Tootfinder

Day 9: Eniko Fox
Edit: added a store link for Kitsune Tails.
We're back to videogames, and with another author who's on the fediverse: @…
Fox has developed a few games, but the one that I've played and love is Kitsune Tails. It's a sapphic romance take on Super Mario Bros. 3, and (critically for a platformer) it's got very crisp controls and runs smoothly. I think one thing a lot of indie platforms devs struggle with is getting those fundamentals right, because on the technical side they require very challenging things like optimization of your code and extremely careful input handling that go beyond the basic skills necessary to put together a game. From following her on Twitter and now the Fediverse, it's clear that Fox is a deeply competent programmer, and her games reflect that. Beyond the fundamentals, Kitsune Tails has a very sweet plot with a very cool twist in the middle, and without spoilers, that twist made both the levels and gameplay very difficult to design, but Fox rose to that challenge and put together a wonderful game. Particularly past the plot twist (but in subtle ways before it) Fox is able to build beyond SMB3 mechanics in ways that gracefully complement the original, and the movement in the game ends up being difficult but extremely satisfying, with an excellent skill/speed response allowing for both slower, easier approaches that work for a range of players and high-skill extremely-fast options for those who want to push themselves.
There have been plenty of people I follow with indie game projects that are kinda meh in the end, and I'll still boost them without much comment if they're decent. Fox' work is actually amazing, which is why if you've followed me for a while you'll know I tend to mention it periodically, and which is why she makes this list of authors I respect.
You can buy Kitsune Tails here: #20AuthorsNoMen

I have a question for anyone who happens to be knowledgeable about web standards:
The same way we had the (failed?) "DoNotTrack" header... Is there any working group or initiative working on an #HTTP header sent by the browser (or similar mechanism) to signal that the user wants an ecological/lightweight website? Something like "SaveEnergy" or "LowEnergy", or "LightweightMode".
Would it make sense? Or do you foresee that it would fail for some specific reasons?
P.S.: Of course I would prefer if we didn't have to signal our discontent with the unjustifiably big and unoptimized web pages that we are served.
P.S.2: Now I am feeling tempted to write a browser extension for people who want to use "alternative communication channels" (HTTP headers) to "yell" arbitrary stuff at certain websites (It would be glorious if we could coordinate a big "Fuck you, Google", or, in a more positive tone, "Free Palestine!").
#WebDevelopment #WebDev #Web #Ecology

I'm #ActuallyAutistic, and I love this woman deeply. I have been a huge fan of her music, especially my special interest in her song “Loin d’ici” (ESC Version) since May 14, 2016.
But now, watching Taylor Swift, Cœur de Pirate, and other artists slowly take her place feels like an unspoken farewell, like a song fading softly into the distance. It’s as if she herself is tell…

I think it's time to crack out the daylight lamp. I'm not feeling low - stressed to the eyeballs but not flat - but I do feel like I haven't woken up yet and I've been at work for two hours 😄 My daylight lamp was about £25 and it's been money very well spent. I use it as the light on in the room when I'm getting ready in the morning, rather than sitting staring at it for 20 minutes, and it just works.

But I filled out my Uber registration card!
#Discworld #gooseberry

I just noticed: after starting my little link "blog" or collection back on June 1st, as of today it has now grown to 150 links! 🔗
My reason for starting it was two-fold: I thought some folks could be interested in following along with what I read (that's why you can also subscribe via #rss). But, it's also a really useful archive for myself!
https://tzovar.as/links/

I think we might have locked ourselves into a professionalization trap. Shocking revelation: It's capitalism's fault.
(Original title: The Professionalism Trap)
https://tante.cc/2025/09/24/the-professionalism-trap/

The Professionalism Trap
I’m in the process of rewriting a talk I gave a few weeks ago in order to record it and publish it online. When I mentioned that to a friend who’s a filmmaker and knows how lighting and all that works he offered to help me doing it “right” so it doesn’t look like shit. […]

