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@blakes7bot@mas.torpidity.net
2025-12-27 07:01:13

#Blakes7 Series A, Episode 08 - Duel
AVON: It's just a machine, Blake.
VILA: And he should know.
GAN: Well Avon is the expert.
VILA: That's not what I meant.
blake.torpidity.net/m/108/35

@blakes7bot@mas.torpidity.net
2025-12-28 07:20:20

#Blakes7 Series A, Episode 05 - The Web
BLAKE: Yes. Vila is the course set?
VILA: Uh, on the panel now.
BLAKE: Lock onto it Jenna.
JENNA: She's responding very slowly. Coming round. That's it. Locked onto course.

Claude Sonnet 4 describes the image as: "This image appears to be from a television production, likely from the 1970s or early 1980s based on the video quality and aesthetic. The scene shows a person with distinctive curly hair wearing what appears to be dark clothing with metallic or reflective elements, possibly part of a futuristic costume. The lighting and composition suggest this is from a science fiction television series, with dramatic shadowing and a somewhat theatrical presentation typ…
@blakes7bot@mas.torpidity.net
2025-11-27 07:19:32

#Blakes7 Series C, Episode 11 - Moloch
VILA: What's that? Oh, no. No to whatever it was.
CALLY: Orac, please explain the significance of that.
ORAC: The T-16 will enter teleport range in one minute, seventeen seconds, en route for Sardos.

@blakes7bot@mas.torpidity.net
2025-11-28 07:14:46

#Blakes7 Series D, Episode 03 - Traitor
SOOLIN: Just a minute. This is Scorpio, come in Tarrant.
AVON: Hold that order, Slave.
TARRANT: [V.O.] Soolin, we're almost finished here.
blake.torpidity.net/m/403/424

@blakes7bot@mas.torpidity.net
2025-10-27 07:01:29

#Blakes7 Series C, Episode 03 - Volcano
CALLY: Avon, repeat that. Message indistinct. Repeat that.
VILA: Communications blind spot. Or maybe he landed in the volcano.
CALLY: No, I think he's all right.
blake.to…

Claude Sonnet 4.0 describes the image as: "I can see this is a black and white image showing someone at what appears to be a control console or technical workstation. The person is leaning over the console, which has various buttons, switches, and control panels typical of science fiction television production design from the late 1970s or early 1980s. The setting appears to be some kind of spacecraft or high-tech facility interior, with geometric wall panels visible in the background. The ligh…
@blakes7bot@mas.torpidity.net
2025-10-28 07:17:30

#Blakes7 B01 - Redemption
AVON: I warned them to stay away from the teleport area. The people who built this ship will have the same teleport capability as we have. They'll use it to board us.
JENNA: That doesn't account for their disappearance.

@blakes7bot@mas.torpidity.net
2025-12-26 07:04:20

#Blakes7 Series D, Episode 09 - Sand
SERVALAN: Was there any sand in the ship?
CHASGO: Yes. I didn't like the look of it. After the rain had cleared us I threw it outside. Then I felt ... I must've fallen asleep. [Looks at the controls] This is almost normal. What the hell has been -

@blakes7bot@mas.torpidity.net
2025-11-26 07:03:30

#Blakes7 Series B, Episode 02 - Shadow
ORAC: I see no point in continuing this conversation.
VILA: Now, don't start sulking again, or I shall switch you off and throw away the key.
ORAC: Soon, that will be no longer a problem.
VILA: Eh?

@blakes7bot@mas.torpidity.net
2025-10-26 07:04:44

#Blakes7 Series B, Episode 12 - The Keeper
VILA: Huh! Blake!
BLAKE: Shhh, quiet.
VILA: Am I glad to see you. What are you doing here?
BLAKE: Is Jenna all right?
VILA: Only pair-bonding with the chief.
BLAKE: Good.

Claude 3.7 describes the image as: "This image appears to be from a dark, dramatic scene, likely filmed in a low-light setting. The photo shows a person wearing what looks like a utilitarian or military-style jacket in a brownish color. They appear to be in some kind of dimly lit environment, possibly a corridor or confined space.

The dramatic lighting creates strong shadows and a tense atmosphere, which was characteristic of the sci-fi television production styles of the late 1970s/early 1980…
@blakes7bot@mas.torpidity.net
2025-11-25 07:06:39

#Blakes7 Series A, Episode 06 - Seek-Locate-Destroy
AVON: Space Commander Travis.
BLAKE: Travis!
JENNA: Do you know him?
BLAKE: I thought he was dead. I was sure I'd killed him.
blake.torpidity.net/m/106/…

Claude Haiku 4.5 describes the image as: "# Image Description

This scene appears to be from a science fiction television production, likely from the 1970s based on the visual style and set design. The image shows four people in what appears to be a spacecraft interior, characterized by the futuristic but modest production design typical of that era.

The setting features sleek, minimalist backgrounds with geometric patterns and metallic tones. The actors are wearing stylized costumes consisten…
@blakes7bot@mas.torpidity.net
2025-12-25 07:09:59

#Blakes7 Series A, Episode 02 - Space Fall
VILA: What's that?
[Jenna walks over to the far wall, where a gel is squeezing through some hairline cracks]
blake.torpidity.net/m/102/233

@blakes7bot@mas.torpidity.net
2025-10-25 06:08:12

#Blakes7 Series A, Episode 09 - Project Avalon
SERVALAN: [To Travis] Project Avalon has failed totally. There will be a full inquiry. Until that time you are relieved of your command.
TRAVIS: [To himself] If it takes all my life, I will destroy you, Blake. I will destroy you. I will destroy you.

Claude 3.7 describes the image as: "The image shows a person with very short dark hair wearing a white robe or garment with a wide neckline. They have a focused expression and appear to be speaking or reacting to something. The background is blurry but suggests an indoor setting with some structural elements visible.

