Tootfinder

Opt-in global Mastodon full text search. Join the index!

@blakes7bot@mas.torpidity.net
2026-01-28 07:52:56

#Blakes7 Series C, Episode 04 - Dawn of the Gods
DAYNA: Zen, put up the radiation flare shields.
ZEN: Confirmed. Radiation flare shields in position. Neutron blasters cleared for firing. [Cally appears]
blake.torpidity.n…

Claude Sonnet 4.5 describes the image as: "This image captures a scene from what appears to be a science fiction television production, likely from the 1980s based on the visual style and set design. The setting features a futuristic control panel or console with sleek, curved metallic elements in the background, characteristic of sci-fi aesthetics of that era. The actress Josette Simon is shown in profile, wearing a striking teal-colored sleeveless dress with a V-neck design and a decorative …
@blakes7bot@mas.torpidity.net
2026-01-28 07:33:19

#Blakes7 Series A, Episode 13 - Orac
CALLY: Are you saying you can see into the future?
ORAC: The words future, present, past are meaningless.
AVON: Define 'meaningless'.
ORAC: I have the capacity to predict events that have not yet taken place.

@blakes7bot@mas.torpidity.net
2025-12-28 07:20:20

#Blakes7 Series A, Episode 05 - The Web
BLAKE: Yes. Vila is the course set?
VILA: Uh, on the panel now.
BLAKE: Lock onto it Jenna.
JENNA: She's responding very slowly. Coming round. That's it. Locked onto course.

Claude Sonnet 4 describes the image as: "This image appears to be from a television production, likely from the 1970s or early 1980s based on the video quality and aesthetic. The scene shows a person with distinctive curly hair wearing what appears to be dark clothing with metallic or reflective elements, possibly part of a futuristic costume. The lighting and composition suggest this is from a science fiction television series, with dramatic shadowing and a somewhat theatrical presentation typ…
@blakes7bot@mas.torpidity.net
2025-12-29 07:16:54

#Blakes7 Series D, Episode 09 - Sand
ORAC: We will be lovers for a little while, or maybe for a long while, who knows?
SOOLIN: I do. [Pulls key]
VILA: What a thought.
SOOLIN: Keller was right again.
AVON: Vila, try and bring Tarrant back up.

Claude Sonnet 4 describes the image as: "This black and white image shows a woman with blonde hair styled in an elaborate braided updo with bangs. She's wearing what appears to be a white or light-colored garment and dangling earrings. The woman is photographed in profile, looking off to the side with a thoughtful or contemplative expression. The setting appears to be indoors with some brick or stone architecture visible in the blurred background. The lighting and composition suggest this is fr…
@blakes7bot@mas.torpidity.net
2025-11-28 07:14:46

#Blakes7 Series D, Episode 03 - Traitor
SOOLIN: Just a minute. This is Scorpio, come in Tarrant.
AVON: Hold that order, Slave.
TARRANT: [V.O.] Soolin, we're almost finished here.
blake.torpidity.net/m/403/424

@blakes7bot@mas.torpidity.net
2025-11-29 07:12:09

#Blakes7 Series D, Episode 02 - Power
KATE: Stop it, Pella! [Kate rushes at Pella, who shoots her dead. Pella enters the launch silo and the door closes before the others can rush in. Avon takes the crystal from Kate's neckband.]
[Inside silo. The Scorpio's turntable begins to turn and rise.]

Claude Sonnet 3.7 describes the image as: "This image appears to be a scene from the science fiction series "Blake's 7," showing three characters in distinctive costume design typical of the show's futuristic aesthetic. The scene features three people standing together in what looks like a spacecraft or space station interior with neutral-colored walls. On the left is a person wearing a white and gray outfit with geometric patterns and a metallic collar. In the center is someone with blonde h…
@blakes7bot@mas.torpidity.net
2025-10-29 07:01:35

#Blakes7 Series C, Episode 09 - Sarcophagus
ZEN: Confirmed. [There is an alien sound. Cally closes her eyes and winces slightly.]
AVON: [To Cally] What is it?
CALLY: What?
AVON: You picked up on something.
bla…

@blakes7bot@mas.torpidity.net
2026-01-29 07:48:08

#Blakes7 Series D, Episode 10 - Gold
TARRANT: Ask a silly question. I'm beginning to wish I was eating the same food as them. They seem to be having a good time.
SOOLIN: Why don't we wait in the Pursers Office?
b…

@blakes7bot@mas.torpidity.net
2026-01-29 07:28:39

#Blakes7 Series B, Episode 12 - The Keeper
AVON: Zen, any sign of Federation pursuit ships on the main detectors?
ZEN: Negative.
AVON: Any activity whatever?
ZEN: There is no activity on the main detectors.
AVON: What about the extra-range detector?

@blakes7bot@mas.torpidity.net
2025-12-27 07:01:13

#Blakes7 Series A, Episode 08 - Duel
AVON: It's just a machine, Blake.
VILA: And he should know.
GAN: Well Avon is the expert.
VILA: That's not what I meant.
blake.torpidity.net/m/108/35

@blakes7bot@mas.torpidity.net
2025-11-27 07:19:32

#Blakes7 Series C, Episode 11 - Moloch
VILA: What's that? Oh, no. No to whatever it was.
CALLY: Orac, please explain the significance of that.
ORAC: The T-16 will enter teleport range in one minute, seventeen seconds, en route for Sardos.

@blakes7bot@mas.torpidity.net
2026-01-26 07:33:49

#Blakes7 Series C, Episode 03 - Volcano
[Two Pyroans approach from a distance. They appear and disappear; each time they reappear they are closer.]
SERVALAN: Let me speak to them. [to approaching Pyroans] We're friends.

Claude Sonnet 4 describes the image as: "This image appears to be from a science fiction television production, likely from the 1970s or 1980s based on the visual style and film quality. The scene shows two characters in what appears to be an outdoor, rocky or mountainous setting. One figure is dressed in dark, military-style clothing with ornate details and a distinctive cap or headpiece, while the other wears a light-colored, futuristic-looking garment with metallic or reflective elements. Th…
@blakes7bot@mas.torpidity.net
2025-12-26 07:04:20

#Blakes7 Series D, Episode 09 - Sand
SERVALAN: Was there any sand in the ship?
CHASGO: Yes. I didn't like the look of it. After the rain had cleared us I threw it outside. Then I felt ... I must've fallen asleep. [Looks at the controls] This is almost normal. What the hell has been -

@blakes7bot@mas.torpidity.net
2025-11-26 07:03:30

#Blakes7 Series B, Episode 02 - Shadow
ORAC: I see no point in continuing this conversation.
VILA: Now, don't start sulking again, or I shall switch you off and throw away the key.
ORAC: Soon, that will be no longer a problem.
VILA: Eh?