So I grew up next to #Chernobyl and this is, well, TERRIFYING.
A story for y’all: I’m from a city called Zhytomyr, 2 hours west of Kyiv in the North of #Ukraine. We were downwind of the Chernobyl #nuclear power plant when the 1986 disaster happened.
I wasn’t born for another 12 years, but my childhood was filled with stories and the aftermath of it all. Things like:
- My grandmother worked as a head doctor in a hospital and rehabilitation facility exclusively for children of Chernobyl victims to treat the extremely high prevalence of Tuberculosis and other severe health complications. (To specify: these were SECOND GENERATION of exposure).
- A lot of the kids in that facility were orphans, because their parents died young from health problems.
- My uncle’s wife was born in Pripyat. She was 1 year old when the disaster happened. Her parents were told to evacuate while given no information about what happened. They had to pack up their things and rush out to an unfamiliar city with their baby, never to see the rest of their belongings, apartment, or hometown again.
- When I was a kid, it became so common to see weirdly mutated animals and insects that even 2-3 year olds would make jokes about “Chernobyl mosquitos” and I wouldn’t even flinch seeing occasional giant bugs, dark frogs, weird-looking dogs.
- We’d frequently hear of nearby farms having issues with their animals being born too mutated to survive or random outbreaks from contaminated water / food. Crops would randomly fail. People would get poisoned on a regular basis. This all got less common as I grew up.
- My mother still remembers being a little girl, 10 years old, and looking outside from their balcony at the clouds blowing over from Chernobyl that day. People were told to not go outside and to shut all the windows, but not given an explanation as to why. My mother swears that the rain looked different. They weren’t able to go and buy more food for the kitchen for multiple days.
Anyway - nuclear safety isn’t a joke. I don’t understand how this level of carelessness can happen after Chernobyl and Fukushima.

https://www.404media.co/power-companies-are-using-ai-to-build-nuclear-power-plants/

Worth a follow and support. One of the handful of folks I followed over here from the old place. Fresh insight is in exceedingly short supply these days. @… https://mastodon.so…

Just finished "Beasts Made of Night" by Tochi Onyebuchi...
Indirect CW for fantasy police state violence.
So I very much enjoyed Onyebuchi's "Riot Baby," and when I grabbed this at the library, I was certain it would be excellent. But having finished it, I'm not sure I like it that much overall?
The first maybe third is excellent, including the world-building, which is fascinating. I feel like Onyebuchi must have played "Shadow of the Colossus" at some point. Onyebuchi certainly does know how to make me care for his characters.
Some spoilers from here on out...
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I felt like it stumbles towards the middle, with Bo's reactions neither making sense in the immediate context, nor in retrospect by the end when we've learned more. Things are a bit floaty in the middle with an unclear picture of what exactly is going on politics-wise and what the motivations are. Here I think there were some nuances that didn't make it to the page, or perhaps I'm just a bit thick and not getting stuff I should be? More is of course revealed by the end, but I still wasn't satisfied with the explanations of things. For example, (spoilers) I don't feel I understand clearly what kind of power the army of aki was supposed to represent within the city? Perhaps necessary to wield the threat of offensive inisisia use? In that case, a single scene somewhere of Izu's faction deploying that tactic would have been helpful I think.
Then towards the end, for me things really started to jumble, with unclear motivations, revelations that didn't feel well-paced or -structured, and a finale where both the action & collapsing concerns felt stilted and disjointed. Particularly the mechanics/ethics of the most important death that set the finale in motion bothered me, and the unexplained mechanism by which that led to what came next? I can read a couple of possible interesting morals into the whole denouement, but didn't feel that any of them were sufficiently explored. Especially if we're supposed to see some personal failing in the protagonist's actions, I don't think it's made clear enough what that is, since I feel his reasons to reject each faction are pretty solid, and if we're meant to either pity or abjure his indecision, I don't think the message lands clearly enough.
There *is* a sequel, which honestly I wasn't sure of after the last page, and which I now very interested in. Beasts is Onyebuchi's debut, which maybe makes sense of me feeling that Riot Baby didn't have the same plotting issues. It also maybe means that Onyebuchi couldn't be sure a sequel would make it to publication in terms of setting up the ending.
Overall I really enjoyed at least 80% of this, but was expecting even better (especially politically) given Onyebuchi's other work, and I didn't feel like I found it.
#AmReading