This appears to be from a science fiction production, with the minimalist costume and setting typical of the genre from that era. The stark white costume against the industrial-lo…
@blakes7bot@mas.torpidity.net
2025-11-24 07:11:59

#Blakes7 Series D, Episode 05 - Animals
AVON: Right. How's our armament situation?
SOOLIN: Good as it'll ever be. We couldn't hold off a Federation patrol with it, but we knew that already.
blake.torpidity.ne…

Claude 3.7 describes the image as: "This image appears to be from the classic British science fiction series "Blake's 7." The scene takes place in what looks like a spacecraft or space station interior with metallic walls and industrial styling typical of the show's production design.

Three people are gathered around what appears to be a control console or workstation. On the right, a person wearing a distinctive black outfit with decorative elements stands at the console, appearing to operate…
@blakes7bot@mas.torpidity.net
2025-12-24 07:14:57

#Blakes7 Series C, Episode 11 - Moloch
CALLY: By teleport using a short-pulse omicron beam. I know how to do it.
AVON: We've never done it before.
CALLY: We've never been in a situation like this before. [Dayna enters.]
<…

@blakes7bot@mas.torpidity.net
2025-10-24 06:13:08

#Blakes7 Series B, Episode 03 - Weapon
VILA: I think my brain must be furring up.
GAN: IMIPAK might be something they can use against us, Vila.
VILA: Only if it can run faster than we can.
BLAKE: Jenna, set a course for that planet.

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television production, showing someone in period-style costume consisting of a white shirt with a dark vest or jerkin that has decorative trim or braiding. The costume design suggests this might be from a futuristic or alternate historical setting. The person is wearing what appears to be some kind of headband or small hat. The background shows what looks like a set with columns and warm lighting typi…
@blakes7bot@mas.torpidity.net
2025-12-23 07:20:08

#Blakes7 Series B, Episode 02 - Shadow
BLAKE: The President of the Federation runs the shadow operation.
AVON: And since shadow is the basis of the Terra Nostra -
GAN: I don't believe it.
blake.torpidity.net/m/…

@blakes7bot@mas.torpidity.net
2025-11-23 07:19:37

#Blakes7 Series D, Episode 03 - Traitor
HUNDA: If we could knock it out they'd be isolated!
TARRANT: Couldn't you infiltrate and assault group or is it too heavily defended?
LEITZ: It's not defended, but the city's sealed off.
HUNDA: What is it?

@blakes7bot@mas.torpidity.net
2025-10-23 06:18:31

#Blakes7 Series B, Episode 09 - Countdown
BLAKE: What's the countdown?
CAUDER: Fifty-three.
BLAKE: [Into bracelet] Liberator, this is Blake. Do you read me?
JENNA: [V.O., over bracelet] We hear you.
BLAKE: Any news from Avon?

Claude 3.7 describes the image as: "This image appears to be from a science fiction television series from the late 1970s or early 1980s. The scene shows four people gathered around what looks like a clear control panel or device with colored buttons and components. They're in what appears to be a spacecraft or futuristic setting, indicated by the technical equipment and the overhead lighting fixtures.

The individuals are dressed in typical science fiction attire of that era - practical jumpsu…
@blakes7bot@mas.torpidity.net
2025-12-22 07:24:31

#Blakes7 Series A, Episode 05 - The Web
BLAKE: I've never seen anything like it before.
NOVARA: Our mission has specialized in tissue creation and regenerative processes.
GEELA: Among other things.
[They all sit down.]
<…

Claude Sonnet 4 describes the image as: "This image appears to be from a television production, showing three actors in what looks like a futuristic or science fiction setting. The scene takes place in what appears to be a spacecraft or advanced facility interior, with metallic walls and modern furnishings visible in the background.

The actors are wearing distinctive costumes that suggest this is from a sci-fi drama - one character wears an elaborate metallic or shimmery garment, while another…
@blakes7bot@mas.torpidity.net
2025-11-22 07:02:17

#Blakes7 Series A, Episode 08 - Duel
BLAKE: Thank you. She was, uh, she was very beautiful, wasn't she, Jenna?
JENNA: [Unenthusiastically] Yes. Very.
VILA: All we saw was the ugly one. How is it you get all the fun?

@blakes7bot@mas.torpidity.net
2025-10-22 06:03:57

#Blakes7 Series C, Episode 10 - Ultraworld
AVON: They've presented no threat so far.
TARRANT: Maybe they're biding their time.
AVON: What for? They could take us out quite easily with their technology.
blak…

Claude Sonnet 4.0 describes the image as: "This appears to be a scene set aboard a spacecraft, likely the Liberator or Scorpio, featuring three crew members in a tense moment. The setting shows the characteristic metallic interior design with geometric patterns typical of the series' futuristic aesthetic. The characters are wearing their distinctive costumes - one in a dark outfit with military-style detailing, another in the iconic studded leather jacket, and a third in red and black. The ligh…
@blakes7bot@mas.torpidity.net
2025-12-21 07:06:24

#Blakes7 Series B, Episode 12 - The Keeper
CALLY: What's that? He's transmitting. Who to?
AVON: Who cares? Stand by.
CALLY: His detectors must warn him soon.
blake.torpidity.net/m/212/69

@blakes7bot@mas.torpidity.net
2025-11-21 07:05:20

#Blakes7 Series A, Episode 03 - Cygnus Alpha
KARA: Gan.
[Gan steps back. The spear misses him and hits Kara. The fight continues. Blake is struggling with one of the priests. Vila stabs the priest.]
BLAKE: Don't just stand there Vila. Run.

Claude 3.7 describes the image as: "# Theatrical Scene Analysis

This appears to be a dramatic stage production set in a gothic or medieval environment. The scene depicts a funeral or death ritual, with a figure lying horizontally on a red fabric-draped platform or altar. The setting is notably dark, with minimal lighting that creates an eerie atmosphere.

The staging includes numerous figures dressed in dark, period-appropriate clothing standing solemnly in the background. Some figures hold ca…
@blakes7bot@mas.torpidity.net
2025-10-21 06:08:34

#Blakes7 B12 - The Keeper
JENNA: I've told you, we mean him no harm.
GOLA: You come from a spaceship. My guards capture you, or else by now you would have killed us. [holding up teleport bracelets] What are these? You - fool! What are these?