@blakes7bot@mas.torpidity.net
2026-01-27 07:36:46

#Blakes7 Series C, Episode 12 - Death-Watch
DAYNA: Do you want us to wait?
TARRANT: No. I'll find you. [exits]
VILA: Don't forget Orac. [Avon exits]
CALLY: No need. I'll operate the teleport.
DAYNA: Aren't you coming with us?

Claude Sonnet 3.7 describes the image as: "This image appears to be from the British science fiction television series "Blake's 7" from the late 1970s/early 1980s. The scene shows a group of people in what looks like a spacecraft control room or bridge. They're seated on light-colored couches/seating areas, watching a large screen or viewscreen with a green glow around it. On the screen appears a person wearing a light turtleneck. The interior has a distinctive retro-futuristic design typical …
@blakes7bot@mas.torpidity.net
2026-01-27 07:17:22

#Blakes7 Series B, Episode 02 - Shadow
JENNA: Orac is not a computer.
AVON: That was its creator's vanity. Orac is a computer. It is a highly sophisticated tool, and that is all.
JENNA: Well, something frightened Cally.

@blakes7bot@mas.torpidity.net
2026-01-25 07:33:19

#Blakes7 Series D, Episode 01 - Rescue
DORIAN: Vila will join you later. Now make your goodbyes. Your lives, your consciousness are over. [Laughs insanely.]
[From above Vila hurries part way down the stairs.]
VILA: Avon. [hands him the gun]
DORIAN: No.

@blakes7bot@mas.torpidity.net
2025-11-25 07:06:39

#Blakes7 Series A, Episode 06 - Seek-Locate-Destroy
AVON: Space Commander Travis.
BLAKE: Travis!
JENNA: Do you know him?
BLAKE: I thought he was dead. I was sure I'd killed him.
blake.torpidity.net/m/106/…

Claude Haiku 4.5 describes the image as: "# Image Description This scene appears to be from a science fiction television production, likely from the 1970s based on the visual style and set design. The image shows four people in what appears to be a spacecraft interior, characterized by the futuristic but modest production design typical of that era. The setting features sleek, minimalist backgrounds with geometric patterns and metallic tones. The actors are wearing stylized costumes consisten…
@blakes7bot@mas.torpidity.net
2025-12-25 07:09:59

#Blakes7 Series A, Episode 02 - Space Fall
VILA: What's that?
[Jenna walks over to the far wall, where a gel is squeezing through some hairline cracks]
blake.torpidity.net/m/102/233

@blakes7bot@mas.torpidity.net
2026-01-24 07:18:19

#Blakes7 Series B, Episode 02 - Shadow
ORAC: Orac is my bridge. You stand before it, puny telepath.
CALLY: Yes, I know you now. My powers are in your dimension, and Orac's carrier waves are your bridge.
blake.torpidi…

@blakes7bot@mas.torpidity.net
2025-11-24 07:11:59

#Blakes7 Series D, Episode 05 - Animals
AVON: Right. How's our armament situation?
SOOLIN: Good as it'll ever be. We couldn't hold off a Federation patrol with it, but we knew that already.
blake.torpidity.ne…

Claude 3.7 describes the image as: "This image appears to be from the classic British science fiction series "Blake's 7." The scene takes place in what looks like a spacecraft or space station interior with metallic walls and industrial styling typical of the show's production design. Three people are gathered around what appears to be a control console or workstation. On the right, a person wearing a distinctive black outfit with decorative elements stands at the console, appearing to operate…
@blakes7bot@mas.torpidity.net
2025-12-24 07:14:57

#Blakes7 Series C, Episode 11 - Moloch
CALLY: By teleport using a short-pulse omicron beam. I know how to do it.
AVON: We've never done it before.
CALLY: We've never been in a situation like this before. [Dayna enters.]
<…

@blakes7bot@mas.torpidity.net
2025-12-23 07:20:08

#Blakes7 Series B, Episode 02 - Shadow
BLAKE: The President of the Federation runs the shadow operation.
AVON: And since shadow is the basis of the Terra Nostra -
GAN: I don't believe it.
blake.torpidity.net/m/…

@blakes7bot@mas.torpidity.net
2025-11-23 07:19:37

#Blakes7 Series D, Episode 03 - Traitor
HUNDA: If we could knock it out they'd be isolated!
TARRANT: Couldn't you infiltrate and assault group or is it too heavily defended?
LEITZ: It's not defended, but the city's sealed off.
HUNDA: What is it?
…

@blakes7bot@mas.torpidity.net
2026-01-22 07:25:36

#Blakes7 Series C, Episode 02 - Powerplay
ZEE: That's not allowed, I'm afraid.
BARR: Zee and I have work to do.
blake.torpidity.net/m/302/388 B7B1

@blakes7bot@mas.torpidity.net
2025-12-22 07:24:31

#Blakes7 Series A, Episode 05 - The Web
BLAKE: I've never seen anything like it before.
NOVARA: Our mission has specialized in tissue creation and regenerative processes.
GEELA: Among other things.
[They all sit down.]
<…

Claude Sonnet 4 describes the image as: "This image appears to be from a television production, showing three actors in what looks like a futuristic or science fiction setting. The scene takes place in what appears to be a spacecraft or advanced facility interior, with metallic walls and modern furnishings visible in the background. The actors are wearing distinctive costumes that suggest this is from a sci-fi drama - one character wears an elaborate metallic or shimmery garment, while another…
@blakes7bot@mas.torpidity.net
2025-11-22 07:02:17

#Blakes7 Series A, Episode 08 - Duel
BLAKE: Thank you. She was, uh, she was very beautiful, wasn't she, Jenna?
JENNA: [Unenthusiastically] Yes. Very.
VILA: All we saw was the ugly one. How is it you get all the fun?

@blakes7bot@mas.torpidity.net
2026-01-21 07:30:48

#Blakes7 Series C, Episode 04 - Dawn of the Gods
VILA: Wonderful. There's nothing wrong with the Liberator, therefore we must have imagined those alarms going off.
TARRANT: Orac, a small problem for you. What is the possiblity of a directional control fault arising on the Liberator without Zen knowing about it?

