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@felixberthold@hessen.social
2025-10-27 14:09:07

Na, mal wieder nicht verwunderlich. Eine Studie hätte ich für diese Erkenntnis nicht gebraucht.
Wichtigste Aussage am Ende: "Wer sich informieren will, kommt an seriösen Medien nicht vorbei, in denen menschliche Redakteure arbeiten, die Quellen prüfen und Behauptungen und Belege einordnen."
Studie: KI-Chatbots lügen bei 40 Prozent der Antworten | tagesschau.de

Studie: KI-Chatbots lügen bei 40 Prozent der Antworten
Eine neue Studie der Europäischen Rundfunkunion zeigt alarmierende Fehlerquoten bei populären KI-Chatbots. Die Systeme erfinden regelmäßig Informationen und geben sogar falsche Quellen an.

@tiotasram@kolektiva.social
2025-09-27 12:26:53

Day 4: Adiba Jaigirdar
Thought I'd mix things up a bit in terms of intensity & genre. Jaigirdar has written several lovely sapphic teen romances that grapple with parental acceptance in Muslim Bengali immigrant culture, along with racism and other aspects of second generation immigrant life in Dublin.
I've discovered a few other Southeast Asian authors at my local library who will appear on this list, but I'm putting Jaigirdar first because of just how enjoyable her books are, and because I generally find queer romance to be more engaging than non-queer romance. Jaigirdar's characters are sympathetic and convincing, and their problems are both dramatic and a little funny. "Hani & Ishu's Guide to Fake Dating" is probably my favorite by Jaigirdar, but I also enjoyed "The Henna Wars" and "Rani Choudhury Must Die." "A Million to One" is a bit of a departure from her other books, as historical fiction with a heist plot, but it still engages with Irish culture, immigrants, and queer romance.
#20WomenAuthors

@blakes7bot@mas.torpidity.net
2025-09-27 12:21:04

Series A, Episode 12 - Deliverance
GAN: That's Jenna's.
AVON: Obviously somebody, or something, attacked her.
VILA: And obviously it won.
GAN: She might have made a run for it.
blake.torpidity.net/m/112/117 B7B3

Claude Sonnet 4.0 describes the image as: "I can see three people in winter/cold weather gear kneeling in what appears to be a snowy, rocky terrain. They're wearing heavy coats and appear to be in some kind of outdoor survival or mission scenario. The setting looks harsh and desolate, with white rocky formations or snow-covered ground visible in the background. The individuals appear to be taking shelter or regrouping in this challenging environment. The scene has the look of a science fiction …
@nfdi4culture@nfdi.social
2025-09-25 14:31:26

🔥Den letzten Spotlight übernimmt Katja Sternitzke und präsentiert einen inspirierenden Vortrag zu neuen Perspektiven, Strategien und Hinweise zum Thema „Institutionelle Resilienz für Kulturerbe im digitalen Raum“ vor. Die Anwendungs- und Krisenbeispiele, neuen Facetten und notwendigen Handlungsfelder regen zum Nachdenken an und leiten zum abschließenden Format des CCPs über, der Fishbowle Discussion.
#nfdi4culture

Katja Sternitzke stellt ihren Vortrag zum Thema „Institutionelle Resilienz für Kulturerbe im digitalen Raum“ vor.
@aral@mastodon.ar.al
2025-11-24 10:56:04

The only flavour of decentralisation there’s no room for at FOSDEM is the kind that won’t speak at a conference that allows itself to be sponsored by, and thereby whitewashes, a surveillance capitalist like Google that is complicit in Israel’s ongoing genocide of the Palestinian people.

Screenshot of FOSDEM sponsors: At the top is Google.
@blakes7bot@mas.torpidity.net
2025-11-27 16:27:16

Series A, Episode 10 - Breakdown
AVON: You CANNOT reject a direct command.
BLAKE: Justify that rejection, please.
ZEN: Your command reduces to an order to self-destruct. This runs counter to Prime Directive.
blake.torpidity.net/m/110/146 B7B4

Claude Sonnet 4 describes the image as: "This image shows a scene from the British science fiction television series "Blake's 7" (1978-1981). The setting appears to be the flight deck or control room of the spaceship Liberator, featuring the show's distinctive futuristic set design with angular panels and control stations. The characters are positioned at various stations around the bridge, wearing the series' characteristic costumes - a mix of practical space-faring gear and more elaborate out…
@kubikpixel@chaos.social
2025-10-20 05:25:14

Das Herbstwetter in der Schweiz ist heute nach englischsprachigen Ortschaftsnamen benannt — auf @… die Fakten ;)
🌧️ openstreetmap.…

rain, schweiz
OpenStreetMap is a map of the world, created by people like you and free to use under an open license.

@bogo@hapyyr.com
2025-11-13 08:38:12

I just submitted a talk for the Geospatial room at #FOSDEM. It's about #OSM. Do you think this would be interesting for the audience?

Lessons from teaching 100+ people to use the OpenStreetMap FOSDEM 2026
It started as a simple idea — teaching colleagues how to use OpenStreetMap. A few sessions later, more than a hundred people had learned not just how to map, but why it matters. This talk follows two parallel stories: the trainees who discovered new tools, confidence, and purpose through digital mapping, and the company that found a new way to connect its volunteer days with growth and community impact. Together, they show how learning to map the world can also reshape how we see our own r…

@blakes7bot@mas.torpidity.net
2025-10-26 10:07:29

Series C, Episode 12 - Death-Watch
DAYNA: Do you know your most attractive quality, Vila?
VILA: [Eagerly] No. What?
DAYNA: Your subtlety. [His face falls.]
[Max's room. He and Tarrant have been watching the same display.]
blake.torpidity.net/m/312/376 B7B2

Claude Sonnet 4.0 describes the image as: "I can see this is an image of a woman with short dark hair wearing small hoop earrings and what appears to be a green or teal colored garment. She has her hand positioned near her chin in a thoughtful pose and is smiling at the camera. The background appears to show some kind of metallic or technological setting with horizontal striped elements, which would be consistent with a science fiction television production. The lighting and image quality sugge…
@blakes7bot@mas.torpidity.net
2025-09-24 18:21:13

Series D, Episode 04 - Stardrive
AVON: About two billion tons, I would say.
TARRANT: Range one hundred thousand and closing.
DAYNA: Well, then I say the whole scheme's crazy.
AVON: Why?
blake.torpidity.net/m/404/9 B7B5

Claude 3.7 describes the image as: "This image appears to be from a science fiction television series, showing a scene in what looks like a futuristic control room or spacecraft interior. The image features two people in distinctive retro-futuristic costumes typical of classic sci-fi productions. On the left is a person with curly dark hair wearing a high-collared outfit with blue and white accents. On the right is a person with blonde hair pulled back, dressed in a gray uniform-like garment.…