Claude 3.7 describes the image as: "This image shows a scene set in what appears to be a tribal or primitive interior space with decorative wall hangings and circular shields. Several people are visible in what looks like a costume drama from the late 1970s or early 1980s, based on the production style and costume design.

In the foreground, a person in leather-like attire sits on a cushioned seat, while others stand in the background. One figure wears a furry costume with an ornate vest, sugge…
@blakes7bot@mas.torpidity.net
2025-12-20 07:31:50

#Blakes7 Series A, Episode 13 - Orac
ENSOR: Well, I'm ready, shall we get started?
BLAKE: Well, wait a minute. There is something else.
ENSOR: What?
BLAKE: What about Orac?
ENSOR: Orac. Of course, yes, I can't leave Orac here.

@blakes7bot@mas.torpidity.net
2025-11-20 07:27:18

#Blakes7 Series B, Episode 02 - Shadow
LARGO: Oh, I'm fascinated. But I'm just an independent businessman.
AVON: [Takes two gems from a bag, lays them on Largo's platform] Are you sure?
blake.torpidity.net/m/…

Claude Sonnet 4.0 describes the image as: "This scene appears to be from a science fiction television production, likely from the 1970s or early 1980s based on the visual quality and costume design. The setting features a sleek, minimalist interior with pale walls and geometric patterns, characteristic of futuristic set design from that era.

In the foreground, one actor wears a distinctive metallic silver tunic with voluminous sleeves over black clothing, creating a striking space-age appearan…
@blakes7bot@mas.torpidity.net
2025-11-20 07:05:23

#Blakes7 Series B, Episode 04 - Horizon
AVON: We're also a long way out and still running. Why?
JENNA: We lost those patrol ships ages ago.
VILA: We lost everything ages ago. Nothing comes this far out.
BLAKE: So we're free for the time being anyway.

@blakes7bot@mas.torpidity.net
2025-10-20 06:15:01

#Blakes7 D01 - Rescue
[Planet terminal. Exterior, night. A crude camp has been made. A small fire burns in the centre. Dayna, Tarrant and Avon are seated around the fire. Avon has Orac in his lap and is attempting to repair it.]
TARRANT: Vila rescued me?

Claude Sonnet 4.0 describes the image as: "This scene shows four characters gathered around a small campfire in what appears to be a cave or rocky shelter. The setting suggests they're in hiding or taking refuge, with patches of snow or frost visible on the ground, indicating cold conditions. The characters are dressed in their typical practical clothing - leather jackets and sturdy garments suitable for their circumstances as rebels on the run. The intimate gathering around the fire creates a …
@blakes7bot@mas.torpidity.net
2025-12-19 07:11:57

#Blakes7 Series D, Episode 13 - Blake
VILA: Why did they land it so far away?
SOOLIN: Presumably they thought the noise would alert someone.
AVON: In your case, they could have put it down on the roof without any trouble.

@blakes7bot@mas.torpidity.net
2025-11-19 07:13:24

#Blakes7 Series D, Episode 10 - Gold
AVON: We, have the gold.
TARRANT: We're well ahead of schedule.
AVON: We are going to need to be. We have to put Scorpio down on Beta Five, unload the gold, and get Scorpio back into orbit. All before they arrive.

Claude Sonnet 4.0 describes the image as: "This image shows a scene from the British science fiction series "Blake's 7," featuring five actors gathered around a futuristic control console. The setting appears to be the flight deck of the spacecraft Liberator, with its distinctive curved control panels and technical equipment visible throughout.

The actors are engaged in what appears to be a tactical discussion, gathered around illuminated control surfaces displaying maps or strategic informati…
@blakes7bot@mas.torpidity.net
2025-10-19 06:09:36

#Blakes7 Series A, Episode 01 - The Way Back
JENNA: About twenty-four hours. If you're expecting a last-minute reprieve you'd better forget it. Once they get you this far there's no going back. You'd better get used to the idea. Nobody out there gives a damn about you.
[Scene: VARON's apartment. He walks towards the bed where MAJA is sleeping and stops. She awak…

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television series, showing two people in what looks like a dramatic scene. One person has curly blonde hair and is wearing what appears to be a sparkly or sequined dark outfit, while the other has dark curly hair and is wearing what looks like a green or olive-colored garment. The setting appears to be indoors with muted lighting, suggesting this might be taking place on a spacecraft or futuristic int…
@blakes7bot@mas.torpidity.net
2025-12-18 07:17:26

#Blakes7 Series C, Episode 06 - City at the Edge of the World
BAYBAN: What took you so long? You must be Vila. It's an honour, sir.
VILA: The honour's mine.
BAYBAN: That's what I meant.
blake.torpidity.…

@blakes7bot@mas.torpidity.net
2025-11-18 07:14:56

#Blakes7 Series A, Episode 04 - Time Squad
BLAKE: I'm hardly likely to use the landing area am I? I need to contact the resistance fighters.
CALLY: Your words are meaningless to me.
blake.torpidity.net/m/104/354

@blakes7bot@mas.torpidity.net
2025-10-18 06:14:14

#Blakes7 D07 - Assassin
BENOS: Look, when I say I win, I win. Right? [Knocks him down and kicks him - cut back to Avon and Vila]
VILA: Friendly looking lot aren't they? Are you sure you can manage them on your own? [Avon hands his gun to Vila]

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television production, showing what looks like a dramatic confrontation scene between two characters in ornate, futuristic costumes with metallic studs and decorative elements. The setting appears to be against a rough stone or cave-like background. The scene has the distinctive visual style of British science fiction television from the late 1970s or early 1980s, with elaborate costume design typical…
@blakes7bot@mas.torpidity.net
2025-12-17 07:01:38

#Blakes7 Series B, Episode 10 - Voice from the Past
AVON: He What?
VILA: Blake!
[Group enters flight deck with Blake]
VILA: What about Del Ten?
CALLY: What about the beta particles?
BLAKE: They can wait.