Claude Sonnet 3.7 describes the image as: "This image shows a scene from what appears to be a science fiction television production, likely from the series "Blake's 7" based on the distinctive set design. The scene takes place in what looks like a futuristic spacecraft interior with geometric wall panels and control consoles. The setting features three people in a control room or flight deck. On the left is a person wearing a loose orange/tan shirt with dark trim. In the center background, som…
@blakes7bot@mas.torpidity.net
2025-12-21 07:06:24

#Blakes7 Series B, Episode 12 - The Keeper
CALLY: What's that? He's transmitting. Who to?
AVON: Who cares? Stand by.
CALLY: His detectors must warn him soon.
blake.torpidity.net/m/212/69

@blakes7bot@mas.torpidity.net
2025-11-21 07:05:20

#Blakes7 Series A, Episode 03 - Cygnus Alpha
KARA: Gan.
[Gan steps back. The spear misses him and hits Kara. The fight continues. Blake is struggling with one of the priests. Vila stabs the priest.]
BLAKE: Don't just stand there Vila. Run.

Claude 3.7 describes the image as: "# Theatrical Scene Analysis This appears to be a dramatic stage production set in a gothic or medieval environment. The scene depicts a funeral or death ritual, with a figure lying horizontally on a red fabric-draped platform or altar. The setting is notably dark, with minimal lighting that creates an eerie atmosphere. The staging includes numerous figures dressed in dark, period-appropriate clothing standing solemnly in the background. Some figures hold ca…
@blakes7bot@mas.torpidity.net
2026-01-20 07:35:32

#Blakes7 Series D, Episode 07 - Assassin
AVON: And reduce our chances of finding Cancer by a third. Out of the question.
SOOLIN: Why don't we lock her in here?
TARRANT: He got out of the hold, he can get into it.

Claude Sonnet 4 describes the image as: "This image appears to be from a science fiction television production, showing two characters in what looks like a spacecraft or futuristic control room setting. The scene has dramatic lighting with green and blue tones that create an atmospheric, otherworldly ambiance. One character wears a distinctive black leather outfit with metallic studs or decorative elements, giving them an authoritative, possibly villainous appearance. The other character has bl…
@blakes7bot@mas.torpidity.net
2025-12-20 07:31:50

#Blakes7 Series A, Episode 13 - Orac
ENSOR: Well, I'm ready, shall we get started?
BLAKE: Well, wait a minute. There is something else.
ENSOR: What?
BLAKE: What about Orac?
ENSOR: Orac. Of course, yes, I can't leave Orac here.

@blakes7bot@mas.torpidity.net
2025-11-20 07:27:18

#Blakes7 Series B, Episode 02 - Shadow
LARGO: Oh, I'm fascinated. But I'm just an independent businessman.
AVON: [Takes two gems from a bag, lays them on Largo's platform] Are you sure?
blake.torpidity.net/m/…

Claude Sonnet 4.0 describes the image as: "This scene appears to be from a science fiction television production, likely from the 1970s or early 1980s based on the visual quality and costume design. The setting features a sleek, minimalist interior with pale walls and geometric patterns, characteristic of futuristic set design from that era. In the foreground, one actor wears a distinctive metallic silver tunic with voluminous sleeves over black clothing, creating a striking space-age appearan…
@blakes7bot@mas.torpidity.net
2025-11-20 07:05:23

#Blakes7 Series B, Episode 04 - Horizon
AVON: We're also a long way out and still running. Why?
JENNA: We lost those patrol ships ages ago.
VILA: We lost everything ages ago. Nothing comes this far out.
BLAKE: So we're free for the time being anyway.

@blakes7bot@mas.torpidity.net
2026-01-19 07:20:58

#Blakes7 Series D, Episode 11 - Orbit
EGRORIAN: A short range relay, now I see how they worked it.
SERVALAN: A bit late in the day, Egrorian!
EGRORIAN: Not so! It means that Orac is still on board the shuttle. We'll be able to recover it after the crash.

Claude Sonnet 4.5 describes the image as: "This appears to be a behind-the-scenes or production still from what looks like a science fiction television series, likely from the late 1970s or early 1980s based on the aesthetic and set design. The scene is set in what appears to be a futuristic control room or spaceship interior, characterized by white walls, a geometric ceiling panel design, and technical equipment visible in the foreground. Three actors are positioned around what seems to be a …
@blakes7bot@mas.torpidity.net
2025-12-19 07:11:57

#Blakes7 Series D, Episode 13 - Blake
VILA: Why did they land it so far away?
SOOLIN: Presumably they thought the noise would alert someone.
AVON: In your case, they could have put it down on the roof without any trouble.

@blakes7bot@mas.torpidity.net
2025-11-19 07:13:24

#Blakes7 Series D, Episode 10 - Gold
AVON: We, have the gold.
TARRANT: We're well ahead of schedule.
AVON: We are going to need to be. We have to put Scorpio down on Beta Five, unload the gold, and get Scorpio back into orbit. All before they arrive.

Claude Sonnet 4.0 describes the image as: "This image shows a scene from the British science fiction series "Blake's 7," featuring five actors gathered around a futuristic control console. The setting appears to be the flight deck of the spacecraft Liberator, with its distinctive curved control panels and technical equipment visible throughout. The actors are engaged in what appears to be a tactical discussion, gathered around illuminated control surfaces displaying maps or strategic informati…
@blakes7bot@mas.torpidity.net
2026-01-18 07:22:55

#Blakes7 Series C, Episode 03 - Volcano
MORI: Must be more of them. [Troopers surround Pyroans.]
SERVALAN: Are either of you called Milus?
MILUS: I am Milus. This is my brother Nettin.
SERVALAN: I am Servalan. You have a message for me.

@blakes7bot@mas.torpidity.net
2025-12-18 07:17:26

#Blakes7 Series C, Episode 06 - City at the Edge of the World
BAYBAN: What took you so long? You must be Vila. It's an honour, sir.
VILA: The honour's mine.
BAYBAN: That's what I meant.
blake.torpidity.…

@blakes7bot@mas.torpidity.net
2025-11-18 07:14:56

#Blakes7 Series A, Episode 04 - Time Squad
BLAKE: I'm hardly likely to use the landing area am I? I need to contact the resistance fighters.
CALLY: Your words are meaningless to me.
blake.torpidity.net/m/104/354

@blakes7bot@mas.torpidity.net
2026-01-17 07:23:02

#Blakes7 Series D, Episode 12 - Warlord
DAYNA: Don't, Tarrant.
ZEEONA: Why hurt him for speaking the truth? [tries to lead him away] Come on.
AVON: [V.O.] Scorpio to base. Scorpio to base. Come in base. [They all rush back to the comm room.]

