Tootfinder

Opt-in global Mastodon full text search. Join the index!

No exact results. Similar results found.
@blakes7bot@mas.torpidity.net
2025-12-05 19:17:54

Series D, Episode 06 - Headhunter
VILA: I am!
SOOLIN: I know.
VILA: Where's Orac? He can run a scan first.
SOOLIN: 'Fraid not, sorry.
AVON: [Who has entered unnoticed and is leaning casually against the doorway.] Why not?
SOOLIN: Orac's in hiding.
blake.torpidity.net/m/406/444

Claude Sonnet 4 describes the image as: "This image shows a scene from what appears to be a science fiction television production, set in a futuristic interior space with white/gray walls, ventilation grates, and industrial-style lighting. The setting has a distinctly spaceship or space station aesthetic typical of sci-fi shows from the late 1970s or early 1980s.

Two actors are positioned in the scene - a man on the left wearing a light-colored military or utility-style jacket, and a woman on …
@tagesschau_eil@mastodon.social
2025-10-30 07:39:30

📢 Fünf weitere Festnahmen nach Louvre-Einbruch
Nach dem spektakulären Juwelenraub im Pariser Louvre hat es weitere Festnahmen gegeben. Fünf Verdächtige seien im Großraum Paris festgenommen worden, nachdem es bereits am Wochenende zwei Festnahmen gegeben hatte, sagte die Pariser Staatsanwältin Beccuau im französischen Sender RTL.
➡️

@hex@kolektiva.social
2025-11-03 10:16:54

Adding another post. This one is a bit less polished, but I want to get it out. As things get harder for everyone, I'm seeing a greater tendency to want to grasp onto revolutionary fiction such as #Andor. I think there's value in that, but it has to come with an informed critique.
> We are so thirsty for hope that we will drink it up, even when that hope comes from a fiction and the truth behind the hope is poison. In Andor, we see the worst elements sacrifice themselves for some of the best. The revolution goes through a process of purification, the complicated elements weeding themselves out to make room for the simplified good, as the rebellion unifies. In reality, this tends to be the opposite how things actually work.
> [...]
> [The Urban Guerilla movement of the 60's through the 80's] centered militant revolution. In doing so, they omitted or cut themselves off from the logistic support needed to sustain such revolutionary activity. The trauma of carrying out violence further isolated and radicalized them. Lacking infrastructure for trauma healing, their decay escalated and became unrecoverable. Ultimately, their revolutionary movements both emulated and reinforced the status quo they were trying to resist.
> There emerges a strange historical parallel that is difficult to see from within the dominant paradigm. The competitive politics of electoralism derives from heroic competition, where people (typically men) compete (often violently) for control over a territory or people. Thus the insurrectionary enters into the very same competition as a challenger, not against the system of domination but for control over it. The success of the revolution, then, does not abolish the system of violent domination but changes rather replaces its management.
> Many modern anarchists will be quick to point out the disconnect between ends and means. While authoritarian projects often assert that "the ends justify the means," and Andor implies the same, anti-authoritarian projects assert the ends and the means are not only united but are, in fact, the same.
This is still very much something I'm actively editing, but I'd still love feedback to help me refine it to it's final form. Typo catches and clarifying questions welcome.
#USPol

@seemannsmission@c.im
2025-12-05 06:46:30

Ehrenamtliche bei der Seemannsmission
Holen Seeleute mit Minibus ab
machen Bordbesuche
Stehen in der quirligen Kreuzfahrt Lounge an der Kasse
Netzwerken
Sitzen in Vorständen
Prüfen Kassen
Backen Kelse
Stricken Mützen
Influencen
Hören zu
haben Ideen
Helfen bei Festen
Stehen auf Messen

Dankeschön!!!!🙏🏻
#TagDesEhrenamts

@blakes7bot@mas.torpidity.net
2025-12-05 13:08:25

Series D, Episode 02 - Power
PELLA: I shall. You follow. [exits]
[Gunn Sar's room. He is lying on a table while Nina massages him.]
CATO: [Enters] Sir, we have the intruder. His equipment and gun. [Hands them to Gunn Sar.]
blake.torpidity.net/m/402/56 B7B3

Claude Sonnet 4.5 describes the image as: "This image shows three actresses in a dramatic scene set against a barren, rocky landscape. The setting appears post-apocalyptic or otherworldly, with grey stone formations and sparse vegetation in the background.