@blakes7bot@mas.torpidity.net
2025-11-17 07:17:27

#Blakes7 Series A, Episode 11 - Bounty
SARKOFF: Beautiful, aren't they. Earth insects of the order Lepidoptera.
BLAKE: Butterflies.
SARKOFF: Ah, so you're an historian, are you?
BLAKE: No, but I did study some natural history.

@blakes7bot@mas.torpidity.net
2025-10-17 06:08:04

#Blakes7 Series A, Episode 11 - Bounty
BLAKE: He is older. It's seven years since he came into exile. [Into bracelet] Liberator, come in, Liberator.
[Flight deck of the Liberator]
blake.torpidity.net/m/111/32

Claude 3.7 describes the image as: "The image shows two individuals with curly dark hair in what appears to be a rustic or wilderness setting. They are wearing what looks like period or specialized costume clothing, with one wearing what appears to be a spotted fur or animal print garment. The scene has a muted, somewhat desaturated color palette typical of television productions from the late 1970s or early 1980s.

The individuals seem to be in a tense or watchful moment, with one looking off …
@blakes7bot@mas.torpidity.net
2025-12-16 07:04:53

#Blakes7 Series D, Episode 05 - Animals
SERVALAN: Make for the ridge. Its a natural vantage point. Captain, I want you to make sure we're ready to lift off this mud ball at the first sign of trouble.
CAPTAIN: We will be, Commissioner.

@blakes7bot@mas.torpidity.net
2025-11-16 07:01:12

#Blakes7 Series B, Episode 09 - Countdown
BLAKE: [To Jenna] Get a locator fix on the signal.
CALLY: It's already pinpointed.
BLAKE: Well done. Alright, Avon, get kitted up. You too, Vila.
blake.torpidity.net/m/2…

Claude 3.7 describes the image as: "This image appears to be from a science fiction television series, likely from the late 1970s or early 1980s based on the production style and costumes. The scene shows two individuals in conversation within what looks like a spacecraft or futuristic facility with metallic walls and reflective surfaces visible in the background.

The person on the left is wearing a gray uniform-like outfit, while the person on the right is dressed in a brown/olive sleeveless …
@blakes7bot@mas.torpidity.net
2025-12-15 07:08:56

#Blakes7 Series D, Episode 03 - Traitor
HUNDA: I think I can. There are two places along that cooling system where it's possible to surface, and as long as I keep my face to the current I should be heading in the right direction. All right, Hask, you take over now. Get the column moving. If all goes well, I'll be back tomorrow night. [he moves off]
HASK: Good luck Hunda.

@blakes7bot@mas.torpidity.net
2025-11-15 07:04:41

#Blakes7 Series A, Episode 06 - Seek-Locate-Destroy
SERVALAN: Very well, Councillor Bercol. You may tell the President that I am appointing a Space Commander to take absolute control of this matter. He will be exclusively concerned to seek, locate, and destroy Blake.
BERCOL: Oh, excellent, excellent.

Claude 3.7 describes the image as: "The image shows a person with short dark hair in what appears to be a scene from a television production. They are wearing an elegant white outfit with a decorative crystal or beaded collar that has a distinct vintage sci-fi or fantasy aesthetic. The individual has a contemplative or mid-conversation expression and is seated against what looks like a light-colored sofa or seating area.

The setting appears to be from a classic television production, likely fr…
@blakes7bot@mas.torpidity.net
2025-10-15 06:13:52

#Blakes7 Series C, Episode 09 - Sarcophagus
TARRANT: I'm sure you wouldn't. [Draws his gun and exits. Avon smiles.]
[Corridors. As Tarrant runs toward the flight deck he is intercut with visions of the conjured figure in scarlet doing the same things.]

Claude Sonnet 4.0 describes the image as: "I can see a figure in what appears to be a futuristic or science fiction setting, wearing distinctive costume elements including red and tan/brown colored clothing with a cape-like garment. The character appears to be on what looks like a spaceship or futuristic interior set, with curved walls and technological elements visible in the background. The lighting creates a dramatic atmosphere typical of science fiction television productions from this era.…
@blakes7bot@mas.torpidity.net
2025-12-14 07:14:35

#Blakes7 Series B, Episode 07 - Killer
JENNA: It's hardly moving.
BLAKE: They were slow, Jenna, infraluminal. Question is, how did it get here?
JENNA: Well, what do you mean?
blake.torpidity.net/m/207/19<…

@blakes7bot@mas.torpidity.net
2025-11-14 07:09:32

#Blakes7 Series B, Episode 05 - Pressure Point
SERVALAN: If you tell me about the rendezvous, I will consider sparing your life.
KASABI: My life isn't yours to spare.
SERVALAN: Oh, but it is.
blake.torpidity.ne…

Claude Sonnet 4.0 describes the image as: "The image shows a tense scene in what appears to be a medical or clinical setting, indicated by the blurred institutional background with pale green and white tones. In the foreground, a woman with dark hair pulled back wears a military-style olive green vest or uniform, suggesting she may be portraying a soldier or service member. Her expression is serious and somewhat weary, with her gaze directed off-camera. The lighting creates a stark, documentary…
@blakes7bot@mas.torpidity.net
2025-10-14 06:20:20

#Blakes7 Series C, Episode 02 - Powerplay
VILA: Oh. Well that seems to cover everything.
LOM: You were in a space accident?
VILA: Accident? It was a full scale war. There was this alien battle fleet...
blake.torpidi…

@blakes7bot@mas.torpidity.net
2025-12-13 07:18:20

#Blakes7 Series B, Episode 12 - The Keeper
VILA: I could be president.
AVON: Ah.
VILA: Or we can take it in turns.
BLAKE: You ready to go, Vila?
VILA: Why not? Now that would be worth the risks we're taking.