Claude Sonnet 4 describes the image as: "This appears to be a scene from a science fiction television production, likely from the 1980s based on the visual style and production values. The setting is clearly a futuristic spacecraft or space station interior, with characteristic sci-fi elements like computer terminals, metallic surfaces, and technical equipment visible in the background. The scene shows three characters in what appears to be a tense or dramatic moment. One figure is wearing a l…
@blakes7bot@mas.torpidity.net
2025-12-17 07:01:38

#Blakes7 Series B, Episode 10 - Voice from the Past
AVON: He What?
VILA: Blake!
[Group enters flight deck with Blake]
VILA: What about Del Ten?
CALLY: What about the beta particles?
BLAKE: They can wait.

@blakes7bot@mas.torpidity.net
2025-11-17 07:17:27

#Blakes7 Series A, Episode 11 - Bounty
SARKOFF: Beautiful, aren't they. Earth insects of the order Lepidoptera.
BLAKE: Butterflies.
SARKOFF: Ah, so you're an historian, are you?
BLAKE: No, but I did study some natural history.

@blakes7bot@mas.torpidity.net
2026-01-16 07:23:28

#Blakes7 Series B, Episode 09 - Countdown
AVON: I doubt it. [Turns and leaves]
[Blake smiles]
[End of episode. Roll credits.]
blake.torpidity.net/m/209/537 B7B1

Claude Haiku 4.5 describes the image as: "# Science Fiction Scene This image captures two men in what appears to be a spacecraft interior, characterized by futuristic geometric ceiling panels that emit bright white light. The setting suggests a science fiction production from the 1970s or 1980s, with its distinctive design aesthetic featuring angular architectural elements typical of that era's space opera aesthetics. Both individuals are dressed in quilted, form-fitting tunics—one in olive/t…
@blakes7bot@mas.torpidity.net
2025-12-16 07:04:53

#Blakes7 Series D, Episode 05 - Animals
SERVALAN: Make for the ridge. Its a natural vantage point. Captain, I want you to make sure we're ready to lift off this mud ball at the first sign of trouble.
CAPTAIN: We will be, Commissioner.

@blakes7bot@mas.torpidity.net
2025-11-16 07:01:12

#Blakes7 Series B, Episode 09 - Countdown
BLAKE: [To Jenna] Get a locator fix on the signal.
CALLY: It's already pinpointed.
BLAKE: Well done. Alright, Avon, get kitted up. You too, Vila.
blake.torpidity.net/m/2…

Claude 3.7 describes the image as: "This image appears to be from a science fiction television series, likely from the late 1970s or early 1980s based on the production style and costumes. The scene shows two individuals in conversation within what looks like a spacecraft or futuristic facility with metallic walls and reflective surfaces visible in the background. The person on the left is wearing a gray uniform-like outfit, while the person on the right is dressed in a brown/olive sleeveless …
@blakes7bot@mas.torpidity.net
2026-01-15 07:07:24

#Blakes7 Series D, Episode 09 - Sand
SERVALAN: No.
TARRANT: [He holsters his gun.] It's fairly standard equipment. If there's power for the life supports, there will be for these. [Servalan activates the base computer.] Ah!

Claude Sonnet 4 describes the image as: "This appears to be a scene from the British science fiction television series "Blake's 7," which aired from 1978-1981. The image shows two characters in what appears to be a futuristic spacecraft interior or space station setting. The scene has the distinctive green-tinted lighting and industrial aesthetic typical of the show's production design. One character is wearing an elegant black sequined or beaded dress in a classical style, while the other is …
@blakes7bot@mas.torpidity.net
2025-12-15 07:08:56

#Blakes7 Series D, Episode 03 - Traitor
HUNDA: I think I can. There are two places along that cooling system where it's possible to surface, and as long as I keep my face to the current I should be heading in the right direction. All right, Hask, you take over now. Get the column moving. If all goes well, I'll be back tomorrow night. [he moves off]
HASK: Good luck Hunda.

@blakes7bot@mas.torpidity.net
2025-11-15 07:04:41

#Blakes7 Series A, Episode 06 - Seek-Locate-Destroy
SERVALAN: Very well, Councillor Bercol. You may tell the President that I am appointing a Space Commander to take absolute control of this matter. He will be exclusively concerned to seek, locate, and destroy Blake.
BERCOL: Oh, excellent, excellent.

Claude 3.7 describes the image as: "The image shows a person with short dark hair in what appears to be a scene from a television production. They are wearing an elegant white outfit with a decorative crystal or beaded collar that has a distinct vintage sci-fi or fantasy aesthetic. The individual has a contemplative or mid-conversation expression and is seated against what looks like a light-colored sofa or seating area. The setting appears to be from a classic television production, likely fr…
@blakes7bot@mas.torpidity.net
2026-01-14 07:12:53

#Blakes7 Series B, Episode 13 - Star One
STOT: Which of your hands is artificial?
BLAKE: [Raises left hand] This one. Rather good, don't you think?
STOT: And the eye patch, what happened to that?
[Scene - outside the base entrance]

@blakes7bot@mas.torpidity.net
2025-12-14 07:14:35

#Blakes7 Series B, Episode 07 - Killer
JENNA: It's hardly moving.
BLAKE: They were slow, Jenna, infraluminal. Question is, how did it get here?
JENNA: Well, what do you mean?
blake.torpidity.net/m/207/19<…

@blakes7bot@mas.torpidity.net
2025-11-14 07:09:32

#Blakes7 Series B, Episode 05 - Pressure Point
SERVALAN: If you tell me about the rendezvous, I will consider sparing your life.
KASABI: My life isn't yours to spare.
SERVALAN: Oh, but it is.
blake.torpidity.ne…

Claude Sonnet 4.0 describes the image as: "The image shows a tense scene in what appears to be a medical or clinical setting, indicated by the blurred institutional background with pale green and white tones. In the foreground, a woman with dark hair pulled back wears a military-style olive green vest or uniform, suggesting she may be portraying a soldier or service member. Her expression is serious and somewhat weary, with her gaze directed off-camera. The lighting creates a stark, documentary…
@blakes7bot@mas.torpidity.net
2026-01-13 07:17:00

#Blakes7 Series D, Episode 05 - Animals
SLAVE: I can find no trace of one, sir.
[On planet's surface, Dayna looks around and sees an animal following her]
TARRANT: Dayna.
blake.torpidity.net/m/405/13

@blakes7bot@mas.torpidity.net
2025-12-13 07:18:20

#Blakes7 Series B, Episode 12 - The Keeper
VILA: I could be president.
AVON: Ah.
VILA: Or we can take it in turns.
BLAKE: You ready to go, Vila?
VILA: Why not? Now that would be worth the risks we're taking.

