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@hex@kolektiva.social
2026-06-27 04:05:41

Now, I don't especially like the term "church" so I may use something else... like "coven." You can do what you want. But I happen to have already mapped out an example. (It is exactly that, just an example, so take if it's useful, change if you need, and don't stick to anything too closely.) Oh, this mapping also means that you would, for religious reasons, only be allowed to work under capitalism 4 days a week instead of 5.
Given the increases in productivity over the last 100 years, a 4 day work week is a completely reasonable expectation. If we have to annex Monday for the weekend by force of religion, so be it. It is rightfully ours anyway. If enough people try it, this will probably work. If it doesn't work, it just needs more people.
The Practice of Worship:
It is recommended to break down worship in to three sections: the functional, the communal, and the spiritual. It is also recommended to break these across multiple days. A common structure for some Christian churches is to take 10-15 minutes for announcements (Functional), an hour or two for services (Spiritual), followed by (Communal) coffee, tea, and cookies for an unspecified time up to two hours after. When starting or working with limited time a single compressed model like this may work, but it's not optimal.
- The Functional
The purpose of this section is to address the functional needs of the coven. Block out time (less than 90 minute blocks is recommended) to go through reports and updates from those involved in the Dispensary, Library, Works Committee (infrastructure), and Services Committee (providing services internally and, potentially, externally). Talk through any additional announcements, including those from other covens you may be federated with.
It is helpful to include unstructured communal time, such as shared meals, during or after functional meetings. As the federation grows, more time will be needed. It is recommended to break functional meetings, work parties, and such across multiple days. When a federation becomes sufficiently large, it is recommended to take every Monday, on top of Saturday and Sunday, as a third day of community and worship.
The scope of the functional spans 3 realms (which may be more-or-less fluid): the personal or family, the coven and federation, and humanity itself. It is up to each coven and individual to negotiate how to allocate the three days of the weekend once we have liberated Monday from the work week, but it is important to reserve it for one of these three. However, some people must work on weekends. Medical personnel, for example, cannot conform to a standard work week. While the work week should be universally restricted, which specific days are used will be up to the specific coven and their members.
A functional meeting can start with an agenda like the following:
Functional Invocation
Announcements
Report Backs
Dispensary
Inventory Check
What is low
What is empty
What is expiring
What is needed
Funds status
Library
Inventory Check and Items needing return
Library acquisition requests
Funds status and budget check
Works Committee
Upcoming projects
Subcommittee updates (Following the Works Committee agenda)
New committee formations
Funds status
Services Committee
New capabilities announcements
New needs requests
Subcommittee updates (Following the Works Committee agenda)
New committee formations
Funds status
Task Check
Breaking the Circle
This agenda is a suggestion for those who don't know where to start. It can be adapted or ignored as appropriate.
- The Spiritual
Spirituality is necessarily an undefined space. It is deeply personal. Each individual taking time to share their own personal spiritual experiences can help each connect with each other. This experience of connection can itself be a spiritual experience. It may also be useful to read esoteric, mystical, or philosophical texts together as type of "book club" and share thoughts. Others may draw from their own knowledge or traditions. This is something that must be defined together within a group.
- The Communal
The communal aspect of the practice of worship bind the coven and federation together. Within the community we find joy and release, connection and comfort. The coven is where we turn in times of need, and where we share our hopes and dreams.