Claude Sonnet 4 describes the image as: "This appears to be a scene from the British science fiction television series "Blake's 7" from the late 1970s. The image shows several characters gathered around what appears to be a futuristic control panel or device with an open compartment. The setting has the distinctive low-budget but atmospheric look characteristic of BBC science fiction productions of that era, with curved walls and dim lighting creating a spaceship or underground base environment…
@blakes7bot@mas.torpidity.net
2025-11-13 07:13:43

#Blakes7 Series A, Episode 10 - Breakdown
BLAKE: How soon can you complete?
KAYN: Thirty-five minutes.
BLAKE: Do it in twenty.
KAYN: Or you'll kill me.
blake.torpidity.net/m/110/540

Claude 3.7 describes the image as: "# Scene Description

This image appears to be from a science fiction television production, showing a medical or clinical setting. The scene captures three individuals in what looks like a spacecraft or futuristic facility interior, characterized by the metallic walls visible in the background.

In the foreground, a person wears a distinctive lime green headband and white medical mask, suggesting a medical or emergency scenario. Behind them, another figure in…
@blakes7bot@mas.torpidity.net
2025-10-13 06:06:17

#Blakes7 Series D, Episode 04 - Stardrive
VILA: So what's that supposed to tell us?
AVON: That recording told Orac something. If we want to know what it is, we have to check every frame.
blake.torpidity.net/m/404/119…

@blakes7bot@mas.torpidity.net
2025-12-12 07:18:16

#Blakes7 Series C, Episode 05 - The Harvest of Kairos
DAYNA: Avon has the key.
[Space; V.O.'s from Landing module]
VILA: Are you sure you can dock this thing?
TARRANT: I hadn't really considered it.
VILA: What?

Claude Sonnet 3.7 describes the image as: "This image shows a person in what appears to be a period drama or theatrical production. They are wearing a distinctive costume with a blue dress or gown featuring a gold or metallic collar area. The person has short hair and gold earrings, and is photographed against a dark background that creates a dramatic effect.

The styling and costume suggest this is likely from a professional production, possibly from television or film from several decades ago…
@blakes7bot@mas.torpidity.net
2025-11-12 07:18:40

#Blakes7 Series A, Episode 04 - Time Squad
JENNA: Ah, don't tell him that.
BLAKE: [Into communicator] Thank you, Avon. [to Jenna] You ever seen anything like this before?
JENNA: No.
blake.torpidity.net/m/104/10…

@blakes7bot@mas.torpidity.net
2025-10-12 06:13:26

#Blakes7 Series B, Episode 01 - Redemption
SPACEWORLD SLAVE: Then one of the planets developed a computer so powerful it was able to take over the weaponry computers of the other two.
BLAKE: So all three became one?
blak…

@blakes7bot@mas.torpidity.net
2025-12-11 07:02:20

#Blakes7 Series A, Episode 05 - The Web
NOVARA: A simple mental process known to the ancients. We have developed and refined it. It is more reliable than mechanical transmissions.
BLAKE: You said you have a way to free us from the web.

Claude Sonnet 4.5 describes the image as: "This image shows a scene from what appears to be a science fiction production, featuring distinctive theatrical makeup and costuming. The character has pale gray-toned skin and wears an elaborate period-style costume with ornate detailing around the collar area. The styling includes shoulder-length dark hair swept back from the face.

The makeup design creates an otherworldly appearance, suggesting an alien or non-human character. The costume includes …
@blakes7bot@mas.torpidity.net
2025-11-11 07:02:02

#Blakes7 Series D, Episode 08 - Games
AVON: Who does?
SLAVE: I fear I am unable to identify them Master. I regret this failure most bitterly.
AVON: Orac?
blake.torpidity.net/m/408/117

Claude 3.7 describes the image as: "This image shows a droid or robot character from the science fiction television series. The machine has a distinctive spherical, segmented design with metallic sections separated by gold trim bands. It appears to have a control panel with small red lights visible in its midsection. The robot is positioned in what looks like a technical corridor or facility with textured green wall panels visible on either side, creating a classic retro sci-fi aesthetic. The s…
@blakes7bot@mas.torpidity.net
2025-10-11 06:20:40

#Blakes7 Series C, Episode 06 - City at the Edge of the World
VILA: If the energy threshold isn't too low, and the field too thick. This one tried, but the air ran out on him. Ship was still in flight. [takes probe from skeleton]
KERRIL: Can I do anything?

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television series, showing two people in what looks like a futuristic interior setting with distinctive hexagonal or geometric patterns visible in the background. One person has blonde hair and is wearing what appears to be a light-colored garment, while the other person has dark hair and is wearing what looks like a ribbed or textured outfit in muted tones. The setting has a clinical or technological…
@blakes7bot@mas.torpidity.net
2025-12-10 07:17:55

#Blakes7 Series D, Episode 12 - Warlord
DAYNA: [Into comm] All launch checks complete.
AVON: [V.O.] Green on all systems.
VILA: [Into comm] Betafarl has just confirmed full clearance on your flight plan.
blake.torp…

Claude Sonnet 4 describes the image as: "This image shows two actors in what appears to be a science fiction television production, likely from the late 1970s or 1980s based on the visual style and set design. The scene takes place in a futuristic control room or spacecraft interior, featuring typical sci-fi elements like control panels with blinking lights and a sterile, technological aesthetic.

One actor wears an elaborate costume with ornate metallic detailing and a high collar design that …
@blakes7bot@mas.torpidity.net
2025-11-10 07:04:42

#Blakes7 Series B, Episode 13 - Star One
AVON: [On communicator] What is it, Jenna?
JENNA: There's a ship, its coming in for a surface landing.
AVON: [On communicator] Have they spotted you?
JENNA: I've got the detector shield up.