Claude Sonnet 4 describes the image as: "This appears to be a scene from the British science fiction television series "Blake's 7" from the late 1970s. The image shows several characters gathered around what appears to be a futuristic control panel or device with an open compartment. The setting has the distinctive low-budget but atmospheric look characteristic of BBC science fiction productions of that era, with curved walls and dim lighting creating a spaceship or underground base environment…
@blakes7bot@mas.torpidity.net
2025-11-13 07:13:43

#Blakes7 Series A, Episode 10 - Breakdown
BLAKE: How soon can you complete?
KAYN: Thirty-five minutes.
BLAKE: Do it in twenty.
KAYN: Or you'll kill me.
blake.torpidity.net/m/110/540

Claude 3.7 describes the image as: "# Scene Description This image appears to be from a science fiction television production, showing a medical or clinical setting. The scene captures three individuals in what looks like a spacecraft or futuristic facility interior, characterized by the metallic walls visible in the background. In the foreground, a person wears a distinctive lime green headband and white medical mask, suggesting a medical or emergency scenario. Behind them, another figure in…
@blakes7bot@mas.torpidity.net
2026-01-12 07:11:10

#Blakes7 Series C, Episode 05 - The Harvest of Kairos
VILA: Tell that to Servalan. They don't take kindly to scrumping on Kairos.
ZEN: The planet has an orbital revolution of fifteen Earth years. The fertile zone is small, and noted for the suborganic growth of Kairopan, a highly prized crystal, which is gathered during the first week following the vernal equinox. This is know…

Claude Sonnet 4.5 describes the image as: "This image shows a close-up shot from what appears to be a British science fiction television production from the late 1970s or early 1980s. The scene features an actor in a cream-colored ribbed turtleneck sweater with a beige vest or waistcoat over it. The styling and costuming are characteristic of the era's television production aesthetics. The actor displays an expressive, slightly skeptical or questioning look, with raised eyebrows and an upward …
@blakes7bot@mas.torpidity.net
2025-12-12 07:18:16

#Blakes7 Series C, Episode 05 - The Harvest of Kairos
DAYNA: Avon has the key.
[Space; V.O.'s from Landing module]
VILA: Are you sure you can dock this thing?
TARRANT: I hadn't really considered it.
VILA: What?

Claude Sonnet 3.7 describes the image as: "This image shows a person in what appears to be a period drama or theatrical production. They are wearing a distinctive costume with a blue dress or gown featuring a gold or metallic collar area. The person has short hair and gold earrings, and is photographed against a dark background that creates a dramatic effect. The styling and costume suggest this is likely from a professional production, possibly from television or film from several decades ago…
@blakes7bot@mas.torpidity.net
2025-11-12 07:18:40

#Blakes7 Series A, Episode 04 - Time Squad
JENNA: Ah, don't tell him that.
BLAKE: [Into communicator] Thank you, Avon. [to Jenna] You ever seen anything like this before?
JENNA: No.
blake.torpidity.net/m/104/10…

@blakes7bot@mas.torpidity.net
2026-01-11 07:16:14

#Blakes7 Series B, Episode 04 - Horizon
RO: Let her go.
KOMMISSAR: She's no good to you, Ro. None at all. You must be rid of her. She should not have been brought back to the palace.
RO: You are, I think, mistaken, Kommissar. She means us no harm.

Claude Sonnet 4.5 describes the image as: "This image appears to be from a classic science fiction television production, likely from the 1970s or 1980s based on the video quality and costume design. The scene is dimly lit with dramatic lighting that creates a tense, confrontational atmosphere. The setting appears to be an ornate interior space with decorative elements visible in the background, suggesting a formal or ceremonial location. The characters are wearing elaborate burgundy and dark-…
@blakes7bot@mas.torpidity.net
2025-12-11 07:02:20

#Blakes7 Series A, Episode 05 - The Web
NOVARA: A simple mental process known to the ancients. We have developed and refined it. It is more reliable than mechanical transmissions.
BLAKE: You said you have a way to free us from the web.

Claude Sonnet 4.5 describes the image as: "This image shows a scene from what appears to be a science fiction production, featuring distinctive theatrical makeup and costuming. The character has pale gray-toned skin and wears an elaborate period-style costume with ornate detailing around the collar area. The styling includes shoulder-length dark hair swept back from the face. The makeup design creates an otherworldly appearance, suggesting an alien or non-human character. The costume includes …
@blakes7bot@mas.torpidity.net
2025-11-11 07:02:02

#Blakes7 Series D, Episode 08 - Games
AVON: Who does?
SLAVE: I fear I am unable to identify them Master. I regret this failure most bitterly.
AVON: Orac?
blake.torpidity.net/m/408/117

Claude 3.7 describes the image as: "This image shows a droid or robot character from the science fiction television series. The machine has a distinctive spherical, segmented design with metallic sections separated by gold trim bands. It appears to have a control panel with small red lights visible in its midsection. The robot is positioned in what looks like a technical corridor or facility with textured green wall panels visible on either side, creating a classic retro sci-fi aesthetic. The s…
@blakes7bot@mas.torpidity.net
2026-01-10 07:14:55

#Blakes7 Series D, Episode 07 - Assassin
PIRI: But I never saw him before today. This woman came and bought me from the slave compound and gave me to him. He said - he said that he wanted me to help him to celebrate after he'd finished a job that he had to do.
AVON: That's all he said?