@tiotasram@kolektiva.social
2026-07-26 17:31:24

Semi-subtoot: there's a certain kind of anti-genocide narrative that draws comparisons between the Gaza genocide and the genocide of Jews, queer, and disabled people during WW2, with an incredulous overtone, the subtext of which is: if the good nations invaded Germany to stop the Nazis' evil in WW2, it's hypocritical for this nations not to take action to protect Gazan civilians now. There are a couple of problems with this line of reasoning, but the most obvious from an anarchist perspective (which sees "good nation" for the oxymoron it is) is that it's ahistorical. The reasons for the various allies' entrance into WW2 are varied, but they weren't about good and evil, and in fact the full depth of the evils of the Holocaust *was not known* in allied countries until after the war. Nations never really do things to "fight evil" like some humans might; they always act out of a kind of (imperfect) self-interest. The motivations for many of the allies were simply "we don't want Germany to conquer and destroy us" (and the imperfection in that motive is amply evident in the appeasement that preceded the war). America was of course not swayed by that motive, and it was the Japanese that (thinking the issue would have to come to a head eventually and that a surprise attack was worth speeding it up) put America in a situation where it joined for similar reasons.
Why is this extra relevant right now? Because neither the US nor any European country is existentially threatened by Israel (or threatened at all in fact, quite the opposite they're all benefiting economically from the situation in Gaza). The lesson of history isn't "brave, good nations will stand up to fight against anyone who commits genocide or other major evils", it's "nations act in their narrow and twisted and often mistaken self-interest (the interest of the national entity, which is often counter to the interest of it's citizens), and they always mythologize their actions after the fact as having been a fight against evil, which sometimes by luck is partially true."
To double down on this point: in the European theater the U.S. war actions were pretty good overall, defeating an evil opponent through military force and being a fairly gracious victor to the civilian populations there. In contrast, in the Pacific theater the U.S. was one of two evil empires duking it out for global dominance at the expense of civilians on both sides. The Japanese empire was a vile regime and perpetrated horrors in China, Korea, and across southeast Asia. The U.S. was barely better, between Japanese internment camps at home, and mass targeting of civilians on Japan, both with the firebombing of Tokyo and especially the nuclear bombs dropped on Hiroshima and Nagasaki.
So if your model of how we stop genocide is "convince the good guys to invade (or exert political pressure) and save the day", your model is wrong. That's not what happened in WW2. I'm not confident I know the perfect solution, but I do think it involves a mass of people making increasingly disruptive protest so that the cost *to rich companies and thus politicians* of falling to intervene is too high to stomach. That's a large part of what succeeded in South Africa, for example. Thankfully, there is already a vibrant protest movement to end the genocide in Gaza, and even though they haven't been fully successful yet, I'm optimistic that as things naturally (and through hard work) fall apart for various fascists politically, that movement will be able to succeed.
#gaza #genocide

@leftsidestory@mstdn.social
2026-07-19 00:30:00

Civic Museums II 🏛️
民间博物馆 II 🏛️
📷 Pentax MX
🎞️ LUCKY SHD 400 (FF)
If you like my work, Support by buying me a coffee or a roll of film from
PayPal paypal.com/paypalme/ydcdingsite
Wise

Lucky LUCKY SHD 400 (FF)

English
A black-and-white photograph of a serene pond surrounded by dense foliage. Tree branches with sparse leaves extend over the water, creating a partially shaded surface. The water is calm, with scattered light reflections and floating debris, possibly leaves or petals. The background is filled with thick vegetation, giving a sense of a secluded, natural setting.
中文
一张黑白照片,展现了一个宁静的池塘,周围环绕着茂密的植被。树枝上稀疏的叶子延伸至水面上方,形成部分阴影。水面平静,散落着光线的倒影以及漂浮的碎片,可能是叶子或花瓣。背景充满浓密的植被,营造出一种隐世…
Lucky LUCKY SHD 400 (FF)

English
A black-and-white photograph of a clothing store interior. The shop is filled with racks of traditional dresses and garments, displayed on mannequins and hangers. A person is seated on a chair in the background, partially obscured by the clothing. The foreground features tables with various items, possibly accessories or decorative objects. The store has a rustic, wooden structure, and hanging lights illuminate the space.
中文
一张黑白照片,展示了一家服装店的内部。店内摆满了传统连衣裙和服装,陈列在…
Lucky LUCKY SHD 400 (FF)

English
A black-and-white close-up photograph of intricately carved wooden doors. The doors feature multiple panels with detailed relief carvings depicting scenes of people, animals, and nature, such as trees, flowers, and vases. The carvings are highly detailed, showcasing traditional craftsmanship. A lock is visible in the center of the doors.
中文
一张黑白特写照片,展示了精美雕刻的木门。门上有多个面板,上面的浮雕精细地描绘了人物、动物和自然场景,如树木、花朵和花瓶。雕刻非常细腻,展现了传统工艺。门的中央可见一把锁。
Lucky LUCKY SHD 400 (FF)

