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@tiotasram@kolektiva.social
2026-08-10 17:12:49

Just finished "Healer of the Water Monster" by Brian Young. I'm reading a bunch of juvenile fiction right now in a quest to have some good recommendations for my kids to read in a few years when they're old enough, and this one definitely makes the cut, with deeply-integrated #OwnVoices Diné cultural elements, good (to my reading) handling of complex topics like divorce and depression, and cool magical elements. This is exactly the kind of new generation of kids' fiction I'm looking for that drops the regressive themes present in so much of what I read at that age. For example, I just before this I read Howl's Moving Castle and then The House of Many Ways by Dianna Wynne Jones, and while the first was pretty much great, the sequel has a whole benevolent monarchy thing that's central to the book in a way that weighs down the politics of the book a lot. Unsurprisingly, the indigenous perspective is a refreshing one.
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@tiotasram@kolektiva.social
2026-08-11 00:13:30

Just finished the manga "My Brain is Different" by Monzusu. It's a series of true stories of people with learning disabilities, talking about their childhoods and adult lives, plus some parents talking about their kids & parenting strategies (including parents who themselves have learning disabilities, of which the author is one). It's got some dark stuff in there, of course (indirect CW depression, suicide, bullying) but it was so nice to read the stories that were all #OwnVoices and which all showed his childhood difficulties (sometimes extreme) weren't defining of an entire life trajectory. Plenty of positive parenting examples too, mixed in with negative ones.
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@tiotasram@kolektiva.social
2026-06-15 17:37:45

Just finished "Hammajang Luck" by Makana Yamamoto. It's lovely in a lot of ways and was quite fun to read, even if there were some aspects I disliked. It's an #OwnVoices queer romance heist set in a dystopian future space station with megacorporations and brain implants and all that jazz. I actually liked the tech aspects of it (despite a few physics warts) and the romance was both sweet and dramatic; even though it failed the consent test I was just talking about, it had some reasons to do so (not that that makes a perfect excuse). The heist plot was good to my mind (but I haven't read a lot of the genre). The biggest thing I didn't like was the treatment of prison as a redemptive force, and the police as a semi-neutral entity with real principles, rather than what we know them to be in real life.
More and more these days in science fiction I'm especially looking at whether and how appeals to law or governments (especially the nice "league of worlds" that steps in to save characters from a corrupt local government) function, and to the degree they are mechanisms of real justice, In disappointed. To be fair, even Le Guin does this to some extent... In any case, this isn't a totally fair criticism because that's not really what this story is about, just something that bothers me whenever I see it.
Overall, the book was great.
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@tiotasram@kolektiva.social
2026-08-26 16:24:32

Just finished "Rialto" by Kate Milford. A wonderful book with a *lot* of things to like but also a few I wish had been done differently.
Starting with the good stuff, an #OwnVoices portrayal of anxiety depression is always welcome, *especially* one that portrays positive coping strategies, including active therapy, and complex but ultimately supportive family dynamics. Dad & daughter each reminding each other to use calming strategies at different points in the book was lovely, and getting to see the complexities of the trying to be a supportive sibling was great! Larger than that aspect, portraying a YA adventure in which the parents are actively involved but don't spoil things is so great and must have been difficult to pull off. Most YA stuff quickly ushers the parents out of the picture, and this fails to provide any kind of positive or negative role model for parent/child interaction. This book had ample examples of the former, *and* let the kids have plenty of agency too. Excellent stuff that I absolutely want to see more of.
So what didn't I like?
First, as an anarchist, I always hate to see unapologetically positive (and thus drastically unrealistic) portrayals of the police. Without getting into spoilers, even the stuff about the Piepowder court bothered me. It's presented here as a cutesy alternate court tradition, but I can't help but speculate that these courts were likely not always fair in practice, and the whole "single person makes immediate judgments model" from this book is terrible in general. I just don't like positive portrayals of terrible systems that happen to be good because the people involved are good people, since they reinforce harmful positive mental models of "justice" that don't apply to the real world. This element wasn't enough to totally spoil the book for me (the plot could have mostly functioned without it) but it's a downside to me.
Second, the book is set in rural Missouri, and has plenty of Black characters. Yay for representation? Certainly better than the cast being all-white given the setting. But the book doesn't have any Black *culture* that I picked up on, and it chooses to try to completely sidestep the relevant history. Maybe I'm just not attuned to elements that were there; if anyone who read this did see them feel free to point them out. The history definitely isn't there though... for example, was the park segregated, or not? During the time it was active one imagines most parks would have been, and that if it hadn't been that would have been a very important difference, which would even have been relevant to the plot and themes of the book as written.
Now perhaps this critique is unfair because Black children and young adults *should* get to see themselves portrayed in cozy fantasies without things always having to be about racism... In a choice between erasing Black characters and erasing racism (and especially racist histories) maybe there's no right answer here and this is fine, actually. My instinct tells me that there are ways to do better, though, and that presenting a history with all the racism carefully elided isn't the greatest compromise to make here.
A while ago I read "Under the Heron's Light" by Randi Pink. It also has mythical animal guides, a Southern setting, helpful family members, a multi-generational mystery to solve, and a (slightly older) teen protagonist who is up to the task. In contrast, it is all about racist history, and takes us through multiple extremely harrowing scenes from the past.
In any case, this discomfort also wasn't a deal-breaker for me, in part because, as I said, I think it's probably good for Black children to see uncomplicatedly positive representations of people like them alongside the plenty of stuff out there that does get deep into the racism and history. I also don't have the best perspective to judge this stuff, although that doesn't mean I should default to "it's probably fine" (I'd be happy to hear from anyone who feels they have a better perspective on this, about this book or the trend in general...).
Overall, I enjoyed Rialto quite a lot. I don't think it quite makes it into my top tier of recommendations for my kids, but I think it does make the list somewhere.
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