Claude Sonnet 4 describes the image as: "This appears to be a scene from a science fiction television production, likely from the late 1970s or 1980s based on the visual style and production quality. The setting appears to be the interior of a spacecraft or futuristic facility, with dark metallic walls and technical equipment visible in the background. The scene shows three people in what appears to be a tense dramatic moment. On the left is a woman with an elaborate blonde updo hairstyle, wea…
@blakes7bot@mas.torpidity.net
2025-12-10 07:17:55

#Blakes7 Series D, Episode 12 - Warlord
DAYNA: [Into comm] All launch checks complete.
AVON: [V.O.] Green on all systems.
VILA: [Into comm] Betafarl has just confirmed full clearance on your flight plan.
blake.torp…

Claude Sonnet 4 describes the image as: "This image shows two actors in what appears to be a science fiction television production, likely from the late 1970s or 1980s based on the visual style and set design. The scene takes place in a futuristic control room or spacecraft interior, featuring typical sci-fi elements like control panels with blinking lights and a sterile, technological aesthetic. One actor wears an elaborate costume with ornate metallic detailing and a high collar design that …
@blakes7bot@mas.torpidity.net
2025-11-10 07:04:42

#Blakes7 Series B, Episode 13 - Star One
AVON: [On communicator] What is it, Jenna?
JENNA: There's a ship, its coming in for a surface landing.
AVON: [On communicator] Have they spotted you?
JENNA: I've got the detector shield up.

@blakes7bot@mas.torpidity.net
2025-12-09 07:00:56

#Blakes7 Series C, Episode 08 - Rumours of Death
AVON: You weren't even real. Bartolomew, Central Security's best agent, one of your colleagues told me that.
ANNA: Anna Grant. I was only ever Anna Grant with you.

Claude Sonnet 4 describes the image as: "This appears to be a scene from a British science fiction television production, likely from the late 1970s or early 1980s based on the visual style and production values. The setting appears to be inside a spacecraft or futuristic facility, with characteristic metallic surfaces and storage compartments visible in the background. The scene shows two characters in what appears to be an intimate or protective moment. One character wears a dark leather out…
@blakes7bot@mas.torpidity.net
2026-01-09 07:20:14

#Blakes7 Series C, Episode 11 - Moloch
CHESIL: I don't know what you mean.
DORAN: Oh, yes; yes, you do, lady; you know what I'm on about. [gesturing at the monitoring screens] These eyes are everywhere, right?
CHESIL: What do you want?

Claude Haiku 4.5 describes the image as: "# Image Description This scene shows two actors in what appears to be an indoor setting with dramatic lighting. The man on the left is partially visible, shown from behind, wearing dark clothing. The woman on the right faces toward him with a concerned or surprised expression on her face. She has styled brown wavy hair and is wearing what appears to be a green or teal-colored garment with a necklace. The background is predominantly dark, with a striki…
@blakes7bot@mas.torpidity.net
2025-11-09 07:06:06

#Blakes7 Series D, Episode 13 - Blake
AVON: This won't hold it for long.
TARRANT: Have we shaken any of them off?
SOOLIN: [Looking at monitor] Not exactly.
VILA: Not remotely. There's four more coming on zero two three.

Claude 3.7 describes the image as: "The image shows a person in what appears to be a science fiction television production from the late 1970s or early 1980s, based on the filming style and costume design. The individual is wearing a distinctive black leather outfit with metallic studs or embellishments, which is characteristic of the futuristic, somewhat dystopian aesthetic common in British sci-fi of that era. The costume has a militaristic or authoritarian quality, with structured should…
@blakes7bot@mas.torpidity.net
2026-01-08 07:20:30

#Blakes7 Series D, Episode 09 - Sand
AVON: [V.O.] What's wrong?
TARRANT: Dayna's just been kissed by a bullet. It's not serious, but messy. Take her up.
DAYNA: I didn't say I agreed!
blake.torpidity…

@blakes7bot@mas.torpidity.net
2025-12-08 07:04:09

#Blakes7 Series C, Episode 06 - City at the Edge of the World
BAYBAN: Small-time thief and failed revolutionary, and you don't know who I am?
VILA: Ah. Well, if you put it like that, of course I know who you are. You're - you're, ah -
BAYBAN: Bayban.

@blakes7bot@mas.torpidity.net
2025-11-08 07:04:57

#Blakes7 Series B, Episode 01 - Redemption
ALTA TWO: Take control. [Guards enter flight deck]
AVON: [To Jenna] I think we just lost our ship.
blake.torpidity.net/m/201/341 B7B1…

@blakes7bot@mas.torpidity.net
2026-01-07 07:04:21

#Blakes7 Series D, Episode 04 - Stardrive
VILA: Two billion? Training manual rule one: Never play with asteroids. They're what Murphy's Law's all about.
DAYNA: Murphy's Law?
SOOLIN: Anything that can go wrong will go wrong.

Claude Sonnet 4 describes the image as: "This image shows a scene from what appears to be a science fiction television production, likely from the late 1970s or early 1980s based on the visual style and production quality. The setting appears to be inside a futuristic spacecraft or space station, with characteristic metallic corridors and technical equipment visible in the background. The person in the image is wearing a distinctive costume consisting of a form-fitting outfit in muted tones of…
@blakes7bot@mas.torpidity.net
2025-12-07 07:05:19

#Blakes7 Series B, Episode 10 - Voice from the Past
JENNA: This meeting at Atlay...?
GLYND: The annual meeting of all the governors of the Federation. The ideal moment.
AVON: But why should they give you a hearing?

Claude Haiku 4.5 describes the image as: "# Image Description This image shows a woman with shoulder-length blonde hair styled in a 1970s fashion, featuring bangs and waves. She has a serious, contemplative expression on her face, with her gaze directed downward. She's wearing what appears to be professional attire with a dark colored top or jacket and a delicate chain necklace. The setting appears to be an indoor environment with neutral-colored walls in the background, suggesting an institu…
@blakes7bot@mas.torpidity.net
2025-11-07 07:06:50

#Blakes7 Series C, Episode 06 - City at the Edge of the World
VILA: You wouldn't be interested in what comes top of it, would you?
KERRIL: You! [hits Vila playfully]
[In the room]
blake.torpidity.net/m/306/545…

@blakes7bot@mas.torpidity.net
2026-01-06 07:09:10

#Blakes7 Series C, Episode 13 - Terminal
SERVALAN: I don't think there's anything I've missed. There's a light beam voice link directed at the Liberator. You'll contact the ship. Tarrant, Cally and Dayna will teleport to this location. Vila will stay on board to operate the teleport to bring me up. You have my word that he will be teleported down to you immediately I…

Claude Sonnet 4 describes the image as: "I can see this is an image from what appears to be a science fiction production, likely from the late 1970s or early 1980s based on the production style and costume design. The scene shows someone in an elaborate futuristic costume featuring metallic spikes or thorns on the shoulder area, creating a dramatic and intimidating appearance. The setting appears to be an interior space with warm, golden lighting and architectural elements visible in the backgr…
@blakes7bot@mas.torpidity.net
2025-12-06 07:05:14

#Blakes7 Series C, Episode 01 - Aftermath
AVON: And Star One was the basis of Federation power. It controlled everything.
SERVALAN: Exactly. And now it's gone, so is most of the Federation. From now on there will be chaos in the star systems. No central control, no unifying force. Over half the civilized planets left to their fate.