English
A black-and-white photograph of a narrow waterway, flanked by dense bamboo and other vegetation. The path appears to lead to an overbridge with a glass facade in the background, partially obscured by the foliage. The scene is dimly lit, with shadows cast by the surrounding plants, creating a mysterious and secluded atmosphere.
中文
一张黑白照片,展现了一条狭窄的水路,两侧是茂密的竹子和其他植被。小径似乎通向背景中一个玻璃外立面的横跨桥,部分被植被遮挡。场景光线昏暗,周围植物投下的阴影营造出一种神秘而隐世的氛围。
@Techmeme@techhub.social
2026-08-20 15:15:40

Filing: in 2025, TikTok posted its first net profit of $702.5M in Europe, Africa, and Latin America on $9.1B in revenue, up 45.7% YoY (Iain Martin/Forbes)
forbes.com/sites/iainmartin/20

@Mediagazer@mstdn.social
2026-08-20 15:30:42

Filing: in 2025, TikTok posted its first net profit of $702.5M in Europe, Africa, and Latin America on $9.1B in revenue, up 45.7% YoY (Iain Martin/Forbes)
forbes.com/sites/iainmartin/20

Zoox, the Amazon-owed autonomous taxi company founded in 2014, will launch its first paid rides in Las Vegas on Monday.
The company’s robotaxis differ from others already on the road because they do not have driver’s controls such as a steering wheel or gas pedal.
The pill-shaped vehicles can drive in either direction and include interior seats facing each other.
Zoox received a first-of-its-kind exemption from the National Highway Traffic Safety Administration last mont…

@peterhoneyman@a2mi.social
2026-09-04 14:34:28

I’m all alone on the Northwood bus headed to North Campus where I’m meeting (in my new office!) a student who I am trying to recruit to write a Master’s thesis on digital privacy.

Riding the Northwood bus toward North Campus, snapping a selfie mid-ride. The photo's taken from a low angle looking toward the back of the bus, with the interior's yellow stanchions and blue seats filling most of the frame, and the ceiling grab handles dangling above. Someone in a cap and sunglasses is visible close to the camera on the right, and there's a bit of motion blur from the bus moving - the whole thing has that classic "quick pic on public transit" feel, empty seats and all.

ALT by…
@aral@mastodon.ar.al
2026-07-29 11:05:17

If I do say so myself, I do love expressive I can be with Kitten.
This is me injecting raw HTML markup into a Markdown code block in a Kitten Markdown page to highlight specific lines in a code block¹.
(The string interpolation of the HTML as an array is a hack that bypasses Kitten’s default sanitisation and should only be used with trusted content.)
PS. I’m going through all the tutorials on the site to update them to reflect the current state of Kitten after the three-mon…

2. The welcome message tells you that you can use the `.help` command for assistance. Run that and you will see a list that looks like the following:

    ```text
    .break      Sometimes you get stuck, this gets you out
    .clear      Alias for .break
    .editor     Enter editor mode
    .exit       Exit the REPL
    .help       Print this help message
    ${['<strong>']}.id         Show your Small Web place ID (and create it and your secret if necessary).${['</strong>']}
    .load       Lo…
@leftsidestory@mstdn.social
2026-07-05 02:16:59

A Day Or Two At The Museum II🏛️
博物馆的一两天 II🏛️
📷 Pentax MX
🎞️ Harman Red 125 (FF)
If you like my work, Support by buying me a coffee or a roll of film from
PayPal paypal.com/paypalme/ydcdingsite
Wise

Harman Red 125 (FF)

English
A dimly lit room with a vibrant red and purple glow. The floor is highly reflective, creating a mirror-like effect. Silhouettes of people are visible, with their shadows and reflections adding depth to the scene. A large frame hangs on the wall. The walls are dark, and the light source appears to be a large, illuminated red panel on one side, casting a warm hue over the space.
中文
一个光线昏暗的房间,充满浓烈的红色和紫色光晕。地板具有高反光性,宛如镜面一般。可以看到人们的剪影,他们的影子和倒影为场景增添了深度。墙上有一个大型画框。墙壁较暗,光源似乎来自…
Harman Red 125 (FF)