@blakes7bot@mas.torpidity.net
2025-10-10 06:06:15

#Blakes7 Series B, Episode 12 - The Keeper
JENNA: If he's wise, he does.
VILA: And if he's not, he's dead.
BLAKE: All right, put us down Cally.
[They transfer to Goth, landing in a wooded gorge.]
bl…

Claude Sonnet 4.0 describes the image as: "This appears to be a scene set aboard a spacecraft, likely the Liberator, showing crew members gathered around what looks like a control console or computer interface. The setting has the characteristic futuristic interior design of the series, with metallic surfaces and technological equipment visible in the background. The characters appear to be examining or discussing something displayed on a screen or panel, which shows a grid of what might be dat…
@blakes7bot@mas.torpidity.net
2025-12-09 07:00:56

#Blakes7 Series C, Episode 08 - Rumours of Death
AVON: You weren't even real. Bartolomew, Central Security's best agent, one of your colleagues told me that.
ANNA: Anna Grant. I was only ever Anna Grant with you.

Claude Sonnet 4 describes the image as: "This appears to be a scene from a British science fiction television production, likely from the late 1970s or early 1980s based on the visual style and production values. The setting appears to be inside a spacecraft or futuristic facility, with characteristic metallic surfaces and storage compartments visible in the background.

The scene shows two characters in what appears to be an intimate or protective moment. One character wears a dark leather out…
@blakes7bot@mas.torpidity.net
2025-11-09 07:06:06

#Blakes7 Series D, Episode 13 - Blake
AVON: This won't hold it for long.
TARRANT: Have we shaken any of them off?
SOOLIN: [Looking at monitor] Not exactly.
VILA: Not remotely. There's four more coming on zero two three.

Claude 3.7 describes the image as: "The image shows a person in what appears to be a science fiction television production from the late 1970s or early 1980s, based on the filming style and costume design. 

The individual is wearing a distinctive black leather outfit with metallic studs or embellishments, which is characteristic of the futuristic, somewhat dystopian aesthetic common in British sci-fi of that era. 

The costume has a militaristic or authoritarian quality, with structured should…
@blakes7bot@mas.torpidity.net
2025-10-09 06:12:56

#Blakes7 Series D, Episode 11 - Orbit
VILA: I'd have given odds Egrorian'd try to pull something! What's the escape velocity of this thing?
AVON: I don't know. Why don't you ask Orac?
VILA: Eh? [Avon opens panel, revealing Orac on the shuttle]
[Biodome]

Claude 3.7 describes the image as: "The image shows a scene from a classic science fiction television series from the late 1970s/early 1980s. It depicts two characters in what appears to be a futuristic control room or spacecraft setting, with technical equipment and computer banks visible in the background.

On the left is a person wearing a light gray outfit, while on the right is someone dressed in a distinctive black leather or vinyl costume with silver accents. Both appear to be seated at …
@blakes7bot@mas.torpidity.net
2025-12-08 07:04:09

#Blakes7 Series C, Episode 06 - City at the Edge of the World
BAYBAN: Small-time thief and failed revolutionary, and you don't know who I am?
VILA: Ah. Well, if you put it like that, of course I know who you are. You're - you're, ah -
BAYBAN: Bayban.

@blakes7bot@mas.torpidity.net
2025-11-08 07:04:57

#Blakes7 Series B, Episode 01 - Redemption
ALTA TWO: Take control. [Guards enter flight deck]
AVON: [To Jenna] I think we just lost our ship.
blake.torpidity.net/m/201/341 B7B1…

@blakes7bot@mas.torpidity.net
2025-10-08 06:19:08

#Blakes7 Series D, Episode 04 - Stardrive
AVON: Regeneration will take about twenty minutes, while we deal with the coil.
[Space. Shot of three ships in formation.]
[Scorpio flight deck]
blake.torpidity.net/m/404/83…

@blakes7bot@mas.torpidity.net
2025-12-07 07:05:19

#Blakes7 Series B, Episode 10 - Voice from the Past
JENNA: This meeting at Atlay...?
GLYND: The annual meeting of all the governors of the Federation. The ideal moment.
AVON: But why should they give you a hearing?

Claude Haiku 4.5 describes the image as: "# Image Description

This image shows a woman with shoulder-length blonde hair styled in a 1970s fashion, featuring bangs and waves. She has a serious, contemplative expression on her face, with her gaze directed downward. She's wearing what appears to be professional attire with a dark colored top or jacket and a delicate chain necklace.

The setting appears to be an indoor environment with neutral-colored walls in the background, suggesting an institu…
@blakes7bot@mas.torpidity.net
2025-11-07 07:06:50

#Blakes7 Series C, Episode 06 - City at the Edge of the World
VILA: You wouldn't be interested in what comes top of it, would you?
KERRIL: You! [hits Vila playfully]
[In the room]
blake.torpidity.net/m/306/545…

@blakes7bot@mas.torpidity.net
2025-10-07 06:04:14

#Blakes7 Series D, Episode 11 - Orbit
VILA: Now what? There's nothing left to throw out!
AVON: Let's check with Orac. Come on!
[Shuttle, bridge]
AVON: What's the position now, Orac?
ORAC: Remaining flight time: five minutes and forty seconds.

@blakes7bot@mas.torpidity.net
2025-12-06 07:05:14

#Blakes7 Series C, Episode 01 - Aftermath
AVON: And Star One was the basis of Federation power. It controlled everything.
SERVALAN: Exactly. And now it's gone, so is most of the Federation. From now on there will be chaos in the star systems. No central control, no unifying force. Over half the civilized planets left to their fate.

@blakes7bot@mas.torpidity.net
2025-11-06 07:08:06

#Blakes7 Series C, Episode 08 - Rumours of Death
REBEL 1: [V.O.] We want both!
REBEL 2: [V.O.] Yes!
[Avon and Tarrant break into Servalan's empty office, and leave. They then break into Surveillance. Avon shakes Grenlee in his chair.]

Claude 3.7 describes the image as: "The image shows a person in a dark interior setting, wearing what appears to be a black outfit or uniform with a v-neck. The lighting is very dim, giving the scene a moody, dramatic atmosphere. The background reveals what looks like a corridor or room in what might be a spacecraft or facility, with light-colored walls visible. 

