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@blakes7bot@mas.torpidity.net
2025-10-28 13:23:03

Series B, Episode 12 - The Keeper
ZEN: Main detectors report Federation pursuit ship, bearing one three two, course two seven six, leaving the planet and entering orbit.
AVON: Put it on the main screen.
ZEN: Affirmative. [pursuit ship appears on screen]
blake.torpidity.net/m/212/31

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television series, showing the interior of what looks like a spacecraft or control room. The setting features futuristic control panels with various buttons, switches, and displays typical of 1970s-80s sci-fi production design. There are comfortable-looking seats and the overall aesthetic has that distinctive retro-futuristic appearance common to British science fiction shows of that era. The lighting…
@felixberthold@hessen.social
2025-10-27 14:09:07

Na, mal wieder nicht verwunderlich. Eine Studie hätte ich für diese Erkenntnis nicht gebraucht.
Wichtigste Aussage am Ende: "Wer sich informieren will, kommt an seriösen Medien nicht vorbei, in denen menschliche Redakteure arbeiten, die Quellen prüfen und Behauptungen und Belege einordnen."
Studie: KI-Chatbots lügen bei 40 Prozent der Antworten | tagesschau.de

@aral@mastodon.ar.al
2025-11-24 10:56:04

The only flavour of decentralisation there’s no room for at FOSDEM is the kind that won’t speak at a conference that allows itself to be sponsored by, and thereby whitewashes, a surveillance capitalist like Google that is complicit in Israel’s ongoing genocide of the Palestinian people.

Screenshot of FOSDEM sponsors: At the top is Google.
@blakes7bot@mas.torpidity.net
2025-11-27 16:27:16

Series A, Episode 10 - Breakdown
AVON: You CANNOT reject a direct command.
BLAKE: Justify that rejection, please.
ZEN: Your command reduces to an order to self-destruct. This runs counter to Prime Directive.
blake.torpidity.net/m/110/146 B7B4

Claude Sonnet 4 describes the image as: "This image shows a scene from the British science fiction television series "Blake's 7" (1978-1981). The setting appears to be the flight deck or control room of the spaceship Liberator, featuring the show's distinctive futuristic set design with angular panels and control stations. The characters are positioned at various stations around the bridge, wearing the series' characteristic costumes - a mix of practical space-faring gear and more elaborate out…
@kubikpixel@chaos.social
2025-10-20 05:25:14

Das Herbstwetter in der Schweiz ist heute nach englischsprachigen Ortschaftsnamen benannt — auf @… die Fakten ;)
🌧️ openstreetmap.…

@krasse_eloquenz@literatur.social
2025-12-18 17:35:35

Das ist doch mal eine positive Nachricht, oder?
spiegel.de/panorama/justiz/ing

@blakes7bot@mas.torpidity.net
2025-09-28 18:18:29

Series D, Episode 05 - Animals
ARDUS: I, I cannot say, Commissioner.
SERVALAN: Very well, I await your information.
ARDUS: I think it would be improper of me to release it unless authorised by the High Council.
blake.torpidity.net/m/405/196 B7B5

Claude 3.7 describes the image as: "This image appears to be a still from a science fiction television series from the late 1970s or early 1980s. The scene shows two people in a dramatic interaction. On the left is an older person with white hair wearing distinctive blue-tinted glasses and a gray and dark outfit with a high collar. Standing nearby is a person in a striking black feathered or textured costume with a v-neck design.

The setting appears to be an interior room with light-colored cu…
@blakes7bot@mas.torpidity.net
2025-12-25 13:14:56

Series A, Episode 08 - Duel
BLAKE: Yes.
AVON: Then I agree. [Lets go of Blake]
JENNA: Deactivating.
BLAKE: Vila, Gan, Jenna: we're going for a ram, take out the command ship.
GAN: A ram?!?
BLAKE: I don't see that there's any other hope for us.
blake.torpidity.net/m/108/173

Claude Sonnet 4.5 describes the image as: "This image appears to be from the classic British science fiction television series "Blake's 7," which aired from 1978 to 1981. The scene shows two characters in what appears to be a tense confrontation or intense conversation. They are positioned face-to-face in close proximity, suggesting a dramatic moment in the narrative.

The setting appears to be aboard a spacecraft or futuristic facility, with other figures visible in the soft-focused background…
@blakes7bot@mas.torpidity.net
2025-10-26 10:07:29

Series C, Episode 12 - Death-Watch
DAYNA: Do you know your most attractive quality, Vila?
VILA: [Eagerly] No. What?
DAYNA: Your subtlety. [His face falls.]
[Max's room. He and Tarrant have been watching the same display.]
blake.torpidity.net/m/312/376 B7B2

Claude Sonnet 4.0 describes the image as: "I can see this is an image of a woman with short dark hair wearing small hoop earrings and what appears to be a green or teal colored garment. She has her hand positioned near her chin in a thoughtful pose and is smiling at the camera. The background appears to show some kind of metallic or technological setting with horizontal striped elements, which would be consistent with a science fiction television production. The lighting and image quality sugge…
@blakes7bot@mas.torpidity.net
2025-12-25 16:17:26

Series D, Episode 12 - Warlord
TARRANT: Extent of damage, Orac? [pause, no response] Orac?
[Crew room. Tarrant enters and looks at Orac beneath the beam.]
[Shot of Zukan's ship in space, approaching another space ship.]
blake.torpidity.net/m/412/270 B7B4

Claude Sonnet 4.5 describes the image as: "This image appears to be from a science fiction television production, showing a scene set in what looks like a spacecraft or futuristic facility interior. The setting features technical panels and equipment typical of sci-fi set design from the late 1970s or early 1980s.

The scene depicts four individuals in costume around what appears to be a control station or work area. The costumes are characteristic of space opera productions of that era, featur…