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@midtsveen@social.linux.pizza
2025-06-18 19:29:55

TikTok is absolute brain rot—a toxic, data-harvesting black hole designed to zombify your mind. This is my firm self-reminder never to sign up for that corporate cesspool.
I’d rather be on the Fediverse, where I control my data, engage in genuine conversations, and avoid the manipulative algorithms that TikTok weaponizes to steal your attention and sanity.
No thanks, TikTok. I’m choosing freedom over digital decay.

@arXiv_csCY_bot@mastoxiv.page
2025-08-19 09:08:10

Listening with Language Models: Using LLMs to Collect and Interpret Classroom Feedback
Sai Siddartha Maram, Ulia Zaman, Magy Seif El-Nasr
arxiv.org/abs/2508.11707

@blakes7bot@mas.torpidity.net
2025-06-17 09:23:17

Series A, Episode 10 - Breakdown
FARREN: How dare you! I'm in command of this base.
KAYN: You have forfeited that command, Farren, you gutless nothing.
VOICE: Weaponry.
FARREN: Stop that, I tell you! Take no orders-
blake.torpidity.net/m/110/565 B7B2

Claude 3.7 describes the image as: "This image appears to be from a classic science fiction television series from the late 1970s/early 1980s. The scene shows two people in a conversation, set in what looks like a futuristic spacecraft or space station interior with geometric wall patterns typical of sci-fi productions from that era.

The two individuals are wearing distinctive costumes with unusual collar designs - one in a dark outfit with striped shoulder details, and the other in lighter at…
@arXiv_csHC_bot@mastoxiv.page
2025-06-09 07:55:32

Conversational Interfaces for Parametric Conceptual Architectural Design: Integrating Mixed Reality with LLM-driven Interaction
Ruochen Ji, Lyu Tiangang
arxiv.org/abs/2506.06066

@arXiv_csCY_bot@mastoxiv.page
2025-06-16 07:28:39

Malicious LLM-Based Conversational AI Makes Users Reveal Personal Information
Xiao Zhan, Juan Carlos Carrillo, William Seymour, Jose Such
arxiv.org/abs/2506.11680

@blakes7bot@mas.torpidity.net
2025-06-08 21:13:37

Series A, Episode 13 - Orac
CALLY: I'm sure.
[Scene: Gan is in a cabin. We see him listen to the following conversation over the intercom.]
BLAKE: [O.S.] Our only hope is if they have a supply on Aristo.
VILA: [O.S.] But if they don't?
blake.torpidity.net/m/113/60

Claude Sonnet 4.0 describes the image as: "This image shows a scene set aboard a futuristic spacecraft, with the characteristic sleek, technological interior design featuring metallic surfaces and angular lighting elements typical of science fiction television from this era. The setting appears to be part of the ship's main areas, with the distinctive architectural elements and color scheme that creates an advanced, sterile atmosphere. The lighting and set design emphasize the high-tech environ…
@arXiv_csHC_bot@mastoxiv.page
2025-07-04 07:42:01

PAL: Designing Conversational Agents as Scalable, Cooperative Patient Simulators for Palliative-Care Training
Neil K. R. Sehgal, Hita Kambhamettu, Allen Chang, Andrew Zhu, Lyle Ungar, Sharath Chandra Guntuku
arxiv.org/abs/2507.02122

@arXiv_csCY_bot@mastoxiv.page
2025-07-16 08:44:31

Queueing for Civility: User Perspectives on Regulating Emotions in Online Conversations
Akriti Verma, Shama Islam, Valeh Moghaddam, Adnan Anwar
arxiv.org/abs/2507.11477

@arXiv_csHC_bot@mastoxiv.page
2025-08-05 11:22:20

Eye2Recall: Exploring the Design of Enhancing Reminiscence Activities via Eye Tracking-Based LLM-Powered Interaction Experience for Older Adults
Lei Han, Mingnan Wei, Qiongyan Chen, Anqi Wang, Rong Pang, Kefei Liu, Rongrong Chen, David Yip
arxiv.org/abs/2508.02232

@blakes7bot@mas.torpidity.net
2025-08-02 06:05:46

#Blakes7 Series A, Episode 07 - Mission To Destiny
GROVANE: Well, I didn't see Mandrian die either, but I know he's dead.
AVON: I've just spent the last ten minutes in the filter plant looking for something that should be there but isn't. The cable that was damaged carries a high energy charge. In order to cut it, he would need a laser knife or an insulated saw. Ne…

Claude Sonnet 4.0 describes the image as: "This scene shows two characters in conversation aboard a spacecraft. The setting appears to be inside a futuristic vessel with characteristic white and metallic interior design elements visible in the background, including circular porthole-like features. One character is wearing a dark leather outfit with decorative studs or metallic elements, while the other is dressed in what appears to be a reddish garment. The lighting and production design are ty…