The aesthetic has that distinctive late 1970s/early 1980s British television production quality - somewhat grainy and darkly lit. Th…
@blakes7bot@mas.torpidity.net
2025-10-06 06:09:11

#Blakes7 Series A, Episode 01 - The Way Back
BLAKE: Where are we?
VILA: In a transit cell.
BLAKE: I don't understand.
blake.torpidity.net/m/101/227 B7B1

@blakes7bot@mas.torpidity.net
2025-12-05 07:02:25

#Blakes7 Series A, Episode 12 - Deliverance
VOICE: [V.O. in background] ...secondary stage is clear for count...meteorology checks confirmed. Clear for count...control checks confirmed...are cleared, green, and stable...telemetry systems... [The countdown check continues in the background.]
GAN: Do you really think we could launch that ship?

@blakes7bot@mas.torpidity.net
2025-11-05 07:13:22

#Blakes7 Series D, Episode 02 - Power
PELLA: Nina -
AVON: Pella!
NINA: Now please. I have my duties to attend to.
PELLA: I feel sorry for you, Nina. You were a Seska, but more than that, you were a great Seska.

Claude Sonnet 4.0 describes the image as: "I can see two people in what appears to be a futuristic setting with white/light colored walls or corridors typical of science fiction productions from this era. One person is wearing an ornate costume with metallic studs and decorative elements in black and white, suggesting a military or authoritative role. The other person is wearing a simpler light-colored garment with what appears to be a collar or neck piece. The lighting and set design have the …
@blakes7bot@mas.torpidity.net
2025-10-05 06:16:48

#Blakes7 Series D, Episode 06 - Headhunter
VILA: Do you think we can trust it? Scabby little rebel!
SOOLIN: Switch on and we'll see. [Vila activates Orac.]
SOOLIN: Prognosis, Orac.
ORAC: Prospect for organic humanoid life is dependent on one condition.

@blakes7bot@mas.torpidity.net
2025-12-04 07:04:23

#Blakes7 B09 - Countdown
SELSON: It's no good, sir. There's no way through; it's blocked. You must try and get back, sir - you must try and get back and stop... ahhh...[Dies]
[Rebels in the corridor outside the control room, beating on the door]

@blakes7bot@mas.torpidity.net
2025-11-04 07:19:02

#Blakes7 Series B, Episode 07 - Killer
BLAKE: The service history of that ship you've got in the landing bay. I sent you a warning about it earlier.
BELLFRIAR: Where did this come from?
BLAKE: Central Registry.
BELLFRIAR: Seven hundred years old?

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television production, likely from the late 1970s or early 1980s based on the visual style and production values. The scene shows someone in what appears to be a futuristic white outfit or uniform, sitting in what looks like a spaceship or futuristic setting. The lighting and set design have that distinctive look characteristic of British sci-fi productions from that era, with clean, minimalist aesthe…
@blakes7bot@mas.torpidity.net
2025-10-04 06:03:03

#Blakes7 Series A, Episode 11 - Bounty
CHENEY: [Into communicator] Yes?
VOICE: [V.O.] I think we've got some intruders.
CHENEY: [Into communicator] Are you sure?
VOICE: [V.O.] Electronic surveillance is usually reliable.
[Cheney interrupts him.]

Claude Sonnet 4.0 describes the image as: "I can see two figures in dark tactical or military-style gear in what appears to be a wooded, outdoor setting. One person is wearing a full face mask or helmet with protective equipment, while the other has their face partially visible and is wearing what looks like a tactical helmet or headgear. They appear to be equipped for some kind of mission or operation, with dark clothing and professional-grade protective equipment. The forest setting suggests …
@blakes7bot@mas.torpidity.net
2025-12-03 07:06:20

#Blakes7 Series D, Episode 02 - Power
CATO: Overlooked. It's self-maintained. Powered by our sun, it will last forever. This generation, even Gunn Sar, believes it to be some kind of magic that keeps the chambers light and warm. A computer is like some ancient god to them.
AVON: What about the Seskas?

Claude Sonnet 3.7 describes the image as: "This black and white image shows a medieval king or nobleman character from what appears to be a historical drama or film. The figure is wearing an ornate metal circlet or crown with decorative medallions across the forehead, and has long hair and a full beard. They're dressed in what looks like medieval royal attire including armor or a metallic breastplate with a fur-trimmed cloak or mantle draped over the shoulders.

The setting appears to be a dark…
@blakes7bot@mas.torpidity.net
2025-11-03 07:02:13

#Blakes7 Series C, Episode 12 - Death-Watch
DEETA: What do you think?
MAX: It's all been according to the rules.
blake.torpidity.net/m/312/161 B7B1

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television production, showing two people in what looks like a spacecraft or futuristic vehicle interior. The lighting is dramatic and moody, with both figures wearing light-colored clothing. The setting has the characteristic look of 1970s/80s sci-fi television production design, with angular surfaces and technical equipment visible in the background. The scene appears tense or dramatic based on the …
@blakes7bot@mas.torpidity.net
2025-10-03 06:08:48

#Blakes7 Series B, Episode 04 - Horizon
VILA: They'll murder us!
AVON: Blake, they might be protected.
BLAKE: I don't think so. And even if I'm wrong we still have a slim chance.
blake.torpidity.net/m/2…

Claude 3.7 describes the image as: "This image appears to be from a science fiction television series, showing a profile view of a person in what looks like a futuristic setting. The individual is wearing what appears to be a dark, possibly uniform-like outfit. They have distinctive sideburns and a hairstyle that suggests the production is from the late 1970s or early 1980s era.

The background has a reddish-pink tint with some structural elements visible, which fits with the aesthetic of sci-f…
@blakes7bot@mas.torpidity.net
2025-12-02 07:08:20

#Blakes7 Series A, Episode 02 - Space Fall
LEYLAN: I thought maintenance was supposed to have fixed that high-dee shift vibration.
RAIKER: That's what they said.
LEYLAN: That's what they always say. They don't bother! Nobody bothers anymore.

