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@blakes7bot@mas.torpidity.net
2025-07-03 06:06:18

#Blakes7 Series C, Episode 05 - The Harvest of Kairos
AVON: So?
TARRANT: So what do we do before they blow us out of the galaxy?
AVON: We attack.
TARRANT: Attack? We have nothing to attack with.
AVON: Then bluff it. Tell them to surrender.

Claude 3.7 describes the image as: "This image appears to be from a vintage science fiction television production, showing a control room or spacecraft bridge setting. Several individuals are gathered around what looks like technical equipment or control panels. The scene has the distinctive aesthetic of classic sci-fi from the late 1970s or early 1980s, with retro-futuristic technology featuring blinking lights and circuit boards visible in the foreground.

The setting appears to be a technica…
@karlauerbach@sfba.social
2025-05-31 21:16:48

It's been 7 months since the D-party lost the easiest-to-win election the US has ever had. And it's been 4 months since FFOTUS took office and became a modern Caligula.
And what has the D-party done?
Nada. Nada. Nada. The old faction is spinning in useless circles defending Biden's inexcusable decision to continue to run until too late. The younger element still shows no sign of engaging in the voting part of politics. Our middle-age element still looks first at t…

@blakes7bot@mas.torpidity.net
2025-07-02 09:15:48

Series A, Episode 04 - Time Squad
AVON: [V.O.] I hear you.
BLAKE: Bring us back. [Pause. V.O.] Bring us back.
[Interior. Liberator teleport area. Avon is at the console. Gan is there]
AVON: I can't. The teleport control is burnt out.
blake.torpidity.net/m/104/130

Claude 3.7 describes the image as: "This image appears to be from a science fiction television series from the late 1970s or early 1980s. The scene takes place on what looks like a spacecraft control room or console area. Two people are shown leaning over what appears to be a control panel or computer terminal. One person has blonde wavy hair and is wearing a pastel-colored striped shirt, while the other has dark curly hair and is wearing what appears to be a tan or beige outfit. They seem to b…
@nobodyinperson@fosstodon.org
2025-06-28 23:48:27

Today I've been fighting again with this absolutely stupid :nixos: #NixOS bug that dates back nearly 20 years now, which prevents you from naming an executable 'log'. Yes, it is NOT possible on NixOS. 🤦 🤦 🤦 And working around it is beyond frustrating. Fixing it requires a mass rebuild, so it's not that simple. 😩 😂 It's so terrible but also hilarious...
Issue:

@thijs_lucas@norden.social
2025-06-24 07:48:31

Die #Marzipanfabrik ist ein Parkplatz mit Bürointegration. All das Geld für schicke Fassaden und die städtische Lage können nicht die Hässlichkeit kompensieren, die so ein Konzept aus dem hinterländlichen Raum erzeugt.
An den Rand gequetschte Fußwege, getrennt durch Wände aus senkrechtem Parken und überbreite Fahrbahnen, versiegelte Flächen, die zur Flucht einladen. Hippe Büros umgebe…

Foto von einer Fahrbahn. Links und rechts vor allem Parkplätze, dazwischen ein paar junge Bäume und dahinter Fassaden aus Baacksteinklinker und Fenstern. Die Fußwege hinter den Parkplätzen lassen sich bestenfalls erahnen.


Auf ein paar Parkplätze hat eine Firma einen Unterstand mit Fahrradbügeln eingerichtet.
@weddingweiser@berlin.social
2025-06-13 05:35:47

Was den Rebel Room seit 2013 so erfolgreich im Wedding macht weddingweiser.de/was-den-rebel

@tiotasram@kolektiva.social
2025-06-28 13:30:10

In Ursula K. Le Guin's "A Man of the People" (part of "Four Ways to Forgiveness") there's a scene where the Hainish protagonist begins studying history. It's excellent in many respects, but what stood out the most to me was the softly incomprehensible idea of a people with multiple millions of years of recorded history. As one's mind starts to try to trace out the implications of that, it dawns on you that you can't actually comprehend the concept. Like, you read the sentence & understood all the words, and at first you were able to assemble them into what seemed like a conceptual understanding, but as you started to try to fill out that understating, it began to slip away, until you realized you didn't in fact have the mental capacity to build a full understanding and would have you paper things over with a shallow placeholder instead.
I absolutely love that feeling, as one of the ways in which reading science fiction can stretch the brain, and I connected it to a similar moment in Tsutomu Nihei's BLAME, where the android protagonists need to ride an elevator through the civilization/galaxy-spanning megastructure, and turn themselves off for *millions of years* to wait out the ride.
I'm not sure why exactly these scenes feel more beautifully incomprehensible than your run-of-the-mill "then they traveled at lightspeed for a millennia, leaving all their family behind" scene, other than perhaps the authors approach them without trying to use much metaphor to make them more comprehensible (or they use metaphor to emphasize their incomprehensibility).
Do you have a favorite mind=expanded scene of this nature?
#AmReading

@blakes7bot@mas.torpidity.net
2025-06-30 18:14:47

Series D, Episode 11 - Orbit
ORAC: Seventy kilos, Avon.
AVON: Only seventy kilos... Vila, strip off the insulation material in the cargo hold. [Vila turns.] Vila! [Avon takes some small object from a panel and hands it to him.]
blake.torpidity.net/m/411/462 B7B5

Claude 3.7 describes the image as: "This image appears to be from a science fiction television series, showing two people in a futuristic setting. On the left is a person wearing a distinctive black leather outfit with metallic studs and accents, while on the right is someone in a light-colored, possibly cream or beige costume with decorative stitching. 

The scene appears to be set in what looks like a spacecraft or control room, with technical equipment visible in the background. The lighting…
@weddingweiser@berlin.social
2025-06-13 05:30:40

Was den Rebel Room seit 2013 so erfolgreich im Wedding macht weddingweiser.de/was-den-rebel

@blakes7bot@mas.torpidity.net
2025-06-29 12:17:12

Series A, Episode 05 - The Web
AVON: Yes.
BLAKE: [V.O.] I need you on the flight deck.
AVON: I'm busy
BLAKE: [V.O.] Now, Avon.
[Flight deck of the Liberator.]
BLAKE: Zen, how are the repairs going?
blake.torpidity.net/m/105/20 B7B3

Claude 3.7 describes the image as: "This image shows a scene from a science fiction television series, featuring a person in a dark uniform with padded shoulders working at what appears to be a control console or technical station. The individual is operating some kind of electronic equipment in what looks like a spacecraft or futuristic control room.

The set design has the distinctive aesthetic of late 1970s/early 1980s British sci-fi, with angular white walls, geometric patterns, and a clean…