I was wondering about that. Fingers pointing you know where re the huge power outage in Berlin, and the original claims re a leftwing group are being discounted
https://www.franceinfo.fr/monde/europe/…
More #enshittification .. . #youtube won't let you watch #videos at other playback speeds without paying for Youtube Premium.
Like, I don't know how you can speedrun the ruination of a platform any faster.<…
Schaut mal hier .. so einfach kann Anis mit SVG sein ;D
#svg
Day 26: Emily Short
If you know who Short is, you know exactly why she's on this list. If you don't, you're probably in the majority. She's an absolutely legendary author within the interactive fiction (IF) community, which gets somewhat pigeonholed by stuff like Zork when there's actually a huge range of stuff in the medium some of which isn't even puzzle-focused, and Short has been writing & coding on the bleeding edge of things for decades.
I was lucky enough to be introduced to Short's work in graduate school, where we played "Galatea" as part of an interactive fiction class. Short uses a lot of clever parser tricks to make your conversation with a statue feel very fluid and conversational, giving to contemporary audiences a great example of how vibrant interaction with a well-designed agent can be in contrast to an LLM, if you're willing to put in some work on bespoke parsing & responses (although the user does need to know basic IF conventions). While I didn't explore the full range of Galatea's many possible outcomes, it left a strong impression on me as a vision for what IF could be besides dorky puzzles, and I think that "visionary" is a great term to describe Short.
If you'd like you get a feel for her (very early) work, you can play Galatea here: #30AuthorsNoMen
So farewell then Microsoft Office.
I haven't used you really since the 90s.
From this distance: it seems like you just kept getting worse and more exploitative since then and trapped millions of people in abusive relationships with tech.
It made me laugh when you went monthly-payment subscription-only, and then laugh even more when suckers actually ponied up for that.
It's fun when people say they don't know how to use Libreoffice, even though Libre is more like the original MS Office (before it was shit) than Office 365 was.
I wish you fare well on your transition to your new identity as #microSlop #office #CoPiliot #ai #enshitification #poem
Really enjoyed the podcast! Thanks for both the acknowledgement and answering my question. I hope it gets enough traction, and y’all get enough questions to warrant another episode soon.
And let me know when it's on a public feed - when I spread the word to my 300 followers (most of whom are bots and dead accounts) your downloads are gonna spike 🤣😆🤣
@…
lol it’s so genuinely fun seeing Cory take decades of fluency in how these systems are broken and serve it up for a mainstream audiences. Even if you know “enshittification” well, this is worth the watch. And love to @…! https://
Not sure what the difference between a panel and a"fireside chat" is. There is no fire.
But here's a fireside chat on what nostr is.
Nostr is freedom for Identity. Accounts without hosts. Publishing without publidhers. Censorship resistance without platforms deciding who gets to say what.
It's not a silo in which you can be tapped as the service enshitifies, since it's a protocol with accounts you control, you can't switch clients or relays without loosing social graph or contacts.
Nostr is notes and Other Stuff, what other stuff? the panel is working on an audiobook publishing system with perhaps a required payment and affiliate revenue share. E-commerce, video publishing, zap stream for live video with zap payments.
Onboarding can be tricky with private key management needing to be understood and such a range of options of clients and what relays are. Can we make it easier?
Perhaps by abstracting away the fact it's nostr at all. Devine users don't even know they are using nostr. But this robs users of the understanding they may need to move clients or use the same account for video and notes, say.
Perhaps by making a private messagnger, the panel thinks people are used to using multiple messenger apps. Though I find they hate that, and that's why they refuse to install signal. They feel they don't need it since they already have WhatsApp with a bigger network.
In the end it's education. We have to teach literacy so people can read and write, we have to teach public keys encryption so people can do so securely.
#bitfest #nostr
Just finished "Twice as Perfect" by Louise Onomé. This is now the third novel I've read by her about a teenage Nigerian-Canadian second-generation immigrant, two of whom deal with some form of family estrangement ("Like Home" and "The Melancholy of Summer" are the other two). I checked it out because I liked her other novels and was not disappointed; in fact I feel like this is her best novel of the three. Dealing with cultural appropriation, both implicitly and explicitly, along with deep family trauma and a bit of romance, "Twice as Perfect" is suspenseful, wise, and heartfelt. It's got a thread of Nigerian Pidgin in it, which I thoroughly enjoyed although I didn't 100% understand, similar in some ways to the sprinkling of Spanish in "Each of Us a Desert", but with even less of an attempt to subtly explain each instance in English, which I don't mind at all.
The 2nd generation immigrant authors writing YA ~romances I've read recently have all been great, including Adiba Jaigirdar, Samira Ahmed, Sabina Khan, and Randa Abdel-Fattah (a slightly different era), and to a lesser extent Romina Garber (I didn't like "Lobizona" quite as much as stuff by these others). It's been super interesting to contrast their stories with those of people like Mark Oshiro, Angie Thomas, Randi Pink, and Angela Velez who talk about American racism from a non-immigrant perspective (perhaps Ahmed is in between the two groups).
#AmReading #ReadingNow