@blakes7bot@mas.torpidity.net
2025-10-02 06:07:49

#Blakes7 Series D, Episode 08 - Games
TARRANT: I'm glad we didn't get too close.
DAYNA: But after all that, we go home empty-handed.
blake.torpidity.net/m/408/532 B7B1

@blakes7bot@mas.torpidity.net
2025-12-01 07:12:09

#Blakes7 Series A, Episode 05 - The Web
AVON: Neither can we.
BLAKE: I'll bear that in mind. [Tosses empty box away.]
AVON: Don't worry. I'll remind you.
[Novara and Geela approach. Blake and Avon rise. Avon draws his weapon.]

Claude Sonnet 4.5 describes the image as: "This image shows a scene filmed in a wooded outdoor setting with bare trees visible in the soft-focused background. The cinematography has a slightly muted, cool color palette typical of British television productions from the 1970s-80s era.

Paul Darrow appears in character wearing a distinctive costume featuring a light gray or silver padded vest or armor piece with prominent shoulder sections over a black underlayer. The costume has a science fictio…
@blakes7bot@mas.torpidity.net
2025-11-01 07:09:47

#Blakes7 Series C, Episode 06 - City at the Edge of the World
KERRIL: What are you staring at?
VILA: I'm not staring.
KERRIL: We've been on the move a lot.
VILA: Yes.
KERRIL: It's the first chance I've had to, well, get cleaned up.

Claude 3.7 describes the image as: "The image shows a scene set in what appears to be a futuristic or sci-fi environment with metallic walls and geometric patterns. Two people are visible in the frame - one wearing a light green sleeveless dress with blonde hair on the left, and another in a light gray wraparound tunic with matching pants and tan boots on the right.

The setting has a distinctive retro sci-fi aesthetic typical of British television productions from the late 1970s/early 1980s. T…
@blakes7bot@mas.torpidity.net
2025-10-01 06:12:52

#Blakes7 Series B, Episode 13 - Star One
BLAKE: So, if Lurgan's coordinates are correct Star One is somewhere in there.
AVON: Which makes it about the only thing that is.
blake.torpidity.net/m/213/44

@blakes7bot@mas.torpidity.net
2025-11-30 07:07:10

#Blakes7 Series C, Episode 04 - Dawn of the Gods
TARRANT: Thanks to Orac it sounds as if the Liberator is still intact. A trip to Xaranar wouldn't take too long.
GROFF: Escape is impossible. While the energy isolators are on, your handguns won't work and it is not possible to put the gravity generator into the negative field mode.

@blakes7bot@mas.torpidity.net
2025-10-31 07:15:18

#Blakes7 Series C, Episode 03 - Volcano
TARRANT: [V.O.] Right.
CALLY: Orac, operate teleport as instructed. Orac?
ORAC: Yes.
CALLY: Did you hear what I said?
ORAC: Teleport operation is a menial task much more suited to one such as yourself.

Claude Sonnet 4.0 describes the image as: "This scene appears to be set aboard a spacecraft, likely the Liberator, given the distinctive futuristic interior with its sleek walls and control surfaces. The setting has the characteristic clean, technological aesthetic of the series with muted lighting and curved architectural elements.

The scene shows three crew members in what appears to be a tense moment of discussion or briefing. One figure stands in the foreground wearing light-colored clothi…
@blakes7bot@mas.torpidity.net
2025-09-30 06:18:06

#Blakes7 Series B, Episode 12 - The Keeper
OLD MAN: [Virtually inaudible] A fool knows everything and nothing. [Dies]
FOOL: He's dead! [pushes Blake away and sings over the body] I sing you of all the wise charls, I sing you of all that, Your life, your death, Brought honour to the tents...

@blakes7bot@mas.torpidity.net
2025-11-29 07:12:09

#Blakes7 Series D, Episode 02 - Power
KATE: Stop it, Pella! [Kate rushes at Pella, who shoots her dead. Pella enters the launch silo and the door closes before the others can rush in. Avon takes the crystal from Kate's neckband.]
[Inside silo. The Scorpio's turntable begins to turn and rise.]

Claude Sonnet 3.7 describes the image as: "This image appears to be a scene from the science fiction series "Blake's 7," showing three characters in distinctive costume design typical of the show's futuristic aesthetic. 

The scene features three people standing together in what looks like a spacecraft or space station interior with neutral-colored walls. On the left is a person wearing a white and gray outfit with geometric patterns and a metallic collar. In the center is someone with blonde h…
@blakes7bot@mas.torpidity.net
2025-10-30 07:19:48

#Blakes7 Series B, Episode 03 - Weapon
COSER: [To Clone 2] You betrayed me.
TRAVIS: Blake is a reformed character. There are only two traitors here.
[Blake, Avon, and Gan materialize in the compound]
blake.torpidity…

@blakes7bot@mas.torpidity.net
2025-09-29 06:03:43

#Blakes7 Series B, Episode 03 - Weapon
JENNA: Maybe IMIPAK is another Orac. If we captured it perhaps we could breed from them.
BLAKE: What a disgusting idea.
JENNA: [Smiles] Well, despite Orac's lucky eavesdropping, we're not much wiser, are we?

Claude 3.7 describes the image as: "This image shows a scene set in what appears to be a spacecraft interior with distinctive futuristic design elements typical of classic science fiction television from the late 1970s/early 1980s. 

The scene features two individuals in conversation - a person with blonde feathered hair wearing a navy blue outfit with decorative gold accents on the shoulders, and another person with curly dark hair wearing a brown jacket over darker clothing.

The spacecraft s…
@blakes7bot@mas.torpidity.net
2025-10-29 07:01:35

#Blakes7 Series C, Episode 09 - Sarcophagus
ZEN: Confirmed. [There is an alien sound. Cally closes her eyes and winces slightly.]
AVON: [To Cally] What is it?
CALLY: What?
AVON: You picked up on something.
bla…