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@hex@kolektiva.social
2025-11-03 10:16:54

Adding another post. This one is a bit less polished, but I want to get it out. As things get harder for everyone, I'm seeing a greater tendency to want to grasp onto revolutionary fiction such as #Andor. I think there's value in that, but it has to come with an informed critique.
> We are so thirsty for hope that we will drink it up, even when that hope comes from a fiction and the truth behind the hope is poison. In Andor, we see the worst elements sacrifice themselves for some of the best. The revolution goes through a process of purification, the complicated elements weeding themselves out to make room for the simplified good, as the rebellion unifies. In reality, this tends to be the opposite how things actually work.
> [...]
> [The Urban Guerilla movement of the 60's through the 80's] centered militant revolution. In doing so, they omitted or cut themselves off from the logistic support needed to sustain such revolutionary activity. The trauma of carrying out violence further isolated and radicalized them. Lacking infrastructure for trauma healing, their decay escalated and became unrecoverable. Ultimately, their revolutionary movements both emulated and reinforced the status quo they were trying to resist.
> There emerges a strange historical parallel that is difficult to see from within the dominant paradigm. The competitive politics of electoralism derives from heroic competition, where people (typically men) compete (often violently) for control over a territory or people. Thus the insurrectionary enters into the very same competition as a challenger, not against the system of domination but for control over it. The success of the revolution, then, does not abolish the system of violent domination but changes rather replaces its management.
> Many modern anarchists will be quick to point out the disconnect between ends and means. While authoritarian projects often assert that "the ends justify the means," and Andor implies the same, anti-authoritarian projects assert the ends and the means are not only united but are, in fact, the same.
This is still very much something I'm actively editing, but I'd still love feedback to help me refine it to it's final form. Typo catches and clarifying questions welcome.
#USPol

@tagesschau_eil@mastodon.social
2025-10-30 07:39:30

📢 Fünf weitere Festnahmen nach Louvre-Einbruch
Nach dem spektakulären Juwelenraub im Pariser Louvre hat es weitere Festnahmen gegeben. Fünf Verdächtige seien im Großraum Paris festgenommen worden, nachdem es bereits am Wochenende zwei Festnahmen gegeben hatte, sagte die Pariser Staatsanwältin Beccuau im französischen Sender RTL.
➡️

@blakes7bot@mas.torpidity.net
2025-12-03 16:14:13

Series B, Episode 05 - Pressure Point
AVON: Frankly, I don't see how you can do it without me. Your strongest enemies are going to be the defence computers. I am the only one qualified to tackle them.
BLAKE: Yes, that had occurred to me. You better start getting kitted up. Do you want to tell me why?
blake.torpidit…

Claude Sonnet 4.5 describes the image as: "This image shows a scene from the British science fiction television series "Blake's 7," which aired from 1978 to 1981. The actor Gareth Thomas appears in character as Roj Blake, the series' protagonist and leader of a group of rebels fighting against a totalitarian interstellar federation.

In this shot, Thomas is seated in what appears to be the flight deck or control room of the Liberator, the advanced alien spacecraft that serves as the rebels' bas…
@kubikpixel@chaos.social
2025-10-29 06:05:05

»Studie — KI-Chatbots lügen bei 40 Prozent der Antworten:
Eine neue Studie der Europäischen Rundfunkunion zeigt alarmierende Fehlerquoten bei populären KI-Chatbots. Die Systeme erfinden regelmäßig Informationen und geben sogar falsche Quellen an.«
Wenn das nicht sogar gewollt ist von den KI-Herstellern um Macht zu haben? Ja ja… ich höre schon auf…
🔊

@Treppenwitz@sfba.social
2025-10-03 14:05:43

If you wrote a piece of fiction where this many members of a political party were rapists, people would roll their eyes. #gop #uspol

@blakes7bot@mas.torpidity.net
2025-12-02 22:21:05

Series B, Episode 12 - The Keeper
SERVALAN: Really? And who do you imagine told him?
JENNA: The only person who knew: Lurgen.
SERVALAN: Lurgen was gone before we arrived.
JENNA: Was he? Are you sure.
blake.torpidity.net/m/212/393 B7B6

Claude Haiku 4.5 describes the image as: "# Scene Description

This appears to be a scene from a science fiction production, likely from the 1970s based on the visual style and color grading. The setting is an ornate interior space with decorative patterned panels visible in the background and what appears to be a fireplace or light source. The room features rich furnishings including cushioned seating and elegant drapery.

Two women are shown in conversation, with one seated on a bed or couch …
@tinoeberl@mastodon.online
2025-10-31 07:08:25

#Artikelupdate
Es gibt teilweise die Ansicht, Erneuerbare Energien wären eine teure Form der #Stromerzeugung. Das kann durch Zahlen geprüft werden.
Im Artikel ergänzt wurde ein Verweis auf das Ergebnis einer Untersuchung des Beratungsunternehmens Enervis im Auftrag des Bunde…

@blakes7bot@mas.torpidity.net
2025-11-03 13:07:13

Series B, Episode 04 - Horizon
ORAC: With the help of the automatics, of course you can.
AVON: I know that.
ORAC: Then why did you ask the question?
AVON: [Smiles] I didn't. How long can I maintain myself?
ORAC: Is that a question?
AVON: Yes.
blake.torpidity.net/m/204/484

Claude 3.7 describes the image as: "This image shows a scene from a science fiction television series set in what appears to be a futuristic control room or laboratory. In the foreground is a transparent or clear equipment panel with various colorful components visible inside. The background features metallic wall panels with a distinctive textured design.

A person in a white tunic-style uniform with crossed arms is standing to the right side of the image, positioned near what looks like a doo…
@blakes7bot@mas.torpidity.net
2025-10-01 12:38:33

Series B, Episode 01 - Redemption
CALLY: Treatment unit. He tried to reconnect one of the servo links and it burned his hand.
BLAKE: Right, sit down. [All but Vila sit at a small table to the left of flight consoles] No one is to attempt to repair any equipment till the computers are back under our control.
blake.torpi…

Claude 3.7 describes the image as: "This image appears to be from a vintage science fiction TV series, showing a scene in what looks like a spacecraft or futuristic control room. The setting features technical equipment and utilitarian design elements typical of sci-fi productions from the late 1970s or early 1980s.

The scene captures three individuals in conversation. On the right is a person wearing a distinctive black leather outfit with decorative studs or buttons along the sleeves. In the…
@blakes7bot@mas.torpidity.net
2025-10-30 19:30:36

Series C, Episode 13 - Terminal
ZEN: Confirmed.
[Teleport room. All but Avon are present. Avon enters.]
AVON: You can take the watch now, Vila.
VILA: Wonderful. I've been looking forward to that.
TARRANT: Where are we going, Avon?
blake.torpidity.net/m/313/86

Claude 3.7 describes the image as: "This image shows a scene from a science fiction television series, set in what appears to be a spaceship or control room. The setting has distinctive angular walls with reddish-brown paneling and hexagonal design elements typical of 1970s/80s sci-fi productions.

In the scene, a person wearing a dark leather outfit stands at what looks like a control console with various technical equipment. The futuristic control panel contains box-like devices with displays…