@blakes7bot@mas.torpidity.net
2025-11-06 07:08:06

#Blakes7 Series C, Episode 08 - Rumours of Death
REBEL 1: [V.O.] We want both!
REBEL 2: [V.O.] Yes!
[Avon and Tarrant break into Servalan's empty office, and leave. They then break into Surveillance. Avon shakes Grenlee in his chair.]

Claude 3.7 describes the image as: "The image shows a person in a dark interior setting, wearing what appears to be a black outfit or uniform with a v-neck. The lighting is very dim, giving the scene a moody, dramatic atmosphere. The background reveals what looks like a corridor or room in what might be a spacecraft or facility, with light-colored walls visible. The aesthetic has that distinctive late 1970s/early 1980s British television production quality - somewhat grainy and darkly lit. Th…
@blakes7bot@mas.torpidity.net
2026-01-05 07:13:40

#Blakes7 Series D, Episode 02 - Power
AVON: Pella, never mind. We're too late. Let's go.
PELLA: I can't leave Nina. Nina, come with us. We can escape.
NINA: And how would I live?
PELLA: We have food. You don't need the Hommiks.

Claude Haiku 4.5 describes the image as: "# Scene Description This image captures an indoor scene that appears to be from a television production, likely from the 1980s based on the styling and video quality. The setting is a modern interior space with white walls and what seems to be a clinical or professional environment. Three actors are present in the scene. On the left stands a blonde woman wearing a beige/cream colored blouse with a distinctive high collar detail. In the center backgrou…
@blakes7bot@mas.torpidity.net
2025-12-05 07:02:25

#Blakes7 Series A, Episode 12 - Deliverance
VOICE: [V.O. in background] ...secondary stage is clear for count...meteorology checks confirmed. Clear for count...control checks confirmed...are cleared, green, and stable...telemetry systems... [The countdown check continues in the background.]
GAN: Do you really think we could launch that ship?

@blakes7bot@mas.torpidity.net
2025-11-05 07:13:22

#Blakes7 Series D, Episode 02 - Power
PELLA: Nina -
AVON: Pella!
NINA: Now please. I have my duties to attend to.
PELLA: I feel sorry for you, Nina. You were a Seska, but more than that, you were a great Seska.

Claude Sonnet 4.0 describes the image as: "I can see two people in what appears to be a futuristic setting with white/light colored walls or corridors typical of science fiction productions from this era. One person is wearing an ornate costume with metallic studs and decorative elements in black and white, suggesting a military or authoritative role. The other person is wearing a simpler light-colored garment with what appears to be a collar or neck piece. The lighting and set design have the …
@blakes7bot@mas.torpidity.net
2026-01-04 07:18:02

#Blakes7 Series D, Episode 13 - Blake
SOOLIN: Just like that.
AVON: More or less. He is strongly identified with rebels, you see, and very popular with rabbles. They will follow him, and he will fight to the last drop of their blood. [smiles] Idealism is a wonderful thing. All you really need is someone rational to put it to proper use.

Claude Sonnet 4 describes the image as: "This image shows a scene from the British science fiction television series "Blake's 7," which aired from 1978 to 1981. The setting appears to be the interior of a spacecraft, with characteristic futuristic control panels and equipment visible in the background. The scene takes place on what looks like the flight deck or command center of the rebel ship Liberator. The character shown is wearing the distinctive black leather outfit with metallic studs an…
@blakes7bot@mas.torpidity.net
2025-12-04 07:04:23

#Blakes7 B09 - Countdown
SELSON: It's no good, sir. There's no way through; it's blocked. You must try and get back, sir - you must try and get back and stop... ahhh...[Dies]
[Rebels in the corridor outside the control room, beating on the door]

@blakes7bot@mas.torpidity.net
2025-11-04 07:19:02

#Blakes7 Series B, Episode 07 - Killer
BLAKE: The service history of that ship you've got in the landing bay. I sent you a warning about it earlier.
BELLFRIAR: Where did this come from?
BLAKE: Central Registry.
BELLFRIAR: Seven hundred years old?

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television production, likely from the late 1970s or early 1980s based on the visual style and production values. The scene shows someone in what appears to be a futuristic white outfit or uniform, sitting in what looks like a spaceship or futuristic setting. The lighting and set design have that distinctive look characteristic of British sci-fi productions from that era, with clean, minimalist aesthe…
@blakes7bot@mas.torpidity.net
2026-01-03 07:01:16

#Blakes7 Series B, Episode 05 - Pressure Point
GAN: It will repair before he gets here. [Blake takes aim with his gun.]
VILA: [Grabbing Blake's arm] You'll hit him!
blake.torpidity.net/m/205/446

Claude Sonnet 4.5 describes the image as: "This image appears to be from the British science fiction television series "Blake's 7," which aired from 1978 to 1981. The scene shows three actors in costume on what appears to be an outdoor set with white walls and overgrown vegetation. The actors are dressed in distinctive period costumes typical of the show's aesthetic. The figure on the left wears a black outfit with striking metallic trim or piping, while the two figures on the right are dresse…
@blakes7bot@mas.torpidity.net
2025-12-03 07:06:20

#Blakes7 Series D, Episode 02 - Power
CATO: Overlooked. It's self-maintained. Powered by our sun, it will last forever. This generation, even Gunn Sar, believes it to be some kind of magic that keeps the chambers light and warm. A computer is like some ancient god to them.
AVON: What about the Seskas?