The three women wear flowing, toga-like garments in earth tones - two in beige/grey and one in rust orange. They all sport distinctive metallic collar necklaces that suggest a futuristic or science fiction context. Their hair is styled simpl…
@kubikpixel@chaos.social
2025-10-29 06:05:05

»Studie — KI-Chatbots lügen bei 40 Prozent der Antworten:
Eine neue Studie der Europäischen Rundfunkunion zeigt alarmierende Fehlerquoten bei populären KI-Chatbots. Die Systeme erfinden regelmäßig Informationen und geben sogar falsche Quellen an.«
Wenn das nicht sogar gewollt ist von den KI-Herstellern um Macht zu haben? Ja ja… ich höre schon auf…
🔊

@blakes7bot@mas.torpidity.net
2025-10-05 09:19:19

Series B, Episode 04 - Horizon
CALLY: [V.O.] Right.
AVON: Orac, have you obtained any further information on the planet Horizon?
ORAC: No.
AVON: Why not?
ORAC: Is that a serious question?
AVON: No.
blake.torpidity.net/m/204/406 B7B2

Claude 3.7 describes the image as: "This image shows a futuristic sci-fi control room or laboratory setting. A person is seated at what appears to be a control station, wearing a distinctive silver/white jacket with dark pants. The metallic, reflective fabric of the outfit suggests a futuristic or space-age aesthetic typical of science fiction productions from the late 1970s or early 1980s.

In the foreground, there's a transparent console or equipment case containing various tubes, wires, and …
@blakes7bot@mas.torpidity.net
2025-12-04 22:17:59

Series D, Episode 04 - Stardrive
PLAXTON: Particle driver control?
NAPIER: Particle driver right.
PLAXTON: Well you'd better double check. I'm going to take the drive up to twenty-five percent today.
NAPIER: In here, Doctor?
blake.torpidity.net/m/404/232 B7B…

Claude Haiku 4.5 describes the image as: "# Image Description

This appears to be a scene from a science fiction television production, likely from the 1970s or 1980s based on the styling and set design. The setting is a futuristic control room or command center, featuring distinctive retro-futuristic decor with geometric shapes and bold color blocking in black, white, and green.

The scene shows multiple figures in costume within what appears to be a studio set. On the left side, there are two…
@blakes7bot@mas.torpidity.net
2025-11-04 13:23:33

Series D, Episode 10 - Gold
TARRANT: Have we got a choice? [A small explosion goes off nearby.]
DAYNA: Looks as though we have.
TARRANT: Let's get up there.
[At the top of the ladder.]
DAYNA: Avon! Soolin!
TARRANT: [*inaudible*]
blake.torpidity.net/m/410/127

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television series, showing two people in what looks like a spacecraft or futuristic setting. The scene takes place in what appears to be a corridor or room with metallic walls and technological equipment visible in the background. One person is wearing what appears to be a form-fitting outfit with metallic or reflective elements, while the other is dressed in what looks like a light-colored uniform or…
@blakes7bot@mas.torpidity.net
2025-12-03 16:14:13

Series B, Episode 05 - Pressure Point
AVON: Frankly, I don't see how you can do it without me. Your strongest enemies are going to be the defence computers. I am the only one qualified to tackle them.
BLAKE: Yes, that had occurred to me. You better start getting kitted up. Do you want to tell me why?
blake.torpidit…

Claude Sonnet 4.5 describes the image as: "This image shows a scene from the British science fiction television series "Blake's 7," which aired from 1978 to 1981. The actor Gareth Thomas appears in character as Roj Blake, the series' protagonist and leader of a group of rebels fighting against a totalitarian interstellar federation.

In this shot, Thomas is seated in what appears to be the flight deck or control room of the Liberator, the advanced alien spacecraft that serves as the rebels' bas…