Tootfinder

Opt-in global Mastodon full text search. Join the index!

No exact results. Similar results found.
@bogo@hapyyr.com
2025-10-07 11:19:31

A few days left to propose a developer room at #FOSDEM
fosdem.org/2026/news/2025-09-2

@andres4ny@social.ridetrans.it
2025-10-07 20:06:59

The propaganda is so wild. When I was younger, they'd lie about things 20-30 years prior, with the assumption that people will have forgotten. Now they are constantly attempting to rewrite history that happened a mere 5 years ago, thinking that they're slick.
To quote Orwell: "The Party told you to reject the evidence of your eyes and ears. It was their final, most essential command."

Renee DiResta
noupside.bsky.social@bsky.brid.gy
“Who was president in 2020?” is the question of our time


[which quotes Senator Jim Banks saying, "The 2020 Census was a fraud. The Biden admin used a shady 'privacy' formula that scrambled the data and miscounted 14 states. It included illegal immigrants and handed Democrats extra seats. Americans deserve a fair count and I'm fighting to fix it."]
@pgogl@troet.cafe
2025-12-08 04:51:25

Guten Morgen Zusammen,
sie hat mich kalt erwischt, die Wintererkältung. Nun bleib ich mal schön zuhause diese Woche. Vielleicht kan ich ja trotzdem ein wenig lesen, gute Bücher wären vorhanden! :-)
Schöne gesunde Woche, packt euch gut ein und tut die kalten feuchten Nasen schneuzen, denn auf halbwarme Geschichten sind Schnupfenviren ganz gamsig :-)!
:coffeepot: 😅 🤧

@blakes7bot@mas.torpidity.net
2025-10-08 09:21:30

Series D, Episode 02 - Power
TARRANT: Well, that's what your Seska friend did with the hatches. Perhaps she can show us how it's done.
DAYNA: Tarrant, it's serious.
TARRANT: I'm being serious.
[Control room. Tarrant enters, followed by the other two.]
blake.torpidity.net/m/402/252

Claude Sonnet 4.0 describes the image as: "This scene shows three crew members in what appears to be a corridor or passageway aboard their spacecraft. The setting features the series' characteristic clean, futuristic interior design with white walls and geometric lighting panels in the ceiling. The characters are wearing the show's distinctive costume designs - form-fitting outfits in different color schemes that were typical of late 1970s science fiction television. One person wears a teal and…
@NFL@darktundra.xyz
2025-09-08 13:29:49

Barnwell separates fact from fiction off NFL Week 1: Is it too early to worry about the Lions? espn.com/nfl/story/_/id/461870

@tagesschau_eil@mastodon.social
2025-10-30 07:39:30

📢 Fünf weitere Festnahmen nach Louvre-Einbruch
Nach dem spektakulären Juwelenraub im Pariser Louvre hat es weitere Festnahmen gegeben. Fünf Verdächtige seien im Großraum Paris festgenommen worden, nachdem es bereits am Wochenende zwei Festnahmen gegeben hatte, sagte die Pariser Staatsanwältin Beccuau im französischen Sender RTL.
➡️

@seemannsmission@c.im
2025-12-05 06:46:30

Ehrenamtliche bei der Seemannsmission
Holen Seeleute mit Minibus ab
machen Bordbesuche
Stehen in der quirligen Kreuzfahrt Lounge an der Kasse
Netzwerken
Sitzen in Vorständen
Prüfen Kassen
Backen Kelse
Stricken Mützen
Influencen
Hören zu
haben Ideen
Helfen bei Festen
Stehen auf Messen

Dankeschön!!!!🙏🏻
#TagDesEhrenamts

@hex@kolektiva.social
2025-11-03 10:16:54

Adding another post. This one is a bit less polished, but I want to get it out. As things get harder for everyone, I'm seeing a greater tendency to want to grasp onto revolutionary fiction such as #Andor. I think there's value in that, but it has to come with an informed critique.
> We are so thirsty for hope that we will drink it up, even when that hope comes from a fiction and the truth behind the hope is poison. In Andor, we see the worst elements sacrifice themselves for some of the best. The revolution goes through a process of purification, the complicated elements weeding themselves out to make room for the simplified good, as the rebellion unifies. In reality, this tends to be the opposite how things actually work.
> [...]
> [The Urban Guerilla movement of the 60's through the 80's] centered militant revolution. In doing so, they omitted or cut themselves off from the logistic support needed to sustain such revolutionary activity. The trauma of carrying out violence further isolated and radicalized them. Lacking infrastructure for trauma healing, their decay escalated and became unrecoverable. Ultimately, their revolutionary movements both emulated and reinforced the status quo they were trying to resist.
> There emerges a strange historical parallel that is difficult to see from within the dominant paradigm. The competitive politics of electoralism derives from heroic competition, where people (typically men) compete (often violently) for control over a territory or people. Thus the insurrectionary enters into the very same competition as a challenger, not against the system of domination but for control over it. The success of the revolution, then, does not abolish the system of violent domination but changes rather replaces its management.
> Many modern anarchists will be quick to point out the disconnect between ends and means. While authoritarian projects often assert that "the ends justify the means," and Andor implies the same, anti-authoritarian projects assert the ends and the means are not only united but are, in fact, the same.
This is still very much something I'm actively editing, but I'd still love feedback to help me refine it to it's final form. Typo catches and clarifying questions welcome.
#USPol

@blakes7bot@mas.torpidity.net
2025-12-05 19:17:54

Series D, Episode 06 - Headhunter
VILA: I am!
SOOLIN: I know.
VILA: Where's Orac? He can run a scan first.
SOOLIN: 'Fraid not, sorry.
AVON: [Who has entered unnoticed and is leaning casually against the doorway.] Why not?
SOOLIN: Orac's in hiding.
blake.torpidity.net/m/406/444

Claude Sonnet 4 describes the image as: "This image shows a scene from what appears to be a science fiction television production, set in a futuristic interior space with white/gray walls, ventilation grates, and industrial-style lighting. The setting has a distinctly spaceship or space station aesthetic typical of sci-fi shows from the late 1970s or early 1980s.

Two actors are positioned in the scene - a man on the left wearing a light-colored military or utility-style jacket, and a woman on …
@blakes7bot@mas.torpidity.net
2025-12-03 16:14:13

Series B, Episode 05 - Pressure Point
AVON: Frankly, I don't see how you can do it without me. Your strongest enemies are going to be the defence computers. I am the only one qualified to tackle them.
BLAKE: Yes, that had occurred to me. You better start getting kitted up. Do you want to tell me why?
blake.torpidit…

Claude Sonnet 4.5 describes the image as: "This image shows a scene from the British science fiction television series "Blake's 7," which aired from 1978 to 1981. The actor Gareth Thomas appears in character as Roj Blake, the series' protagonist and leader of a group of rebels fighting against a totalitarian interstellar federation.

In this shot, Thomas is seated in what appears to be the flight deck or control room of the Liberator, the advanced alien spacecraft that serves as the rebels' bas…