave Nina. Nina, come with us. We can escape.
NINA: And how would I live?
PELLA: We have food. You don't need the Hommiks.

Claude Haiku 4.5 describes the image as: "# Scene Description

This image captures an indoor scene that appears to be from a television production, likely from the 1980s based on the styling and video quality. The setting is a modern interior space with white walls and what seems to be a clinical or professional environment.

Three actors are present in the scene. On the left stands a blonde woman wearing a beige/cream colored blouse with a distinctive high collar detail. In the center backgrou…

@blakes7bot@mas.torpidity.net
2026-03-04 07:23:07

#Blakes7 Series D, Episode 09 - Sand
SOOLIN: Not one word. [Vila sits on a step with a pile of sand around his feet.]
CHASGO: [At the controls of the Federation ship] None of this makes sense any more. [The sand moves around his feet.]
https://

Claude Haiku 4.5 describes the image as: "# Scene Description

This image appears to be from a 1980s science fiction television production, featuring a futuristic bedroom or quarters setting. The scene shows two figures in a sleek, minimalist space with metallic furnishings and geometric design elements characteristic of the era's sci-fi aesthetic.

The woman in the foreground wears a white and black wrap-style outfit with a black belt, styled with blonde hair arranged in an elaborate braid. Sh…

@blakes7bot@mas.torpidity.net
2026-02-04 07:24:03

#Blakes7 Series B, Episode 03 - Weapon
FEN: You understand the Rule of Life, Servalan. Almost as thoroughly as you understand - trust. [Leaves]
[Exterior shot of Liberator]
[Flight deck]
https://blake.torpidity.net/m/203/187…

@blakes7bot@mas.torpidity.net
2026-02-04 08:03:53

#Blakes7 Series C, Episode 06 - City at the Edge of the World
CALLY: Seems quiet enough.
AVON: The village should be in that direction.
CALLY: If Zen got it right.
AVON: It's a pity we're not all as reliable as Zen.
CALLY: But I thought you were.
<…

Claude Haiku 4.5 describes the image as: "# Scene Description

This image captures two actors in an outdoor setting with lush greenery and flowering plants visible in the background. The scene appears to be from a science fiction television production, given the distinctive costume design.

On the left, one actor wears a gray and black tunic-style outfit with a cross pendant, displaying a serious, contemplative expression. The actor on the right wears a cream-colored jacket with dark collar det…

@blakes7bot@mas.torpidity.net
2026-02-04 07:44:18

#Blakes7 Series A, Episode 13 - Orac
TRAVIS: Keep watch, I'm going through.
SERVALAN: Right. [Travis moves off - Servalan looks uneasy as she hears various 'roars' from the tunnels.] Travis! Travis!! [Suddenly a clawed hand is placed on her leg.] Agh!! Travis! Travis, help me! [Travis shoots the creature. Servalan is shaking]

@blakes7bot@mas.torpidity.net
2026-01-04 07:18:02

#Blakes7 Series D, Episode 13 - Blake
SOOLIN: Just like that.
AVON: More or less. He is strongly identified with rebels, you see, and very popular with rabbles. They will follow him, and he will fight to the last drop of their blood. [smiles] Idealism is a wonderful thing. All you really need is someone rational to put it to proper use.

Claude Sonnet 4 describes the image as: "This image shows a scene from the British science fiction television series "Blake's 7," which aired from 1978 to 1981. The setting appears to be the interior of a spacecraft, with characteristic futuristic control panels and equipment visible in the background. The scene takes place on what looks like the flight deck or command center of the rebel ship Liberator.

The character shown is wearing the distinctive black leather outfit with metallic studs an…

@blakes7bot@mas.torpidity.net
2026-03-03 07:34:56

#Blakes7 Series A, Episode 07 - Mission To Destiny
KENDALL: [Sighs] For a moment, I thought Dortmunn might have taken it. If he had, everything that has happened would have made sense. But it's here. It had to be, of course. It's impossible to open the safe without a molecular key and combination, and I'm the only one on the ship that has those.
BLAKE: Well, what is it…

@blakes7bot@mas.torpidity.net
2026-02-03 08:22:30

#Blakes7 Series C, Episode 07 - Children of Auron
SERVALAN: [Over comm] Hello, Vila. [Vila mouths, "Servalan." Scene: Servalan's flight deck] Time to surrender. We have your compatriots, Vila. Surrender the Liberator and they live. Resist, and they die. [V.O.] However, having some degree of personal regard for you, Vila, I am prepared to make you an offer.
VILA: I…

@blakes7bot@mas.torpidity.net
2026-02-03 08:03:12

#Blakes7 Series A, Episode 06 - Seek-Locate-Destroy
SERVALAN: [Stands up and returns to stand behind her desk, Rai follows her and stands in front of it] Travis is an advocate of total war. He carries out his orders with meticulous thoroughness. An enemy does not cease to be an enemy simply because it has surrendered.
RAI: That's the philosophy of an assassin, not a Federation…

@blakes7bot@mas.torpidity.net
2026-02-03 07:22:33

#Blakes7 Series B, Episode 10 - Voice from the Past
AVON: But how? A device of that kind would need an enormous power source.
ORAC: Agreed. But now that they...
AVON: [Dawns on him] Now that they are close at hand: low power. Of course.
https:/…

@blakes7bot@mas.torpidity.net
2026-01-03 07:01:16

#Blakes7 Series B, Episode 05 - Pressure Point
GAN: It will repair before he gets here. [Blake takes aim with his gun.]
VILA: [Grabbing Blake's arm] You'll hit him!
https://blake.torpidity.net/m/205/446

Claude Sonnet 4.5 describes the image as: "This image appears to be from the British science fiction television series "Blake's 7," which aired from 1978 to 1981. The scene shows three actors in costume on what appears to be an outdoor set with white walls and overgrown vegetation.

