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@blakes7bot@mas.torpidity.net
2025-10-01 12:38:33

Series B, Episode 01 - Redemption
CALLY: Treatment unit. He tried to reconnect one of the servo links and it burned his hand.
BLAKE: Right, sit down. [All but Vila sit at a small table to the left of flight consoles] No one is to attempt to repair any equipment till the computers are back under our control.
blake.torpi…

Claude 3.7 describes the image as: "This image appears to be from a vintage science fiction TV series, showing a scene in what looks like a spacecraft or futuristic control room. The setting features technical equipment and utilitarian design elements typical of sci-fi productions from the late 1970s or early 1980s. The scene captures three individuals in conversation. On the right is a person wearing a distinctive black leather outfit with decorative studs or buttons along the sleeves. In the…
@kubikpixel@chaos.social
2025-10-29 06:05:05

»Studie — KI-Chatbots lügen bei 40 Prozent der Antworten:
Eine neue Studie der Europäischen Rundfunkunion zeigt alarmierende Fehlerquoten bei populären KI-Chatbots. Die Systeme erfinden regelmäßig Informationen und geben sogar falsche Quellen an.«
Wenn das nicht sogar gewollt ist von den KI-Herstellern um Macht zu haben? Ja ja… ich höre schon auf…
🔊

Studie: KI-Chatbots lügen bei 40 Prozent der Antworten
Eine neue Studie der Europäischen Rundfunkunion zeigt alarmierende Fehlerquoten bei populären KI-Chatbots. Die Systeme erfinden regelmäßig Informationen und geben sogar falsche Quellen an.

@tinoeberl@mastodon.online
2025-10-31 07:08:25

#Artikelupdate
Es gibt teilweise die Ansicht, Erneuerbare Energien wären eine teure Form der #Stromerzeugung. Das kann durch Zahlen geprüft werden.
Im Artikel ergänzt wurde ein Verweis auf das Ergebnis einer Untersuchung des Beratungsunternehmens Enervis im Auftrag des Bunde…

Energiewende-Mythos: „Erneuerbare Energien sind die teuersten“
2024 stammt der meiste Strom in Deutschland aus erneuerbaren Energien – und sie sind günstiger als Kohle oder Gas. Fakten statt Mythen.

@blakes7bot@mas.torpidity.net
2025-12-02 22:21:05

Series B, Episode 12 - The Keeper
SERVALAN: Really? And who do you imagine told him?
JENNA: The only person who knew: Lurgen.
SERVALAN: Lurgen was gone before we arrived.
JENNA: Was he? Are you sure.
blake.torpidity.net/m/212/393 B7B6

Claude Haiku 4.5 describes the image as: "# Scene Description This appears to be a scene from a science fiction production, likely from the 1970s based on the visual style and color grading. The setting is an ornate interior space with decorative patterned panels visible in the background and what appears to be a fireplace or light source. The room features rich furnishings including cushioned seating and elegant drapery. Two women are shown in conversation, with one seated on a bed or couch …
@aral@mastodon.ar.al
2025-11-24 10:56:04

The only flavour of decentralisation there’s no room for at FOSDEM is the kind that won’t speak at a conference that allows itself to be sponsored by, and thereby whitewashes, a surveillance capitalist like Google that is complicit in Israel’s ongoing genocide of the Palestinian people.

Screenshot of FOSDEM sponsors: At the top is Google.
@nfdi4culture@nfdi.social
2025-09-25 14:31:26

🔥Den letzten Spotlight übernimmt Katja Sternitzke und präsentiert einen inspirierenden Vortrag zu neuen Perspektiven, Strategien und Hinweise zum Thema „Institutionelle Resilienz für Kulturerbe im digitalen Raum“ vor. Die Anwendungs- und Krisenbeispiele, neuen Facetten und notwendigen Handlungsfelder regen zum Nachdenken an und leiten zum abschließenden Format des CCPs über, der Fishbowle Discussion.
#nfdi4culture

Katja Sternitzke stellt ihren Vortrag zum Thema „Institutionelle Resilienz für Kulturerbe im digitalen Raum“ vor.
@blakes7bot@mas.torpidity.net
2025-10-30 19:30:36

Series C, Episode 13 - Terminal
ZEN: Confirmed.
[Teleport room. All but Avon are present. Avon enters.]
AVON: You can take the watch now, Vila.
VILA: Wonderful. I've been looking forward to that.
TARRANT: Where are we going, Avon?
blake.torpidity.net/m/313/86

Claude 3.7 describes the image as: "This image shows a scene from a science fiction television series, set in what appears to be a spaceship or control room. The setting has distinctive angular walls with reddish-brown paneling and hexagonal design elements typical of 1970s/80s sci-fi productions. In the scene, a person wearing a dark leather outfit stands at what looks like a control console with various technical equipment. The futuristic control panel contains box-like devices with displays…
@blakes7bot@mas.torpidity.net
2025-09-29 18:12:58

Series A, Episode 11 - Bounty
VILA: We don't want to do anything hasty.
AVON: [V.O.] Vila!
VILA: Yes, I'm standing by. [Avon and Jenna are in the teleport room.]
blake.torpidity.net/m/111/118 B7B5

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television production, showing someone in elaborate period-style costume with rich fabrics in burgundy and earth tones, featuring ornate fastenings and detailed sleeves. The setting appears to be a futuristic or spaceship-like environment with metallic surfaces and circular design elements visible in the background. The costume design suggests this might be from a formal or ceremonial scene, with the …
@blakes7bot@mas.torpidity.net
2025-10-30 10:22:30

Series B, Episode 01 - Redemption
BLAKE: It's all right, Vila. I think we've lost them.
VILA: How'd you know?
BLAKE: We're still here. Cut the auxiliaries. Get back to primary drive. [To Avon] Are you all right?
blake.torpidity.net/m/201/124 B7B2

Claude 3.7 describes the image as: "This image shows a scene from what appears to be a science fiction television production from the late 1970s or early 1980s, based on the visual style and production quality. The setting appears to be the bridge or control room of a spacecraft, with futuristic control panels and a distinctive angular design aesthetic typical of sci-fi productions from that era. Several people are visible in the control room, wearing costume garments that suggest a unified st…
@blakes7bot@mas.torpidity.net
2025-10-28 13:23:03

Series B, Episode 12 - The Keeper
ZEN: Main detectors report Federation pursuit ship, bearing one three two, course two seven six, leaving the planet and entering orbit.
AVON: Put it on the main screen.
ZEN: Affirmative. [pursuit ship appears on screen]
blake.torpidity.net/m/212/31

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television series, showing the interior of what looks like a spacecraft or control room. The setting features futuristic control panels with various buttons, switches, and displays typical of 1970s-80s sci-fi production design. There are comfortable-looking seats and the overall aesthetic has that distinctive retro-futuristic appearance common to British science fiction shows of that era. The lighting…