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@aardrian@toot.cafe
2026-05-20 23:15:24

Cressida Stephenson is only a quarter through #DigitalAccessibilityEthics, but her review is so far positive.
I appreciate her perspective on #GAAD. Which doesn’t mean doing something substantive has to be to buying this book, but it should be more than a post.
I’m not even putting…

I'll share more as I work through it. But if you want to mark GAAD With something more substantial than a hashtag this week This is where I'd start!
@aardrian@toot.cafe
2026-05-19 21:02:59

My copy of #DigitalAccessibilityEthics showed up! I spent my fika ego-surfing my own chapter.
Look at all those real, verified, not hallucinated citations! That’s more than you’ll see in some think-pieces or government reports or research studies!
You deserve well-sourced content. Treat yourself.

A softcover copy of ‘Digital Accessibility Ethics’ on a black metal mesh outdoor table alongside a small bowl of pretzels, an espresso cup, and a pint glass of iced club soda, all on my fika tray; the book is 7 by 10 by ¾ inches.
The book open to page 247 showing a full two-page spread of links to supporting materials, covering footnotes 7 through 31; the espresso cup is empty, the fizzy coffee soda nearly empty, and the pretzels are one shy of being empty.
@aardrian@toot.cafe
2026-03-11 18:31:01

#DigitalAccessibilityEthics session at #CSUNATC.

Slide: Digital Accessibility Ethics, Disability Inclusion in All Things Tech; Lainey Feingold, Shilpi Kapoor, Josh Miele, Ariana Aboulafia, Sheri Byrne-Haber. In front of it are the names presenters.
@aardrian@toot.cafe
2026-05-05 20:27:55

Tomorrow:
#DigitalAccessibilityEthics

@aardrian@toot.cafe
2026-04-29 10:59:35

It’s coming. One week. 6 May.
I contributed a chapter on accessibility overlays, but the other 33 make it worth it.
“Digital Accessibility Ethics: Disability Inclusion in All Things Tech”
AccessibilityEthics.org/

Book cover with title and subtitle: “Digital Accessibility Ethics: Disability Inclusion in All Things Tech.” Below is an abstract painting of yellow, orange, blue, turquoise, pink, and purple arcs; figures, circles, and building-like shapes are in the lower half. On the top left corner of the arcs are the words “Edited by Lainey Feingold, Reginé Gilbert, Chancey Fleet.” The publisher's name, “CRC Press / Taylor & Francis” appears in the bottom right corner.