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@tagesschau_eil@mastodon.social
2025-10-30 07:39:30

📢 Fünf weitere Festnahmen nach Louvre-Einbruch
Nach dem spektakulären Juwelenraub im Pariser Louvre hat es weitere Festnahmen gegeben. Fünf Verdächtige seien im Großraum Paris festgenommen worden, nachdem es bereits am Wochenende zwei Festnahmen gegeben hatte, sagte die Pariser Staatsanwältin Beccuau im französischen Sender RTL.
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@sillon_fictionnel@paperbay.org
2025-12-31 10:50:27

Trois nouvelles librairies ajoutées dans le Sillon:
- Librairie - L’Eternel Retour (Paris)
- Librairie - Le Pied Š Terre (Paris)
- Librairie - Autour du Monde (Metz)
Les librairies que nous avons sélectionnées ne sont pas de simples commerces, mais des refuges pour l’esprit et l’imaginaire. Elles incarnent l’amour du livre et la passion de ceux qui les tiennent, où chaque rayon semble pensé pour éveiller la curiosité et nourrir l’âme.

André Masson Library, Metz.

https://www.flickr.com/photos/adulau/53916957116/
@blakes7bot@mas.torpidity.net
2025-10-30 19:30:36

Series C, Episode 13 - Terminal
ZEN: Confirmed.
[Teleport room. All but Avon are present. Avon enters.]
AVON: You can take the watch now, Vila.
VILA: Wonderful. I've been looking forward to that.
TARRANT: Where are we going, Avon?
blake.torpidity.net/m/313/86

Claude 3.7 describes the image as: "This image shows a scene from a science fiction television series, set in what appears to be a spaceship or control room. The setting has distinctive angular walls with reddish-brown paneling and hexagonal design elements typical of 1970s/80s sci-fi productions.

In the scene, a person wearing a dark leather outfit stands at what looks like a control console with various technical equipment. The futuristic control panel contains box-like devices with displays…
@kubikpixel@chaos.social
2025-10-29 06:05:05

»Studie — KI-Chatbots lügen bei 40 Prozent der Antworten:
Eine neue Studie der Europäischen Rundfunkunion zeigt alarmierende Fehlerquoten bei populären KI-Chatbots. Die Systeme erfinden regelmäßig Informationen und geben sogar falsche Quellen an.«
Wenn das nicht sogar gewollt ist von den KI-Herstellern um Macht zu haben? Ja ja… ich höre schon auf…
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@tinoeberl@mastodon.online
2025-10-31 07:08:25

#Artikelupdate
Es gibt teilweise die Ansicht, Erneuerbare Energien wären eine teure Form der #Stromerzeugung. Das kann durch Zahlen geprüft werden.
Im Artikel ergänzt wurde ein Verweis auf das Ergebnis einer Untersuchung des Beratungsunternehmens Enervis im Auftrag des Bunde…

@blakes7bot@mas.torpidity.net
2025-10-30 10:22:30

Series B, Episode 01 - Redemption
BLAKE: It's all right, Vila. I think we've lost them.
VILA: How'd you know?
BLAKE: We're still here. Cut the auxiliaries. Get back to primary drive. [To Avon] Are you all right?
blake.torpidity.net/m/201/124 B7B2

Claude 3.7 describes the image as: "This image shows a scene from what appears to be a science fiction television production from the late 1970s or early 1980s, based on the visual style and production quality. The setting appears to be the bridge or control room of a spacecraft, with futuristic control panels and a distinctive angular design aesthetic typical of sci-fi productions from that era.

Several people are visible in the control room, wearing costume garments that suggest a unified st…
@aral@mastodon.ar.al
2025-11-24 10:56:04

The only flavour of decentralisation there’s no room for at FOSDEM is the kind that won’t speak at a conference that allows itself to be sponsored by, and thereby whitewashes, a surveillance capitalist like Google that is complicit in Israel’s ongoing genocide of the Palestinian people.

Screenshot of FOSDEM sponsors: At the top is Google.
@blakes7bot@mas.torpidity.net
2025-12-30 07:14:00

#Blakes7 Series A, Episode 11 - Bounty
GAN: Bounty hunters. They're going to sell us to the Federation.
BLAKE: But how did they get on board?
AVON: Gan?
VILA: It wasn't Gan's fault.
GAN: They used me and a voice synthesizer. It was very well planned.

Claude Sonnet 3.7 describes the image as: "This image appears to be from the classic British science fiction television series "Blake's 7," showing a group of characters gathered in what looks like the interior of a spacecraft or control room. The scene has the distinctive visual style of late 1970s/early 1980s British television production, with somewhat muted lighting and practical set design.

The image captures what seems to be a tense moment or discussion, with several people gathered arou…
@blakes7bot@mas.torpidity.net
2025-10-29 13:07:14

Series A, Episode 12 - Deliverance
ENSOR: I'm on three-quarter boost as it is. She's not responding! I'm going to maximum. It's all right. It's all right. She's slowing. Compensators beginning to hold. [Ship starts to steady.] Come on, come on, that's my beauty. That's...come on. Pull us back, pull us back. All right, she's coming back. We're all right.
MARYATT: Don't do that too often, will you? I'm a very nervous passenger.

Claude Sonnet 4.0 describes the image as: "I can see two men in what appears to be the interior of a spacecraft or control room setting. They're positioned near what looks like control panels or technical equipment, with some kind of display screen visible showing a green geometric shape. The lighting is dramatic and moody, typical of science fiction television production from this era. The men are wearing what appears to be futuristic or military-style clothing. The setting suggests they're li…
@blakes7bot@mas.torpidity.net
2025-10-28 13:23:03

Series B, Episode 12 - The Keeper
ZEN: Main detectors report Federation pursuit ship, bearing one three two, course two seven six, leaving the planet and entering orbit.
AVON: Put it on the main screen.
ZEN: Affirmative. [pursuit ship appears on screen]
blake.torpidity.net/m/212/31

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television series, showing the interior of what looks like a spacecraft or control room. The setting features futuristic control panels with various buttons, switches, and displays typical of 1970s-80s sci-fi production design. There are comfortable-looking seats and the overall aesthetic has that distinctive retro-futuristic appearance common to British science fiction shows of that era. The lighting…