Claude Sonnet 3.7 describes the image as: "This black and white image shows a medieval king or nobleman character from what appears to be a historical drama or film. The figure is wearing an ornate metal circlet or crown with decorative medallions across the forehead, and has long hair and a full beard. They're dressed in what looks like medieval royal attire including armor or a metallic breastplate with a fur-trimmed cloak or mantle draped over the shoulders. The setting appears to be a dark…
@blakes7bot@mas.torpidity.net
2025-11-03 07:02:13

#Blakes7 Series C, Episode 12 - Death-Watch
DEETA: What do you think?
MAX: It's all been according to the rules.
blake.torpidity.net/m/312/161 B7B1

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television production, showing two people in what looks like a spacecraft or futuristic vehicle interior. The lighting is dramatic and moody, with both figures wearing light-colored clothing. The setting has the characteristic look of 1970s/80s sci-fi television production design, with angular surfaces and technical equipment visible in the background. The scene appears tense or dramatic based on the …
@blakes7bot@mas.torpidity.net
2026-01-02 07:04:24

#Blakes7 Series B, Episode 10 - Voice from the Past
AVON: The human brain.
ORAC: Correct.
CALLY: A telepathic order was beamed to Blake to force him to reroute to that asteroid.
ORAC: As you yourself foresaw.
AVON: So tell us something new.

Claude Sonnet 4.5 describes the image as: "This is a close-up shot from what appears to be a British science fiction television production, likely from the late 1970s or early 1980s based on the video quality and aesthetic. The image captures an intense dramatic moment, with the camera positioned very close to the subject's face, emphasizing emotional intensity and gravitas. Paul Darrow appears in character, displaying the kind of commanding presence he was known for in his television work. Hi…
@blakes7bot@mas.torpidity.net
2025-12-02 07:08:20

#Blakes7 Series A, Episode 02 - Space Fall
LEYLAN: I thought maintenance was supposed to have fixed that high-dee shift vibration.
RAIKER: That's what they said.
LEYLAN: That's what they always say. They don't bother! Nobody bothers anymore.

@blakes7bot@mas.torpidity.net
2026-01-01 07:04:09

#Blakes7 Series D, Episode 08 - Games
AVON: Spare us the technical details, just give us the message.
ORAC: It offers visual contact. Do we accept?
TARRANT: Well since they obviously know us and we don't know them...

@blakes7bot@mas.torpidity.net
2025-12-01 07:12:09

#Blakes7 Series A, Episode 05 - The Web
AVON: Neither can we.
BLAKE: I'll bear that in mind. [Tosses empty box away.]
AVON: Don't worry. I'll remind you.
[Novara and Geela approach. Blake and Avon rise. Avon draws his weapon.]

Claude Sonnet 4.5 describes the image as: "This image shows a scene filmed in a wooded outdoor setting with bare trees visible in the soft-focused background. The cinematography has a slightly muted, cool color palette typical of British television productions from the 1970s-80s era. Paul Darrow appears in character wearing a distinctive costume featuring a light gray or silver padded vest or armor piece with prominent shoulder sections over a black underlayer. The costume has a science fictio…
@blakes7bot@mas.torpidity.net
2025-11-01 07:09:47

#Blakes7 Series C, Episode 06 - City at the Edge of the World
KERRIL: What are you staring at?
VILA: I'm not staring.
KERRIL: We've been on the move a lot.
VILA: Yes.
KERRIL: It's the first chance I've had to, well, get cleaned up.

Claude 3.7 describes the image as: "The image shows a scene set in what appears to be a futuristic or sci-fi environment with metallic walls and geometric patterns. Two people are visible in the frame - one wearing a light green sleeveless dress with blonde hair on the left, and another in a light gray wraparound tunic with matching pants and tan boots on the right. The setting has a distinctive retro sci-fi aesthetic typical of British television productions from the late 1970s/early 1980s. T…
@blakes7bot@mas.torpidity.net
2025-12-31 07:08:26

#Blakes7 Series A, Episode 12 - Deliverance
TRAVIS: Would he do that?
SERVALAN: Oh, yes. He thought it through very carefully. He wouldn't even reveal the location of the laboratory until I'd agreed to all his terms.
TRAVIS: Which were?

Claude Sonnet 4 describes the image as: "This image shows two actors in what appears to be a science fiction television production, likely from the late 1970s or early 1980s based on the styling and production values. The scene is set in a futuristic interior with distinctive geometric wall paneling featuring a diamond or lattice pattern in light colors. One actor wears an elaborate black leather or vinyl costume with ornate detailing, while the other is dressed in a flowing white garment. The …
@blakes7bot@mas.torpidity.net
2025-11-30 07:07:10

#Blakes7 Series C, Episode 04 - Dawn of the Gods
TARRANT: Thanks to Orac it sounds as if the Liberator is still intact. A trip to Xaranar wouldn't take too long.
GROFF: Escape is impossible. While the energy isolators are on, your handguns won't work and it is not possible to put the gravity generator into the negative field mode.

@blakes7bot@mas.torpidity.net
2025-10-31 07:15:18

#Blakes7 Series C, Episode 03 - Volcano
TARRANT: [V.O.] Right.
CALLY: Orac, operate teleport as instructed. Orac?
ORAC: Yes.
CALLY: Did you hear what I said?
ORAC: Teleport operation is a menial task much more suited to one such as yourself.

Claude Sonnet 4.0 describes the image as: "This scene appears to be set aboard a spacecraft, likely the Liberator, given the distinctive futuristic interior with its sleek walls and control surfaces. The setting has the characteristic clean, technological aesthetic of the series with muted lighting and curved architectural elements. The scene shows three crew members in what appears to be a tense moment of discussion or briefing. One figure stands in the foreground wearing light-colored clothi…
@blakes7bot@mas.torpidity.net
2025-12-30 07:14:00

#Blakes7 Series A, Episode 11 - Bounty
GAN: Bounty hunters. They're going to sell us to the Federation.
BLAKE: But how did they get on board?
AVON: Gan?
VILA: It wasn't Gan's fault.
GAN: They used me and a voice synthesizer. It was very well planned.

Claude Sonnet 3.7 describes the image as: "This image appears to be from the classic British science fiction television series "Blake's 7," showing a group of characters gathered in what looks like the interior of a spacecraft or control room. The scene has the distinctive visual style of late 1970s/early 1980s British television production, with somewhat muted lighting and practical set design. The image captures what seems to be a tense moment or discussion, with several people gathered arou…
@blakes7bot@mas.torpidity.net
2025-10-30 07:19:48

#Blakes7 Series B, Episode 03 - Weapon
COSER: [To Clone 2] You betrayed me.
TRAVIS: Blake is a reformed character. There are only two traitors here.
[Blake, Avon, and Gan materialize in the compound]
blake.torpidity…