Tootfinder

"The movie has an episodic structure characteristic of modernist cinema, with meaning emerging through symbolic variation rather than a conventional narrative." Kann man so sagen, wundervoll restaurierte Fassung auch, im Deutschen Filmmuseum in FFM heute.
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The Stranger and the Fog (1974): Bahram Beyzaie’s Fusion of Ritual and Modernism
Legendary Iranian New Wave filmmaker Bahram Beyzaie passed away recently, but his masterpiece The Stranger and the Fog (Gharibeh va Meh, 1974) endures—helped in no small part by…