English
A dimly lit room with a vibrant red and purple glow. The floor is highly reflective, creating a mirror-like effect. Silhouettes of people are visible, with their shadows and reflections adding depth to the scene. The walls are dark, and the light source appears to be a large, illuminated red panel on one side, casting a warm hue over the space.
中文
一个光线昏暗的房间,充满浓烈的红色和紫色光晕。地板具有高反光性,宛如镜面一般。可以看到人们的剪影,他们的影子和倒影为场景增添了深度。墙壁较暗,光源似乎来自一侧的一块大型红色发光面板,为整个空间笼罩上一层温暖的色调。
Harman Red 125 (FF)

English
An indoor space with a large, colorful installation made of numerous fabric pieces in shades of red, orange, and pink. The installation fills most of the room, creating a vibrant and dynamic visual effect. Large windows on the left side allow natural light to filter in, illuminating the scene. A few people are visible at the bottom, walking or standing near the installation.
中文
一个室内空间,其中有一个由众多红色、橙色和粉色布料片组成的大型艺术装置。这个装置占据了房间的大部分空间,营造出一种充满活力和动感的视觉效果。左侧的大窗户允许自然光线透入,照亮了整…
Harman Red 125 (FF)

English
A close-up view of a large, immersive installation composed of red and orange fabric pieces. The fabric is arranged in layered, flowing forms, creating a sense of depth and texture. The lighting is warm and red-toned, enhancing the vibrant colors of the installation. A few people are partially visible, adding a sense of scale to the scene.
中文
一个大型沉浸式装置的特写视图,由红色和橙色的布料片组成。布料以分层、流动的形式排列,营造出深度和质感的感觉。灯光温暖且带有红色调,增强了装置的鲜艳色彩。几个人部分可见,为场景增添了尺度感。
@leftsidestory@mstdn.social
2026-07-11 02:05:13

Inside Outside II 🔲
中间 II 🔲
📷 Pentax MX
🎞️ Fujifilm Neopan F, expired 1993
If you like my work, Support by buying me a coffee or a roll of film from
PayPal paypal.com/paypalme/ydcdingsite
Wise

Fujifilm NEOPAN F (FF)

English
A black-and-white close-up of a vase with tall, dried flower stems placed near a window. The vase is partially visible, with a checkered pattern, and the stems are frosted, likely from cold weather. The window reflects faint outdoor scenery.
中文
一张黑白特写照片,展示了一个花瓶,里面插着几根高大的干花茎,放在窗户旁。花瓶部分可见,带有格子图案,花茎上覆盖着霜,可能是由于寒冷天气。窗户上反射出模糊的室外景色。
Fujifilm NEOPAN F (FF)

English
A black-and-white photograph capturing a tall, ornate stone structure partially obscured by dense tree foliage. The structure features intricate carvings and architectural details, with two small animal sculptures perched on its upper ledge. The trees dominate the upper portion of the image, their branches and leaves creating a natural canopy against a bright sky.
中文
一张黑白照片,拍摄了一座高大的石结构建筑,部分被茂密的树叶遮挡。建筑上有精美的雕刻和建筑细节,上部的台面上有两尊小型动物雕塑。树木占据了图片的上部,枝叶形成了天然的华盖,映衬着明亮的天空。
Fujifilm NEOPAN F (FF)

English
A black-and-white photograph of the upper section of a traditional Chinese architectural structure. The image focuses on a curved, decorative roof with a central carved emblem featuring the Chinese character surrounded by intricate patterns. The roof is made of gray bricks, and a tree is partially visible on the right side.
中文
一张黑白照片,拍摄的是中国传统建筑的上部。图片聚焦于一个弯曲的装饰性屋顶,中央有一个雕刻图案,周围环绕着精美的花纹。屋顶由灰色砖块构成,右侧可见部分树木。
Fujifilm NEOPAN F (FF)

English
A black-and-white photograph of a pedestrian pathway lined with trees and people. The path is paved with light-colored tiles, and tall trees flank both sides. In the background, a high-rise building with numerous windows and balconies rises above the treetops. People are seen walking and sitting on benches along the path.
中文
一张黑白照片,展示了一条人行道,两侧种满树木,行人来往其中。小径铺有浅色瓷砖,高大的树木分列两侧。背景中,一栋高层建筑耸立于树梢之上,建筑上有许多窗户和阳台。人们在小径上行走或坐在长椅上。