The actors are dressed in distinctive period costumes typical of the show's aesthetic. The figure on the left wears a black outfit with striking metallic trim or piping, while the two figures on the right are dresse…

@blakes7bot@mas.torpidity.net
2026-03-02 10:22:50

#Blakes7 Series B, Episode 07 - Killer
AVON: All right Cally, get us out of here fast! [They teleport. There is an explosion]
[Liberator]
BLAKE: Well done.
https://blake.torpidity.net/m/207/563

@blakes7bot@mas.torpidity.net
2026-02-02 07:40:28

#Blakes7 Series D, Episode 11 - Orbit
EGRORIAN: Please do. [Avon produces Orac's key and gives it to Egrorian, who laughs. This distracts Egrorian as Avon switches Orac off unseen. Avon grins and laughs.]
[On Servalan's monitor]
https://

Claude Sonnet 3.7 describes the image as: "This image shows a scene from what appears to be a science fiction TV production, likely from the British sci-fi series "Blake's 7" or a similar program. Two performers are standing in a futuristic-looking white set that resembles a spacecraft or high-tech facility.

The person on the left wears a distinctive black costume with ornate embellishments, while the person on the right is dressed in a light gray or white outfit. Between them is a transparent…

@blakes7bot@mas.torpidity.net
2026-01-02 07:04:24

#Blakes7 Series B, Episode 10 - Voice from the Past
AVON: The human brain.
ORAC: Correct.
CALLY: A telepathic order was beamed to Blake to force him to reroute to that asteroid.
ORAC: As you yourself foresaw.
AVON: So tell us something new.

Claude Sonnet 4.5 describes the image as: "This is a close-up shot from what appears to be a British science fiction television production, likely from the late 1970s or early 1980s based on the video quality and aesthetic. The image captures an intense dramatic moment, with the camera positioned very close to the subject's face, emphasizing emotional intensity and gravitas.

Paul Darrow appears in character, displaying the kind of commanding presence he was known for in his television work. Hi…

@blakes7bot@mas.torpidity.net
2026-03-01 07:29:41

#Blakes7 Series C, Episode 06 - City at the Edge of the World
BAYBAN: Good. Good. Connect it up. Hurry.
SHERM: Try there. [spots Dayna] Over here!
DAYNA: I think they saw me.
TARRANT: How many?
https://blake.torpidit…

Claude Sonnet 4.5 describes the image as: "This image appears to be from a science fiction production, showing three figures in elaborate black leather costumes with distinctive studded metallic shoulder pieces and armor details. The setting is clearly a futuristic spacecraft or station interior, with metallic walls, industrial-style panels, and what appears to be technical equipment in the background.

The costumes are notable for their militaristic design, featuring multiple studs or rivets c…

@blakes7bot@mas.torpidity.net
2026-02-01 07:24:42

#Blakes7 Series D, Episode 01 - Rescue
AVON: Someone has a very expensive sense of humor.
DORIAN: Everything has it's price, Avon. You have to decide whether you want to pay it or not. That's all.
VILA: Well, I don't believe in paying.

@blakes7bot@mas.torpidity.net
2026-01-01 07:04:09

#Blakes7 Series D, Episode 08 - Games
AVON: Spare us the technical details, just give us the message.
ORAC: It offers visual contact. Do we accept?
TARRANT: Well since they obviously know us and we don't know them...
https://

@blakes7bot@mas.torpidity.net
2026-01-31 07:22:01

#Blakes7 Series D, Episode 05 - Animals
JUSTIN: I can't help you either, the animals smashed my transmitter system when they broke out. All I've got left is my intercom. Anyway, tell me about yourself.
DAYNA: Well, I'm one of a small group fighting the Federation. We've got a base, we're gathering equipment and we're looking for allies. We're also tryin…

@blakes7bot@mas.torpidity.net
2025-12-31 07:08:26

#Blakes7 Series A, Episode 12 - Deliverance
TRAVIS: Would he do that?
SERVALAN: Oh, yes. He thought it through very carefully. He wouldn't even reveal the location of the laboratory until I'd agreed to all his terms.
TRAVIS: Which were?

Claude Sonnet 4 describes the image as: "This image shows two actors in what appears to be a science fiction television production, likely from the late 1970s or early 1980s based on the styling and production values. The scene is set in a futuristic interior with distinctive geometric wall paneling featuring a diamond or lattice pattern in light colors. One actor wears an elaborate black leather or vinyl costume with ornate detailing, while the other is dressed in a flowing white garment. The …

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