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@heiseonline@social.heise.de
2026-02-05 15:35:00

Anthropic stichelt mit Super-Bowl-Werbung gegen OpenAI – und trifft einen Nerv
Anthropic will beim Super Bowl damit werben, dass die hauseigene KI Claude keine Werbung einblendet. OpenAI-Chef Sam Altman reagiert angefasst.

Anthropic stichelt mit Super-Bowl-Werbung gegen OpenAI – und trifft einen Nerv
Anthropic will beim Super Bowl damit werben, dass die hauseigene KI Claude keine Werbung einblendet. OpenAI-Chef Sam Altman reagiert angefasst.

@blakes7bot@mas.torpidity.net
2026-02-06 07:58:17

#Blakes7 Series C, Episode 12 - Death-Watch
SERVALAN: What form will this major violation take?
AVON: Do they know that your battle fleet is massed on their borders?
blake.torpidity.net/m/312/339

Claude Sonnet 4.5 describes the image as: "This scene appears to be from the classic British science fiction television series "Blake's 7" (1978-1981). The image shows two characters in what appears to be an interior setting with pink/purple curtains in the background. On the left is a figure with short dark hair wearing a black sleeveless garment, shown in profile. On the right is a character wearing a distinctive black leather costume with studded details and pronounced shoulder pieces - a …
@weddingweiser@berlin.social
2025-12-07 06:30:14

„Wenn man da spart, trifft es die Schwächsten“ weddingweiser.de/wenn-man-da-s

@memeorandum@universeodon.com
2026-03-06 22:16:18

'It's like the Day of Judgment out here.' New England residents trapped in Middle East as war escalates. (Nick Stoico/The Boston Globe)
bostonglobe.com/2026/03/06/met
memeorandum.com/260306/p107#a2

@blakes7bot@mas.torpidity.net
2026-03-06 13:35:15

Series D, Episode 04 - Stardrive
VILA: What's the noise?
blake.torpidity.net/m/404/295 B7B3

Claude Sonnet 4.5 describes the image as: "This image shows an elaborate theatrical or science fiction costume featuring striking otherworldly makeup and design. The character wears an iridescent costume with shimmering shoulder pieces in blue and green tones that catch the light dramatically. The garment appears to be a white or silver tunic with decorative fastenings down the front. The makeup is highly stylized with bold black and white face paint creating dramatic geometric patterns across…
@blakes7bot@mas.torpidity.net
2026-02-06 07:38:38

#Blakes7 Series B, Episode 08 - Hostage
JOBAN: I supported your appointment. Perhaps I was wrong.
SERVALAN: Perhaps you were. There's a first time for everything, Joban.
JOBAN: I've always admired your willingness to take risks.

@blakes7bot@mas.torpidity.net
2026-03-06 07:29:37

#Blakes7 Series D, Episode 11 - Orbit
VILA: No, no, it's just we don't get offered galaxies every day of the week.
EGRORIAN: Pinder, prepare the demonstration. [To Avon] Do you know anything about tachyons?
blake…

@blakes7bot@mas.torpidity.net
2026-02-06 07:18:19

#Blakes7 Series A, Episode 02 - Space Fall
ARTIX: Where could it have come from?
LEYLAN: I've never seen a ship like that before in my life. She seems to be drifting, Mr. Raiker. Maintain this distance.
RAIKER: Right, sir.

@blakes7bot@mas.torpidity.net
2025-12-07 07:05:19

#Blakes7 Series B, Episode 10 - Voice from the Past
JENNA: This meeting at Atlay...?
GLYND: The annual meeting of all the governors of the Federation. The ideal moment.
AVON: But why should they give you a hearing?

Claude Haiku 4.5 describes the image as: "# Image Description This image shows a woman with shoulder-length blonde hair styled in a 1970s fashion, featuring bangs and waves. She has a serious, contemplative expression on her face, with her gaze directed downward. She's wearing what appears to be professional attire with a dark colored top or jacket and a delicate chain necklace. The setting appears to be an indoor environment with neutral-colored walls in the background, suggesting an institu…
@blakes7bot@mas.torpidity.net
2026-01-07 07:04:21

#Blakes7 Series D, Episode 04 - Stardrive
VILA: Two billion? Training manual rule one: Never play with asteroids. They're what Murphy's Law's all about.
DAYNA: Murphy's Law?
SOOLIN: Anything that can go wrong will go wrong.

Claude Sonnet 4 describes the image as: "This image shows a scene from what appears to be a science fiction television production, likely from the late 1970s or early 1980s based on the visual style and production quality. The setting appears to be inside a futuristic spacecraft or space station, with characteristic metallic corridors and technical equipment visible in the background. The person in the image is wearing a distinctive costume consisting of a form-fitting outfit in muted tones of…